Johannes Kepper

kepper@edirom.de
ID
1684

35 Publications

Mark all

[35]
2024 | Journal Article | LibreCat-ID: 55846
M. Saccomano et al., “Selective Encoding: Reducing the Burden of Transcription for Digital Musicologists,” Journal of the Text Encoding Initiative.
LibreCat
 
[34]
2024 | Journal Article | LibreCat-ID: 55847
J. Kepper, R. Y. Sänger, and J.-P. Voigt, “Exploring the Genesis of Complex Music Manuscripts,” Journal of the Text Encoding Initiative.
LibreCat
 
[33]
2023 | Conference Paper | LibreCat-ID: 55842 | OA
J. Kepper, “Zu den Anforderungen einer musikalischen Stilometrie,” presented at the DHd 2020: Spielräume. Digital Humanities zwischen Modellierung und Interpretation, Paderborn, 2023, doi: 10.5281/ZENODO.13293191.
LibreCat | DOI | Download (ext.)
 
[32]
2023 | Book (Editor) | LibreCat-ID: 55836 | OA
P. D. Roland and J. Kepper, Eds., MEI: The Music Encoding Initiative Guidelines (PDF). Zenodo, 2023.
LibreCat | DOI | Download (ext.)
 
[31]
2023 | Conference Paper | LibreCat-ID: 55833 | OA
E. Shibata, D. Lewis, M. Saccomano, J. Kepper, and K. Page, “A New Conceptual Model for Musical Sources and Musicological Studies,” in Proceedings of the Music Encoding Conference 2022, 2023, pp. 145–150, doi: https://doi.org/10.17613/8p2c-1q77.
LibreCat | DOI | Download (ext.)
 
[30]
2023 | Conference Paper | LibreCat-ID: 55832 | OA
D. Lewis et al., “Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection,” 2023, doi: 10.5281/ZENODO.10265407.
LibreCat | DOI | Download (ext.)
 
[29]
2023 | Conference Abstract | LibreCat-ID: 47487 | OA
J. Kepper and A. Münzmay, “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale,” presented at the DHd2023: Open Humanities, Open Culture, 2023, doi: 10.5281/ZENODO.7715387.
LibreCat | DOI | Download (ext.)
 
[28]
2022 | Conference Paper | LibreCat-ID: 55834 | OA
K. R. Page, J. Kepper, C. Siegert, A. Hankinson, and D. Lewis, “Beethoven in the House: Digital Studies of Domestic Music Arrangements,” in Music Encoding Conference Proceedings 2021, 2022, pp. 117–123, doi: 10.17613/389b-xx73.
LibreCat | DOI | Download (ext.)
 
[27]
2022 | Conference Paper | LibreCat-ID: 55839 | OA
S. Cox and J. Kepper, “Encoding Genetic Processes II,” in Music Encoding Conference Proceedings 2021, 2022, pp. 85–95, doi: https://doi.org/10.17613/q6y4-9139.
LibreCat | DOI | Download (ext.)
 
[26]
2022 | Conference Paper | LibreCat-ID: 55830
D. Lewis et al., “A model for annotating musical versions and arrangements across multiple documents and media,” in 9th International Conference on Digital Libraries for Musicology, 2022, pp. 10–18, doi: 10.1145/3543882.3543891.
LibreCat | DOI
 
[25]
2020 | Conference Paper | LibreCat-ID: 55841 | OA
K. Herold, J. Kepper, R. Mo, and A. R. Seipelt, “MusicDiff – A Diff Tool for MEI,” in Music Encoding Conference Proceedings 2020, 2020, pp. 59–66, doi: 10.17613/ydbv-e158.
LibreCat | DOI | Download (ext.)
 
[24]
2019 | Book (Editor) | LibreCat-ID: 55849 | OA
G. Di Bacco, J. Kepper, and P. D. Roland, Eds., Music Encoding Conference Proceedings 2015, 2016 and 2017. Bavarian State Library (BSB), 2019.
LibreCat | DOI | Download (ext.)
 
[23]
2019 | Conference Paper | LibreCat-ID: 55837
J. Kepper, “Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project,” in Music Encoding Conference Proceedings 2015, 2016 and 2017, 2019, pp. 95–105, doi: 10.15463/music-1.
LibreCat | DOI
 
[22]
2017 | Report | LibreCat-ID: 55843
J. Kepper, Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017). 2017.
LibreCat | DOI
 
[21]
2017 | Journal Article | LibreCat-ID: 55828
J. Kepper and L. Pugin, “Was ist eine Digitale Edition? Versuch einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017,” Musiktheorie (Zeitschrift für Musikwissenschaft), vol. Jahrgang 32, no. 4, pp. 347–363, 2017.
LibreCat
 
[20]
2017 | Research Data | LibreCat-ID: 55844
J. Kepper, Freischütz Digital: data-music, The Academy 2017 Release. Zenodo, 2017.
LibreCat | DOI
 
[19]
2016 | Book | LibreCat-ID: 55816 | OA
J. Kepper and P. D. Roland, Music Encoding Initiative Guidelines Version 3.0.0. Charlottesville und Detmold, 2016.
LibreCat | Download (ext.)
 
[18]
2016 | Book Chapter | LibreCat-ID: 55827
J. Kepper and M. Hartwig, “Die Spuren des Digitalen. Über die Nachnutzbarkeit digitaler Inhalte,” in „Ei, dem alten Herrn zoll’ ich Achtung gern’“. Festschrift für Joachim Veit zum 60. Geburtstag, K. Richts and P. Stadler, Eds. München: Allitera Verlag, 2016, pp. 319–330.
LibreCat
 
[17]
2016 | Conference Abstract | LibreCat-ID: 55845
J. Kepper and K. Richts, “Expression beyond Scope: How FRBR and MEI fit together,” in IAML Congress Programme with abstracts, Rom, 2016, pp. 59–60.
LibreCat
 
[16]
2015 | Book | LibreCat-ID: 55817 | OA
J. Kepper and P. D. Roland, Music Encoding Conference Proceedings 2013 and 2014. Charlottesville und Detmold, 2015.
LibreCat | Download (ext.)
 
[15]
2015 | Book Chapter | LibreCat-ID: 55826
J. Kepper, “The Impact of the Digital. How Digital Editions will change Editing itself, and what can be learned from the History of Editing,” in Music Encoding Conference Proceedings 2013 and 2014, P. D. Roland and J. Kepper, Eds. Charlottesville und Detmold, 2015, pp. 162–167.
LibreCat
 
[14]
2014 | Journal Article | LibreCat-ID: 55825
J. Kepper, S. Schreiter, and J. Veit, “‚Freischütz‘ analog oder digital – Editionsformen im Spannungsfeld von Wissenschaft und Praxis,” editio. Internationales Jahrbuch für Editionswissenschaft, vol. 28, pp. 127–150, 2014, doi: https://doi.org/10.1515/editio-2014-009.
LibreCat | DOI
 
[13]
2013 | Book | LibreCat-ID: 55815 | OA
J. Kepper and P. D. Roland, Music Encoding Initiative Guidelines Version 2.1.0. Charlottesville und Detmold, 2013.
LibreCat | Download (ext.)
 
[12]
2013 | Conference Paper | LibreCat-ID: 55824 | OA
J. Kepper, P. D. Roland, and D. Röwenstrunk, “Musical Variants in Encoding, Analysis and Visualization,” 2013, doi: 10.4242/BalisageVol10.Kepper01.
LibreCat | DOI | Download (ext.)
 
[11]
2012 | Book | LibreCat-ID: 55814 | OA
J. Kepper and P. D. Roland, Music Encoding Initiative Guidelines Version 2.0.0. Charlottesville und Detmold, 2012.
LibreCat | Download (ext.)
 
[10]
2012 | Journal Article | LibreCat-ID: 55822
M. Hartwig, J. Kepper, and K. Richts, “Neue Wege der Musikerschließung. Über den möglichen Einsatz von MEI in deutschen Bibliotheken,” Forum Musikbibliothek, vol. 33, no. 1, pp. 16–23, 2012.
LibreCat
 
[9]
2012 | Book Chapter | LibreCat-ID: 55823
C. Siegert and J. Kepper, “Oper multimedial – Zur Ausgabe von Haydns Arienbearbeitungen,” in Medienwandel / Medienwechsel in der Editionswissenschaft, vol. 35, A. Bohnenkamp-Renken, Ed. Berlin, 2012, pp. 141–150.
LibreCat | DOI
 
[8]
2012 | Conference Paper | LibreCat-ID: 55848 | OA
L. Pugin, J. Kepper, P. Roland, M. Hartwig, and A. Hankinson, “Separating Presentation and Content in MEI,” in Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012, 2012, pp. 505–510.
LibreCat | Download (ext.)
 
[7]
2011 | Journal Article | LibreCat-ID: 55821
B. W. Bohl, J. Kepper, and D. Röwenstrunk, “Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts,” Die Tonkunst, no. III, pp. 270–276, 2011.
LibreCat
 
[6]
2011 | Book | LibreCat-ID: 55829 | OA
J. Kepper, Musikedition im Zeichen neuer Medien – Historische Entwicklung und gegenwärtige Perspektiven musikalischer Gesamtausgaben, vol. 5. Norderstedt: Books on Demand, 2011.
LibreCat | Download (ext.)
 
[5]
2010 | Book | LibreCat-ID: 55813 | OA
J. Kepper and P. D. Roland, Music Encoding Initiative Tag Library, 2010-05 Release. Charlottesville und Detmold, 2010.
LibreCat | Download (ext.)
 
[4]
2009 | Journal Article | LibreCat-ID: 55820
J. Kepper, “XML-basierte Codierung musikwissenschaftlicher Daten – Zu den Voraussetzungen einer digitalen Musikedition,” it – Information Technology, vol. 51, no. 4, pp. 216–221, 2009.
LibreCat
 
[3]
2009 | Book Chapter | LibreCat-ID: 55838
J. Kepper and S. Morent, “Anforderungen an ein musikeditorisches Codierungsformat,” in Digitale Edition zwischen Experiment und Standardisierung, P. Stadler and J. Veit, Eds. Walter de Gruyter, 2009, pp. 265–280.
LibreCat | DOI
 
[2]
2007 | Journal Article | LibreCat-ID: 55819
J. Kepper and D. Röwenstrunk, “Das Edirom-Projekt. Werkzeuge für digitale Formen wissenschaftlich-kritischer Musikeditionen,” Forum Musikbibliothek, vol. 28, no. 1, pp. 36–49, 2007.
LibreCat
 
[1]
2005 | Journal Article | LibreCat-ID: 55818 | OA
J. Kepper, “Zum möglichen Einsatz digitaler Editionsformen bei Musiker-Gesamtausgaben am Beispiel des Edirom-Projekts,” Jahrbuch für Computerphilologie, vol. 7, pp. 7–26, 2005.
LibreCat | Download (ext.)
 
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35 Publications

Mark all

[35]
2024 | Journal Article | LibreCat-ID: 55846
M. Saccomano et al., “Selective Encoding: Reducing the Burden of Transcription for Digital Musicologists,” Journal of the Text Encoding Initiative.
LibreCat
 
[34]
2024 | Journal Article | LibreCat-ID: 55847
J. Kepper, R. Y. Sänger, and J.-P. Voigt, “Exploring the Genesis of Complex Music Manuscripts,” Journal of the Text Encoding Initiative.
LibreCat
 
[33]
2023 | Conference Paper | LibreCat-ID: 55842 | OA
J. Kepper, “Zu den Anforderungen einer musikalischen Stilometrie,” presented at the DHd 2020: Spielräume. Digital Humanities zwischen Modellierung und Interpretation, Paderborn, 2023, doi: 10.5281/ZENODO.13293191.
LibreCat | DOI | Download (ext.)
 
[32]
2023 | Book (Editor) | LibreCat-ID: 55836 | OA
P. D. Roland and J. Kepper, Eds., MEI: The Music Encoding Initiative Guidelines (PDF). Zenodo, 2023.
LibreCat | DOI | Download (ext.)
 
[31]
2023 | Conference Paper | LibreCat-ID: 55833 | OA
E. Shibata, D. Lewis, M. Saccomano, J. Kepper, and K. Page, “A New Conceptual Model for Musical Sources and Musicological Studies,” in Proceedings of the Music Encoding Conference 2022, 2023, pp. 145–150, doi: https://doi.org/10.17613/8p2c-1q77.
LibreCat | DOI | Download (ext.)
 
[30]
2023 | Conference Paper | LibreCat-ID: 55832 | OA
D. Lewis et al., “Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection,” 2023, doi: 10.5281/ZENODO.10265407.
LibreCat | DOI | Download (ext.)
 
[29]
2023 | Conference Abstract | LibreCat-ID: 47487 | OA
J. Kepper and A. Münzmay, “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale,” presented at the DHd2023: Open Humanities, Open Culture, 2023, doi: 10.5281/ZENODO.7715387.
LibreCat | DOI | Download (ext.)
 
[28]
2022 | Conference Paper | LibreCat-ID: 55834 | OA
K. R. Page, J. Kepper, C. Siegert, A. Hankinson, and D. Lewis, “Beethoven in the House: Digital Studies of Domestic Music Arrangements,” in Music Encoding Conference Proceedings 2021, 2022, pp. 117–123, doi: 10.17613/389b-xx73.
LibreCat | DOI | Download (ext.)
 
[27]
2022 | Conference Paper | LibreCat-ID: 55839 | OA
S. Cox and J. Kepper, “Encoding Genetic Processes II,” in Music Encoding Conference Proceedings 2021, 2022, pp. 85–95, doi: https://doi.org/10.17613/q6y4-9139.
LibreCat | DOI | Download (ext.)
 
[26]
2022 | Conference Paper | LibreCat-ID: 55830
D. Lewis et al., “A model for annotating musical versions and arrangements across multiple documents and media,” in 9th International Conference on Digital Libraries for Musicology, 2022, pp. 10–18, doi: 10.1145/3543882.3543891.
LibreCat | DOI
 
[25]
2020 | Conference Paper | LibreCat-ID: 55841 | OA
K. Herold, J. Kepper, R. Mo, and A. R. Seipelt, “MusicDiff – A Diff Tool for MEI,” in Music Encoding Conference Proceedings 2020, 2020, pp. 59–66, doi: 10.17613/ydbv-e158.
LibreCat | DOI | Download (ext.)
 
[24]
2019 | Book (Editor) | LibreCat-ID: 55849 | OA
G. Di Bacco, J. Kepper, and P. D. Roland, Eds., Music Encoding Conference Proceedings 2015, 2016 and 2017. Bavarian State Library (BSB), 2019.
LibreCat | DOI | Download (ext.)
 
[23]
2019 | Conference Paper | LibreCat-ID: 55837
J. Kepper, “Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project,” in Music Encoding Conference Proceedings 2015, 2016 and 2017, 2019, pp. 95–105, doi: 10.15463/music-1.
LibreCat | DOI
 
[22]
2017 | Report | LibreCat-ID: 55843
J. Kepper, Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017). 2017.
LibreCat | DOI
 
[21]
2017 | Journal Article | LibreCat-ID: 55828
J. Kepper and L. Pugin, “Was ist eine Digitale Edition? Versuch einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017,” Musiktheorie (Zeitschrift für Musikwissenschaft), vol. Jahrgang 32, no. 4, pp. 347–363, 2017.
LibreCat
 
[20]
2017 | Research Data | LibreCat-ID: 55844
J. Kepper, Freischütz Digital: data-music, The Academy 2017 Release. Zenodo, 2017.
LibreCat | DOI
 
[19]
2016 | Book | LibreCat-ID: 55816 | OA
J. Kepper and P. D. Roland, Music Encoding Initiative Guidelines Version 3.0.0. Charlottesville und Detmold, 2016.
LibreCat | Download (ext.)
 
[18]
2016 | Book Chapter | LibreCat-ID: 55827
J. Kepper and M. Hartwig, “Die Spuren des Digitalen. Über die Nachnutzbarkeit digitaler Inhalte,” in „Ei, dem alten Herrn zoll’ ich Achtung gern’“. Festschrift für Joachim Veit zum 60. Geburtstag, K. Richts and P. Stadler, Eds. München: Allitera Verlag, 2016, pp. 319–330.
LibreCat
 
[17]
2016 | Conference Abstract | LibreCat-ID: 55845
J. Kepper and K. Richts, “Expression beyond Scope: How FRBR and MEI fit together,” in IAML Congress Programme with abstracts, Rom, 2016, pp. 59–60.
LibreCat
 
[16]
2015 | Book | LibreCat-ID: 55817 | OA
J. Kepper and P. D. Roland, Music Encoding Conference Proceedings 2013 and 2014. Charlottesville und Detmold, 2015.
LibreCat | Download (ext.)
 
[15]
2015 | Book Chapter | LibreCat-ID: 55826
J. Kepper, “The Impact of the Digital. How Digital Editions will change Editing itself, and what can be learned from the History of Editing,” in Music Encoding Conference Proceedings 2013 and 2014, P. D. Roland and J. Kepper, Eds. Charlottesville und Detmold, 2015, pp. 162–167.
LibreCat
 
[14]
2014 | Journal Article | LibreCat-ID: 55825
J. Kepper, S. Schreiter, and J. Veit, “‚Freischütz‘ analog oder digital – Editionsformen im Spannungsfeld von Wissenschaft und Praxis,” editio. Internationales Jahrbuch für Editionswissenschaft, vol. 28, pp. 127–150, 2014, doi: https://doi.org/10.1515/editio-2014-009.
LibreCat | DOI
 
[13]
2013 | Book | LibreCat-ID: 55815 | OA
J. Kepper and P. D. Roland, Music Encoding Initiative Guidelines Version 2.1.0. Charlottesville und Detmold, 2013.
LibreCat | Download (ext.)
 
[12]
2013 | Conference Paper | LibreCat-ID: 55824 | OA
J. Kepper, P. D. Roland, and D. Röwenstrunk, “Musical Variants in Encoding, Analysis and Visualization,” 2013, doi: 10.4242/BalisageVol10.Kepper01.
LibreCat | DOI | Download (ext.)
 
[11]
2012 | Book | LibreCat-ID: 55814 | OA
J. Kepper and P. D. Roland, Music Encoding Initiative Guidelines Version 2.0.0. Charlottesville und Detmold, 2012.
LibreCat | Download (ext.)
 
[10]
2012 | Journal Article | LibreCat-ID: 55822
M. Hartwig, J. Kepper, and K. Richts, “Neue Wege der Musikerschließung. Über den möglichen Einsatz von MEI in deutschen Bibliotheken,” Forum Musikbibliothek, vol. 33, no. 1, pp. 16–23, 2012.
LibreCat
 
[9]
2012 | Book Chapter | LibreCat-ID: 55823
C. Siegert and J. Kepper, “Oper multimedial – Zur Ausgabe von Haydns Arienbearbeitungen,” in Medienwandel / Medienwechsel in der Editionswissenschaft, vol. 35, A. Bohnenkamp-Renken, Ed. Berlin, 2012, pp. 141–150.
LibreCat | DOI
 
[8]
2012 | Conference Paper | LibreCat-ID: 55848 | OA
L. Pugin, J. Kepper, P. Roland, M. Hartwig, and A. Hankinson, “Separating Presentation and Content in MEI,” in Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012, 2012, pp. 505–510.
LibreCat | Download (ext.)
 
[7]
2011 | Journal Article | LibreCat-ID: 55821
B. W. Bohl, J. Kepper, and D. Röwenstrunk, “Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts,” Die Tonkunst, no. III, pp. 270–276, 2011.
LibreCat
 
[6]
2011 | Book | LibreCat-ID: 55829 | OA
J. Kepper, Musikedition im Zeichen neuer Medien – Historische Entwicklung und gegenwärtige Perspektiven musikalischer Gesamtausgaben, vol. 5. Norderstedt: Books on Demand, 2011.
LibreCat | Download (ext.)
 
[5]
2010 | Book | LibreCat-ID: 55813 | OA
J. Kepper and P. D. Roland, Music Encoding Initiative Tag Library, 2010-05 Release. Charlottesville und Detmold, 2010.
LibreCat | Download (ext.)
 
[4]
2009 | Journal Article | LibreCat-ID: 55820
J. Kepper, “XML-basierte Codierung musikwissenschaftlicher Daten – Zu den Voraussetzungen einer digitalen Musikedition,” it – Information Technology, vol. 51, no. 4, pp. 216–221, 2009.
LibreCat
 
[3]
2009 | Book Chapter | LibreCat-ID: 55838
J. Kepper and S. Morent, “Anforderungen an ein musikeditorisches Codierungsformat,” in Digitale Edition zwischen Experiment und Standardisierung, P. Stadler and J. Veit, Eds. Walter de Gruyter, 2009, pp. 265–280.
LibreCat | DOI
 
[2]
2007 | Journal Article | LibreCat-ID: 55819
J. Kepper and D. Röwenstrunk, “Das Edirom-Projekt. Werkzeuge für digitale Formen wissenschaftlich-kritischer Musikeditionen,” Forum Musikbibliothek, vol. 28, no. 1, pp. 36–49, 2007.
LibreCat
 
[1]
2005 | Journal Article | LibreCat-ID: 55818 | OA
J. Kepper, “Zum möglichen Einsatz digitaler Editionsformen bei Musiker-Gesamtausgaben am Beispiel des Edirom-Projekts,” Jahrbuch für Computerphilologie, vol. 7, pp. 7–26, 2005.
LibreCat | Download (ext.)
 
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Citation Style: IEEE

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