{"publication_status":"published","type":"journal_article","department":[{"_id":"538"},{"_id":"874"}],"title":"Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts","publication":"Die Tonkunst","date_updated":"2024-08-28T13:12:06Z","date_created":"2024-08-28T11:37:31Z","status":"public","page":"270–276","user_id":"1684","citation":{"ieee":"B. W. Bohl, J. Kepper, and D. Röwenstrunk, “Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts,” <i>Die Tonkunst</i>, no. III, pp. 270–276, 2011.","mla":"Bohl, Benjamin W., et al. “Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts.” <i>Die Tonkunst</i>, no. III, 2011, pp. 270–276.","bibtex":"@article{Bohl_Kepper_Röwenstrunk_2011, title={Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts}, number={III}, journal={Die Tonkunst}, author={Bohl, Benjamin W. and Kepper, Johannes and Röwenstrunk, Daniel}, year={2011}, pages={270–276} }","apa":"Bohl, B. W., Kepper, J., &#38; Röwenstrunk, D. (2011). Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts. <i>Die Tonkunst</i>, <i>III</i>, 270–276.","short":"B.W. Bohl, J. Kepper, D. Röwenstrunk, Die Tonkunst (2011) 270–276.","chicago":"Bohl, Benjamin W., Johannes Kepper, and Daniel Röwenstrunk. “Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts.” <i>Die Tonkunst</i>, no. III (2011): 270–276.","ama":"Bohl BW, Kepper J, Röwenstrunk D. Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts. <i>Die Tonkunst</i>. 2011;(III):270–276."},"issue":"III","author":[{"full_name":"Bohl, Benjamin W.","last_name":"Bohl","first_name":"Benjamin W."},{"id":"1684","first_name":"Johannes","full_name":"Kepper, Johannes","last_name":"Kepper","orcid":"0000-0003-4891-260X"},{"id":"439","full_name":"Röwenstrunk, Daniel","last_name":"Röwenstrunk","first_name":"Daniel","orcid":"https://orcid.org/0000-0001-6271-2095"}],"year":"2011","language":[{"iso":"ger"}],"_id":"55821"}