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107 Publications
2012 | Conference Paper | LibreCat-ID: 47381
Berndt, Axel. “Variance in Repetitive Games Music.” In {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. M. Marolt, M. Kaltenbrunner, and M. Ciglar, 412–415. Ljubljana, Slovenia: International Computer Music Association, University of Ljubljana, 2012.
LibreCat
2012 | Conference Paper | LibreCat-ID: 47380
Berndt, Axel, R. Dachselt, and R. Groh. “A Survey of Variation Techniques for Repetitive Games Music.” In {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, 61–67. Corfu, Greece: ACM SIGCHI, 2012.
LibreCat
2012 | Conference Paper | LibreCat-ID: 47379
Berndt, Axel. “Im Dialog Mit Musik: Zur Rolle Der Musik in Computerspielen.” In 7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik. Salzburg, Austria: Kieler Gesellschaft für Filmmusikforschung, 2012.
LibreCat
2012 | Book Chapter | LibreCat-ID: 47384
Berndt, Axel. “Nun Sich Der Tag Geendet Hat.” In {Musik Aus Mitteldeutschland}, edited by F. Plewka, M. Schmeiß, T. Sterzig, and J. Häußler. Munich, Germany: Strube Verlag, 2012.
LibreCat
2011 | Book | LibreCat-ID: 47382
Berndt, Axel. Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken. Munich, Germany: Verlag Dr. Hut, 2011.
LibreCat
2011 | Conference Paper | LibreCat-ID: 47385
Berndt, Axel. “Musical Tempo Curves.” In {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. Clarke, M. Adkins, and B. Isaacs, 118–121. Huddersfield, UK: International Computer Music Association, University of Huddersfield, 2011.
LibreCat
2011 | Conference Paper | LibreCat-ID: 47388
Hähnel, T., and Axel Berndt. “Studying Interdependencies in Music Performance: An Interactive Tool.” In {Proc. of New Interfaces for Musical Expression (NIME) 2011}, 48–51. Oslo, Norway: University of Oslo, Norwegian Academy of Music, 2011.
LibreCat
2011 | Conference Paper | LibreCat-ID: 47387
Hähnel, T., and Axel Berndt. “Eighth-Notes Performances: Kinds of Inégalité.” In {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, 75–81. Coimbra, Portugal: ACM SIGCHI, 2011.
LibreCat
2011 | Conference Paper | LibreCat-ID: 47386
Berndt, Axel. “Der Computer Als Komponist Und Interpret Der Zukunft?” In {Meeting of the Gesellschaft Für Informatik (GI)}. Magdeburg, Germany, 2011.
LibreCat
2011 | Book Chapter | LibreCat-ID: 47393
Berndt, Axel. “Diegetic Music: New Interactive Experiences.” In {Game Sound Technology and Player Interaction: Concepts and Developments}, edited by M. Grimshaw, 60–76. Hershey, PA: IGI Global, 2011.
LibreCat
2010 | Conference Paper | LibreCat-ID: 47389
Berndt, Axel, and T. Hähnel. “Modelling Musical Dynamics.” In {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, 134–141. Piteå, Sweden: ACM, 2010.
LibreCat
2010 | Conference Paper | LibreCat-ID: 47390
Hähnel, T., and Axel Berndt. “Synthetic and Pseudo-Synthetic Music Performances: An Evaluation.” In {Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}. Cambridge, UK, 2010.
LibreCat
2010 | Conference Paper | LibreCat-ID: 47392
Berndt, Axel. “Decentralizing Music, Its Performance, and Processing.” In {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. Schedel and D. Weymouth, 381–388. New York, USA: International Computer Music Association, Stony Brook University, 2010.
LibreCat
2010 | Conference Paper | LibreCat-ID: 47391
Hähnel, T., and Axel Berndt. “Expressive Articulation for Synthetic Music Performances.” In {Proc. of New Interfaces for Musical Expression (NIME) 2010}, 277–282. Sydney, Australia: University of Technology Sydney, 2010.
LibreCat
2009 | Conference Paper | LibreCat-ID: 47397
Berndt, Axel. “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance.” In Interactive Digital Storytelling (ICIDS) 2008, 2009.
LibreCat
2009 | Conference Paper | LibreCat-ID: 47396
Berndt, Axel. “Musical Nonlinearity in Interactive Narrative Environments.” In {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by G. Scavone, V. Verfaille, and A. da Silva, 355–358. Montréal, Canada: International Computer Music Association, Schulich School of Music/McGill University, 2009.
LibreCat
2009 | Conference Paper | LibreCat-ID: 47395
Berndt, Axel, and T. Hähnel. “Expressive Musical Timing.” In {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, 9–16. Glasgow, Scotland: Glasgow Caledonian University, Interactive Institute/Sonic Studio Piteå, 2009.
LibreCat
2009 | Conference Paper | LibreCat-ID: 47394
Berndt, Axel, and T. Hähnel. “Der Computer Als Interpret.” In {Gespräche Um Telemann}. Magdeburg, Germany, 2009.
LibreCat
2008 | Conference Paper | LibreCat-ID: 47398
Berndt, Axel, and H. Theisel. “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance.” In {Interactive Digital Storytelling (ICIDS) 2008}, edited by U. Spierling and N. Szilas, 132–143. Erfurt, Germany: Springer, 2008.
LibreCat
2008 | Conference Paper | LibreCat-ID: 47400
Stockmann, L., Axel Berndt, and N. Röber. “A Musical Instrument Based on Interactive Sonification Techniques.” In {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, 72–79. Piteå, Sweden: Interactive Institute/Sonic Studio Piteå, 2008.
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