The Features of Meanings of Orality in Black British Performance Poetry
M. Tönnies, A. Sand, Anglistentag 2009 Klagenfurt. Proceedings (2010) 105–114.
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| English
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Tönnies, MerleLibreCat;
Sand, Andrea
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Anglistentag 2009 Klagenfurt. Proceedings
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105-114
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Tönnies M, Sand A. The Features of Meanings of Orality in Black British Performance Poetry. Anglistentag 2009 Klagenfurt Proceedings. 2010:105-114.
Tönnies, M., & Sand, A. (2010). The Features of Meanings of Orality in Black British Performance Poetry. Anglistentag 2009 Klagenfurt. Proceedings, 105–114.
@article{Tönnies_Sand_2010, title={The Features of Meanings of Orality in Black British Performance Poetry}, journal={Anglistentag 2009 Klagenfurt. Proceedings}, publisher={WVT}, author={Tönnies, Merle and Sand, Andrea}, year={2010}, pages={105–114} }
Tönnies, Merle, and Andrea Sand. “The Features of Meanings of Orality in Black British Performance Poetry.” Anglistentag 2009 Klagenfurt. Proceedings, 2010, 105–14.
M. Tönnies and A. Sand, “The Features of Meanings of Orality in Black British Performance Poetry,” Anglistentag 2009 Klagenfurt. Proceedings, pp. 105–114, 2010.
Tönnies, Merle, and Andrea Sand. “The Features of Meanings of Orality in Black British Performance Poetry.” Anglistentag 2009 Klagenfurt. Proceedings, WVT, 2010, pp. 105–14.
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