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165 Publications


2007 | Book (Editor) | LibreCat-ID: 36090
Ehland C, Fajen R, eds. Das Paradigma Des Pikaresken - The Paradigm of the Picaresque. Vol Beiheft 30. Winter; 2007.
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2007 | Book (Editor) | LibreCat-ID: 36095
Ehland C, ed. Thinking Northern: Textures of Identity in the North of England. Vol Volume 2. Rodopi; 2007.
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2006 | Conference Paper | LibreCat-ID: 7598
Tönnies M. Forms and Functions of Violence in Contemporary Black British Drama. In: Anglistentag 2005. Trier: WVT; 2006:69-77.
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2006 | Journal Article | LibreCat-ID: 7599
Tönnies M. Foregrounding Boundary Zones. Martin Parr’s Photographic (De-)Constructions of Englishness. Spatial Practices 1. 2006:225-241.
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2006 | Journal Article | LibreCat-ID: 7600
Tönnies M. Percy Mtwa, Mbongeni Ngema and Barney Simon: Woza Albert! (1981). Drama II. 2006;2:389-404.
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2006 | Journal Article | LibreCat-ID: 7601
Tönnies M. New Labour in the New Millenium. A Further Theatricalisation of Politics? Passauer Arbeiten zur Literatur-und Kulturwissenschaft. 2006;3:119-138.
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2006 | Journal Article | LibreCat-ID: 7615
Tönnies M. Radicalising Postmodern Biofictions. British Fictional Autobiography of the Twenty-First Century. Salzburg Studies in English Literature and Culture. 2006;3:305-314.
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2006 | Journal Article | LibreCat-ID: 7616
Tönnies M. A Midsummer Night’s Dream. Stauffenburg Handbücher. 2006;9:195-214.
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2006 | Book Review | LibreCat-ID: 9642
Tönnies M. Boehmer, E.: Stories of Women, 2005. Archiv für das Studium der neueren Sprachen und Literaturen. 2006;243(2):445-447.
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2006 | Book Review | LibreCat-ID: 9643
Tönnies M. Middeke, M.: Die Kunst der gelebten Zeit, 2004. Zeitschrift für Anglistik und Amerikanistik. 2006;54(3):315-317.
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2006 | Book Review | LibreCat-ID: 9644
Tönnies M. Kamm, J. / B. Lenz: Großbritannien verstehen, 2004. Anglia. 2006;123(4):779-782.
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2006 | Book Review | LibreCat-ID: 9645
Tönnies M. Nünning, V. / A. Nünning (Hg.): Erzähltextanalyse und Gender Studies, 2004. Archiv für das Studium der neueren Sprachen und Literaturen. 2006;242(2):434-436.
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2005 | Journal Article | LibreCat-ID: 8352
Tönnies M. Courttia Newland’s Theatre Work. On the Occasion of B is for Black (Oval House Theatre, London, 1-18 October 2003. Hard Times. 2005;76:31-33.
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2005 | Book Chapter | LibreCat-ID: 8353
Tönnies M. “Serious” Science vs. “Light” Entertainment? Femininity Concepts in Nineteenth-Century British Medical Discourse and Popular Fiction. In: Zwierlein A-J, ed. Unmapped Countries: Biological Visions in Nineteenth-Century Literature and Culture. Anthem Press; 2005:183-192.
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2005 | Book Chapter | LibreCat-ID: 8845
Tönnies M. A New Self-Conscious Turn at the Turn of the Centruy? In: Anglistik & Englischunterricht. Vol 66. ; 2005:57-82.
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2005 | Journal Article | LibreCat-ID: 8847
Tönnies M. Das viktorianische Theater als Populärkultur. Eine Kulturgeschichte der englischen Literatur: Von der Renaissance bis zur Gegenwart. 2005:158-170.
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2005 | Book Review | LibreCat-ID: 9647
Tönnies M. Hooper, B.: Voices in the Heart. Postcolonialism and Identity in Hong Kong Literature, 2003. Anglistik. 2005;16(2):201-203.
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2004 | Journal Article | LibreCat-ID: 8848
Tönnies M. New Britain as Consumer Country and Commodity. Journal for the Study of British Cultures. 2004;11(2):117-128.
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2004 | Book Review | LibreCat-ID: 9657
Tönnies M. Mergenthal, S.: A Fast-Forward Version of England, 2003. Anglia. 2004;122(4):758-761.
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2003 | Journal Article | LibreCat-ID: 8849
Tönnies M. Peter Brook’s Glückliche Tage. The Beckett Circle. 2003;26(2):1-3.
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