{"type":"journal_article","publication":"Die Tonkunst","status":"public","_id":"55821","user_id":"1684","department":[{"_id":"538"},{"_id":"874"}],"language":[{"iso":"ger"}],"publication_status":"published","issue":"III","year":"2011","citation":{"apa":"Bohl, B. W., Kepper, J., & Röwenstrunk, D. (2011). Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts. Die Tonkunst, III, 270–276.","bibtex":"@article{Bohl_Kepper_Röwenstrunk_2011, title={Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts}, number={III}, journal={Die Tonkunst}, author={Bohl, Benjamin W. and Kepper, Johannes and Röwenstrunk, Daniel}, year={2011}, pages={270–276} }","mla":"Bohl, Benjamin W., et al. “Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts.” Die Tonkunst, no. III, 2011, pp. 270–276.","short":"B.W. Bohl, J. Kepper, D. Röwenstrunk, Die Tonkunst (2011) 270–276.","chicago":"Bohl, Benjamin W., Johannes Kepper, and Daniel Röwenstrunk. “Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts.” Die Tonkunst, no. III (2011): 270–276.","ieee":"B. W. Bohl, J. Kepper, and D. Röwenstrunk, “Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts,” Die Tonkunst, no. III, pp. 270–276, 2011.","ama":"Bohl BW, Kepper J, Röwenstrunk D. Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts. Die Tonkunst. 2011;(III):270–276."},"page":"270–276","date_updated":"2024-08-28T13:12:06Z","author":[{"full_name":"Bohl, Benjamin W.","last_name":"Bohl","first_name":"Benjamin W."},{"id":"1684","full_name":"Kepper, Johannes","last_name":"Kepper","orcid":"0000-0003-4891-260X","first_name":"Johannes"},{"first_name":"Daniel","full_name":"Röwenstrunk, Daniel","id":"439","last_name":"Röwenstrunk","orcid":"https://orcid.org/0000-0001-6271-2095"}],"date_created":"2024-08-28T11:37:31Z","title":"Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts"}