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17 Publications
2026 | Conference Paper | LibreCat-ID: 65772
A. Axel, A. Aida, M. Manuel, M. Meinard, and S. Stefan, “ChoraleWind: An Expressive Wind-Quartet Dataset for End-to-End Rendering from the Neues Thüringer Choralbuch,” in Proc. of the International Computer Music Conference (ICMC), 2026, pp. 43–50.
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2026 | Conference Paper | LibreCat-ID: 65771
A. Berndt, A. Münzmay, and A. Amiryan-Stein, “Methoden und Perspektiven digitaler Edition von Choralbüchern,” 2026.
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2026 | Conference Paper | LibreCat-ID: 65770
D. A. Mauro and A. Berndt, “Musical Instrument Directivity Modelling and Applications to Virtual Acoustics,” 2026.
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2025 | Book Chapter | LibreCat-ID: 59903 | 
L. Frömmel and A. Münzmay, “Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832,” in Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen, N. Schwindt, Ed. Dresden: musiconn.publish, 2025, pp. 153–178.
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2025 | Journal Article | LibreCat-ID: 59749
S. Balke, A. Berndt, and M. Müller, “ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research,” Transactions of the International Society for Music Information Retrieval, vol. 8, no. 1, pp. 39–54, 2025, doi: 10.5334/tismir.252.
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2025 | Conference Paper | LibreCat-ID: 59783
D. A. Mauro, L. A. Ludovico, H. H. Aydin, A. Berndt, and T. Grothe, “Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation pattern using IEEE 1599,” 2025.
LibreCat
2025 | Conference Paper | LibreCat-ID: 59748
T. Grothe, H. B. Aydin, D. A. Mauro, L. A. Ludovico, and A. Berndt, “Detmold interactive Musical Instrument Timbre Explorer (DmITE) - a web application for experimental learning in musical acoustics,” 2025.
LibreCat
2025 | Conference Paper | LibreCat-ID: 59782
M. Kallionpää, A. Berndt, D. A. Mauro, and D. Dziwis, “Non/Repeat: Three Case Studies of Non-linear Live-Music Practices,” 2025.
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2025 | Conference Paper | LibreCat-ID: 58555
A. Berndt, “Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht,” 2025.
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2025 | Conference Paper | LibreCat-ID: 60759
A. Berndt, G. Falkemeier, A. Kutter, A. V. K. Plaksin, S. Etezazi, and D. Dziwis, “KreativInstitut.OWL: An Interdisciplinary Institute for Transfer Between Science, Cultural and Creative Industries,” 2025.
LibreCat
2025 | Conference Paper | LibreCat-ID: 59750
D. A. Mauro and A. Berndt, “Automatic Rendering of Ramati’s Ludus Musicalis Scores,” 2025.
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2024 | Conference Paper | LibreCat-ID: 54925 |
L. Frömmel, T. Bachmann, A. V. K. Plaksin, and A. Münzmay, “Open Edirom: From hybrid music edition to open data publication,” 2024, doi: 10.1145/3660570.3660582.
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2024 | Research Data | LibreCat-ID: 56269
T. Bachmann, L. Frömmel, and A. Münzmay, OPEN FAUST Preview (dataset). RADAR4Culture, 2024.
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2024 | Conference Paper | LibreCat-ID: 54247
A. Berndt and D. A. Mauro, “Arpeggiatorum: An audio controllable MIDI arpeggiator,” 2024.
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2024 | Conference Paper | LibreCat-ID: 58553
A. Berndt and S. Waloschek, “FlowScore: MEI Streaming to Digital Music Stands,” 2024.
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2023 | Misc | LibreCat-ID: 47318 |
A. Münzmay and A. Berndt, Was ist eine Interpretationsedition? Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023: Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.
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2023 | Conference Paper | LibreCat-ID: 47316
M. Nowakowski, A. Berndt, A. V. K. Plaksin, N. Şahin, and A. Hadjakos, “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing,” 2023.
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