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104 Publications
2019 | Book Chapter | LibreCat-ID: 47337
Berndt, A. (2019). Adaptive Game Scoring with Ambient Music. In M. Adkins & S. Cummings (Eds.), Music Beyond Airports: Apraising Ambient Music (pp. 197–226). University of Huddersfield Press.
LibreCat
2018 | Conference Paper | LibreCat-ID: 47344
Berndt, A. (2018). Interactive Media Scoring with Ambient Music. {Ambient@40}.
LibreCat
2018 | Book Chapter | LibreCat-ID: 47340
Berndt, A., & Bohl, B. ~W. (2018). Music Performance Markup: Formale Beschreibung musikalischer Interpretationen. In R. Nutt-Kofoth & B. Plachta (Eds.), {editio: International Yearbook of Scholarly Editing} (Vol. 32, pp. 185–204). De Gruyter.
LibreCat
2018 | Conference Paper | LibreCat-ID: 47342
Berndt, A., Waloschek, S., & Hadjakos, A. (2018). Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications. {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}.
LibreCat
2018 | Conference Paper | LibreCat-ID: 47343
Waloschek, S., Hadjakos, A., & Berndt, A. (2018). Score and sound-based interface for exploring music performances. {Interdisciplinary Workshop on Timbre 2018}.
LibreCat
2018 | Conference Paper | LibreCat-ID: 47341
Berndt, A. (2018). Digital Sounds im Future Marketing: So klingt die Zukunft. {CEBIT 2018 Panel Discussion}.
LibreCat
2018 | Book Chapter | LibreCat-ID: 47345
Berndt, A., & Bohl, B. ~W. (2018). Music Performance Markup: Formale Beschreibung musikalischer Interpretationen. In R. Nutt-Kofoth & B. Plachta (Eds.), {Editio: Internationales Jahrbuch für Editionswissenschaft} (Vol. 32). De Gruyter.
LibreCat
2018 | Conference Paper | LibreCat-ID: 47346
Berndt, A., & Bohl, B. ~W. (2018). Formale Beschreibung musikalischer Interpretationen. {Aufführung Und Edition 2018, 17. Int. Tagung Der Arbeitsgemeinschaft Für Germanistische Edition}.
LibreCat
2018 | Conference Paper | LibreCat-ID: 47347
Berndt, A. (2018). Musik im Spiel. {Kolloquium Zur Musik Des 20. Jahrhunderts}.
LibreCat
2017 | Conference Paper | LibreCat-ID: 47350
Berndt, A., Waloschek, S., & Hadjakos, A. (2017). Musikeditionen zum Klingen bringen. {Edirom Summer School 2017}.
LibreCat
2017 | Conference Paper | LibreCat-ID: 47349
Berndt, A. (2017). Herausforderungen der editorischen Erschließung auditiver Objekte. {Projekt Sprechmaschine Workshop: Wo Liegt Der Mehrwert Digitaler Ausstellungen Für Universitäre Sammlungen?}.
LibreCat
2017 | Journal Article | LibreCat-ID: 47348
Berndt, A., Al-Kassab, N., & Dachselt, R. (2017). The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra. {Computer Music Journal}, 41(4), 32–44.
LibreCat
2017 | Conference Paper | LibreCat-ID: 47351
Peschke, J., & Berndt, A. (2017). The Geometric Oscillator: Sound Synthesis with Cyclic Shapes. {Audio Mostly 2017: 12th Conf. on Interaction with Sound—Augmented and Participatory Sound/Music Experiences}.
LibreCat
2017 | Conference Paper | LibreCat-ID: 47352
Mexin, Y., Hadjakos, A., Berndt, A., Waloschek, S., Wawilow, A., & Szwillus, G. (2017). Tools for Annotating Musical Measures in Digital Music Editions. {14th Sound and Music Computing Conf.\ (SMC-17)}.
LibreCat
2017 | Book Chapter | LibreCat-ID: 47354
Berndt, A. (2017). Generative Musik als Werkzeug in der Musikwissenschaft. In C. Lange & B. Reipsch (Eds.), {Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten. Bericht über die Wissenschaftliche Konferenz, Magdeburg, 15. und 16. März 2012, anlässlich der 21. Magdeburger Telemann-Festtage} (pp. 305–326). Olms Verlag.
LibreCat
2017 | Conference Paper | LibreCat-ID: 47353
Berndt, A., Waloschek, S., Hadjakos, A., & Leemhuis, A. (2017). AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games. {Proc. of New Interfaces for Musical Expression (NIME) 2017}.
LibreCat
2016 | Conference Paper | LibreCat-ID: 47356
Waloschek, S., Berndt, A., Bohl, B. ~W., & Hadjakos, A. (2016). Interactive Scores in Classical Music Production. In M. Mandel (Ed.), {Proc. of the 17th Int. Society for Music Information Retrieval Conf.\ (ISMIR) 2016}. Int. Society for Music Information Retrieval.
LibreCat
2016 | Conference Paper | LibreCat-ID: 47357
Berndt, A., Waloschek, S., & Hadjakos, A. (2016). Hand Gestures in Music Production. In H. Timmermans (Ed.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}. International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek.
LibreCat
2016 | Conference Paper | LibreCat-ID: 47355
Waloschek, S., Berndt, A., Bohl, B. ~W., & Hadjakos, A. (2016). Accelerating the Editing Phase in Music Productions using Interactive Scores. {Proc. of the 2nd AES Workshop on Intelligent Music Production}.
LibreCat
2016 | Book Chapter | LibreCat-ID: 47359
Bohl, B. ~W., Berndt, A., Waloschek, S., & Hadjakos, A. (2016). Dem Igel Sitte lehren … Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung. In K. Richts & P. Stadler (Eds.), {\glqqEi, dem alten Herrn zoll’ ich Achtung gern’\grqq Festschrift für Joachim Veit zum 60. Geburtstag} (pp. 141–163). Allitera Verlag.
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