Eighth-Notes Performances: Kinds of Inégalité
T. Hähnel, A. Berndt, in: {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, ACM SIGCHI, Coimbra, Portugal, 2011, pp. 75–81.
Download
No fulltext has been uploaded.
Conference Paper
Author
Hähnel, T.;
Berndt, A.
Publishing Year
Proceedings Title
{Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}
Page
75–81
LibreCat-ID
Cite this
Hähnel T, Berndt A. Eighth-Notes Performances: Kinds of Inégalité. In: {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}. ACM SIGCHI; 2011:75–81.
Hähnel, T., & Berndt, A. (2011). Eighth-Notes Performances: Kinds of Inégalité. {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, 75–81.
@inproceedings{Hähnel_Berndt_2011, place={Coimbra, Portugal}, title={Eighth-Notes Performances: Kinds of Inégalité}, booktitle={{Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}}, publisher={ACM SIGCHI}, author={Hähnel, T. and Berndt, A.}, year={2011}, pages={75–81} }
Hähnel, T., and A. Berndt. “Eighth-Notes Performances: Kinds of Inégalité.” In {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, 75–81. Coimbra, Portugal: ACM SIGCHI, 2011.
T. Hähnel and A. Berndt, “Eighth-Notes Performances: Kinds of Inégalité,” in {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, 2011, pp. 75–81.
Hähnel, T., and A. Berndt. “Eighth-Notes Performances: Kinds of Inégalité.” {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, ACM SIGCHI, 2011, pp. 75–81.
Google Scholar