{"publication_status":"published","publication":"Wagner-Spektrum","intvolume":"         2","status":"public","date_updated":"2025-01-22T16:10:43Z","author":[{"last_name":"Tumat","first_name":"Antje","full_name":"Tumat, Antje"}],"department":[{"_id":"233"},{"_id":"856"}],"language":[{"iso":"ger"}],"date_created":"2024-12-04T16:21:00Z","_id":"57579","publisher":"Königshausen und Neumann","title":"Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis","abstract":[{"lang":"eng","text":"Richard Wagner is considered a prominent critic of incidental music, as he called for the abolition of randomly inserted music between acts in plays. However, he greatly appreciated music composed especially for a play, such as Beethoven's music for Goethe's Egmont. In the early 1830s, he himself wrote several pieces of music for plays that have not been fully preserved. The text analyses Wagner's theatre music aesthetics in the context of contemporary aesthetics and theatre practice and provides a general overview of the music that has been handed down. His surviving theatre overtures show a high level of musical sophistication in the early engagement with symphonic music, as well as an effort to shape instrumental music according to dramatic content. They point to role models such as Beethoven and Mendelssohn. A more practical theatrical view of Wagner's theatrical music could open up new perspectives for his theatrical music and insights into the theatrical practice of the time."}],"volume":2,"page":"71-83","type":"journal_article","user_id":"72268","year":"2024","publication_identifier":{"isbn":["978-3-8260-8902-2"]},"citation":{"ieee":"A. Tumat, “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis,” <i>Wagner-Spektrum</i>, vol. 2, pp. 71–83, 2024.","mla":"Tumat, Antje. “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis.” <i>Wagner-Spektrum</i>, vol. 2, Königshausen und Neumann, 2024, pp. 71–83.","short":"A. Tumat, Wagner-Spektrum 2 (2024) 71–83.","ama":"Tumat A. Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis. <i>Wagner-Spektrum</i>. 2024;2:71-83.","apa":"Tumat, A. (2024). Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis. <i>Wagner-Spektrum</i>, <i>2</i>, 71–83.","chicago":"Tumat, Antje. “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis.” <i>Wagner-Spektrum</i> 2 (2024): 71–83.","bibtex":"@article{Tumat_2024, title={Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis}, volume={2}, journal={Wagner-Spektrum}, publisher={Königshausen und Neumann}, author={Tumat, Antje}, year={2024}, pages={71–83} }"}}