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104 Publications
2016 | Conference Paper | LibreCat-ID: 47360
B. ~W. Bohl, A. Berndt, and B. Senft, “Formate als Sackgassen: Handlungsempfehlungen,” 2016.
LibreCat
2016 | Conference Paper | LibreCat-ID: 47358
A. Berndt and B. ~W. Bohl, “XML Music Performance Description,” in {Music Encoding Conference 2016}, 2016, pp. 91–94.
LibreCat
2015 | Conference Paper | LibreCat-ID: 47369
A. Berndt, S. Waloschek, and A. Hadjakos, “Gedanken zur Nutzung von Handgesten in der Musikproduktion,” in {Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces}, 2015, pp. 247–252.
LibreCat
2015 | Book Chapter | LibreCat-ID: 47363
N. Al-Kassab and A. Berndt, “TouchNoise: A Multitouch Noise Instrument,” in {Works in Audio and Music Technology}, A. Berndt, Ed. Dresden, Germany: TUDpress, 2015, pp. 31–57.
LibreCat
2015 | Conference Paper | LibreCat-ID: 47370
A. Hadjakos, A. Berndt, and S. Waloschek, “Synchronizing Spatially Distributed Musical Ensembles,” 2015.
LibreCat
2015 | Book | LibreCat-ID: 47361
A. Berndt, Works in Audio and Music Technology. Dresden, Germany: TUDpress, 2015.
LibreCat
2015 | Book Chapter | LibreCat-ID: 47368
A. Berndt, F. Schönfeld, R. Groh, T. Hähnel, T. Marx, and M. Pfleiderer, “Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen,” in {Musikpsychologie – Anwendungsorientierte Forschung}, W. Auhagen, C. Bullerjahn, and R. von Georgi, Eds. Göttingen, Germany: Hogrefe Verlag, 2015, pp. 254–262.
LibreCat
2015 | Book Chapter | LibreCat-ID: 47366
A. Berndt and T. Hähnel, “Studying Music Performance and Perception via Interaction,” in {Works in Audio and Music Technology}, A. Berndt, Ed. Dresden, Germany: TUDpress, 2015, pp. 129–153.
LibreCat
2015 | Book Chapter | LibreCat-ID: 47365
A. Berndt, “Formalizing Expressive Music Performance Phenomena,” in {Works in Audio and Music Technology}, A. Berndt, Ed. Dresden, Germany: TUDpress, 2015, pp. 97–128.
LibreCat
2015 | Conference Paper | LibreCat-ID: 47372
A. Berndt and S. ~H. Menges, “Musizieren mit dem Computer,” 2015.
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2015 | Conference Paper | LibreCat-ID: 47371
A. Berndt, N. Al-Kassab, and R. Dachselt, “TouchNoise: A New Multitouch Interface for Creative Work with Noise,” 2015.
LibreCat
2014 | Conference Paper | LibreCat-ID: 47373
F. Schönfeld, A. Berndt, T. Hähnel, M. Pfleiderer, and R. Groh, “Vocalmetrics: An interactive software for visualization and classification of music,” 2014.
LibreCat
2014 | Book Chapter | LibreCat-ID: 47375
A. Berndt, “Ambiente Musik zur Vertonung immersiver interaktiver Medien,” in {Jahrbuch immersiver Medien 2014: Klänge, Musik und Soundscapes}, I. für immersive Medien, Ed. Fachhochschule Kiel, Germany: Schüren Verlag, 2014, pp. 95–105.
LibreCat
2014 | Conference Paper | LibreCat-ID: 47374
A. Berndt, N. Al-Kassab, and R. Dachselt, “TouchNoise: A Particle-based Multitouch Noise Modulation Interface,” in {Proc. of New Interfaces for Musical Expression (NIME) 2014}, 2014, pp. 323–326.
LibreCat
2013 | Conference Paper | LibreCat-ID: 47377
M. de Almeida Madeira Clemente, A. Berndt, H. Leitner, M. Keck, R. Gaertner, and R. Groh, “New Perspectives on Interactivity in Project Management Tools,” in {HCI International 2013—Posters’ Extended Abstracts}, 2013, vol. 374, pp. 484–488.
LibreCat
2013 | Conference Paper | LibreCat-ID: 47376
R. Lorenz, A. Berndt, and R. Groh, “Designing Auditory Pointers,” 2013.
LibreCat
2013 | Journal Article | LibreCat-ID: 47378
A. Berndt, “Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen,” {Kieler Beiträge zur Filmmusikforschung}, vol. 9, pp. 293–323, 2013.
LibreCat
2012 | Conference Paper | LibreCat-ID: 47381
A. Berndt, “Variance in Repetitive Games Music,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2012, pp. 412–415.
LibreCat
2012 | Conference Paper | LibreCat-ID: 47380
A. Berndt, R. Dachselt, and R. Groh, “A Survey of Variation Techniques for Repetitive Games Music,” in {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, 2012, pp. 61–67.
LibreCat
2012 | Conference Paper | LibreCat-ID: 47379
A. Berndt, “Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen,” 2012.
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