Work-related practices of local managers of live music events in Ostwestfalen-Lippe (OWL) and their impact on cultural participation

B. Flath, M. Momen Pour Tafreshi, Arts and the Market 11 (2021) 109–122.

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Journal Article | Published | English
Author
Flath, BeateLibreCat ; Momen Pour Tafreshi, Maryam
Abstract
<jats:sec><jats:title content-type="abstract-subheading">Purpose</jats:title><jats:p>The purpose of this article is to illuminate the relations of work-related practices of local managers of live music events in Ostwestfalen-Lippe (OWL) and barriers and needs of vulnerable customers (VC) in order to explore possibilities to increase cultural participation of VC.</jats:p></jats:sec><jats:sec><jats:title content-type="abstract-subheading">Design/methodology/approach</jats:title><jats:p>This article explores work-related practices of managers of live music events in OWL and asks if and to what extent these practices have an influence on the cultural participation of “vulnerable customers” (VC). It combines the findings of two studies: a) an explorative investigation on the work-related self-conceptions of managers of live music events in OWL (Study 1), and b) a sub-project on cultural participation of VC, which is part of the research project “kulturPreis. Increasing cultural participation through innovative and economically sustainable pricing concepts”, funded by the German Federal Ministry of Education and Research (Study 2).</jats:p></jats:sec><jats:sec><jats:title content-type="abstract-subheading">Findings</jats:title><jats:p>It can be stated that there is an imbalance of knowledge: while VC tend to have a clear understanding of which barriers are the responsibility of managers of live music events, managers tend to lack knowledge regarding the needs of VC, and regarding the interrelationships between financial and social barriers facing them. Whether this knowledge and understanding can be developed in the future depends on the possibilities of exchanges between managers of live music events, cultural institutions, welfare organisations, political institutions and not least VC.</jats:p></jats:sec><jats:sec><jats:title content-type="abstract-subheading">Originality/value</jats:title><jats:p>Based on these studies, this article combines different approaches by linking work-related practices of managers of live music events with cultural participation of VC.</jats:p></jats:sec>
Publishing Year
Journal Title
Arts and the Market
Volume
11
Issue
2
Page
109-122
ISSN
LibreCat-ID

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Flath B, Momen Pour Tafreshi M. Work-related practices of local managers of live music events in Ostwestfalen-Lippe (OWL) and their impact on cultural participation. Arts and the Market. 2021;11(2):109-122. doi:10.1108/aam-09-2020-0040
Flath, B., & Momen Pour Tafreshi, M. (2021). Work-related practices of local managers of live music events in Ostwestfalen-Lippe (OWL) and their impact on cultural participation. Arts and the Market, 11(2), 109–122. https://doi.org/10.1108/aam-09-2020-0040
@article{Flath_Momen Pour Tafreshi_2021, title={Work-related practices of local managers of live music events in Ostwestfalen-Lippe (OWL) and their impact on cultural participation}, volume={11}, DOI={10.1108/aam-09-2020-0040}, number={2}, journal={Arts and the Market}, publisher={Emerald}, author={Flath, Beate and Momen Pour Tafreshi, Maryam}, year={2021}, pages={109–122} }
Flath, Beate, and Maryam Momen Pour Tafreshi. “Work-Related Practices of Local Managers of Live Music Events in Ostwestfalen-Lippe (OWL) and Their Impact on Cultural Participation.” Arts and the Market 11, no. 2 (2021): 109–22. https://doi.org/10.1108/aam-09-2020-0040.
B. Flath and M. Momen Pour Tafreshi, “Work-related practices of local managers of live music events in Ostwestfalen-Lippe (OWL) and their impact on cultural participation,” Arts and the Market, vol. 11, no. 2, pp. 109–122, 2021, doi: 10.1108/aam-09-2020-0040.
Flath, Beate, and Maryam Momen Pour Tafreshi. “Work-Related Practices of Local Managers of Live Music Events in Ostwestfalen-Lippe (OWL) and Their Impact on Cultural Participation.” Arts and the Market, vol. 11, no. 2, Emerald, 2021, pp. 109–22, doi:10.1108/aam-09-2020-0040.

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