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104 Publications
2012 | Book Chapter | LibreCat-ID: 47384
A. Berndt, “Nun sich der Tag geendet hat,” in {Musik aus Mitteldeutschland}, F. Plewka, M. Schmeiß, T. Sterzig, and J. Häußler, Eds. Munich, Germany: Strube Verlag, 2012.
LibreCat
2011 | Book | LibreCat-ID: 47382
A. Berndt, Musik für interaktive Medien: Arrangement- und Interpretationstechniken. Munich, Germany: Verlag Dr. Hut, 2011.
LibreCat
2011 | Conference Paper | LibreCat-ID: 47385
A. Berndt, “Musical Tempo Curves,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2011, pp. 118–121.
LibreCat
2011 | Conference Paper | LibreCat-ID: 47388
T. Hähnel and A. Berndt, “Studying Interdependencies in Music Performance: An Interactive Tool,” in {Proc. of New Interfaces for Musical Expression (NIME) 2011}, 2011, pp. 48–51.
LibreCat
2011 | Conference Paper | LibreCat-ID: 47387
T. Hähnel and A. Berndt, “Eighth-Notes Performances: Kinds of Inégalité,” in {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, 2011, pp. 75–81.
LibreCat
2011 | Conference Paper | LibreCat-ID: 47386
A. Berndt, “Der Computer als Komponist und Interpret der Zukunft?,” 2011.
LibreCat
2011 | Book Chapter | LibreCat-ID: 47393
A. Berndt, “Diegetic Music: New Interactive Experiences,” in {Game Sound Technology and Player Interaction: Concepts and Developments}, M. Grimshaw, Ed. Hershey, PA: IGI Global, 2011, pp. 60–76.
LibreCat
2010 | Conference Paper | LibreCat-ID: 47389
A. Berndt and T. Hähnel, “Modelling Musical Dynamics,” in {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, 2010, pp. 134–141.
LibreCat
2010 | Conference Paper | LibreCat-ID: 47390
T. Hähnel and A. Berndt, “Synthetic and Pseudo-Synthetic Music Performances: An Evaluation,” 2010.
LibreCat
2010 | Conference Paper | LibreCat-ID: 47392
A. Berndt, “Decentralizing Music, Its Performance, and Processing,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2010, pp. 381–388.
LibreCat
2010 | Conference Paper | LibreCat-ID: 47391
T. Hähnel and A. Berndt, “Expressive Articulation for Synthetic Music Performances,” in {Proc. of New Interfaces for Musical Expression (NIME) 2010}, 2010, pp. 277–282.
LibreCat
2009 | Conference Paper | LibreCat-ID: 47397
A. Berndt, “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance,” 2009.
LibreCat
2009 | Conference Paper | LibreCat-ID: 47396
A. Berndt, “Musical Nonlinearity in Interactive Narrative Environments,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2009, pp. 355–358.
LibreCat
2009 | Conference Paper | LibreCat-ID: 47395
A. Berndt and T. Hähnel, “Expressive Musical Timing,” in {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, 2009, pp. 9–16.
LibreCat
2009 | Conference Paper | LibreCat-ID: 47394
A. Berndt and T. Hähnel, “Der Computer als Interpret,” 2009.
LibreCat
2008 | Conference Paper | LibreCat-ID: 47398
A. Berndt and H. Theisel, “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance,” in {Interactive Digital Storytelling (ICIDS) 2008}, 2008, pp. 132–143.
LibreCat
2008 | Conference Paper | LibreCat-ID: 47400
L. Stockmann, A. Berndt, and N. Röber, “A Musical Instrument based on Interactive Sonification Techniques,” in {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, 2008, pp. 72–79.
LibreCat
2008 | Conference Paper | LibreCat-ID: 47399
A. Berndt and K. Hartmann, “The Functions of Music in Interactive Media,” in {Interactive Digital Storytelling (ICIDS) 2008}, 2008, pp. 126–131.
LibreCat
2008 | Book | LibreCat-ID: 47404
A. Berndt, Liturgie für Bläser. Halberstadt, Germany: Musikverlag Bruno Uetz, 2008.
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2007 | Conference Paper | LibreCat-ID: 47402
K. Hartmann, D. Büchner, A. Berndt, A. Nürnberger, and C. Lange, “Interactive Data Mining & Machine Learning Techniques for Musicology,” 2007.
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