Sebastian Althoff

sebastian.althoff@uni-paderborn.de
ID
89772

10 Publications

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[10]
2024 | Book Chapter | LibreCat-ID: 47619
S. Althoff, “Walking with Images: Mimetic-Automatic Production in Hasan Elahi’s Tracking Transcience,” in Walking with the Enemy: Reclaiming the Language of Power and Manipulation in the Post-Truth Era, G. Gasparavicius, M. Toteva, and T. Williams, Eds. Manchester: Manchester University Press.
LibreCat
 
[9]
2024 | Journal Article | LibreCat-ID: 52693
S. Althoff, “The Condemnation of Hate and the Violence of the Status Quo,” Cultural Politics, vol. 20, no. 1, pp. 45–59, 2024, doi: https://doi.org/10.1215/17432197-10969201.
LibreCat | DOI
 
[8]
2023 | Book | LibreCat-ID: 47617
S. Althoff, Digitale Desökonomie: Unproduktivität, Trägheit und Exzess im digitalen Milieu. Bielefeld: transcript, 2023.
LibreCat | Download (ext.)
 
[7]
2023 | Journal Article | LibreCat-ID: 52692
S. Althoff, “Was heißt Überleben? Die Zweischneidigkeit eines ubiquitären Begriffs,” Berliner Debatte Initial, vol. 34, no. 4, pp. 87–97, 2023.
LibreCat
 
[6]
2022 | Book Chapter | LibreCat-ID: 47621
S. Althoff, “Zweierlei Homophilie: Wendy Hui Kyong Chun und Leo Bersani,” in Mimesis Expanded: Die Ausweitung der mimetischen Zone, F. Balke and E. Linseisen, Eds. Paderborn: Wilhelm Fink, 2022, pp. 343–362.
LibreCat | DOI
 
[5]
2020 | Book (Editor) | LibreCat-ID: 47618
S. Althoff, E. Linseisen, M.-L. Müller, and F. Winter, Eds., Re/Dissolving Mimesis. Paderborn: Wilhelm Fink, 2020.
LibreCat
 
[4]
2020 | Book Chapter | LibreCat-ID: 47623
S. Althoff, “A CCTV Image that Dissolves like Smeared Data: Distinguishability versus Similarity,” in Re/Dissolving Mimesis, E. Linseisen, M.-L. Müller, and F. Winter, Eds. Paderborn: Wilhelm Fink, 2020.
LibreCat | DOI
 
[3]
2020 | Book Chapter | LibreCat-ID: 47622
S. Althoff, E. Linseisen, M.-L. Müller, and F. Winter, “Editorial: Re/Dissolving Mimesis,” in Re/Dissolving Mimesis, E. Linseisen, M.-L. Müller, and F. Winter, Eds. Paderborn: Wilhelm Fink, 2020.
LibreCat | DOI
 
[2]
2020 | Journal Article | LibreCat-ID: 47624
S. Althoff, “Seeping Out: The diminishment of the subject in Hito Steyerl’s How Not to Be Seen,” Performance Research, vol. 24, no. 7, pp. 92–98, 2020, doi: 10.1080/13528165.2019.1717871.
LibreCat | DOI
 
[1]
2018 | Journal Article | LibreCat-ID: 47625
S. Althoff, “Inhabiting the Profile: Zach Blas’s Facial Weaponizaton Suite,” intermédialités. Histoire et théorie des art, des lettres et des techniques, vol. 32, 2018, doi: 10.7202/1058472ar.
LibreCat | DOI
 
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10 Publications

Mark all

[10]
2024 | Book Chapter | LibreCat-ID: 47619
S. Althoff, “Walking with Images: Mimetic-Automatic Production in Hasan Elahi’s Tracking Transcience,” in Walking with the Enemy: Reclaiming the Language of Power and Manipulation in the Post-Truth Era, G. Gasparavicius, M. Toteva, and T. Williams, Eds. Manchester: Manchester University Press.
LibreCat
 
[9]
2024 | Journal Article | LibreCat-ID: 52693
S. Althoff, “The Condemnation of Hate and the Violence of the Status Quo,” Cultural Politics, vol. 20, no. 1, pp. 45–59, 2024, doi: https://doi.org/10.1215/17432197-10969201.
LibreCat | DOI
 
[8]
2023 | Book | LibreCat-ID: 47617
S. Althoff, Digitale Desökonomie: Unproduktivität, Trägheit und Exzess im digitalen Milieu. Bielefeld: transcript, 2023.
LibreCat | Download (ext.)
 
[7]
2023 | Journal Article | LibreCat-ID: 52692
S. Althoff, “Was heißt Überleben? Die Zweischneidigkeit eines ubiquitären Begriffs,” Berliner Debatte Initial, vol. 34, no. 4, pp. 87–97, 2023.
LibreCat
 
[6]
2022 | Book Chapter | LibreCat-ID: 47621
S. Althoff, “Zweierlei Homophilie: Wendy Hui Kyong Chun und Leo Bersani,” in Mimesis Expanded: Die Ausweitung der mimetischen Zone, F. Balke and E. Linseisen, Eds. Paderborn: Wilhelm Fink, 2022, pp. 343–362.
LibreCat | DOI
 
[5]
2020 | Book (Editor) | LibreCat-ID: 47618
S. Althoff, E. Linseisen, M.-L. Müller, and F. Winter, Eds., Re/Dissolving Mimesis. Paderborn: Wilhelm Fink, 2020.
LibreCat
 
[4]
2020 | Book Chapter | LibreCat-ID: 47623
S. Althoff, “A CCTV Image that Dissolves like Smeared Data: Distinguishability versus Similarity,” in Re/Dissolving Mimesis, E. Linseisen, M.-L. Müller, and F. Winter, Eds. Paderborn: Wilhelm Fink, 2020.
LibreCat | DOI
 
[3]
2020 | Book Chapter | LibreCat-ID: 47622
S. Althoff, E. Linseisen, M.-L. Müller, and F. Winter, “Editorial: Re/Dissolving Mimesis,” in Re/Dissolving Mimesis, E. Linseisen, M.-L. Müller, and F. Winter, Eds. Paderborn: Wilhelm Fink, 2020.
LibreCat | DOI
 
[2]
2020 | Journal Article | LibreCat-ID: 47624
S. Althoff, “Seeping Out: The diminishment of the subject in Hito Steyerl’s How Not to Be Seen,” Performance Research, vol. 24, no. 7, pp. 92–98, 2020, doi: 10.1080/13528165.2019.1717871.
LibreCat | DOI
 
[1]
2018 | Journal Article | LibreCat-ID: 47625
S. Althoff, “Inhabiting the Profile: Zach Blas’s Facial Weaponizaton Suite,” intermédialités. Histoire et théorie des art, des lettres et des techniques, vol. 32, 2018, doi: 10.7202/1058472ar.
LibreCat | DOI
 
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Search

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Citation Style: IEEE

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