{"date_updated":"2022-01-06T07:03:18Z","year":"2010","page":"105-114","type":"journal_article","_id":"6785","user_id":"32277","language":[{"iso":"eng"}],"date_created":"2019-01-16T11:36:06Z","citation":{"mla":"Tönnies, Merle, and Andrea Sand. “The Features of Meanings of Orality in Black British Performance Poetry.” Anglistentag 2009 Klagenfurt. Proceedings, WVT, 2010, pp. 105–14.","short":"M. Tönnies, A. Sand, Anglistentag 2009 Klagenfurt. Proceedings (2010) 105–114.","apa":"Tönnies, M., & Sand, A. (2010). The Features of Meanings of Orality in Black British Performance Poetry. Anglistentag 2009 Klagenfurt. Proceedings, 105–114.","bibtex":"@article{Tönnies_Sand_2010, title={The Features of Meanings of Orality in Black British Performance Poetry}, journal={Anglistentag 2009 Klagenfurt. Proceedings}, publisher={WVT}, author={Tönnies, Merle and Sand, Andrea}, year={2010}, pages={105–114} }","ama":"Tönnies M, Sand A. The Features of Meanings of Orality in Black British Performance Poetry. Anglistentag 2009 Klagenfurt Proceedings. 2010:105-114.","ieee":"M. Tönnies and A. Sand, “The Features of Meanings of Orality in Black British Performance Poetry,” Anglistentag 2009 Klagenfurt. Proceedings, pp. 105–114, 2010.","chicago":"Tönnies, Merle, and Andrea Sand. “The Features of Meanings of Orality in Black British Performance Poetry.” Anglistentag 2009 Klagenfurt. Proceedings, 2010, 105–14."},"status":"public","author":[{"first_name":"Merle","full_name":"Tönnies, Merle","id":"555","last_name":"Tönnies"},{"last_name":"Sand","full_name":"Sand, Andrea","first_name":"Andrea"}],"title":"The Features of Meanings of Orality in Black British Performance Poetry","publication":"Anglistentag 2009 Klagenfurt. Proceedings","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"publisher":"WVT","publication_status":"published"}