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470 Publications
2024 | Book Chapter | LibreCat-ID: 58363
Adler, Luise. “Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre.” In Music and Religions in the 21st Century, edited by Dominik Höink and Meyer Andreas, 1:73–82. Musik Und Religion. Baden-Baden: Tectum, 2024. https://doi.org/10.5771/9783828851214 .
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2024 | Book Chapter | LibreCat-ID: 56822 | 
Adler, Luise. “Die „Darmstädter Avantgarde“ Und Die „Postmoderne". Tradition Und Fortschritt in Der Musik Nach 1945.” In Musikwissenschaftliche Und Musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium, edited by Flavia Hennig and Willert Elizaveta, 35–49. musiconn.publish, 2024. https://doi.org/10.25366/2024.92.
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2024 | Working Paper | LibreCat-ID: 56716 |
Münzmay, Andreas, Elisa Novara, and Federica Rovelli. Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle, 2024. https://doi.org/10.5281/ZENODO.13946152.
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2024 | Conference Paper | LibreCat-ID: 58554
Berndt, Axel, and Andreas Münzmay. “Digitale Interpretationsedition Und Filmmusikedition Als Multimodale Schwestern – Gemeinsame Herausforderungen Und Lösungsansätze.” In {Edition von Filmmusik: Herausforderungen Der Multimedialität}. Frankfurt (Main), Germany, 2024.
LibreCat
2024 | Conference Paper | LibreCat-ID: 58552
Berndt, Axel, F. Vollmer, and Andreas Münzmay. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and Its Potential for Ethnomusicology.” In {Diskografentag: International Conference on Recorded Music}. Guildford, Surrey, England, 2024.
LibreCat
2024 | Conference Paper | LibreCat-ID: 58551
Berndt, Axel, Andreas Münzmay, and F. Vollmer. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” In {DAGA 2024 – 50. Jahrestagung Für Akustik}. Hannover, Germany, 2024.
LibreCat
2024 | Conference Paper | LibreCat-ID: 58550
Berndt, Axel. “Auditory Pointers: Spatial Navigation with Sounds.” In {Forschungskolloquium Zur Audiokommunikation}. Berlin, Germany, 2024.
LibreCat
2024 | Conference Paper | LibreCat-ID: 58553
Berndt, Axel, and S. Waloschek. “FlowScore: MEI Streaming to Digital Music Stands.” In {Edirom Summer School 2024}. Paderborn, Germany, 2024.
LibreCat
2024 | Conference Paper | LibreCat-ID: 54925 |
Frömmel, Lena, Tobias Bachmann, Anna Viktoria Katrin Plaksin, and Andreas Münzmay. “Open Edirom: From Hybrid Music Edition to Open Data Publication.” In Proceedings of the 11th International Conference on Digital Libraries for Musicology. ACM, 2024. https://doi.org/10.1145/3660570.3660582.
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2024 | Book Chapter | LibreCat-ID: 56223
Münzmay, Andreas. “Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg.” In Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836), edited by Jean-Cloude Yon and Cécile Reynaud, 101–10. Paris: Hermann Editeurs, 2024.
LibreCat
2024 | Research Data | LibreCat-ID: 57562
Minetti, Elena, Irmlind Capelle, Dennis Ried, and Antje Tumat. HenDi-Data (Data Package) v6.1.0. Zenodo, 2024. https://doi.org/10.5281/ZENODO.14227711.
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2024 | Research Data | LibreCat-ID: 57564
Ried, Dennis, Irmlind Capelle, and Elena Minetti. HenDi-ODD v6.1.0. LibreCat University, 2024. https://doi.org/10.5281/ZENODO.14227688.
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2024 | Research Data | LibreCat-ID: 57566
Ried, Dennis. HenDi-WebApp v6.1.0. LibreCat University, 2024. https://doi.org/10.5281/ZENODO.14227708.
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2024 | Journal Article | LibreCat-ID: 57579
Tumat, Antje. “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis.” Wagner-Spektrum 2 (2024): 71–83.
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2024 | Conference Paper | LibreCat-ID: 58131
Tumat, Antje. “Weltethos and Wunderzaichen: Religion in the Music of the Western Avant-Garde.” Edited by Dominik Höink and Andreas Meyer. Music and Religions in the 21st Century. Baden-Baden: Textum, 2024.
LibreCat
2024 | Journal Article | LibreCat-ID: 56307 |
Tumat, Antje. “Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes.” Takte. Das Bärenreiter-Magazin 2 (2024): 14–15.
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2024 | Book Chapter | LibreCat-ID: 57443
Höink, Dominik. “The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century.” In Music and Religions in the 21st Century, edited by Dominik Höink and Andreas Meyer, Vol. 1. Musik Und Religion. Baden-Baden: Tectum, 2024.
LibreCat
2024 | Book (Editor) | LibreCat-ID: 57441
Höink, Dominik, and Andreas Meyer, eds. Music and Religions in the 21st Century. Vol. 1. Musik Und Religion. Baden-Baden: Tectum, 2024.
LibreCat
2024 | Research Data | LibreCat-ID: 56269
Bachmann, Tobias , Lena Frömmel, and Andreas Münzmay. OPEN FAUST Preview (Dataset). RADAR4Culture, 2024. https://doi.org/10.22000/uupxmgkq94r0jpsk.
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2023 | Conference Paper | LibreCat-ID: 50440
Baratè, Adriano, Goffredo Haus, Luca A. Ludovico, and Davide Andrea Mauro. “Towards the Future of Multi-Layer Music Encoding: The IEEE 1599 v2.0 Draft.” In 2023 4th International Symposium on the Internet of Sounds. IEEE, 2023. https://doi.org/10.1109/ieeeconf59510.2023.10335429.
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