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1597 Publications


2015 | Journal Article | LibreCat-ID: 17189
Vollmer, Anna-Lisa, et al. “Alignment to the Actions of a Robot.” International Journal of Social Robotics, vol. 7, no. 2, Springer-Verlag, 2015, pp. 241–52, doi:10.1007/s12369-014-0252-0.
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2015 | Book Chapter | LibreCat-ID: 17191
Rohlfing, Katharina, et al. “Gesturing in Joint Bookreading.” Learning from Picturebooks, edited by Bettina Kümmerling-Meibauer et al., Routledge, 2015, pp. 99–116.
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2015 | Book Chapter | LibreCat-ID: 17190
Grimminger, Angela, and Katharina Rohlfing. “Entstehung Multimodaler Sprachlehrstrategien in Spezifischen Interaktionen.” Lernen Durch Vorlesen. Interdisziplinäre Beiträge Aus Forschung Und Praxis, Narr Francke Attempto Verlag, 2015, pp. 94–109.
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2015 | Conference Paper | LibreCat-ID: 17186
Nomikou, Iris, et al. Becoming a Participant: Shaping Infants’ Dialogical Actions in Repeated Interactions. 2015.
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2015 | Conference Paper | LibreCat-ID: 17187
Nomikou, Iris, et al. Constructing Interaction: The Development of Gaze Dynamics. 2015.
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2015 | Conference Paper | LibreCat-ID: 17188
Nomikou, Iris, et al. Early Action Words. 2015.
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2015 | Book | LibreCat-ID: 40909
Topalović, Elvira, et al. Grammatik. Studikurs Im Bereich Sprach- Und Textverständnis. 2015.
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2015 | Journal Article | LibreCat-ID: 41710
Eickmeyer, Jost, and Antje Tumat. “,,…, als habe dort niemals eine Insel gestanden.“ Wolfgang Hildesheimers und Hans Werner Henzes Das Ende einer Welt als Erzählung und Rundfunkoper.” Literatur für Leser, vol. 38, no. 3, Peter Lang, International Academic Publishers, 2015, pp. 169–86, doi:10.3726/90073_169.
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2015 | Book Chapter | LibreCat-ID: 41712
Tumat, Antje. “„For spirits when they please / Can either Sex assume or both“ – Gattung, Gesang und Gender in Shakespeares „Tempest“.” Frauen erfinden, verbreiten, sammeln, bewerten Musik. Werkstattberichte aus dem Forschungszentrum Musik und Gender, edited by Susanne Rode-Breymann, vol. 3, Wehrhahn Verlag, 2015, pp. 17–40.
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2015 | Book Chapter | LibreCat-ID: 41713
Tumat, Antje. “Performance Sources: Incidental Music on the Nineteenth-Century German Stage.” Musical Text as Ritual Object, edited by Hendrik Schulze, Brepols , 2015, pp. 39–50.
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