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471 Publications
2024 | Misc | LibreCat-ID: 49913
Bachmann, Tobias, Antje Tumat, Lena Frömmel, and Andreas Münzmay. Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre Und Lieder Zu Goethes Faust Nach Der Szenischen Einrichtung von Carl Seydelmann (1832). Online, 2024.
LibreCat
2024 | Book Chapter | LibreCat-ID: 58363
Adler, Luise. “Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre.” In Music and Religions in the 21st Century, edited by Dominik Höink and Meyer Andreas, 1:73–82. Musik Und Religion. Baden-Baden: Tectum, 2024. https://doi.org/10.5771/9783828851214 .
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| DOI
2024 | Book Chapter | LibreCat-ID: 56822 | 
Adler, Luise. “Die „Darmstädter Avantgarde“ Und Die „Postmoderne". Tradition Und Fortschritt in Der Musik Nach 1945.” In Musikwissenschaftliche Und Musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium, edited by Flavia Hennig and Willert Elizaveta, 35–49. musiconn.publish, 2024. https://doi.org/10.25366/2024.92.
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2024 | Working Paper | LibreCat-ID: 56716 |
Münzmay, Andreas, Elisa Novara, and Federica Rovelli. Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle, 2024. https://doi.org/10.5281/ZENODO.13946152.
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2024 | Conference Paper | LibreCat-ID: 58552
Berndt, Axel, F. Vollmer, and Andreas Münzmay. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and Its Potential for Ethnomusicology.” In {Diskografentag: International Conference on Recorded Music}. Guildford, Surrey, England, 2024.
LibreCat
2024 | Conference Paper | LibreCat-ID: 58551
Berndt, Axel, Andreas Münzmay, and F. Vollmer. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” In {DAGA 2024 – 50. Jahrestagung Für Akustik}. Hannover, Germany, 2024.
LibreCat
2024 | Conference Paper | LibreCat-ID: 58550
Berndt, Axel. “Auditory Pointers: Spatial Navigation with Sounds.” In {Forschungskolloquium Zur Audiokommunikation}. Berlin, Germany, 2024.
LibreCat
2024 | Conference Paper | LibreCat-ID: 58553
Berndt, Axel, and S. Waloschek. “FlowScore: MEI Streaming to Digital Music Stands.” In {Edirom Summer School 2024}. Paderborn, Germany, 2024.
LibreCat
2024 | Conference Paper | LibreCat-ID: 54925 |
Frömmel, Lena, Tobias Bachmann, Anna Viktoria Katrin Plaksin, and Andreas Münzmay. “Open Edirom: From Hybrid Music Edition to Open Data Publication.” In Proceedings of the 11th International Conference on Digital Libraries for Musicology. ACM, 2024. https://doi.org/10.1145/3660570.3660582.
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2024 | Book Chapter | LibreCat-ID: 56223
Münzmay, Andreas. “Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg.” In Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836), edited by Jean-Cloude Yon and Cécile Reynaud, 101–10. Paris: Hermann Editeurs, 2024.
LibreCat
2024 | Research Data | LibreCat-ID: 57562
Minetti, Elena, Irmlind Capelle, Dennis Ried, and Antje Tumat. HenDi-Data (Data Package) v6.1.0. Zenodo, 2024. https://doi.org/10.5281/ZENODO.14227711.
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| DOI
2024 | Research Data | LibreCat-ID: 57564
Ried, Dennis, Irmlind Capelle, and Elena Minetti. HenDi-ODD v6.1.0. LibreCat University, 2024. https://doi.org/10.5281/ZENODO.14227688.
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2024 | Research Data | LibreCat-ID: 57566
Ried, Dennis. HenDi-WebApp v6.1.0. LibreCat University, 2024. https://doi.org/10.5281/ZENODO.14227708.
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2024 | Journal Article | LibreCat-ID: 57579
Tumat, Antje. “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis.” Wagner-Spektrum 2 (2024): 71–83.
LibreCat
2024 | Conference Paper | LibreCat-ID: 58131
Tumat, Antje. “Weltethos and Wunderzaichen: Religion in the Music of the Western Avant-Garde.” Edited by Dominik Höink and Andreas Meyer. Music and Religions in the 21st Century. Baden-Baden: Textum, 2024.
LibreCat
2024 | Journal Article | LibreCat-ID: 56307 |
Tumat, Antje. “Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes.” Takte. Das Bärenreiter-Magazin 2 (2024): 14–15.
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2024 | Book Chapter | LibreCat-ID: 57443
Höink, Dominik. “The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century.” In Music and Religions in the 21st Century, edited by Dominik Höink and Andreas Meyer, Vol. 1. Musik Und Religion. Baden-Baden: Tectum, 2024.
LibreCat
2024 | Book (Editor) | LibreCat-ID: 57441
Höink, Dominik, and Andreas Meyer, eds. Music and Religions in the 21st Century. Vol. 1. Musik Und Religion. Baden-Baden: Tectum, 2024.
LibreCat
2024 | Research Data | LibreCat-ID: 56269
Bachmann, Tobias , Lena Frömmel, and Andreas Münzmay. OPEN FAUST Preview (Dataset). RADAR4Culture, 2024. https://doi.org/10.22000/uupxmgkq94r0jpsk.
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2024 | Conference Paper | LibreCat-ID: 58554
Berndt, Axel, and Andreas Münzmay. “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” 2024.
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