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140 Publications
2003 | Book Review | LibreCat-ID: 9660
Tönnies M. Logan, T.: The Victorian Parlour, 2001. Anglia. 2003;121(2):323-325.
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2003 | Book Review | LibreCat-ID: 9661
Tönnies M. Keipert, H.: Pope, Popovskij und die Popen, 2001. Archiv für das Studium der neueren Sprachen und Literaturen. 2003;240(1):141-144.
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2003 | Book Review | LibreCat-ID: 9662
Tönnies M. Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen und ästhetische Konstruktion bei Jean Paul und Samuel Beckett, 2001. The Beckett Circle. 2003;26(1):20.
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2003 | Book Review | LibreCat-ID: 9663
Tönnies M. Beckett, S.: Dante und der Hummer. Gesammelte Prosa, 2000. The Beckett Circle. 2003;26(1):15-16.
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2002 | Journal Article | LibreCat-ID: 8853
Tönnies M. Good/Bad Girls and their Fathers. Journal for the Study of British Cultures. 2002;9(2):185-195.
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2002 | Book Chapter | LibreCat-ID: 8862
Tönnies M. Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions. In: Pfister M, ed. Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft. Vol 57. A History of Laughter: Laughter from Beowulf to Beckett and Beyond. Amsterdam: Rodopi; 2002:99-119.
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2002 | Journal Article | LibreCat-ID: 8863
Tönnies M. The “Sensationalist Theatre of Cruelty” in 1990s Britain, its 1960s Forebears and the Beginning of the 21st Century . Contemporary Drama in English. 2002;9:57-71.
LibreCat
2002 | Book Review | LibreCat-ID: 9664
Tönnies M. Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000. Forum Modernes Theater. 2002;17(1):95-98.
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2001 | Journal Article | LibreCat-ID: 8864
Tönnies M. Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama. Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans fin en l’an 2000. 2001;11:194-201.
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2001 | Journal Article | LibreCat-ID: 8865
Tönnies M. The Limits of Defining Power in Terms of Exclusion. Common Ground? Crossovers between Cultural Studies and Postcolonial Studies. 2001:61-64.
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