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36 Publications
2024 | Journal Article | LibreCat-ID: 55846
M. Saccomano et al., “Selective Encoding: Reducing the Burden of Transcription for Digital Musicologists,” Journal of the Text Encoding Initiative.
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2024 | Journal Article | LibreCat-ID: 55847
J. Kepper, R. Y. Sänger, and J.-P. Voigt, “Exploring the Genesis of Complex Music Manuscripts,” Journal of the Text Encoding Initiative.
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2023 | Conference Paper | LibreCat-ID: 55842 | 
J. Kepper, “Zu den Anforderungen einer musikalischen Stilometrie,” presented at the DHd 2020: Spielräume. Digital Humanities zwischen Modellierung und Interpretation, Paderborn, 2023, doi: 10.5281/ZENODO.13293191.
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2023 | Misc | LibreCat-ID: 55850 |
J. Kepper, DomesticBeethoven/bith-annotator: Release 2023-04. Zenodo, 2023.
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2023 | Book (Editor) | LibreCat-ID: 55836 |
P. D. Roland and J. Kepper, Eds., MEI: The Music Encoding Initiative Guidelines (PDF). Zenodo, 2023.
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2023 | Conference Paper | LibreCat-ID: 55833 |
E. Shibata, D. Lewis, M. Saccomano, J. Kepper, and K. Page, “A New Conceptual Model for Musical Sources and Musicological Studies,” in Proceedings of the Music Encoding Conference 2022, 2023, pp. 145–150, doi: https://doi.org/10.17613/8p2c-1q77.
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2023 | Conference Paper | LibreCat-ID: 55832 |
D. Lewis et al., “Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection,” 2023, doi: 10.5281/ZENODO.10265407.
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2022 | Conference Paper | LibreCat-ID: 55834 |
K. R. Page, J. Kepper, C. Siegert, A. Hankinson, and D. Lewis, “Beethoven in the House: Digital Studies of Domestic Music Arrangements,” in Music Encoding Conference Proceedings 2021, 2022, pp. 117–123, doi: 10.17613/389b-xx73.
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2022 | Conference Paper | LibreCat-ID: 55839 |
S. Cox and J. Kepper, “Encoding Genetic Processes II,” in Music Encoding Conference Proceedings 2021, 2022, pp. 85–95, doi: https://doi.org/10.17613/q6y4-9139.
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2022 | Conference Paper | LibreCat-ID: 55830
D. Lewis et al., “A model for annotating musical versions and arrangements across multiple documents and media,” in 9th International Conference on Digital Libraries for Musicology, 2022, pp. 10–18, doi: 10.1145/3543882.3543891.
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2020 | Conference Paper | LibreCat-ID: 55841 |
K. Herold, J. Kepper, R. Mo, and A. R. Seipelt, “MusicDiff – A Diff Tool for MEI,” in Music Encoding Conference Proceedings 2020, 2020, pp. 59–66, doi: 10.17613/ydbv-e158.
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2019 | Book (Editor) | LibreCat-ID: 55849 |
G. Di Bacco, J. Kepper, and P. D. Roland, Eds., Music Encoding Conference Proceedings 2015, 2016 and 2017. Bavarian State Library (BSB), 2019.
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2019 | Conference Paper | LibreCat-ID: 55837
J. Kepper, “Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project,” in Music Encoding Conference Proceedings 2015, 2016 and 2017, 2019, pp. 95–105, doi: 10.15463/music-1.
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2017 | Journal Article | LibreCat-ID: 55828
J. Kepper and L. Pugin, “Was ist eine Digitale Edition? Versuch einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017,” Musiktheorie (Zeitschrift für Musikwissenschaft), vol. Jahrgang 32, no. 4, pp. 347–363, 2017.
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2016 | Book | LibreCat-ID: 55816 |
J. Kepper and P. D. Roland, Music Encoding Initiative Guidelines Version 3.0.0. Charlottesville und Detmold, 2016.
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2016 | Book Chapter | LibreCat-ID: 55827
J. Kepper and M. Hartwig, “Die Spuren des Digitalen. Über die Nachnutzbarkeit digitaler Inhalte,” in „Ei, dem alten Herrn zoll’ ich Achtung gern’“. Festschrift für Joachim Veit zum 60. Geburtstag, K. Richts and P. Stadler, Eds. München: Allitera Verlag, 2016, pp. 319–330.
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2016 | Conference Abstract | LibreCat-ID: 55845
J. Kepper and K. Richts, “Expression beyond Scope: How FRBR and MEI fit together,” in IAML Congress Programme with abstracts, Rom, 2016, pp. 59–60.
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