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107 Publications
2020 | Conference Paper | LibreCat-ID: 47333
A. Berndt, “Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen,” 2020.
LibreCat
2019 | Book | LibreCat-ID: 47336
A. Berndt and J. Veit, Inside Beethoven! Das begehbare Ensemble - Begleitpublikation zur Klanginstallation der Hochschule für Musik Detmold zum Septett op. 20 und Trio op. 38 (mit CD). Bonn, Germany: Beethoven-Haus Bonn, 2019.
LibreCat
2019 | Conference Paper | LibreCat-ID: 47338
S. Waloschek, A. Berndt, A. Hadjakos, and A. Pacha, “A Showcase of New MEI Tools,” 2019.
LibreCat
2019 | Book Chapter | LibreCat-ID: 47337
A. Berndt, “Adaptive Game Scoring with Ambient Music,” in Music Beyond Airports: Apraising Ambient Music, M. Adkins and S. Cummings, Eds. Huddersfield, UK: University of Huddersfield Press, 2019, pp. 197–226.
LibreCat
2018 | Conference Paper | LibreCat-ID: 47344
A. Berndt, “Interactive Media Scoring with Ambient Music,” 2018.
LibreCat
2018 | Conference Paper | LibreCat-ID: 47342
A. Berndt, S. Waloschek, and A. Hadjakos, “Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications,” 2018.
LibreCat
2018 | Conference Paper | LibreCat-ID: 47343
S. Waloschek, A. Hadjakos, and A. Berndt, “Score and sound-based interface for exploring music performances,” 2018.
LibreCat
2018 | Conference Paper | LibreCat-ID: 47341
A. Berndt, “Digital Sounds im Future Marketing: So klingt die Zukunft,” 2018.
LibreCat
2018 | Book Chapter | LibreCat-ID: 47345
A. Berndt and B. W. Bohl, “Music Performance Markup: Formale Beschreibung musikalischer Interpretationen,” in Internationales Jahrbuch für Editionswissenschaft, vol. 32, R. Nutt-Kofoth and B. Plachta, Eds. Berlin, Germany: De Gruyter, 2018.
LibreCat
2018 | Book Chapter | LibreCat-ID: 47340
A. Berndt and B. W. Bohl, “Music Performance Markup: Formale Beschreibung musikalischer Interpretationen,” in International Yearbook of Scholarly Editing, vol. 32, R. Nutt-Kofoth and B. Plachta, Eds. Berlin, Germany: De Gruyter, 2018, pp. 185–204.
LibreCat
2018 | Conference Paper | LibreCat-ID: 47346
A. Berndt and B. W. Bohl, “Formale Beschreibung musikalischer Interpretationen,” 2018.
LibreCat
2017 | Conference Paper | LibreCat-ID: 47350
A. Berndt, S. Waloschek, and A. Hadjakos, “Musikeditionen zum Klingen bringen,” 2017.
LibreCat
2017 | Conference Paper | LibreCat-ID: 47349
A. Berndt, “Herausforderungen der editorischen Erschließung auditiver Objekte,” 2017.
LibreCat
2017 | Journal Article | LibreCat-ID: 47348
A. Berndt, N. Al-Kassab, and R. Dachselt, “The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra,” {Computer Music Journal}, vol. 41, no. 4, pp. 32–44, 2017.
LibreCat
2017 | Conference Paper | LibreCat-ID: 47351
J. Peschke and A. Berndt, “The Geometric Oscillator: Sound Synthesis with Cyclic Shapes,” 2017.
LibreCat
2017 | Conference Paper | LibreCat-ID: 47352
Y. Mexin, A. Hadjakos, A. Berndt, S. Waloschek, A. Wawilow, and G. Szwillus, “Tools for Annotating Musical Measures in Digital Music Editions,” 2017.
LibreCat
2017 | Book Chapter | LibreCat-ID: 47354
A. Berndt, “Generative Musik als Werkzeug in der Musikwissenschaft,” in {Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten. Bericht über die Wissenschaftliche Konferenz, Magdeburg, 15. und 16. März 2012, anlässlich der 21. Magdeburger Telemann-Festtage}, C. Lange and B. Reipsch, Eds. Hildesheim, Germany: Olms Verlag, 2017, pp. 305–326.
LibreCat
2017 | Conference Paper | LibreCat-ID: 47353
A. Berndt, S. Waloschek, A. Hadjakos, and A. Leemhuis, “AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games,” 2017.
LibreCat
2016 | Conference Paper | LibreCat-ID: 47357
A. Berndt, S. Waloschek, and A. Hadjakos, “Hand Gestures in Music Production,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2016.
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