Axel Berndt
Fakultät für Kulturwissenschaften
Musikwissenschaftliches Seminar Detmold/Paderborn
Modellierung vernetzter virtueller Datenräume (im Bereich Musik und Medien) (Berndt)
axel.berndt@uni-paderborn.deID
104 Publications
2025 | Conference Paper | LibreCat-ID: 59783
Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation pattern using IEEE 1599
D. ~A. Mauro, L. ~A. Ludovico, H. ~H. Aydin, A. Berndt, T. Grothe, in: {AM.ICAD: Audio Mostly & ICAD Joint Conf.}, ACM, Coimbra, Portugal, 2025.
LibreCat
D. ~A. Mauro, L. ~A. Ludovico, H. ~H. Aydin, A. Berndt, T. Grothe, in: {AM.ICAD: Audio Mostly & ICAD Joint Conf.}, ACM, Coimbra, Portugal, 2025.
2025 | Conference Paper | LibreCat-ID: 59782
Non/Repeat: Three Case Studies of Non-linear Live-Music Practices
M. Kallionpää, A. Berndt, D. ~A. Mauro, D. Dziwis, in: {AM.ICAD: Audio Mostly & ICAD Joint Conf.}, ACM, Coimbra, Portugal, 2025.
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M. Kallionpää, A. Berndt, D. ~A. Mauro, D. Dziwis, in: {AM.ICAD: Audio Mostly & ICAD Joint Conf.}, ACM, Coimbra, Portugal, 2025.
2025 | Journal Article | LibreCat-ID: 59749
ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research
S. Balke, A. Berndt, M. Müller, Transactions of the International Society for Music Information Retrieval 8 (2025) 39–54.
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| DOI
S. Balke, A. Berndt, M. Müller, Transactions of the International Society for Music Information Retrieval 8 (2025) 39–54.
2025 | Conference Paper | LibreCat-ID: 59748
Detmold interactive Musical Instrument Timbre Explorer (DmITE)—a web application for experiental learning in musical acoustics
T. Grothe, H. ~B. Aydin, D. ~A. Mauro, L. ~A. Ludovico, A. Berndt, in: {DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}, Copenhagen, Denmark, 2025.
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T. Grothe, H. ~B. Aydin, D. ~A. Mauro, L. ~A. Ludovico, A. Berndt, in: {DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}, Copenhagen, Denmark, 2025.
2025 | Conference Paper | LibreCat-ID: 59751
Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht
A. Berndt, in: {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}, KreativInstitut.OWL, Detmold, Germany, 2025.
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A. Berndt, in: {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}, KreativInstitut.OWL, Detmold, Germany, 2025.
2025 | Conference Paper | LibreCat-ID: 59750
Automatic Rendering of Ramati’s Ludus Musicalis Scores
D. ~A. Mauro, A. Berndt, in: {22nd Sound and Music Computing Conf.\ (SMC 2025), Auditory Landscapes}, Graz, Austria, 2025.
LibreCat
D. ~A. Mauro, A. Berndt, in: {22nd Sound and Music Computing Conf.\ (SMC 2025), Auditory Landscapes}, Graz, Austria, 2025.
2025 | Conference Paper | LibreCat-ID: 58555
Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht
A. Berndt, in: {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}, KreativInstitut.OWL, Detmold, Germany, 2025.
LibreCat
A. Berndt, in: {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}, KreativInstitut.OWL, Detmold, Germany, 2025.
2024 | Conference Paper | LibreCat-ID: 58554
Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze
A. Berndt, A. Münzmay, in: {Edition von Filmmusik: Herausforderungen Der Multimedialität}, Frankfurt (Main), Germany, 2024.
LibreCat
A. Berndt, A. Münzmay, in: {Edition von Filmmusik: Herausforderungen Der Multimedialität}, Frankfurt (Main), Germany, 2024.
2024 | Conference Paper | LibreCat-ID: 58552
Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology
A. Berndt, F. Vollmer, A. Münzmay, in: {Diskografentag: International Conference on Recorded Music}, Guildford, Surrey, England, 2024.
LibreCat
A. Berndt, F. Vollmer, A. Münzmay, in: {Diskografentag: International Conference on Recorded Music}, Guildford, Surrey, England, 2024.
2024 | Conference Paper | LibreCat-ID: 58551
Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition
A. Berndt, A. Münzmay, F. Vollmer, in: {DAGA 2024 – 50. Jahrestagung Für Akustik}, Hannover, Germany, 2024.
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A. Berndt, A. Münzmay, F. Vollmer, in: {DAGA 2024 – 50. Jahrestagung Für Akustik}, Hannover, Germany, 2024.
2024 | Conference Paper | LibreCat-ID: 58550
Auditory Pointers: Spatial Navigation with Sounds
A. Berndt, in: {Forschungskolloquium Zur Audiokommunikation}, Berlin, Germany, 2024.
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A. Berndt, in: {Forschungskolloquium Zur Audiokommunikation}, Berlin, Germany, 2024.
2024 | Conference Paper | LibreCat-ID: 58553
FlowScore: MEI Streaming to Digital Music Stands
A. Berndt, S. Waloschek, in: {Edirom Summer School 2024}, Paderborn, Germany, 2024.
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A. Berndt, S. Waloschek, in: {Edirom Summer School 2024}, Paderborn, Germany, 2024.
2024 | Conference Paper | LibreCat-ID: 52514
Mozart-Dekonstruktionen: Genese einer KI-generierten Konzertmusik
A. Berndt, in: {Digitale Methoden in Den Geisteswissenschaften. Herausforderungen Und Chancen}, Rome, Italy, 2024.
LibreCat
A. Berndt, in: {Digitale Methoden in Den Geisteswissenschaften. Herausforderungen Und Chancen}, Rome, Italy, 2024.
2024 | Conference Paper | LibreCat-ID: 54247
Arpeggiatorum: An audio controllable MIDI arpeggiator
A. Berndt, D. ~A. Mauro, in: {Sound and Music Computing Conf.\ (SMC 2024), Immersive}, Porto, Porugal, 2024.
LibreCat
A. Berndt, D. ~A. Mauro, in: {Sound and Music Computing Conf.\ (SMC 2024), Immersive}, Porto, Porugal, 2024.
2023 | Conference Paper | LibreCat-ID: 47316
Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing
M. Nowakowski, A. Berndt, A.V.K. Plaksin, N. Şahin, A. Hadjakos, in: {Encoding Cultures—Joint MEC and TEI Conference 2023}, Paderborn, Germany, 2023.
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M. Nowakowski, A. Berndt, A.V.K. Plaksin, N. Şahin, A. Hadjakos, in: {Encoding Cultures—Joint MEC and TEI Conference 2023}, Paderborn, Germany, 2023.
2023 | Conference Paper | LibreCat-ID: 47318
Was ist eine Interpretationsedition?
A. Münzmay, A. Berndt, in: {Methoden Softwaregestützter Interpretationsforschung}, 2023.
LibreCat
A. Münzmay, A. Berndt, in: {Methoden Softwaregestützter Interpretationsforschung}, 2023.
2023 | Conference Paper | LibreCat-ID: 47317
Three Experiments with AI Music Generation
A. Berndt, in: {Deconstruction; Order. Mozart?}, Kunstmuseum Stuttgart, Stuttgart Germany, 2023.
LibreCat
A. Berndt, in: {Deconstruction; Order. Mozart?}, Kunstmuseum Stuttgart, Stuttgart Germany, 2023.
2023 | Book Chapter | LibreCat-ID: 47321
Meditation
A. Berndt, in: S. Harras, S. Schlüter, R. Schrötke (Eds.), {Das Gehört Zusammen: Bläserheft Zum Landesposaunentag Wolfenbüttel 2023}, Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, Wolfenbüttel, Germany, 2023, pp. 30–31.
LibreCat
A. Berndt, in: S. Harras, S. Schlüter, R. Schrötke (Eds.), {Das Gehört Zusammen: Bläserheft Zum Landesposaunentag Wolfenbüttel 2023}, Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, Wolfenbüttel, Germany, 2023, pp. 30–31.
2023 | Book Chapter | LibreCat-ID: 47320
Der Tag, mein Gott, ist nun vergangen
A. Berndt, in: K.-P. Diehl, M. Schnabel, A. Form (Eds.), {Zwischentöne 2: Bläsermusik Zwischen Himmel Und Erde}, CVJM-Westbund e.V., Wuppertal, Germany, 2023, pp. 119–121.
LibreCat
A. Berndt, in: K.-P. Diehl, M. Schnabel, A. Form (Eds.), {Zwischentöne 2: Bläsermusik Zwischen Himmel Und Erde}, CVJM-Westbund e.V., Wuppertal, Germany, 2023, pp. 119–121.
2023 | Conference Paper | LibreCat-ID: 47322
Forschungsperspektiven zur Interaktion mit Musiknotation
M. Nowakowski, A. Berndt, A. Hadjakos, in: {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}, Trier, Germany, 2023.
LibreCat
M. Nowakowski, A. Berndt, A. Hadjakos, in: {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}, Trier, Germany, 2023.
2023 | Conference Paper | LibreCat-ID: 47319
Interpretationsbeschreibung und -analyse mittels Music Performance Markup (MPM)
A. Berndt, in: {Methoden Softwaregestützter Interpretationsforschung}, 2023.
LibreCat
A. Berndt, in: {Methoden Softwaregestützter Interpretationsforschung}, 2023.
2023 | Conference Paper | LibreCat-ID: 50434
Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing
M. Nowakowski, A. Berndt, A.V.K. Plaksin, N. Şahin, A. Hadjakos, in: {Encoding Cultures—Joint MEC and TEI Conference 2023}, Paderborn, Germany, 2023.
LibreCat
M. Nowakowski, A. Berndt, A.V.K. Plaksin, N. Şahin, A. Hadjakos, in: {Encoding Cultures—Joint MEC and TEI Conference 2023}, Paderborn, Germany, 2023.
2023 | Conference Paper | LibreCat-ID: 50433
Sonification as a Composition Technique and Means of Artistic Expression
M. Kallionpaa, A. Berndt, H.-P. Gasselseder, in: {XXV Generative Art 2023}, Roma, Italy, 2023, pp. 199–207.
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M. Kallionpaa, A. Berndt, H.-P. Gasselseder, in: {XXV Generative Art 2023}, Roma, Italy, 2023, pp. 199–207.
2023 | Conference Paper | LibreCat-ID: 50432
MPM Toolbox: Eine Software zur Analyse und kreativen Erstellung musikalischer Interpretationen
A. Berndt, in: {Netzwerk Lunch}, Detmold, Germany, 2023.
LibreCat
A. Berndt, in: {Netzwerk Lunch}, Detmold, Germany, 2023.
2023 | Conference Paper | LibreCat-ID: 50435
Three Experiments with AI Music Generation
A. Berndt, in: {Deconstruction; Order. Mozart?}, Kunstmuseum Stuttgart, Stuttgart Germany, 2023.
LibreCat
A. Berndt, in: {Deconstruction; Order. Mozart?}, Kunstmuseum Stuttgart, Stuttgart Germany, 2023.
2022 | Conference Paper | LibreCat-ID: 47324
Musik vom Computer: Eine Entdeckungsreise in die Welt der generativen Musik
A. Berndt, in: {Data Society. Chancen – Verantwortung – Innovationen}, Paderborn, Germany, 2022.
LibreCat
A. Berndt, in: {Data Society. Chancen – Verantwortung – Innovationen}, Paderborn, Germany, 2022.
2022 | Conference Paper | LibreCat-ID: 47323
Modellbasierte Beschreibung musikalischer Interpretationen
A. Berndt, in: Forschungskolloquium, Detmold, Germany, 2022.
LibreCat
A. Berndt, in: Forschungskolloquium, Detmold, Germany, 2022.
2022 | Conference Paper | LibreCat-ID: 47325
Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen
A. Berndt, in: {Edirom Summer School 2022}, Paderborn, Germany, 2022.
LibreCat
A. Berndt, in: {Edirom Summer School 2022}, Paderborn, Germany, 2022.
2022 | Conference Paper | LibreCat-ID: 47328
Encoding Musical Performances
A. Berndt, in: {Music Encoding Conference}, Halifax, Canada, 2022, pp. 167–169.
LibreCat
A. Berndt, in: {Music Encoding Conference}, Halifax, Canada, 2022, pp. 167–169.
2022 | Book Chapter | LibreCat-ID: 47326
Herr Christ, der einig Gotts Sohn
A. Berndt, in: F. Plewka (Ed.), {Der Tag Ist Nicht Mehr Fern: Bläsermusik Zum Weihnachtsfestkreis}, Strube Verlag, Munich, Germany, 2022, pp. 88–89.
LibreCat
A. Berndt, in: F. Plewka (Ed.), {Der Tag Ist Nicht Mehr Fern: Bläsermusik Zum Weihnachtsfestkreis}, Strube Verlag, Munich, Germany, 2022, pp. 88–89.
2022 | Conference Paper | LibreCat-ID: 47327
Sharing MEI: Common Semantics in Diverse Musics?
A.V.K. Plaksin, D. Lewis, N. Şahin, A. Berndt, in: {Music Encoding Conference}, Halifax, Canada, 2022, pp. 157–161.
LibreCat
A.V.K. Plaksin, D. Lewis, N. Şahin, A. Berndt, in: {Music Encoding Conference}, Halifax, Canada, 2022, pp. 157–161.
2021 | Book Chapter | LibreCat-ID: 47331
Morgenglanz der Ewigkeit
A. Berndt, in: M. Döhler, T. Peter, T. Schab, J.-M. Schlegel (Eds.), {Gott Danken Ist Freude, Band IV}, Sächsische Posaunenmission, Dresden, Germany, 2021, pp. 187–188.
LibreCat
A. Berndt, in: M. Döhler, T. Peter, T. Schab, J.-M. Schlegel (Eds.), {Gott Danken Ist Freude, Band IV}, Sächsische Posaunenmission, Dresden, Germany, 2021, pp. 187–188.
2021 | Conference Paper | LibreCat-ID: 47329
The Music Performance Markup Format and Ecosystem
A. Berndt, in: {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}, 2021.
LibreCat
A. Berndt, in: {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}, 2021.
2021 | Conference Paper | LibreCat-ID: 47330
Music Performance Markup: Format and Software Tools Report
A. Berndt, in: {Music Encoding Conference}, Alicante, Spain, 2021, pp. 57–63.
LibreCat
A. Berndt, in: {Music Encoding Conference}, Alicante, Spain, 2021, pp. 57–63.
2021 | Book Chapter | LibreCat-ID: 47332
Meditation
A. Berndt, in: M. Döhler, T. Peter, T. Schab, J.-M. Schlegel (Eds.), {Gott Danken Ist Freude, Band IV}, Sächsische Posaunenmission, Dresden, Germany, 2021, pp. 88–89.
LibreCat
A. Berndt, in: M. Döhler, T. Peter, T. Schab, J.-M. Schlegel (Eds.), {Gott Danken Ist Freude, Band IV}, Sächsische Posaunenmission, Dresden, Germany, 2021, pp. 88–89.
2020 | Conference Paper | LibreCat-ID: 47334
Inside Beethoven! A Musical Installation for a New Listening Perspective
A. Berndt, S. Waloschek, A. Hadjakos, J. Veit, in: K. Groß-Vogt (Ed.), {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}, ACM, Graz, Austria, 2020, pp. 245–248.
LibreCat
A. Berndt, S. Waloschek, A. Hadjakos, J. Veit, in: K. Groß-Vogt (Ed.), {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}, ACM, Graz, Austria, 2020, pp. 245–248.
2020 | Book Chapter | LibreCat-ID: 47335
Lob Gott getrost mit Singen
A. Berndt, in: C. Kornmaul (Ed.), {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}, Posaunendienst in der Lippischen Landeskirche, Detmold, Germany, 2020, pp. 64–67.
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A. Berndt, in: C. Kornmaul (Ed.), {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}, Posaunendienst in der Lippischen Landeskirche, Detmold, Germany, 2020, pp. 64–67.
2020 | Conference Paper | LibreCat-ID: 47333
Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen
A. Berndt, in: {Edirom Summer School 2020}, Paderborn, Germany, 2020.
LibreCat
A. Berndt, in: {Edirom Summer School 2020}, Paderborn, Germany, 2020.
2019 | Book | LibreCat-ID: 47336
Inside Beethoven! Das begehbare Ensemble - Begleitpublikation zur Klanginstallation der Hochschule für Musik Detmold zum Septett op. 20 und Trio op. 38 (mit CD)
A. Berndt, J. Veit, Inside Beethoven! Das Begehbare Ensemble - Begleitpublikation Zur Klanginstallation Der Hochschule Für Musik Detmold Zum Septett Op. 20 Und Trio Op. 38 (Mit CD), Beethoven-Haus Bonn, Bonn, Germany, 2019.
LibreCat
A. Berndt, J. Veit, Inside Beethoven! Das Begehbare Ensemble - Begleitpublikation Zur Klanginstallation Der Hochschule Für Musik Detmold Zum Septett Op. 20 Und Trio Op. 38 (Mit CD), Beethoven-Haus Bonn, Bonn, Germany, 2019.
2019 | Conference Paper | LibreCat-ID: 47338
A Showcase of New MEI Tools
S. Waloschek, A. Berndt, A. Hadjakos, A. Pacha, in: {Music Encoding Conference}, Vienna, Austria, 2019.
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S. Waloschek, A. Berndt, A. Hadjakos, A. Pacha, in: {Music Encoding Conference}, Vienna, Austria, 2019.
2019 | Book Chapter | LibreCat-ID: 47337
Adaptive Game Scoring with Ambient Music
A. Berndt, in: M. Adkins, S. Cummings (Eds.), Music Beyond Airports: Apraising Ambient Music, University of Huddersfield Press, Huddersfield, UK, 2019, pp. 197–226.
LibreCat
A. Berndt, in: M. Adkins, S. Cummings (Eds.), Music Beyond Airports: Apraising Ambient Music, University of Huddersfield Press, Huddersfield, UK, 2019, pp. 197–226.
2018 | Conference Paper | LibreCat-ID: 47344
Interactive Media Scoring with Ambient Music
A. Berndt, in: {Ambient@40}, Huddersfield, UK, 2018.
LibreCat
A. Berndt, in: {Ambient@40}, Huddersfield, UK, 2018.
2018 | Book Chapter | LibreCat-ID: 47340
Music Performance Markup: Formale Beschreibung musikalischer Interpretationen
A. Berndt, B. ~W. Bohl, in: R. Nutt-Kofoth, B. Plachta (Eds.), {editio: International Yearbook of Scholarly Editing}, De Gruyter, Berlin, Germany, 2018, pp. 185–204.
LibreCat
A. Berndt, B. ~W. Bohl, in: R. Nutt-Kofoth, B. Plachta (Eds.), {editio: International Yearbook of Scholarly Editing}, De Gruyter, Berlin, Germany, 2018, pp. 185–204.
2018 | Conference Paper | LibreCat-ID: 47342
Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications
A. Berndt, S. Waloschek, A. Hadjakos, in: {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}, ACM, Wrexham, North Wales, UK, 2018.
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A. Berndt, S. Waloschek, A. Hadjakos, in: {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}, ACM, Wrexham, North Wales, UK, 2018.
2018 | Conference Paper | LibreCat-ID: 47343
Score and sound-based interface for exploring music performances
S. Waloschek, A. Hadjakos, A. Berndt, in: {Interdisciplinary Workshop on Timbre 2018}, Montreal, Canada, 2018.
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S. Waloschek, A. Hadjakos, A. Berndt, in: {Interdisciplinary Workshop on Timbre 2018}, Montreal, Canada, 2018.
2018 | Conference Paper | LibreCat-ID: 47341
Digital Sounds im Future Marketing: So klingt die Zukunft
A. Berndt, in: {CEBIT 2018 Panel Discussion}, Hannover, Germany, 2018.
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A. Berndt, in: {CEBIT 2018 Panel Discussion}, Hannover, Germany, 2018.
2018 | Book Chapter | LibreCat-ID: 47345
Music Performance Markup: Formale Beschreibung musikalischer Interpretationen
A. Berndt, B. ~W. Bohl, in: R. Nutt-Kofoth, B. Plachta (Eds.), {Editio: Internationales Jahrbuch Für Editionswissenschaft}, De Gruyter, Berlin, Germany, 2018.
LibreCat
A. Berndt, B. ~W. Bohl, in: R. Nutt-Kofoth, B. Plachta (Eds.), {Editio: Internationales Jahrbuch Für Editionswissenschaft}, De Gruyter, Berlin, Germany, 2018.
2018 | Conference Paper | LibreCat-ID: 47346
Formale Beschreibung musikalischer Interpretationen
A. Berndt, B. ~W. Bohl, in: {Aufführung Und Edition 2018, 17. Int. Tagung Der Arbeitsgemeinschaft Für Germanistische Edition}, Frankfurt am Main, Germany, 2018.
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A. Berndt, B. ~W. Bohl, in: {Aufführung Und Edition 2018, 17. Int. Tagung Der Arbeitsgemeinschaft Für Germanistische Edition}, Frankfurt am Main, Germany, 2018.
2018 | Conference Paper | LibreCat-ID: 47347
Musik im Spiel
A. Berndt, in: {Kolloquium Zur Musik Des 20. Jahrhunderts}, Innsbruck, Austria, 2018.
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A. Berndt, in: {Kolloquium Zur Musik Des 20. Jahrhunderts}, Innsbruck, Austria, 2018.
2017 | Conference Paper | LibreCat-ID: 47350
Musikeditionen zum Klingen bringen
A. Berndt, S. Waloschek, A. Hadjakos, in: {Edirom Summer School 2017}, Paderborn, Germany, 2017.
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A. Berndt, S. Waloschek, A. Hadjakos, in: {Edirom Summer School 2017}, Paderborn, Germany, 2017.
2017 | Conference Paper | LibreCat-ID: 47349
Herausforderungen der editorischen Erschließung auditiver Objekte
A. Berndt, in: {Projekt Sprechmaschine Workshop: Wo Liegt Der Mehrwert Digitaler Ausstellungen Für Universitäre Sammlungen?}, Dresden, Germany, 2017.
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A. Berndt, in: {Projekt Sprechmaschine Workshop: Wo Liegt Der Mehrwert Digitaler Ausstellungen Für Universitäre Sammlungen?}, Dresden, Germany, 2017.
2017 | Journal Article | LibreCat-ID: 47348
The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra
A. Berndt, N. Al-Kassab, R. Dachselt, {Computer Music Journal} 41 (2017) 32–44.
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A. Berndt, N. Al-Kassab, R. Dachselt, {Computer Music Journal} 41 (2017) 32–44.
2017 | Conference Paper | LibreCat-ID: 47351
The Geometric Oscillator: Sound Synthesis with Cyclic Shapes
J. Peschke, A. Berndt, in: {Audio Mostly 2017: 12th Conf. on Interaction with Sound—Augmented and Participatory Sound/Music Experiences}, ACM, London, UK, 2017.
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J. Peschke, A. Berndt, in: {Audio Mostly 2017: 12th Conf. on Interaction with Sound—Augmented and Participatory Sound/Music Experiences}, ACM, London, UK, 2017.
2017 | Conference Paper | LibreCat-ID: 47352
Tools for Annotating Musical Measures in Digital Music Editions
Y. Mexin, A. Hadjakos, A. Berndt, S. Waloschek, A. Wawilow, G. Szwillus, in: {14th Sound and Music Computing Conf.\ (SMC-17)}, Espoo, Finland, 2017.
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Y. Mexin, A. Hadjakos, A. Berndt, S. Waloschek, A. Wawilow, G. Szwillus, in: {14th Sound and Music Computing Conf.\ (SMC-17)}, Espoo, Finland, 2017.
2017 | Book Chapter | LibreCat-ID: 47354
Generative Musik als Werkzeug in der Musikwissenschaft
A. Berndt, in: C. Lange, B. Reipsch (Eds.), {Vom Umgang Mit Telemanns Werken Einst Und Jetzt. Telemannrezeption in Drei Jahrhunderten. Bericht Über Die Wissenschaftliche Konferenz, Magdeburg, 15. Und 16. März 2012, Anlässlich Der 21. Magdeburger Telemann-Festtage}, Olms Verlag, Hildesheim, Germany, 2017, pp. 305–326.
LibreCat
A. Berndt, in: C. Lange, B. Reipsch (Eds.), {Vom Umgang Mit Telemanns Werken Einst Und Jetzt. Telemannrezeption in Drei Jahrhunderten. Bericht Über Die Wissenschaftliche Konferenz, Magdeburg, 15. Und 16. März 2012, Anlässlich Der 21. Magdeburger Telemann-Festtage}, Olms Verlag, Hildesheim, Germany, 2017, pp. 305–326.
2017 | Conference Paper | LibreCat-ID: 47353
AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games
A. Berndt, S. Waloschek, A. Hadjakos, A. Leemhuis, in: {Proc. of New Interfaces for Musical Expression (NIME) 2017}, Aalborg University Copenhagen, Copenhagen, Denmark, 2017.
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A. Berndt, S. Waloschek, A. Hadjakos, A. Leemhuis, in: {Proc. of New Interfaces for Musical Expression (NIME) 2017}, Aalborg University Copenhagen, Copenhagen, Denmark, 2017.
2016 | Conference Paper | LibreCat-ID: 47356
Interactive Scores in Classical Music Production
S. Waloschek, A. Berndt, B. ~W. Bohl, A. Hadjakos, in: M. Mandel (Ed.), {Proc. of the 17th Int. Society for Music Information Retrieval Conf.\ (ISMIR) 2016}, Int. Society for Music Information Retrieval, New York, NY, USA, 2016.
LibreCat
S. Waloschek, A. Berndt, B. ~W. Bohl, A. Hadjakos, in: M. Mandel (Ed.), {Proc. of the 17th Int. Society for Music Information Retrieval Conf.\ (ISMIR) 2016}, Int. Society for Music Information Retrieval, New York, NY, USA, 2016.
2016 | Conference Paper | LibreCat-ID: 47357
Hand Gestures in Music Production
A. Berndt, S. Waloschek, A. Hadjakos, in: H. Timmermans (Ed.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek, Utrecht, The Netherlands, 2016.
LibreCat
A. Berndt, S. Waloschek, A. Hadjakos, in: H. Timmermans (Ed.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek, Utrecht, The Netherlands, 2016.
2016 | Conference Paper | LibreCat-ID: 47355
Accelerating the Editing Phase in Music Productions using Interactive Scores
S. Waloschek, A. Berndt, B. ~W. Bohl, A. Hadjakos, in: {Proc. of the 2nd AES Workshop on Intelligent Music Production}, Audio Engineering Society (AES), London, UK, 2016.
LibreCat
S. Waloschek, A. Berndt, B. ~W. Bohl, A. Hadjakos, in: {Proc. of the 2nd AES Workshop on Intelligent Music Production}, Audio Engineering Society (AES), London, UK, 2016.
2016 | Book Chapter | LibreCat-ID: 47359
Dem Igel Sitte lehren … Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung
B. ~W. Bohl, A. Berndt, S. Waloschek, A. Hadjakos, in: K. Richts, P. Stadler (Eds.), {\glqqEi, Dem Alten Herrn Zoll’ Ich Achtung Gern’\grqq Festschrift Für Joachim Veit Zum 60. Geburtstag}, Allitera Verlag, Munich, Germany, 2016, pp. 141–163.
LibreCat
B. ~W. Bohl, A. Berndt, S. Waloschek, A. Hadjakos, in: K. Richts, P. Stadler (Eds.), {\glqqEi, Dem Alten Herrn Zoll’ Ich Achtung Gern’\grqq Festschrift Für Joachim Veit Zum 60. Geburtstag}, Allitera Verlag, Munich, Germany, 2016, pp. 141–163.
2016 | Conference Paper | LibreCat-ID: 47360
Formate als Sackgassen: Handlungsempfehlungen
B. ~W. Bohl, A. Berndt, B. Senft, in: {DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities Als Fachübergreifendes Forschungsparadigma}, nisaba verlag, Leipzig, Germany, 2016.
LibreCat
B. ~W. Bohl, A. Berndt, B. Senft, in: {DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities Als Fachübergreifendes Forschungsparadigma}, nisaba verlag, Leipzig, Germany, 2016.
2016 | Conference Paper | LibreCat-ID: 47358
XML Music Performance Description
A. Berndt, B. ~W. Bohl, in: G. Di Bacco, J. Kepper, P. ~D. Roland (Eds.), {Music Encoding Conference 2016}, Music Encoding Initiative, Montréal, Canada, 2016, pp. 91–94.
LibreCat
A. Berndt, B. ~W. Bohl, in: G. Di Bacco, J. Kepper, P. ~D. Roland (Eds.), {Music Encoding Conference 2016}, Music Encoding Initiative, Montréal, Canada, 2016, pp. 91–94.
2015 | Conference Paper | LibreCat-ID: 47369
Gedanken zur Nutzung von Handgesten in der Musikproduktion
A. Berndt, S. Waloschek, A. Hadjakos, in: A. Schmidt, M. Burmester, A. Weisbecker (Eds.), {Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}, Oldenbourg Wissenschaftsverlag, Stuttgart, Germany, 2015, pp. 247–252.
LibreCat
A. Berndt, S. Waloschek, A. Hadjakos, in: A. Schmidt, M. Burmester, A. Weisbecker (Eds.), {Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}, Oldenbourg Wissenschaftsverlag, Stuttgart, Germany, 2015, pp. 247–252.
2015 | Book Chapter | LibreCat-ID: 47363
TouchNoise: A Multitouch Noise Instrument
N. Al-Kassab, A. Berndt, in: A. Berndt (Ed.), {Works in Audio and Music Technology}, TUDpress, Dresden, Germany, 2015, pp. 31–57.
LibreCat
N. Al-Kassab, A. Berndt, in: A. Berndt (Ed.), {Works in Audio and Music Technology}, TUDpress, Dresden, Germany, 2015, pp. 31–57.
2015 | Conference Paper | LibreCat-ID: 47370
Synchronizing Spatially Distributed Musical Ensembles
A. Hadjakos, A. Berndt, S. Waloschek, in: {12th Sound and Music Computing Conf.\ (SMC15)}, Maynooth, Ireland, 2015.
LibreCat
A. Hadjakos, A. Berndt, S. Waloschek, in: {12th Sound and Music Computing Conf.\ (SMC15)}, Maynooth, Ireland, 2015.
2015 | Book | LibreCat-ID: 47361
Works in Audio and Music Technology
A. Berndt, Works in Audio and Music Technology, TUDpress, Dresden, Germany, 2015.
LibreCat
A. Berndt, Works in Audio and Music Technology, TUDpress, Dresden, Germany, 2015.
2015 | Book Chapter | LibreCat-ID: 47368
Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen
A. Berndt, F. Schönfeld, R. Groh, T. Hähnel, T. Marx, M. Pfleiderer, in: W. Auhagen, C. Bullerjahn, R. von Georgi (Eds.), {Musikpsychologie – Anwendungsorientierte Forschung}, Hogrefe Verlag, Göttingen, Germany, 2015, pp. 254–262.
LibreCat
A. Berndt, F. Schönfeld, R. Groh, T. Hähnel, T. Marx, M. Pfleiderer, in: W. Auhagen, C. Bullerjahn, R. von Georgi (Eds.), {Musikpsychologie – Anwendungsorientierte Forschung}, Hogrefe Verlag, Göttingen, Germany, 2015, pp. 254–262.
2015 | Book Chapter | LibreCat-ID: 47366
Studying Music Performance and Perception via Interaction
A. Berndt, T. Hähnel, in: A. Berndt (Ed.), {Works in Audio and Music Technology}, TUDpress, Dresden, Germany, 2015, pp. 129–153.
LibreCat
A. Berndt, T. Hähnel, in: A. Berndt (Ed.), {Works in Audio and Music Technology}, TUDpress, Dresden, Germany, 2015, pp. 129–153.
2015 | Book Chapter | LibreCat-ID: 47365
Formalizing Expressive Music Performance Phenomena
A. Berndt, in: A. Berndt (Ed.), {Works in Audio and Music Technology}, TUDpress, Dresden, Germany, 2015, pp. 97–128.
LibreCat
A. Berndt, in: A. Berndt (Ed.), {Works in Audio and Music Technology}, TUDpress, Dresden, Germany, 2015, pp. 97–128.
2015 | Conference Paper | LibreCat-ID: 47372
Musizieren mit dem Computer
A. Berndt, S. ~H. Menges, in: {21. Schulinformatiktag}, Dresden, Germany, 2015.
LibreCat
A. Berndt, S. ~H. Menges, in: {21. Schulinformatiktag}, Dresden, Germany, 2015.
2015 | Conference Paper | LibreCat-ID: 47371
TouchNoise: A New Multitouch Interface for Creative Work with Noise
A. Berndt, N. Al-Kassab, R. Dachselt, in: {Audio Mostly 2015: 10th Conf. on Interaction with Sound—Sound, Semantics and Social Interaction}, ACM, Thessaloniki, Greece, 2015.
LibreCat
A. Berndt, N. Al-Kassab, R. Dachselt, in: {Audio Mostly 2015: 10th Conf. on Interaction with Sound—Sound, Semantics and Social Interaction}, ACM, Thessaloniki, Greece, 2015.
2014 | Conference Paper | LibreCat-ID: 47373
Vocalmetrics: An interactive software for visualization and classification of music
F. Schönfeld, A. Berndt, T. Hähnel, M. Pfleiderer, R. Groh, in: {Audio Mostly 2014: 9th Conf. on Interaction with Sound—Imagining Sound and Music}, ACM, Aalborg, Denmark, 2014.
LibreCat
F. Schönfeld, A. Berndt, T. Hähnel, M. Pfleiderer, R. Groh, in: {Audio Mostly 2014: 9th Conf. on Interaction with Sound—Imagining Sound and Music}, ACM, Aalborg, Denmark, 2014.
2014 | Book Chapter | LibreCat-ID: 47375
Ambiente Musik zur Vertonung immersiver interaktiver Medien
A. Berndt, in: I. für immersive Medien (Ed.), {Jahrbuch Immersiver Medien 2014: Klänge, Musik Und Soundscapes}, Schüren Verlag, Fachhochschule Kiel, Germany, 2014, pp. 95–105.
LibreCat
A. Berndt, in: I. für immersive Medien (Ed.), {Jahrbuch Immersiver Medien 2014: Klänge, Musik Und Soundscapes}, Schüren Verlag, Fachhochschule Kiel, Germany, 2014, pp. 95–105.
2014 | Conference Paper | LibreCat-ID: 47374
TouchNoise: A Particle-based Multitouch Noise Modulation Interface
A. Berndt, N. Al-Kassab, R. Dachselt, in: {Proc. of New Interfaces for Musical Expression (NIME) 2014}, Goldsmiths, University of London, London, UK, 2014, pp. 323–326.
LibreCat
A. Berndt, N. Al-Kassab, R. Dachselt, in: {Proc. of New Interfaces for Musical Expression (NIME) 2014}, Goldsmiths, University of London, London, UK, 2014, pp. 323–326.
2013 | Conference Paper | LibreCat-ID: 47377
New Perspectives on Interactivity in Project Management Tools
M. de Almeida Madeira Clemente, A. Berndt, H. Leitner, M. Keck, R. Gaertner, R. Groh, in: C. Stephanidis (Ed.), {HCI International 2013—Posters’ Extended Abstracts}, Springer Verlag, Las Vegas, Nevada, 2013, pp. 484–488.
LibreCat
M. de Almeida Madeira Clemente, A. Berndt, H. Leitner, M. Keck, R. Gaertner, R. Groh, in: C. Stephanidis (Ed.), {HCI International 2013—Posters’ Extended Abstracts}, Springer Verlag, Las Vegas, Nevada, 2013, pp. 484–488.
2013 | Conference Paper | LibreCat-ID: 47376
Designing Auditory Pointers
R. Lorenz, A. Berndt, R. Groh, in: {Audio Mostly 2013: 8th Conf. on Interaction with Sound—Sound for Information and Intuition}, ACM, Piteå, Sweden, 2013.
LibreCat
R. Lorenz, A. Berndt, R. Groh, in: {Audio Mostly 2013: 8th Conf. on Interaction with Sound—Sound for Information and Intuition}, ACM, Piteå, Sweden, 2013.
2013 | Journal Article | LibreCat-ID: 47378
Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen
A. Berndt, {Kieler Beiträge Zur Filmmusikforschung} 9 (2013) 293–323.
LibreCat
A. Berndt, {Kieler Beiträge Zur Filmmusikforschung} 9 (2013) 293–323.
2012 | Conference Paper | LibreCat-ID: 47381
Variance in Repetitive Games Music
A. Berndt, in: M. M. Marolt, M. Kaltenbrunner, M. Ciglar (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, University of Ljubljana, Ljubljana, Slovenia, 2012, pp. 412–415.
LibreCat
A. Berndt, in: M. M. Marolt, M. Kaltenbrunner, M. Ciglar (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, University of Ljubljana, Ljubljana, Slovenia, 2012, pp. 412–415.
2012 | Conference Paper | LibreCat-ID: 47380
A Survey of Variation Techniques for Repetitive Games Music
A. Berndt, R. Dachselt, R. Groh, in: {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, ACM SIGCHI, Corfu, Greece, 2012, pp. 61–67.
LibreCat
A. Berndt, R. Dachselt, R. Groh, in: {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, ACM SIGCHI, Corfu, Greece, 2012, pp. 61–67.
2012 | Conference Paper | LibreCat-ID: 47379
Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen
A. Berndt, in: 7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik, Kieler Gesellschaft für Filmmusikforschung, Salzburg, Austria, 2012.
LibreCat
A. Berndt, in: 7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik, Kieler Gesellschaft für Filmmusikforschung, Salzburg, Austria, 2012.
2012 | Book Chapter | LibreCat-ID: 47384
Nun sich der Tag geendet hat
A. Berndt, in: F. Plewka, M. Schmeiß, T. Sterzig, J. Häußler (Eds.), {Musik Aus Mitteldeutschland}, Strube Verlag, Munich, Germany, 2012.
LibreCat
A. Berndt, in: F. Plewka, M. Schmeiß, T. Sterzig, J. Häußler (Eds.), {Musik Aus Mitteldeutschland}, Strube Verlag, Munich, Germany, 2012.
2011 | Book | LibreCat-ID: 47382
Musik für interaktive Medien: Arrangement- und Interpretationstechniken
A. Berndt, Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken, Verlag Dr. Hut, Munich, Germany, 2011.
LibreCat
A. Berndt, Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken, Verlag Dr. Hut, Munich, Germany, 2011.
2011 | Conference Paper | LibreCat-ID: 47385
Musical Tempo Curves
A. Berndt, in: M. Clarke, M. Adkins, B. Isaacs (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, University of Huddersfield, Huddersfield, UK, 2011, pp. 118–121.
LibreCat
A. Berndt, in: M. Clarke, M. Adkins, B. Isaacs (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, University of Huddersfield, Huddersfield, UK, 2011, pp. 118–121.
2011 | Conference Paper | LibreCat-ID: 47388
Studying Interdependencies in Music Performance: An Interactive Tool
T. Hähnel, A. Berndt, in: {Proc. of New Interfaces for Musical Expression (NIME) 2011}, University of Oslo, Norwegian Academy of Music, Oslo, Norway, 2011, pp. 48–51.
LibreCat
T. Hähnel, A. Berndt, in: {Proc. of New Interfaces for Musical Expression (NIME) 2011}, University of Oslo, Norwegian Academy of Music, Oslo, Norway, 2011, pp. 48–51.
2011 | Conference Paper | LibreCat-ID: 47387
Eighth-Notes Performances: Kinds of Inégalité
T. Hähnel, A. Berndt, in: {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, ACM SIGCHI, Coimbra, Portugal, 2011, pp. 75–81.
LibreCat
T. Hähnel, A. Berndt, in: {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, ACM SIGCHI, Coimbra, Portugal, 2011, pp. 75–81.
2011 | Conference Paper | LibreCat-ID: 47386
Der Computer als Komponist und Interpret der Zukunft?
A. Berndt, in: {Meeting of the Gesellschaft Für Informatik (GI)}, Magdeburg, Germany, 2011.
LibreCat
A. Berndt, in: {Meeting of the Gesellschaft Für Informatik (GI)}, Magdeburg, Germany, 2011.
2011 | Book Chapter | LibreCat-ID: 47393
Diegetic Music: New Interactive Experiences
A. Berndt, in: M. Grimshaw (Ed.), {Game Sound Technology and Player Interaction: Concepts and Developments}, IGI Global, Hershey, PA, 2011, pp. 60–76.
LibreCat
A. Berndt, in: M. Grimshaw (Ed.), {Game Sound Technology and Player Interaction: Concepts and Developments}, IGI Global, Hershey, PA, 2011, pp. 60–76.
2010 | Conference Paper | LibreCat-ID: 47389
Modelling Musical Dynamics
A. Berndt, T. Hähnel, in: {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, ACM, Piteå, Sweden, 2010, pp. 134–141.
LibreCat
A. Berndt, T. Hähnel, in: {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, ACM, Piteå, Sweden, 2010, pp. 134–141.
2010 | Conference Paper | LibreCat-ID: 47390
Synthetic and Pseudo-Synthetic Music Performances: An Evaluation
T. Hähnel, A. Berndt, in: {Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}, Cambridge, UK, 2010.
LibreCat
T. Hähnel, A. Berndt, in: {Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}, Cambridge, UK, 2010.
2010 | Conference Paper | LibreCat-ID: 47392
Decentralizing Music, Its Performance, and Processing
A. Berndt, in: M. Schedel, D. Weymouth (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, Stony Brook University, New York, USA, 2010, pp. 381–388.
LibreCat
A. Berndt, in: M. Schedel, D. Weymouth (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, Stony Brook University, New York, USA, 2010, pp. 381–388.
2010 | Conference Paper | LibreCat-ID: 47391
Expressive Articulation for Synthetic Music Performances
T. Hähnel, A. Berndt, in: {Proc. of New Interfaces for Musical Expression (NIME) 2010}, University of Technology Sydney, Sydney, Australia, 2010, pp. 277–282.
LibreCat
T. Hähnel, A. Berndt, in: {Proc. of New Interfaces for Musical Expression (NIME) 2010}, University of Technology Sydney, Sydney, Australia, 2010, pp. 277–282.
2009 | Conference Paper | LibreCat-ID: 47397
Adaptive Musical Expression from Automatic Realtime Orchestration and Performance
A. Berndt, in: Interactive Digital Storytelling (ICIDS) 2008, 2009.
LibreCat
A. Berndt, in: Interactive Digital Storytelling (ICIDS) 2008, 2009.
2009 | Conference Paper | LibreCat-ID: 47396
Musical Nonlinearity in Interactive Narrative Environments
A. Berndt, in: G. Scavone, V. Verfaille, A. da Silva (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, Schulich School of Music/McGill University, Montréal, Canada, 2009, pp. 355–358.
LibreCat
A. Berndt, in: G. Scavone, V. Verfaille, A. da Silva (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, Schulich School of Music/McGill University, Montréal, Canada, 2009, pp. 355–358.
2009 | Conference Paper | LibreCat-ID: 47395
Expressive Musical Timing
A. Berndt, T. Hähnel, in: {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, Glasgow Caledonian University, Interactive Institute/Sonic Studio Piteå, Glasgow, Scotland, 2009, pp. 9–16.
LibreCat
A. Berndt, T. Hähnel, in: {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, Glasgow Caledonian University, Interactive Institute/Sonic Studio Piteå, Glasgow, Scotland, 2009, pp. 9–16.
2009 | Conference Paper | LibreCat-ID: 47394
Der Computer als Interpret
A. Berndt, T. Hähnel, in: {Gespräche Um Telemann}, Magdeburg, Germany, 2009.
LibreCat
A. Berndt, T. Hähnel, in: {Gespräche Um Telemann}, Magdeburg, Germany, 2009.
2008 | Conference Paper | LibreCat-ID: 47398
Adaptive Musical Expression from Automatic Realtime Orchestration and Performance
A. Berndt, H. Theisel, in: U. Spierling, N. Szilas (Eds.), {Interactive Digital Storytelling (ICIDS) 2008}, Springer, Erfurt, Germany, 2008, pp. 132–143.
LibreCat
A. Berndt, H. Theisel, in: U. Spierling, N. Szilas (Eds.), {Interactive Digital Storytelling (ICIDS) 2008}, Springer, Erfurt, Germany, 2008, pp. 132–143.
2008 | Conference Paper | LibreCat-ID: 47400
A Musical Instrument based on Interactive Sonification Techniques
L. Stockmann, A. Berndt, N. Röber, in: {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, Interactive Institute/Sonic Studio Piteå, Piteå, Sweden, 2008, pp. 72–79.
LibreCat
L. Stockmann, A. Berndt, N. Röber, in: {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, Interactive Institute/Sonic Studio Piteå, Piteå, Sweden, 2008, pp. 72–79.
2008 | Conference Paper | LibreCat-ID: 47399
The Functions of Music in Interactive Media
A. Berndt, K. Hartmann, in: U. Spierling, N. Szilas (Eds.), {Interactive Digital Storytelling (ICIDS) 2008}, Springer, Erfurt, Germany, 2008, pp. 126–131.
LibreCat
A. Berndt, K. Hartmann, in: U. Spierling, N. Szilas (Eds.), {Interactive Digital Storytelling (ICIDS) 2008}, Springer, Erfurt, Germany, 2008, pp. 126–131.
2008 | Book | LibreCat-ID: 47404
Liturgie für Bläser
A. Berndt, Liturgie Für Bläser, Musikverlag Bruno Uetz, Halberstadt, Germany, 2008.
LibreCat
A. Berndt, Liturgie Für Bläser, Musikverlag Bruno Uetz, Halberstadt, Germany, 2008.
2007 | Conference Paper | LibreCat-ID: 47402
Interactive Data Mining & Machine Learning Techniques for Musicology
K. Hartmann, D. Büchner, A. Berndt, A. Nürnberger, C. Lange, in: {Conf. on Interdisciplinary Musicology 2007 (CIM07)}, Tallinn, Estonia, 2007.
LibreCat
K. Hartmann, D. Büchner, A. Berndt, A. Nürnberger, C. Lange, in: {Conf. on Interdisciplinary Musicology 2007 (CIM07)}, Tallinn, Estonia, 2007.
2007 | Conference Paper | LibreCat-ID: 47403
Audio-Interactive Counterpoint
A. Berndt, K. Hartmann, in: {Sound, Music and the Moving Image}, University of London, England, 2007.
LibreCat
A. Berndt, K. Hartmann, in: {Sound, Music and the Moving Image}, University of London, England, 2007.
2007 | Conference Paper | LibreCat-ID: 47401
Strategies for Narrative and Adaptive Game Scoring
A. Berndt, K. Hartmann, in: {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}, Fraunhofer IDMT, Interactive Institute/Sonic Studio Piteå, Ilmenau, Germany, 2007, pp. 141–147.
LibreCat
A. Berndt, K. Hartmann, in: {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}, Fraunhofer IDMT, Interactive Institute/Sonic Studio Piteå, Ilmenau, Germany, 2007, pp. 141–147.
2006 | Conference Paper | LibreCat-ID: 47413
Composition and Arrangement Techniques for Music in Interactive Immersive Environments
A. Berndt, K. Hartmann, N. Röber, M. Masuch, in: {Audio Mostly 2006: A Conf. on Sound in Games}, Interactive Institute/Sonic Studio, Piteå, Sweden, 2006, pp. 53–59.
LibreCat
A. Berndt, K. Hartmann, N. Röber, M. Masuch, in: {Audio Mostly 2006: A Conf. on Sound in Games}, Interactive Institute/Sonic Studio, Piteå, Sweden, 2006, pp. 53–59.
2006 | Mastersthesis | LibreCat-ID: 47412
Repräsentation musikalischer Metainformationen
A. Berndt, Repräsentation musikalischer Metainformationen, Otto-von-Guericke University, Department of Simulation and Graphics, 2006.
LibreCat
A. Berndt, Repräsentation musikalischer Metainformationen, Otto-von-Guericke University, Department of Simulation and Graphics, 2006.
104 Publications
2025 | Conference Paper | LibreCat-ID: 59783
Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation pattern using IEEE 1599
D. ~A. Mauro, L. ~A. Ludovico, H. ~H. Aydin, A. Berndt, T. Grothe, in: {AM.ICAD: Audio Mostly & ICAD Joint Conf.}, ACM, Coimbra, Portugal, 2025.
LibreCat
D. ~A. Mauro, L. ~A. Ludovico, H. ~H. Aydin, A. Berndt, T. Grothe, in: {AM.ICAD: Audio Mostly & ICAD Joint Conf.}, ACM, Coimbra, Portugal, 2025.
2025 | Conference Paper | LibreCat-ID: 59782
Non/Repeat: Three Case Studies of Non-linear Live-Music Practices
M. Kallionpää, A. Berndt, D. ~A. Mauro, D. Dziwis, in: {AM.ICAD: Audio Mostly & ICAD Joint Conf.}, ACM, Coimbra, Portugal, 2025.
LibreCat
M. Kallionpää, A. Berndt, D. ~A. Mauro, D. Dziwis, in: {AM.ICAD: Audio Mostly & ICAD Joint Conf.}, ACM, Coimbra, Portugal, 2025.
2025 | Journal Article | LibreCat-ID: 59749
ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research
S. Balke, A. Berndt, M. Müller, Transactions of the International Society for Music Information Retrieval 8 (2025) 39–54.
LibreCat
| DOI
S. Balke, A. Berndt, M. Müller, Transactions of the International Society for Music Information Retrieval 8 (2025) 39–54.
2025 | Conference Paper | LibreCat-ID: 59748
Detmold interactive Musical Instrument Timbre Explorer (DmITE)—a web application for experiental learning in musical acoustics
T. Grothe, H. ~B. Aydin, D. ~A. Mauro, L. ~A. Ludovico, A. Berndt, in: {DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}, Copenhagen, Denmark, 2025.
LibreCat
T. Grothe, H. ~B. Aydin, D. ~A. Mauro, L. ~A. Ludovico, A. Berndt, in: {DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}, Copenhagen, Denmark, 2025.
2025 | Conference Paper | LibreCat-ID: 59751
Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht
A. Berndt, in: {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}, KreativInstitut.OWL, Detmold, Germany, 2025.
LibreCat
A. Berndt, in: {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}, KreativInstitut.OWL, Detmold, Germany, 2025.
2025 | Conference Paper | LibreCat-ID: 59750
Automatic Rendering of Ramati’s Ludus Musicalis Scores
D. ~A. Mauro, A. Berndt, in: {22nd Sound and Music Computing Conf.\ (SMC 2025), Auditory Landscapes}, Graz, Austria, 2025.
LibreCat
D. ~A. Mauro, A. Berndt, in: {22nd Sound and Music Computing Conf.\ (SMC 2025), Auditory Landscapes}, Graz, Austria, 2025.
2025 | Conference Paper | LibreCat-ID: 58555
Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht
A. Berndt, in: {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}, KreativInstitut.OWL, Detmold, Germany, 2025.
LibreCat
A. Berndt, in: {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}, KreativInstitut.OWL, Detmold, Germany, 2025.
2024 | Conference Paper | LibreCat-ID: 58554
Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze
A. Berndt, A. Münzmay, in: {Edition von Filmmusik: Herausforderungen Der Multimedialität}, Frankfurt (Main), Germany, 2024.
LibreCat
A. Berndt, A. Münzmay, in: {Edition von Filmmusik: Herausforderungen Der Multimedialität}, Frankfurt (Main), Germany, 2024.
2024 | Conference Paper | LibreCat-ID: 58552
Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology
A. Berndt, F. Vollmer, A. Münzmay, in: {Diskografentag: International Conference on Recorded Music}, Guildford, Surrey, England, 2024.
LibreCat
A. Berndt, F. Vollmer, A. Münzmay, in: {Diskografentag: International Conference on Recorded Music}, Guildford, Surrey, England, 2024.
2024 | Conference Paper | LibreCat-ID: 58551
Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition
A. Berndt, A. Münzmay, F. Vollmer, in: {DAGA 2024 – 50. Jahrestagung Für Akustik}, Hannover, Germany, 2024.
LibreCat
A. Berndt, A. Münzmay, F. Vollmer, in: {DAGA 2024 – 50. Jahrestagung Für Akustik}, Hannover, Germany, 2024.
2024 | Conference Paper | LibreCat-ID: 58550
Auditory Pointers: Spatial Navigation with Sounds
A. Berndt, in: {Forschungskolloquium Zur Audiokommunikation}, Berlin, Germany, 2024.
LibreCat
A. Berndt, in: {Forschungskolloquium Zur Audiokommunikation}, Berlin, Germany, 2024.
2024 | Conference Paper | LibreCat-ID: 58553
FlowScore: MEI Streaming to Digital Music Stands
A. Berndt, S. Waloschek, in: {Edirom Summer School 2024}, Paderborn, Germany, 2024.
LibreCat
A. Berndt, S. Waloschek, in: {Edirom Summer School 2024}, Paderborn, Germany, 2024.
2024 | Conference Paper | LibreCat-ID: 52514
Mozart-Dekonstruktionen: Genese einer KI-generierten Konzertmusik
A. Berndt, in: {Digitale Methoden in Den Geisteswissenschaften. Herausforderungen Und Chancen}, Rome, Italy, 2024.
LibreCat
A. Berndt, in: {Digitale Methoden in Den Geisteswissenschaften. Herausforderungen Und Chancen}, Rome, Italy, 2024.
2024 | Conference Paper | LibreCat-ID: 54247
Arpeggiatorum: An audio controllable MIDI arpeggiator
A. Berndt, D. ~A. Mauro, in: {Sound and Music Computing Conf.\ (SMC 2024), Immersive}, Porto, Porugal, 2024.
LibreCat
A. Berndt, D. ~A. Mauro, in: {Sound and Music Computing Conf.\ (SMC 2024), Immersive}, Porto, Porugal, 2024.
2023 | Conference Paper | LibreCat-ID: 47316
Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing
M. Nowakowski, A. Berndt, A.V.K. Plaksin, N. Şahin, A. Hadjakos, in: {Encoding Cultures—Joint MEC and TEI Conference 2023}, Paderborn, Germany, 2023.
LibreCat
M. Nowakowski, A. Berndt, A.V.K. Plaksin, N. Şahin, A. Hadjakos, in: {Encoding Cultures—Joint MEC and TEI Conference 2023}, Paderborn, Germany, 2023.
2023 | Conference Paper | LibreCat-ID: 47318
Was ist eine Interpretationsedition?
A. Münzmay, A. Berndt, in: {Methoden Softwaregestützter Interpretationsforschung}, 2023.
LibreCat
A. Münzmay, A. Berndt, in: {Methoden Softwaregestützter Interpretationsforschung}, 2023.
2023 | Conference Paper | LibreCat-ID: 47317
Three Experiments with AI Music Generation
A. Berndt, in: {Deconstruction; Order. Mozart?}, Kunstmuseum Stuttgart, Stuttgart Germany, 2023.
LibreCat
A. Berndt, in: {Deconstruction; Order. Mozart?}, Kunstmuseum Stuttgart, Stuttgart Germany, 2023.
2023 | Book Chapter | LibreCat-ID: 47321
Meditation
A. Berndt, in: S. Harras, S. Schlüter, R. Schrötke (Eds.), {Das Gehört Zusammen: Bläserheft Zum Landesposaunentag Wolfenbüttel 2023}, Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, Wolfenbüttel, Germany, 2023, pp. 30–31.
LibreCat
A. Berndt, in: S. Harras, S. Schlüter, R. Schrötke (Eds.), {Das Gehört Zusammen: Bläserheft Zum Landesposaunentag Wolfenbüttel 2023}, Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, Wolfenbüttel, Germany, 2023, pp. 30–31.
2023 | Book Chapter | LibreCat-ID: 47320
Der Tag, mein Gott, ist nun vergangen
A. Berndt, in: K.-P. Diehl, M. Schnabel, A. Form (Eds.), {Zwischentöne 2: Bläsermusik Zwischen Himmel Und Erde}, CVJM-Westbund e.V., Wuppertal, Germany, 2023, pp. 119–121.
LibreCat
A. Berndt, in: K.-P. Diehl, M. Schnabel, A. Form (Eds.), {Zwischentöne 2: Bläsermusik Zwischen Himmel Und Erde}, CVJM-Westbund e.V., Wuppertal, Germany, 2023, pp. 119–121.
2023 | Conference Paper | LibreCat-ID: 47322
Forschungsperspektiven zur Interaktion mit Musiknotation
M. Nowakowski, A. Berndt, A. Hadjakos, in: {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}, Trier, Germany, 2023.
LibreCat
M. Nowakowski, A. Berndt, A. Hadjakos, in: {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}, Trier, Germany, 2023.
2023 | Conference Paper | LibreCat-ID: 47319
Interpretationsbeschreibung und -analyse mittels Music Performance Markup (MPM)
A. Berndt, in: {Methoden Softwaregestützter Interpretationsforschung}, 2023.
LibreCat
A. Berndt, in: {Methoden Softwaregestützter Interpretationsforschung}, 2023.
2023 | Conference Paper | LibreCat-ID: 50434
Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing
M. Nowakowski, A. Berndt, A.V.K. Plaksin, N. Şahin, A. Hadjakos, in: {Encoding Cultures—Joint MEC and TEI Conference 2023}, Paderborn, Germany, 2023.
LibreCat
M. Nowakowski, A. Berndt, A.V.K. Plaksin, N. Şahin, A. Hadjakos, in: {Encoding Cultures—Joint MEC and TEI Conference 2023}, Paderborn, Germany, 2023.
2023 | Conference Paper | LibreCat-ID: 50433
Sonification as a Composition Technique and Means of Artistic Expression
M. Kallionpaa, A. Berndt, H.-P. Gasselseder, in: {XXV Generative Art 2023}, Roma, Italy, 2023, pp. 199–207.
LibreCat
M. Kallionpaa, A. Berndt, H.-P. Gasselseder, in: {XXV Generative Art 2023}, Roma, Italy, 2023, pp. 199–207.
2023 | Conference Paper | LibreCat-ID: 50432
MPM Toolbox: Eine Software zur Analyse und kreativen Erstellung musikalischer Interpretationen
A. Berndt, in: {Netzwerk Lunch}, Detmold, Germany, 2023.
LibreCat
A. Berndt, in: {Netzwerk Lunch}, Detmold, Germany, 2023.
2023 | Conference Paper | LibreCat-ID: 50435
Three Experiments with AI Music Generation
A. Berndt, in: {Deconstruction; Order. Mozart?}, Kunstmuseum Stuttgart, Stuttgart Germany, 2023.
LibreCat
A. Berndt, in: {Deconstruction; Order. Mozart?}, Kunstmuseum Stuttgart, Stuttgart Germany, 2023.
2022 | Conference Paper | LibreCat-ID: 47324
Musik vom Computer: Eine Entdeckungsreise in die Welt der generativen Musik
A. Berndt, in: {Data Society. Chancen – Verantwortung – Innovationen}, Paderborn, Germany, 2022.
LibreCat
A. Berndt, in: {Data Society. Chancen – Verantwortung – Innovationen}, Paderborn, Germany, 2022.
2022 | Conference Paper | LibreCat-ID: 47323
Modellbasierte Beschreibung musikalischer Interpretationen
A. Berndt, in: Forschungskolloquium, Detmold, Germany, 2022.
LibreCat
A. Berndt, in: Forschungskolloquium, Detmold, Germany, 2022.
2022 | Conference Paper | LibreCat-ID: 47325
Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen
A. Berndt, in: {Edirom Summer School 2022}, Paderborn, Germany, 2022.
LibreCat
A. Berndt, in: {Edirom Summer School 2022}, Paderborn, Germany, 2022.
2022 | Conference Paper | LibreCat-ID: 47328
Encoding Musical Performances
A. Berndt, in: {Music Encoding Conference}, Halifax, Canada, 2022, pp. 167–169.
LibreCat
A. Berndt, in: {Music Encoding Conference}, Halifax, Canada, 2022, pp. 167–169.
2022 | Book Chapter | LibreCat-ID: 47326
Herr Christ, der einig Gotts Sohn
A. Berndt, in: F. Plewka (Ed.), {Der Tag Ist Nicht Mehr Fern: Bläsermusik Zum Weihnachtsfestkreis}, Strube Verlag, Munich, Germany, 2022, pp. 88–89.
LibreCat
A. Berndt, in: F. Plewka (Ed.), {Der Tag Ist Nicht Mehr Fern: Bläsermusik Zum Weihnachtsfestkreis}, Strube Verlag, Munich, Germany, 2022, pp. 88–89.
2022 | Conference Paper | LibreCat-ID: 47327
Sharing MEI: Common Semantics in Diverse Musics?
A.V.K. Plaksin, D. Lewis, N. Şahin, A. Berndt, in: {Music Encoding Conference}, Halifax, Canada, 2022, pp. 157–161.
LibreCat
A.V.K. Plaksin, D. Lewis, N. Şahin, A. Berndt, in: {Music Encoding Conference}, Halifax, Canada, 2022, pp. 157–161.
2021 | Book Chapter | LibreCat-ID: 47331
Morgenglanz der Ewigkeit
A. Berndt, in: M. Döhler, T. Peter, T. Schab, J.-M. Schlegel (Eds.), {Gott Danken Ist Freude, Band IV}, Sächsische Posaunenmission, Dresden, Germany, 2021, pp. 187–188.
LibreCat
A. Berndt, in: M. Döhler, T. Peter, T. Schab, J.-M. Schlegel (Eds.), {Gott Danken Ist Freude, Band IV}, Sächsische Posaunenmission, Dresden, Germany, 2021, pp. 187–188.
2021 | Conference Paper | LibreCat-ID: 47329
The Music Performance Markup Format and Ecosystem
A. Berndt, in: {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}, 2021.
LibreCat
A. Berndt, in: {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}, 2021.
2021 | Conference Paper | LibreCat-ID: 47330
Music Performance Markup: Format and Software Tools Report
A. Berndt, in: {Music Encoding Conference}, Alicante, Spain, 2021, pp. 57–63.
LibreCat
A. Berndt, in: {Music Encoding Conference}, Alicante, Spain, 2021, pp. 57–63.
2021 | Book Chapter | LibreCat-ID: 47332
Meditation
A. Berndt, in: M. Döhler, T. Peter, T. Schab, J.-M. Schlegel (Eds.), {Gott Danken Ist Freude, Band IV}, Sächsische Posaunenmission, Dresden, Germany, 2021, pp. 88–89.
LibreCat
A. Berndt, in: M. Döhler, T. Peter, T. Schab, J.-M. Schlegel (Eds.), {Gott Danken Ist Freude, Band IV}, Sächsische Posaunenmission, Dresden, Germany, 2021, pp. 88–89.
2020 | Conference Paper | LibreCat-ID: 47334
Inside Beethoven! A Musical Installation for a New Listening Perspective
A. Berndt, S. Waloschek, A. Hadjakos, J. Veit, in: K. Groß-Vogt (Ed.), {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}, ACM, Graz, Austria, 2020, pp. 245–248.
LibreCat
A. Berndt, S. Waloschek, A. Hadjakos, J. Veit, in: K. Groß-Vogt (Ed.), {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}, ACM, Graz, Austria, 2020, pp. 245–248.
2020 | Book Chapter | LibreCat-ID: 47335
Lob Gott getrost mit Singen
A. Berndt, in: C. Kornmaul (Ed.), {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}, Posaunendienst in der Lippischen Landeskirche, Detmold, Germany, 2020, pp. 64–67.
LibreCat
A. Berndt, in: C. Kornmaul (Ed.), {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}, Posaunendienst in der Lippischen Landeskirche, Detmold, Germany, 2020, pp. 64–67.
2020 | Conference Paper | LibreCat-ID: 47333
Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen
A. Berndt, in: {Edirom Summer School 2020}, Paderborn, Germany, 2020.
LibreCat
A. Berndt, in: {Edirom Summer School 2020}, Paderborn, Germany, 2020.
2019 | Book | LibreCat-ID: 47336
Inside Beethoven! Das begehbare Ensemble - Begleitpublikation zur Klanginstallation der Hochschule für Musik Detmold zum Septett op. 20 und Trio op. 38 (mit CD)
A. Berndt, J. Veit, Inside Beethoven! Das Begehbare Ensemble - Begleitpublikation Zur Klanginstallation Der Hochschule Für Musik Detmold Zum Septett Op. 20 Und Trio Op. 38 (Mit CD), Beethoven-Haus Bonn, Bonn, Germany, 2019.
LibreCat
A. Berndt, J. Veit, Inside Beethoven! Das Begehbare Ensemble - Begleitpublikation Zur Klanginstallation Der Hochschule Für Musik Detmold Zum Septett Op. 20 Und Trio Op. 38 (Mit CD), Beethoven-Haus Bonn, Bonn, Germany, 2019.
2019 | Conference Paper | LibreCat-ID: 47338
A Showcase of New MEI Tools
S. Waloschek, A. Berndt, A. Hadjakos, A. Pacha, in: {Music Encoding Conference}, Vienna, Austria, 2019.
LibreCat
S. Waloschek, A. Berndt, A. Hadjakos, A. Pacha, in: {Music Encoding Conference}, Vienna, Austria, 2019.
2019 | Book Chapter | LibreCat-ID: 47337
Adaptive Game Scoring with Ambient Music
A. Berndt, in: M. Adkins, S. Cummings (Eds.), Music Beyond Airports: Apraising Ambient Music, University of Huddersfield Press, Huddersfield, UK, 2019, pp. 197–226.
LibreCat
A. Berndt, in: M. Adkins, S. Cummings (Eds.), Music Beyond Airports: Apraising Ambient Music, University of Huddersfield Press, Huddersfield, UK, 2019, pp. 197–226.
2018 | Conference Paper | LibreCat-ID: 47344
Interactive Media Scoring with Ambient Music
A. Berndt, in: {Ambient@40}, Huddersfield, UK, 2018.
LibreCat
A. Berndt, in: {Ambient@40}, Huddersfield, UK, 2018.
2018 | Book Chapter | LibreCat-ID: 47340
Music Performance Markup: Formale Beschreibung musikalischer Interpretationen
A. Berndt, B. ~W. Bohl, in: R. Nutt-Kofoth, B. Plachta (Eds.), {editio: International Yearbook of Scholarly Editing}, De Gruyter, Berlin, Germany, 2018, pp. 185–204.
LibreCat
A. Berndt, B. ~W. Bohl, in: R. Nutt-Kofoth, B. Plachta (Eds.), {editio: International Yearbook of Scholarly Editing}, De Gruyter, Berlin, Germany, 2018, pp. 185–204.
2018 | Conference Paper | LibreCat-ID: 47342
Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications
A. Berndt, S. Waloschek, A. Hadjakos, in: {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}, ACM, Wrexham, North Wales, UK, 2018.
LibreCat
A. Berndt, S. Waloschek, A. Hadjakos, in: {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}, ACM, Wrexham, North Wales, UK, 2018.
2018 | Conference Paper | LibreCat-ID: 47343
Score and sound-based interface for exploring music performances
S. Waloschek, A. Hadjakos, A. Berndt, in: {Interdisciplinary Workshop on Timbre 2018}, Montreal, Canada, 2018.
LibreCat
S. Waloschek, A. Hadjakos, A. Berndt, in: {Interdisciplinary Workshop on Timbre 2018}, Montreal, Canada, 2018.
2018 | Conference Paper | LibreCat-ID: 47341
Digital Sounds im Future Marketing: So klingt die Zukunft
A. Berndt, in: {CEBIT 2018 Panel Discussion}, Hannover, Germany, 2018.
LibreCat
A. Berndt, in: {CEBIT 2018 Panel Discussion}, Hannover, Germany, 2018.
2018 | Book Chapter | LibreCat-ID: 47345
Music Performance Markup: Formale Beschreibung musikalischer Interpretationen
A. Berndt, B. ~W. Bohl, in: R. Nutt-Kofoth, B. Plachta (Eds.), {Editio: Internationales Jahrbuch Für Editionswissenschaft}, De Gruyter, Berlin, Germany, 2018.
LibreCat
A. Berndt, B. ~W. Bohl, in: R. Nutt-Kofoth, B. Plachta (Eds.), {Editio: Internationales Jahrbuch Für Editionswissenschaft}, De Gruyter, Berlin, Germany, 2018.
2018 | Conference Paper | LibreCat-ID: 47346
Formale Beschreibung musikalischer Interpretationen
A. Berndt, B. ~W. Bohl, in: {Aufführung Und Edition 2018, 17. Int. Tagung Der Arbeitsgemeinschaft Für Germanistische Edition}, Frankfurt am Main, Germany, 2018.
LibreCat
A. Berndt, B. ~W. Bohl, in: {Aufführung Und Edition 2018, 17. Int. Tagung Der Arbeitsgemeinschaft Für Germanistische Edition}, Frankfurt am Main, Germany, 2018.
2018 | Conference Paper | LibreCat-ID: 47347
Musik im Spiel
A. Berndt, in: {Kolloquium Zur Musik Des 20. Jahrhunderts}, Innsbruck, Austria, 2018.
LibreCat
A. Berndt, in: {Kolloquium Zur Musik Des 20. Jahrhunderts}, Innsbruck, Austria, 2018.
2017 | Conference Paper | LibreCat-ID: 47350
Musikeditionen zum Klingen bringen
A. Berndt, S. Waloschek, A. Hadjakos, in: {Edirom Summer School 2017}, Paderborn, Germany, 2017.
LibreCat
A. Berndt, S. Waloschek, A. Hadjakos, in: {Edirom Summer School 2017}, Paderborn, Germany, 2017.
2017 | Conference Paper | LibreCat-ID: 47349
Herausforderungen der editorischen Erschließung auditiver Objekte
A. Berndt, in: {Projekt Sprechmaschine Workshop: Wo Liegt Der Mehrwert Digitaler Ausstellungen Für Universitäre Sammlungen?}, Dresden, Germany, 2017.
LibreCat
A. Berndt, in: {Projekt Sprechmaschine Workshop: Wo Liegt Der Mehrwert Digitaler Ausstellungen Für Universitäre Sammlungen?}, Dresden, Germany, 2017.
2017 | Journal Article | LibreCat-ID: 47348
The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra
A. Berndt, N. Al-Kassab, R. Dachselt, {Computer Music Journal} 41 (2017) 32–44.
LibreCat
A. Berndt, N. Al-Kassab, R. Dachselt, {Computer Music Journal} 41 (2017) 32–44.
2017 | Conference Paper | LibreCat-ID: 47351
The Geometric Oscillator: Sound Synthesis with Cyclic Shapes
J. Peschke, A. Berndt, in: {Audio Mostly 2017: 12th Conf. on Interaction with Sound—Augmented and Participatory Sound/Music Experiences}, ACM, London, UK, 2017.
LibreCat
J. Peschke, A. Berndt, in: {Audio Mostly 2017: 12th Conf. on Interaction with Sound—Augmented and Participatory Sound/Music Experiences}, ACM, London, UK, 2017.
2017 | Conference Paper | LibreCat-ID: 47352
Tools for Annotating Musical Measures in Digital Music Editions
Y. Mexin, A. Hadjakos, A. Berndt, S. Waloschek, A. Wawilow, G. Szwillus, in: {14th Sound and Music Computing Conf.\ (SMC-17)}, Espoo, Finland, 2017.
LibreCat
Y. Mexin, A. Hadjakos, A. Berndt, S. Waloschek, A. Wawilow, G. Szwillus, in: {14th Sound and Music Computing Conf.\ (SMC-17)}, Espoo, Finland, 2017.
2017 | Book Chapter | LibreCat-ID: 47354
Generative Musik als Werkzeug in der Musikwissenschaft
A. Berndt, in: C. Lange, B. Reipsch (Eds.), {Vom Umgang Mit Telemanns Werken Einst Und Jetzt. Telemannrezeption in Drei Jahrhunderten. Bericht Über Die Wissenschaftliche Konferenz, Magdeburg, 15. Und 16. März 2012, Anlässlich Der 21. Magdeburger Telemann-Festtage}, Olms Verlag, Hildesheim, Germany, 2017, pp. 305–326.
LibreCat
A. Berndt, in: C. Lange, B. Reipsch (Eds.), {Vom Umgang Mit Telemanns Werken Einst Und Jetzt. Telemannrezeption in Drei Jahrhunderten. Bericht Über Die Wissenschaftliche Konferenz, Magdeburg, 15. Und 16. März 2012, Anlässlich Der 21. Magdeburger Telemann-Festtage}, Olms Verlag, Hildesheim, Germany, 2017, pp. 305–326.
2017 | Conference Paper | LibreCat-ID: 47353
AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games
A. Berndt, S. Waloschek, A. Hadjakos, A. Leemhuis, in: {Proc. of New Interfaces for Musical Expression (NIME) 2017}, Aalborg University Copenhagen, Copenhagen, Denmark, 2017.
LibreCat
A. Berndt, S. Waloschek, A. Hadjakos, A. Leemhuis, in: {Proc. of New Interfaces for Musical Expression (NIME) 2017}, Aalborg University Copenhagen, Copenhagen, Denmark, 2017.
2016 | Conference Paper | LibreCat-ID: 47356
Interactive Scores in Classical Music Production
S. Waloschek, A. Berndt, B. ~W. Bohl, A. Hadjakos, in: M. Mandel (Ed.), {Proc. of the 17th Int. Society for Music Information Retrieval Conf.\ (ISMIR) 2016}, Int. Society for Music Information Retrieval, New York, NY, USA, 2016.
LibreCat
S. Waloschek, A. Berndt, B. ~W. Bohl, A. Hadjakos, in: M. Mandel (Ed.), {Proc. of the 17th Int. Society for Music Information Retrieval Conf.\ (ISMIR) 2016}, Int. Society for Music Information Retrieval, New York, NY, USA, 2016.
2016 | Conference Paper | LibreCat-ID: 47357
Hand Gestures in Music Production
A. Berndt, S. Waloschek, A. Hadjakos, in: H. Timmermans (Ed.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek, Utrecht, The Netherlands, 2016.
LibreCat
A. Berndt, S. Waloschek, A. Hadjakos, in: H. Timmermans (Ed.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek, Utrecht, The Netherlands, 2016.
2016 | Conference Paper | LibreCat-ID: 47355
Accelerating the Editing Phase in Music Productions using Interactive Scores
S. Waloschek, A. Berndt, B. ~W. Bohl, A. Hadjakos, in: {Proc. of the 2nd AES Workshop on Intelligent Music Production}, Audio Engineering Society (AES), London, UK, 2016.
LibreCat
S. Waloschek, A. Berndt, B. ~W. Bohl, A. Hadjakos, in: {Proc. of the 2nd AES Workshop on Intelligent Music Production}, Audio Engineering Society (AES), London, UK, 2016.
2016 | Book Chapter | LibreCat-ID: 47359
Dem Igel Sitte lehren … Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung
B. ~W. Bohl, A. Berndt, S. Waloschek, A. Hadjakos, in: K. Richts, P. Stadler (Eds.), {\glqqEi, Dem Alten Herrn Zoll’ Ich Achtung Gern’\grqq Festschrift Für Joachim Veit Zum 60. Geburtstag}, Allitera Verlag, Munich, Germany, 2016, pp. 141–163.
LibreCat
B. ~W. Bohl, A. Berndt, S. Waloschek, A. Hadjakos, in: K. Richts, P. Stadler (Eds.), {\glqqEi, Dem Alten Herrn Zoll’ Ich Achtung Gern’\grqq Festschrift Für Joachim Veit Zum 60. Geburtstag}, Allitera Verlag, Munich, Germany, 2016, pp. 141–163.
2016 | Conference Paper | LibreCat-ID: 47360
Formate als Sackgassen: Handlungsempfehlungen
B. ~W. Bohl, A. Berndt, B. Senft, in: {DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities Als Fachübergreifendes Forschungsparadigma}, nisaba verlag, Leipzig, Germany, 2016.
LibreCat
B. ~W. Bohl, A. Berndt, B. Senft, in: {DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities Als Fachübergreifendes Forschungsparadigma}, nisaba verlag, Leipzig, Germany, 2016.
2016 | Conference Paper | LibreCat-ID: 47358
XML Music Performance Description
A. Berndt, B. ~W. Bohl, in: G. Di Bacco, J. Kepper, P. ~D. Roland (Eds.), {Music Encoding Conference 2016}, Music Encoding Initiative, Montréal, Canada, 2016, pp. 91–94.
LibreCat
A. Berndt, B. ~W. Bohl, in: G. Di Bacco, J. Kepper, P. ~D. Roland (Eds.), {Music Encoding Conference 2016}, Music Encoding Initiative, Montréal, Canada, 2016, pp. 91–94.
2015 | Conference Paper | LibreCat-ID: 47369
Gedanken zur Nutzung von Handgesten in der Musikproduktion
A. Berndt, S. Waloschek, A. Hadjakos, in: A. Schmidt, M. Burmester, A. Weisbecker (Eds.), {Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}, Oldenbourg Wissenschaftsverlag, Stuttgart, Germany, 2015, pp. 247–252.
LibreCat
A. Berndt, S. Waloschek, A. Hadjakos, in: A. Schmidt, M. Burmester, A. Weisbecker (Eds.), {Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}, Oldenbourg Wissenschaftsverlag, Stuttgart, Germany, 2015, pp. 247–252.
2015 | Book Chapter | LibreCat-ID: 47363
TouchNoise: A Multitouch Noise Instrument
N. Al-Kassab, A. Berndt, in: A. Berndt (Ed.), {Works in Audio and Music Technology}, TUDpress, Dresden, Germany, 2015, pp. 31–57.
LibreCat
N. Al-Kassab, A. Berndt, in: A. Berndt (Ed.), {Works in Audio and Music Technology}, TUDpress, Dresden, Germany, 2015, pp. 31–57.
2015 | Conference Paper | LibreCat-ID: 47370
Synchronizing Spatially Distributed Musical Ensembles
A. Hadjakos, A. Berndt, S. Waloschek, in: {12th Sound and Music Computing Conf.\ (SMC15)}, Maynooth, Ireland, 2015.
LibreCat
A. Hadjakos, A. Berndt, S. Waloschek, in: {12th Sound and Music Computing Conf.\ (SMC15)}, Maynooth, Ireland, 2015.
2015 | Book | LibreCat-ID: 47361
Works in Audio and Music Technology
A. Berndt, Works in Audio and Music Technology, TUDpress, Dresden, Germany, 2015.
LibreCat
A. Berndt, Works in Audio and Music Technology, TUDpress, Dresden, Germany, 2015.
2015 | Book Chapter | LibreCat-ID: 47368
Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen
A. Berndt, F. Schönfeld, R. Groh, T. Hähnel, T. Marx, M. Pfleiderer, in: W. Auhagen, C. Bullerjahn, R. von Georgi (Eds.), {Musikpsychologie – Anwendungsorientierte Forschung}, Hogrefe Verlag, Göttingen, Germany, 2015, pp. 254–262.
LibreCat
A. Berndt, F. Schönfeld, R. Groh, T. Hähnel, T. Marx, M. Pfleiderer, in: W. Auhagen, C. Bullerjahn, R. von Georgi (Eds.), {Musikpsychologie – Anwendungsorientierte Forschung}, Hogrefe Verlag, Göttingen, Germany, 2015, pp. 254–262.
2015 | Book Chapter | LibreCat-ID: 47366
Studying Music Performance and Perception via Interaction
A. Berndt, T. Hähnel, in: A. Berndt (Ed.), {Works in Audio and Music Technology}, TUDpress, Dresden, Germany, 2015, pp. 129–153.
LibreCat
A. Berndt, T. Hähnel, in: A. Berndt (Ed.), {Works in Audio and Music Technology}, TUDpress, Dresden, Germany, 2015, pp. 129–153.
2015 | Book Chapter | LibreCat-ID: 47365
Formalizing Expressive Music Performance Phenomena
A. Berndt, in: A. Berndt (Ed.), {Works in Audio and Music Technology}, TUDpress, Dresden, Germany, 2015, pp. 97–128.
LibreCat
A. Berndt, in: A. Berndt (Ed.), {Works in Audio and Music Technology}, TUDpress, Dresden, Germany, 2015, pp. 97–128.
2015 | Conference Paper | LibreCat-ID: 47372
Musizieren mit dem Computer
A. Berndt, S. ~H. Menges, in: {21. Schulinformatiktag}, Dresden, Germany, 2015.
LibreCat
A. Berndt, S. ~H. Menges, in: {21. Schulinformatiktag}, Dresden, Germany, 2015.
2015 | Conference Paper | LibreCat-ID: 47371
TouchNoise: A New Multitouch Interface for Creative Work with Noise
A. Berndt, N. Al-Kassab, R. Dachselt, in: {Audio Mostly 2015: 10th Conf. on Interaction with Sound—Sound, Semantics and Social Interaction}, ACM, Thessaloniki, Greece, 2015.
LibreCat
A. Berndt, N. Al-Kassab, R. Dachselt, in: {Audio Mostly 2015: 10th Conf. on Interaction with Sound—Sound, Semantics and Social Interaction}, ACM, Thessaloniki, Greece, 2015.
2014 | Conference Paper | LibreCat-ID: 47373
Vocalmetrics: An interactive software for visualization and classification of music
F. Schönfeld, A. Berndt, T. Hähnel, M. Pfleiderer, R. Groh, in: {Audio Mostly 2014: 9th Conf. on Interaction with Sound—Imagining Sound and Music}, ACM, Aalborg, Denmark, 2014.
LibreCat
F. Schönfeld, A. Berndt, T. Hähnel, M. Pfleiderer, R. Groh, in: {Audio Mostly 2014: 9th Conf. on Interaction with Sound—Imagining Sound and Music}, ACM, Aalborg, Denmark, 2014.
2014 | Book Chapter | LibreCat-ID: 47375
Ambiente Musik zur Vertonung immersiver interaktiver Medien
A. Berndt, in: I. für immersive Medien (Ed.), {Jahrbuch Immersiver Medien 2014: Klänge, Musik Und Soundscapes}, Schüren Verlag, Fachhochschule Kiel, Germany, 2014, pp. 95–105.
LibreCat
A. Berndt, in: I. für immersive Medien (Ed.), {Jahrbuch Immersiver Medien 2014: Klänge, Musik Und Soundscapes}, Schüren Verlag, Fachhochschule Kiel, Germany, 2014, pp. 95–105.
2014 | Conference Paper | LibreCat-ID: 47374
TouchNoise: A Particle-based Multitouch Noise Modulation Interface
A. Berndt, N. Al-Kassab, R. Dachselt, in: {Proc. of New Interfaces for Musical Expression (NIME) 2014}, Goldsmiths, University of London, London, UK, 2014, pp. 323–326.
LibreCat
A. Berndt, N. Al-Kassab, R. Dachselt, in: {Proc. of New Interfaces for Musical Expression (NIME) 2014}, Goldsmiths, University of London, London, UK, 2014, pp. 323–326.
2013 | Conference Paper | LibreCat-ID: 47377
New Perspectives on Interactivity in Project Management Tools
M. de Almeida Madeira Clemente, A. Berndt, H. Leitner, M. Keck, R. Gaertner, R. Groh, in: C. Stephanidis (Ed.), {HCI International 2013—Posters’ Extended Abstracts}, Springer Verlag, Las Vegas, Nevada, 2013, pp. 484–488.
LibreCat
M. de Almeida Madeira Clemente, A. Berndt, H. Leitner, M. Keck, R. Gaertner, R. Groh, in: C. Stephanidis (Ed.), {HCI International 2013—Posters’ Extended Abstracts}, Springer Verlag, Las Vegas, Nevada, 2013, pp. 484–488.
2013 | Conference Paper | LibreCat-ID: 47376
Designing Auditory Pointers
R. Lorenz, A. Berndt, R. Groh, in: {Audio Mostly 2013: 8th Conf. on Interaction with Sound—Sound for Information and Intuition}, ACM, Piteå, Sweden, 2013.
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R. Lorenz, A. Berndt, R. Groh, in: {Audio Mostly 2013: 8th Conf. on Interaction with Sound—Sound for Information and Intuition}, ACM, Piteå, Sweden, 2013.
2013 | Journal Article | LibreCat-ID: 47378
Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen
A. Berndt, {Kieler Beiträge Zur Filmmusikforschung} 9 (2013) 293–323.
LibreCat
A. Berndt, {Kieler Beiträge Zur Filmmusikforschung} 9 (2013) 293–323.
2012 | Conference Paper | LibreCat-ID: 47381
Variance in Repetitive Games Music
A. Berndt, in: M. M. Marolt, M. Kaltenbrunner, M. Ciglar (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, University of Ljubljana, Ljubljana, Slovenia, 2012, pp. 412–415.
LibreCat
A. Berndt, in: M. M. Marolt, M. Kaltenbrunner, M. Ciglar (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, University of Ljubljana, Ljubljana, Slovenia, 2012, pp. 412–415.
2012 | Conference Paper | LibreCat-ID: 47380
A Survey of Variation Techniques for Repetitive Games Music
A. Berndt, R. Dachselt, R. Groh, in: {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, ACM SIGCHI, Corfu, Greece, 2012, pp. 61–67.
LibreCat
A. Berndt, R. Dachselt, R. Groh, in: {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, ACM SIGCHI, Corfu, Greece, 2012, pp. 61–67.
2012 | Conference Paper | LibreCat-ID: 47379
Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen
A. Berndt, in: 7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik, Kieler Gesellschaft für Filmmusikforschung, Salzburg, Austria, 2012.
LibreCat
A. Berndt, in: 7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik, Kieler Gesellschaft für Filmmusikforschung, Salzburg, Austria, 2012.
2012 | Book Chapter | LibreCat-ID: 47384
Nun sich der Tag geendet hat
A. Berndt, in: F. Plewka, M. Schmeiß, T. Sterzig, J. Häußler (Eds.), {Musik Aus Mitteldeutschland}, Strube Verlag, Munich, Germany, 2012.
LibreCat
A. Berndt, in: F. Plewka, M. Schmeiß, T. Sterzig, J. Häußler (Eds.), {Musik Aus Mitteldeutschland}, Strube Verlag, Munich, Germany, 2012.
2011 | Book | LibreCat-ID: 47382
Musik für interaktive Medien: Arrangement- und Interpretationstechniken
A. Berndt, Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken, Verlag Dr. Hut, Munich, Germany, 2011.
LibreCat
A. Berndt, Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken, Verlag Dr. Hut, Munich, Germany, 2011.
2011 | Conference Paper | LibreCat-ID: 47385
Musical Tempo Curves
A. Berndt, in: M. Clarke, M. Adkins, B. Isaacs (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, University of Huddersfield, Huddersfield, UK, 2011, pp. 118–121.
LibreCat
A. Berndt, in: M. Clarke, M. Adkins, B. Isaacs (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, University of Huddersfield, Huddersfield, UK, 2011, pp. 118–121.
2011 | Conference Paper | LibreCat-ID: 47388
Studying Interdependencies in Music Performance: An Interactive Tool
T. Hähnel, A. Berndt, in: {Proc. of New Interfaces for Musical Expression (NIME) 2011}, University of Oslo, Norwegian Academy of Music, Oslo, Norway, 2011, pp. 48–51.
LibreCat
T. Hähnel, A. Berndt, in: {Proc. of New Interfaces for Musical Expression (NIME) 2011}, University of Oslo, Norwegian Academy of Music, Oslo, Norway, 2011, pp. 48–51.
2011 | Conference Paper | LibreCat-ID: 47387
Eighth-Notes Performances: Kinds of Inégalité
T. Hähnel, A. Berndt, in: {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, ACM SIGCHI, Coimbra, Portugal, 2011, pp. 75–81.
LibreCat
T. Hähnel, A. Berndt, in: {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, ACM SIGCHI, Coimbra, Portugal, 2011, pp. 75–81.
2011 | Conference Paper | LibreCat-ID: 47386
Der Computer als Komponist und Interpret der Zukunft?
A. Berndt, in: {Meeting of the Gesellschaft Für Informatik (GI)}, Magdeburg, Germany, 2011.
LibreCat
A. Berndt, in: {Meeting of the Gesellschaft Für Informatik (GI)}, Magdeburg, Germany, 2011.
2011 | Book Chapter | LibreCat-ID: 47393
Diegetic Music: New Interactive Experiences
A. Berndt, in: M. Grimshaw (Ed.), {Game Sound Technology and Player Interaction: Concepts and Developments}, IGI Global, Hershey, PA, 2011, pp. 60–76.
LibreCat
A. Berndt, in: M. Grimshaw (Ed.), {Game Sound Technology and Player Interaction: Concepts and Developments}, IGI Global, Hershey, PA, 2011, pp. 60–76.
2010 | Conference Paper | LibreCat-ID: 47389
Modelling Musical Dynamics
A. Berndt, T. Hähnel, in: {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, ACM, Piteå, Sweden, 2010, pp. 134–141.
LibreCat
A. Berndt, T. Hähnel, in: {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, ACM, Piteå, Sweden, 2010, pp. 134–141.
2010 | Conference Paper | LibreCat-ID: 47390
Synthetic and Pseudo-Synthetic Music Performances: An Evaluation
T. Hähnel, A. Berndt, in: {Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}, Cambridge, UK, 2010.
LibreCat
T. Hähnel, A. Berndt, in: {Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}, Cambridge, UK, 2010.
2010 | Conference Paper | LibreCat-ID: 47392
Decentralizing Music, Its Performance, and Processing
A. Berndt, in: M. Schedel, D. Weymouth (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, Stony Brook University, New York, USA, 2010, pp. 381–388.
LibreCat
A. Berndt, in: M. Schedel, D. Weymouth (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, Stony Brook University, New York, USA, 2010, pp. 381–388.
2010 | Conference Paper | LibreCat-ID: 47391
Expressive Articulation for Synthetic Music Performances
T. Hähnel, A. Berndt, in: {Proc. of New Interfaces for Musical Expression (NIME) 2010}, University of Technology Sydney, Sydney, Australia, 2010, pp. 277–282.
LibreCat
T. Hähnel, A. Berndt, in: {Proc. of New Interfaces for Musical Expression (NIME) 2010}, University of Technology Sydney, Sydney, Australia, 2010, pp. 277–282.
2009 | Conference Paper | LibreCat-ID: 47397
Adaptive Musical Expression from Automatic Realtime Orchestration and Performance
A. Berndt, in: Interactive Digital Storytelling (ICIDS) 2008, 2009.
LibreCat
A. Berndt, in: Interactive Digital Storytelling (ICIDS) 2008, 2009.
2009 | Conference Paper | LibreCat-ID: 47396
Musical Nonlinearity in Interactive Narrative Environments
A. Berndt, in: G. Scavone, V. Verfaille, A. da Silva (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, Schulich School of Music/McGill University, Montréal, Canada, 2009, pp. 355–358.
LibreCat
A. Berndt, in: G. Scavone, V. Verfaille, A. da Silva (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association, Schulich School of Music/McGill University, Montréal, Canada, 2009, pp. 355–358.
2009 | Conference Paper | LibreCat-ID: 47395
Expressive Musical Timing
A. Berndt, T. Hähnel, in: {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, Glasgow Caledonian University, Interactive Institute/Sonic Studio Piteå, Glasgow, Scotland, 2009, pp. 9–16.
LibreCat
A. Berndt, T. Hähnel, in: {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, Glasgow Caledonian University, Interactive Institute/Sonic Studio Piteå, Glasgow, Scotland, 2009, pp. 9–16.
2009 | Conference Paper | LibreCat-ID: 47394
Der Computer als Interpret
A. Berndt, T. Hähnel, in: {Gespräche Um Telemann}, Magdeburg, Germany, 2009.
LibreCat
A. Berndt, T. Hähnel, in: {Gespräche Um Telemann}, Magdeburg, Germany, 2009.
2008 | Conference Paper | LibreCat-ID: 47398
Adaptive Musical Expression from Automatic Realtime Orchestration and Performance
A. Berndt, H. Theisel, in: U. Spierling, N. Szilas (Eds.), {Interactive Digital Storytelling (ICIDS) 2008}, Springer, Erfurt, Germany, 2008, pp. 132–143.
LibreCat
A. Berndt, H. Theisel, in: U. Spierling, N. Szilas (Eds.), {Interactive Digital Storytelling (ICIDS) 2008}, Springer, Erfurt, Germany, 2008, pp. 132–143.
2008 | Conference Paper | LibreCat-ID: 47400
A Musical Instrument based on Interactive Sonification Techniques
L. Stockmann, A. Berndt, N. Röber, in: {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, Interactive Institute/Sonic Studio Piteå, Piteå, Sweden, 2008, pp. 72–79.
LibreCat
L. Stockmann, A. Berndt, N. Röber, in: {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, Interactive Institute/Sonic Studio Piteå, Piteå, Sweden, 2008, pp. 72–79.
2008 | Conference Paper | LibreCat-ID: 47399
The Functions of Music in Interactive Media
A. Berndt, K. Hartmann, in: U. Spierling, N. Szilas (Eds.), {Interactive Digital Storytelling (ICIDS) 2008}, Springer, Erfurt, Germany, 2008, pp. 126–131.
LibreCat
A. Berndt, K. Hartmann, in: U. Spierling, N. Szilas (Eds.), {Interactive Digital Storytelling (ICIDS) 2008}, Springer, Erfurt, Germany, 2008, pp. 126–131.
2008 | Book | LibreCat-ID: 47404
Liturgie für Bläser
A. Berndt, Liturgie Für Bläser, Musikverlag Bruno Uetz, Halberstadt, Germany, 2008.
LibreCat
A. Berndt, Liturgie Für Bläser, Musikverlag Bruno Uetz, Halberstadt, Germany, 2008.
2007 | Conference Paper | LibreCat-ID: 47402
Interactive Data Mining & Machine Learning Techniques for Musicology
K. Hartmann, D. Büchner, A. Berndt, A. Nürnberger, C. Lange, in: {Conf. on Interdisciplinary Musicology 2007 (CIM07)}, Tallinn, Estonia, 2007.
LibreCat
K. Hartmann, D. Büchner, A. Berndt, A. Nürnberger, C. Lange, in: {Conf. on Interdisciplinary Musicology 2007 (CIM07)}, Tallinn, Estonia, 2007.
2007 | Conference Paper | LibreCat-ID: 47403
Audio-Interactive Counterpoint
A. Berndt, K. Hartmann, in: {Sound, Music and the Moving Image}, University of London, England, 2007.
LibreCat
A. Berndt, K. Hartmann, in: {Sound, Music and the Moving Image}, University of London, England, 2007.
2007 | Conference Paper | LibreCat-ID: 47401
Strategies for Narrative and Adaptive Game Scoring
A. Berndt, K. Hartmann, in: {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}, Fraunhofer IDMT, Interactive Institute/Sonic Studio Piteå, Ilmenau, Germany, 2007, pp. 141–147.
LibreCat
A. Berndt, K. Hartmann, in: {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}, Fraunhofer IDMT, Interactive Institute/Sonic Studio Piteå, Ilmenau, Germany, 2007, pp. 141–147.
2006 | Conference Paper | LibreCat-ID: 47413
Composition and Arrangement Techniques for Music in Interactive Immersive Environments
A. Berndt, K. Hartmann, N. Röber, M. Masuch, in: {Audio Mostly 2006: A Conf. on Sound in Games}, Interactive Institute/Sonic Studio, Piteå, Sweden, 2006, pp. 53–59.
LibreCat
A. Berndt, K. Hartmann, N. Röber, M. Masuch, in: {Audio Mostly 2006: A Conf. on Sound in Games}, Interactive Institute/Sonic Studio, Piteå, Sweden, 2006, pp. 53–59.
2006 | Mastersthesis | LibreCat-ID: 47412
Repräsentation musikalischer Metainformationen
A. Berndt, Repräsentation musikalischer Metainformationen, Otto-von-Guericke University, Department of Simulation and Graphics, 2006.
LibreCat
A. Berndt, Repräsentation musikalischer Metainformationen, Otto-von-Guericke University, Department of Simulation and Graphics, 2006.