Sebastian Althoff

sebastian.althoff@uni-paderborn.de
ID
89772

10 Publications

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[10]
2024 | Book Chapter | LibreCat-ID: 47619
Althoff, S. (n.d.). Walking with Images: Mimetic-Automatic Production in Hasan Elahi’s Tracking Transcience. In G. Gasparavicius, M. Toteva, & T. Williams (Eds.), Walking with the Enemy: Reclaiming the Language of Power and Manipulation in the Post-Truth Era. Manchester University Press.
LibreCat
 
[9]
2024 | Journal Article | LibreCat-ID: 52693
Althoff, S. (2024). The Condemnation of Hate and the Violence of the Status Quo. Cultural Politics, 20(1), 45–59. https://doi.org/ https://doi.org/10.1215/17432197-10969201
LibreCat | DOI
 
[8]
2023 | Book | LibreCat-ID: 47617
Althoff, S. (2023). Digitale Desökonomie: Unproduktivität, Trägheit und Exzess im digitalen Milieu. transcript.
LibreCat | Download (ext.)
 
[7]
2023 | Journal Article | LibreCat-ID: 52692
Althoff, S. (2023). Was heißt Überleben? Die Zweischneidigkeit eines ubiquitären Begriffs. Berliner Debatte Initial, 34(4), 87–97.
LibreCat
 
[6]
2022 | Book Chapter | LibreCat-ID: 47621
Althoff, S. (2022). Zweierlei Homophilie: Wendy Hui Kyong Chun und Leo Bersani. In F. Balke & E. Linseisen (Eds.), Mimesis Expanded: Die Ausweitung der mimetischen Zone (pp. 343–362). Wilhelm Fink. https://doi.org/10.30965/9783846764947_016
LibreCat | DOI
 
[5]
2020 | Book (Editor) | LibreCat-ID: 47618
Althoff, S., Linseisen, E., Müller, M.-L., & Winter, F. (Eds.). (2020). Re/Dissolving Mimesis. Wilhelm Fink.
LibreCat
 
[4]
2020 | Book Chapter | LibreCat-ID: 47623
Althoff, S. (2020). A CCTV Image that Dissolves like Smeared Data: Distinguishability versus Similarity. In E. Linseisen, M.-L. Müller, & F. Winter (Eds.), Re/Dissolving Mimesis. Wilhelm Fink. https://doi.org/10.30965/9783846764954_012
LibreCat | DOI
 
[3]
2020 | Book Chapter | LibreCat-ID: 47622
Althoff, S., Linseisen, E., Müller, M.-L., & Winter, F. (2020). Editorial: Re/Dissolving Mimesis. In E. Linseisen, M.-L. Müller, & F. Winter (Eds.), Re/Dissolving Mimesis. Wilhelm Fink. https://doi.org/10.30965/9783846764954_004
LibreCat | DOI
 
[2]
2020 | Journal Article | LibreCat-ID: 47624
Althoff, S. (2020). Seeping Out: The diminishment of the subject in Hito Steyerl’s How Not to Be Seen. Performance Research, 24(7), 92–98. https://doi.org/10.1080/13528165.2019.1717871
LibreCat | DOI
 
[1]
2018 | Journal Article | LibreCat-ID: 47625
Althoff, S. (2018). Inhabiting the Profile: Zach Blas’s Facial Weaponizaton Suite. Intermédialités. Histoire et Théorie Des Art, Des Lettres et Des Techniques, 32. https://doi.org/10.7202/1058472ar
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10 Publications

Mark all

[10]
2024 | Book Chapter | LibreCat-ID: 47619
Althoff, S. (n.d.). Walking with Images: Mimetic-Automatic Production in Hasan Elahi’s Tracking Transcience. In G. Gasparavicius, M. Toteva, & T. Williams (Eds.), Walking with the Enemy: Reclaiming the Language of Power and Manipulation in the Post-Truth Era. Manchester University Press.
LibreCat
 
[9]
2024 | Journal Article | LibreCat-ID: 52693
Althoff, S. (2024). The Condemnation of Hate and the Violence of the Status Quo. Cultural Politics, 20(1), 45–59. https://doi.org/ https://doi.org/10.1215/17432197-10969201
LibreCat | DOI
 
[8]
2023 | Book | LibreCat-ID: 47617
Althoff, S. (2023). Digitale Desökonomie: Unproduktivität, Trägheit und Exzess im digitalen Milieu. transcript.
LibreCat | Download (ext.)
 
[7]
2023 | Journal Article | LibreCat-ID: 52692
Althoff, S. (2023). Was heißt Überleben? Die Zweischneidigkeit eines ubiquitären Begriffs. Berliner Debatte Initial, 34(4), 87–97.
LibreCat
 
[6]
2022 | Book Chapter | LibreCat-ID: 47621
Althoff, S. (2022). Zweierlei Homophilie: Wendy Hui Kyong Chun und Leo Bersani. In F. Balke & E. Linseisen (Eds.), Mimesis Expanded: Die Ausweitung der mimetischen Zone (pp. 343–362). Wilhelm Fink. https://doi.org/10.30965/9783846764947_016
LibreCat | DOI
 
[5]
2020 | Book (Editor) | LibreCat-ID: 47618
Althoff, S., Linseisen, E., Müller, M.-L., & Winter, F. (Eds.). (2020). Re/Dissolving Mimesis. Wilhelm Fink.
LibreCat
 
[4]
2020 | Book Chapter | LibreCat-ID: 47623
Althoff, S. (2020). A CCTV Image that Dissolves like Smeared Data: Distinguishability versus Similarity. In E. Linseisen, M.-L. Müller, & F. Winter (Eds.), Re/Dissolving Mimesis. Wilhelm Fink. https://doi.org/10.30965/9783846764954_012
LibreCat | DOI
 
[3]
2020 | Book Chapter | LibreCat-ID: 47622
Althoff, S., Linseisen, E., Müller, M.-L., & Winter, F. (2020). Editorial: Re/Dissolving Mimesis. In E. Linseisen, M.-L. Müller, & F. Winter (Eds.), Re/Dissolving Mimesis. Wilhelm Fink. https://doi.org/10.30965/9783846764954_004
LibreCat | DOI
 
[2]
2020 | Journal Article | LibreCat-ID: 47624
Althoff, S. (2020). Seeping Out: The diminishment of the subject in Hito Steyerl’s How Not to Be Seen. Performance Research, 24(7), 92–98. https://doi.org/10.1080/13528165.2019.1717871
LibreCat | DOI
 
[1]
2018 | Journal Article | LibreCat-ID: 47625
Althoff, S. (2018). Inhabiting the Profile: Zach Blas’s Facial Weaponizaton Suite. Intermédialités. Histoire et Théorie Des Art, Des Lettres et Des Techniques, 32. https://doi.org/10.7202/1058472ar
LibreCat | DOI
 
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