{"page":"194-201","_id":"8864","language":[{"iso":"eng"}],"user_id":"32277","volume":11,"status":"public","title":"Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett's Mature Drama","year":"2001","author":[{"id":"555","full_name":"Tönnies, Merle","last_name":"Tönnies","first_name":"Merle"}],"publication_status":"published","date_updated":"2022-01-06T07:04:04Z","intvolume":"        11","date_created":"2019-04-09T09:48:37Z","type":"journal_article","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"publication":"Samuel Beckett Today / Aujourd'hui: Endlessness in the Year 2000 / Fin sans fin en l'an 2000","citation":{"ieee":"M. Tönnies, “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama,” <i>Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans fin en l’an 2000</i>, vol. 11, pp. 194–201, 2001.","apa":"Tönnies, M. (2001). Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama. <i>Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000</i>, <i>11</i>, 194–201.","chicago":"Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” <i>Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000</i> 11 (2001): 194–201.","short":"M. Tönnies, Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000 11 (2001) 194–201.","mla":"Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” <i>Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000</i>, vol. 11, 2001, pp. 194–201.","bibtex":"@article{Tönnies_2001, title={Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama}, volume={11}, journal={Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans fin en l’an 2000}, author={Tönnies, Merle}, year={2001}, pages={194–201} }","ama":"Tönnies M. Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama. <i>Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans fin en l’an 2000</i>. 2001;11:194-201."}}