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9000 Publications
2018 | Journal Article | LibreCat-ID: 42998
T. Allmer and E. Bulut, “Introduction: Academic Labour, Digital Media and Capitalism,” . tripleC: Communication, Capitalism & Critique , vol. 16, no. 1, pp. 44–48, 2018, doi: https://doi.org/10.31269/triplec.v16i1.955.
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| DOI
2018 | Journal Article | LibreCat-ID: 42990
T. Allmer, “Precarious, Always-on and Flexible: A Case Study of Academics as Information Workers,” European Journal of Communication, vol. 33, no. 4, pp. 381–395, 2018, doi: https://doi.org/10.1177/0267323118783794.
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| DOI
2018 | Book (Editor) | LibreCat-ID: 42944
T. Allmer and E. Bulut, Eds., Academic Labour, Digital Media and Capitalism, vol. 16. 2018, pp. 44–240.
LibreCat
2018 | Journal Article | LibreCat-ID: 42899
J. Degeling, Astrid Deuber-Mankowsky, H. Sarah, and M.-L. Shnayien, “Einleitung: Die ‚jüngere Queerfeminist*in‘ spricht,” onlinejournal kultur & geschlecht, vol. 21, pp. 1–7, 2018.
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2018 | Journal Article | LibreCat-ID: 35171 | 
C. Rolf and M. Shnayien, “Die Abschaffung der Netzneutralität, oder: Die Kolonialisierung digitaler Räume,” onlinejournal kultur & geschlecht, no. 21, pp. 1–21, 2018.
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2018 | Special Issue | LibreCat-ID: 43277
J. Hälterlein and L. Ostermeier, Eds., Predictive Security Technologies, vol. 3, no. 2. 2018.
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2018 | Conference Paper | LibreCat-ID: 44162
I. Müller, “Vielstimmige Zeitgenossenschaft als poetologischer Ausdruck des Möglichkeitssinns in Alfred Anderschs Romanen ‘Efraim’, ‘Die Rote’ und ‘Winterspelt’.,” in Erzählen von Zeitgenossenschaft. , Universität Göteborg, 2018, vol. 10.
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2018 | Book Review | LibreCat-ID: 44387
S. Ahrens, “Jesko Jockenhövel, Michael Wedel (Hg.): „So etwas Ähnliches wie Wahrheit“. Zugänge zu Thomas Harlan. München: Edition Text und Kritik, 2017,” In: Filmblatt 64/65 . p. 153f, 2018.
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2018 | Newspaper Article | LibreCat-ID: 44403
S. Ahrens, “Ungebrochen enthusiastisch. Vor 50 Jahren erschien Kevin Brownlows The Parade’s Gone By,” Filmbulletin 11 , 2018.
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2018 | Misc | LibreCat-ID: 44405
S. Ahrens, Pasolinis Traum. Die Oper “San Paolo” in Osnabrück. 2018.
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