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462 Publications
2024 | Book Chapter | LibreCat-ID: 56223
A. Münzmay, “Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg,” in Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836), J.-C. Yon and C. Reynaud, Eds. Paris: Hermann Editeurs, 2024, pp. 101–110.
LibreCat
2024 | Journal Article | LibreCat-ID: 57579
A. Tumat, “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis,” Wagner-Spektrum, vol. 2, pp. 71–83, 2024.
LibreCat
2024 | Conference Paper | LibreCat-ID: 58131
A. Tumat, “Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde.” Textum, Baden-Baden, pp. 27–71, 2024.
LibreCat
2024 | Journal Article | LibreCat-ID: 56307 | 
A. Tumat, “Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes,” Takte. Das Bärenreiter-Magazin, vol. 2, pp. 14–15, 2024.
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2024 | Conference Paper | LibreCat-ID: 58554
A. Berndt and A. Münzmay, “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” 2024.
LibreCat
2024 | Conference Paper | LibreCat-ID: 58552
A. Berndt, F. Vollmer, and A. Münzmay, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology,” 2024.
LibreCat
2024 | Conference Paper | LibreCat-ID: 58551
A. Berndt, A. Münzmay, and F. Vollmer, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition,” 2024.
LibreCat
2024 | Conference Paper | LibreCat-ID: 58550
A. Berndt, “Auditory Pointers: Spatial Navigation with Sounds,” 2024.
LibreCat
2024 | Conference Paper | LibreCat-ID: 58553
A. Berndt and S. Waloschek, “FlowScore: MEI Streaming to Digital Music Stands,” 2024.
LibreCat
2024 | Book Chapter | LibreCat-ID: 57443
D. Höink, “The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century,” in Music and Religions in the 21st Century, vol. 1, D. Höink and A. Meyer, Eds. Baden-Baden: Tectum, 2024.
LibreCat
2024 | Book (Editor) | LibreCat-ID: 57441
D. Höink and A. Meyer, Eds., Music and Religions in the 21st Century, vol. 1. Baden-Baden: Tectum, 2024.
LibreCat
2024 | Research Data | LibreCat-ID: 56269
T. Bachmann, L. Frömmel, and A. Münzmay, OPEN FAUST Preview (dataset). RADAR4Culture, 2024.
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2024 | Working Paper | LibreCat-ID: 56716 |
A. Münzmay, E. Novara, and F. Rovelli, Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle. 2024.
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2023 | Conference Paper | LibreCat-ID: 50440
A. Baratè, G. Haus, L. A. Ludovico, and D. A. Mauro, “Towards the Future of Multi-Layer Music Encoding: The IEEE 1599 v2.0 Draft,” 2023, doi: 10.1109/ieeeconf59510.2023.10335429.
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| DOI
2023 | Conference Paper | LibreCat-ID: 50439
A. Baratè, G. Haus, L. A. Ludovico, and D. A. Mauro, “Towards the Future of Multi-Layer Music Encoding: The IEEE 1599 v2.0 Draft,” 2023, doi: 10.1109/ieeeconf59510.2023.10335429.
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2023 | Conference Paper | LibreCat-ID: 50289
B. W. Bohl and D. Ried, “»Play it again, Sam« – Levels of Complexity in Encoding Performance Personnel,” in Music Encoding Conference Proceedings 2022, Dalhousie University, Nova Scotia, Canada, 2023, doi: 10.17613/XN3G-VS35.
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