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36 Publications
2018 | Book (Editor) | LibreCat-ID: 44439
Eckel, J., Ruchatz, J., & Wirth, S. (Eds.). (2018). Exploring the Selfie – Historical, Theoretical, and Analytical Approaches to Digital Self-Photography. Palgrave Macmillan.
LibreCat
2018 | Book Chapter | LibreCat-ID: 44475
Eckel, J. (2018). Selfies and Authorship – On the Displayed Authorship and the Author Function of the Selfie. In J. Eckel, J. Ruchatz, & S. Wirth (Eds.), Exploring the Selfie – Historical, Theoretical, and Analytical Approaches to Digital Self-Photography (pp. 131–166). Palgrave Macmillan.
LibreCat
2018 | Book Chapter | LibreCat-ID: 44474
Eckel, J., Ruchatz, J., & Wirth, S. (2018). The Selfie as Image (and) Practice – Approaching Digital Self-Photography. In J. Eckel (Ed.), Exploring the Selfie – Historical, Theoretical, and Analytical Approaches to Digital Self-Photography (pp. 1–24). Palgrave Macmillan.
LibreCat
2018 | Book Chapter | LibreCat-ID: 44478
Backe, H.-J., Eckel, J., Feyersinger, E., Sina, V., & Thon, J.-N. (2018). Zur Einführung: Ästhetik des Gemachten. In J. Eckel (Ed.), Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung (pp. 1–10). de Gruyter.
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2017 | Book (Editor) | LibreCat-ID: 44441
Eckel, J., Feyersinger, E., & Uhrig, M. (Eds.). (2017). Im Wandel … Metamorphosen der Animation. Springer VS.
LibreCat
2017 | Book Chapter | LibreCat-ID: 44479
Eckel, J. (2017). Disturbance and Perturbation in THE TRACEY FRAGMENTS. In S. Schlickers & V. Toro (Eds.), Perturbatory Narration in Film. Narratological Studies on Deception Paradox and Empuzzlement (pp. 19–36). de Gruyter.
LibreCat
2017 | Book Chapter | LibreCat-ID: 44481
Eckel, J., Feyersinger, E., & Uhrig, M. (2017). Animation im/als Wandel. In J. Eckel (Ed.), Im Wandel … Metamorphhosen der Animation (pp. 1–10). Springer VS.
LibreCat
2013 | Book (Editor) | LibreCat-ID: 44443
Eckel, J., Leiendecker, B., Olek, D., & Piepiorka, C. (Eds.). (2013). (Dis)Orienting Media and Narrative Mazes. transcript.
LibreCat
2013 | Book Chapter | LibreCat-ID: 44483
Eckel, J. (2013). „This thing walks and talks and acts like me“ – Der Synthespian und die Identitätskrise des Filmschauspielers. In M. Andreas & N. Frankenberg (Eds.), Im Netz der Eindeutigkeiten – Unbestimmte Figuren und die Irritation von Identität (pp. 135–160). transcript.
LibreCat
2013 | Book Chapter | LibreCat-ID: 44485
Eckel, J. (2013). Twisted Times: Non-linearity and Temporal Disorientation in Contemporary Cinema. In J. Eckel, B. Leiendecker, D. Olek, & C. Piepiorka (Eds.), (Dis)Orienting Media and Narrative Mazes. (pp. 275–291). transcript.
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2013 | Book Chapter | LibreCat-ID: 44484
Eckel, J., & Leiendecker, B. (2013). (Dis)Orienting Media and Narrative Mazes. In J. Eckel, D. Olek, & C. Piepiorka (Eds.), (Dis)Orienting Media and Narrative Mazes (pp. 11–18). transcript.
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2012 | Book | LibreCat-ID: 44437
Eckel, J. (2012). Zeitenwende(n) des Films – Temporale Nonlinearität im zeitgenössischen Erzählkino. Schüren.
LibreCat
2012 | Book Chapter | LibreCat-ID: 44486
Eckel, J. (2012). Anthropomorphe Audiovisualität – Problematisierung eines Forschungsgegenstands. In S. Frisch & T. Raupach (Eds.), Revisionen – Relektüren – Perspektiven (pp. 98–109). Schüren. https://doi.org/10.25969/mediarep/14569
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2012 | Book Chapter | LibreCat-ID: 44490
Eckel, J. (2012). Die Überwindung der Zeit im Fluss der Bilder – Achronologien des Films. In P. M. Spannenberg & B. Westermann (Eds.), Im Moment des ‚Mehr‘ – Mediale Prozesse jenseits des Funktionalen (pp. 29–51). LIT.
LibreCat
2012 | Journal Article | LibreCat-ID: 44491
Eckel, J. (2012). Vom Orient über den Nordpol zum ICH – (Des)Orientierende Medien und narrative Irrgärten. Double – Magazin für Puppen-, Figuren- und Objekttheater, 1/2012 (Themenheft „Wo bin ich hingeraten? Räumliche und andere (Des)Orientierungen“), 6–9.
LibreCat
2011 | Book Chapter | LibreCat-ID: 44492
Eckel, J. (2011). „Kutte & Co.“ – Zur textilen SchriftBildlichkeit des Heavy Metals. In R. F. Nohr & H. Schwaab (Eds.), Metal Matters – Heavy Metal als Kultur und Welt (pp. 55–70). LIT.
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