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471 Publications


2024 | Misc | LibreCat-ID: 49913
T. Bachmann, A. Tumat, L. Frömmel, and A. Münzmay, Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832). Online, 2024.
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2024 | Book Chapter | LibreCat-ID: 58363
L. Adler, “Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre,” in Music and Religions in the 21st Century, vol. 1, D. Höink and M. Andreas, Eds. Baden-Baden: Tectum, 2024, pp. 73–82.
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2024 | Book Chapter | LibreCat-ID: 56822 | OA
L. Adler, “Die „Darmstädter Avantgarde“ und die „Postmoderne". Tradition und Fortschritt in der Musik nach 1945,” in Musikwissenschaftliche und musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium, F. Hennig and W. Elizaveta, Eds. musiconn.publish, 2024, pp. 35–49.
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2024 | Working Paper | LibreCat-ID: 56716 | OA
A. Münzmay, E. Novara, and F. Rovelli, Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle. 2024.
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2024 | Conference Paper | LibreCat-ID: 58552
A. Berndt, F. Vollmer, and A. Münzmay, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology,” 2024.
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2024 | Conference Paper | LibreCat-ID: 58551
A. Berndt, A. Münzmay, and F. Vollmer, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition,” 2024.
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2024 | Conference Paper | LibreCat-ID: 58550
A. Berndt, “Auditory Pointers: Spatial Navigation with Sounds,” 2024.
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2024 | Conference Paper | LibreCat-ID: 58553
A. Berndt and S. Waloschek, “FlowScore: MEI Streaming to Digital Music Stands,” 2024.
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2024 | Conference Paper | LibreCat-ID: 54925 | OA
L. Frömmel, T. Bachmann, A. V. K. Plaksin, and A. Münzmay, “Open Edirom: From hybrid music edition to open data publication,” 2024, doi: 10.1145/3660570.3660582.
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2024 | Book Chapter | LibreCat-ID: 56223
A. Münzmay, “Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg,” in Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836), J.-C. Yon and C. Reynaud, Eds. Paris: Hermann Editeurs, 2024, pp. 101–110.
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2024 | Research Data | LibreCat-ID: 57562
E. Minetti, I. Capelle, D. Ried, and A. Tumat, HenDi-Data (data package) v6.1.0. Zenodo, 2024.
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2024 | Research Data | LibreCat-ID: 57564
D. Ried, I. Capelle, and E. Minetti, HenDi-ODD v6.1.0. LibreCat University, 2024.
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2024 | Research Data | LibreCat-ID: 57566
D. Ried, HenDi-WebApp v6.1.0. LibreCat University, 2024.
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2024 | Journal Article | LibreCat-ID: 57579
A. Tumat, “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis,” Wagner-Spektrum, vol. 2, pp. 71–83, 2024.
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2024 | Conference Paper | LibreCat-ID: 58131
A. Tumat, “Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde.” Textum, Baden-Baden, pp. 27–71, 2024.
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2024 | Journal Article | LibreCat-ID: 56307 | OA
A. Tumat, “Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes,” Takte. Das Bärenreiter-Magazin, vol. 2, pp. 14–15, 2024.
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2024 | Book Chapter | LibreCat-ID: 57443
D. Höink, “The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century,” in Music and Religions in the 21st Century, vol. 1, D. Höink and A. Meyer, Eds. Baden-Baden: Tectum, 2024.
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2024 | Book (Editor) | LibreCat-ID: 57441
D. Höink and A. Meyer, Eds., Music and Religions in the 21st Century, vol. 1. Baden-Baden: Tectum, 2024.
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2024 | Research Data | LibreCat-ID: 56269
T. Bachmann, L. Frömmel, and A. Münzmay, OPEN FAUST Preview (dataset). RADAR4Culture, 2024.
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2024 | Conference Paper | LibreCat-ID: 58554
A. Berndt and A. Münzmay, “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” presented at the Edition von Filmmusik: Herausforderungen der Multimedialität, Frankfurt am Main, 2024.
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