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17 Publications
2026 | Conference Paper | LibreCat-ID: 65772
Axel, Axel, et al. “ChoraleWind: An Expressive Wind-Quartet Dataset for End-to-End Rendering from the Neues Thüringer Choralbuch.” Proc. of the International Computer Music Conference (ICMC), 2026, pp. 43–50.
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2026 | Conference Paper | LibreCat-ID: 65771
Berndt, Axel, et al. “Methoden Und Perspektiven Digitaler Edition von Choralbüchern.” Telemann Als Interdisziplinärer Forschungsgegenstand: Internationale Wissenschaftliche Konferenz, 2026.
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2026 | Conference Paper | LibreCat-ID: 65770
Mauro, Davide Andrea, and Axel Berndt. “Musical Instrument Directivity Modelling and Applications to Virtual Acoustics.” DAGA 2026 – 52nd Annual Meeting on Acoustics, 2026.
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2025 | Book Chapter | LibreCat-ID: 59903 | 
Frömmel, Lena, and Andreas Münzmay. “Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832.” Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen, edited by Nicole Schwindt, musiconn.publish, 2025, pp. 153–78, doi:10.25366/2025.45.
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2025 | Journal Article | LibreCat-ID: 59749
Balke, Stefan, et al. “ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research.” Transactions of the International Society for Music Information Retrieval, vol. 8, no. 1, Ubiquity Press, Ltd., 2025, pp. 39–54, doi:10.5334/tismir.252.
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2025 | Conference Paper | LibreCat-ID: 59783
Mauro, Davide Andrea, et al. “Detmold Musical Instrument Timbre Explorer (DmITE): Interactive Visualization of Musical Instruments Radiation Pattern Using IEEE 1599.” AM.ICAD: Audio Mostly & ICAD Joint Conf., ACM, 2025.
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2025 | Conference Paper | LibreCat-ID: 59748
Grothe, T., et al. “Detmold Interactive Musical Instrument Timbre Explorer (DmITE) - a Web Application for Experimental Learning in Musical Acoustics.” DAS/DAGA 2025 – 51st Annual Meeting on Acoustics, 2025.
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2025 | Conference Paper | LibreCat-ID: 59782
Kallionpää, M., et al. “Non/Repeat: Three Case Studies of Non-Linear Live-Music Practices.” AM.ICAD: Audio Mostly & ICAD Joint Conf., ACM, 2025.
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2025 | Conference Paper | LibreCat-ID: 58555
Berndt, Axel. “Deconstruction – Recombination – Order: Ein Kurzer Werkstattbericht.” {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}, 2025.
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2025 | Conference Paper | LibreCat-ID: 60759
Berndt, Axel, et al. “KreativInstitut.OWL: An Interdisciplinary Institute for Transfer Between Science, Cultural and Creative Industries.” {Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}, Gesellschaft für Informatik, 2025.
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2025 | Conference Paper | LibreCat-ID: 59750
Mauro, Davide Andrea, and Axel Berndt. “Automatic Rendering of Ramati’s Ludus Musicalis Scores.” 22nd Sound and Music Computing Conf. (SMC 2025), Auditory Landscapes, 2025.
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2024 | Conference Paper | LibreCat-ID: 54925 |
Frömmel, Lena, et al. “Open Edirom: From Hybrid Music Edition to Open Data Publication.” Proceedings of the 11th International Conference on Digital Libraries for Musicology, ACM, 2024, doi:10.1145/3660570.3660582.
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2024 | Research Data | LibreCat-ID: 56269
Bachmann, Tobias, et al. OPEN FAUST Preview (Dataset). RADAR4Culture, 2024, doi:10.22000/uupxmgkq94r0jpsk.
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2024 | Conference Paper | LibreCat-ID: 54247
Berndt, Axel, and Davide Andrea Mauro. “Arpeggiatorum: An Audio Controllable MIDI Arpeggiator.” Proceedings of the Sound and Music Computing Conference (SMC) 2024, Sound and Music Computing Network / Universidade do Porto, 2024.
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2024 | Conference Paper | LibreCat-ID: 58553
Berndt, Axel, and S. Waloschek. “FlowScore: MEI Streaming to Digital Music Stands.” {Edirom Summer School 2024}, 2024.
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2023 | Misc | LibreCat-ID: 47318 |
Münzmay, Andreas, and Axel Berndt. Was Ist Eine Interpretationsedition? Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.
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2023 | Conference Paper | LibreCat-ID: 47316
Nowakowski, Michał, et al. “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing.” {Encoding Cultures—Joint MEC and TEI Conference 2023}, 2023.
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