Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett's Mature Drama
M. Tönnies, Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000 11 (2001) 194–201.
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| English
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Journal Title
Samuel Beckett Today / Aujourd'hui: Endlessness in the Year 2000 / Fin sans fin en l'an 2000
Volume
11
Page
194-201
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Tönnies M. Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama. Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans fin en l’an 2000. 2001;11:194-201.
Tönnies, M. (2001). Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama. Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000, 11, 194–201.
@article{Tönnies_2001, title={Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama}, volume={11}, journal={Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans fin en l’an 2000}, author={Tönnies, Merle}, year={2001}, pages={194–201} }
Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000 11 (2001): 194–201.
M. Tönnies, “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama,” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans fin en l’an 2000, vol. 11, pp. 194–201, 2001.
Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000, vol. 11, 2001, pp. 194–201.
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