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140 Publications
2006 | Journal Article | LibreCat-ID: 7601
Tönnies, Merle. “New Labour in the New Millenium. A Further Theatricalisation of Politics?” Passauer Arbeiten Zur Literatur-Und Kulturwissenschaft, vol. 3, Stutz, 2006, pp. 119–38.
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2006 | Journal Article | LibreCat-ID: 7615
Tönnies, Merle. “Radicalising Postmodern Biofictions. British Fictional Autobiography of the Twenty-First Century.” Salzburg Studies in English Literature and Culture, vol. 3, Lang, 2006, pp. 305–14.
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2006 | Journal Article | LibreCat-ID: 7616
Tönnies, Merle. “A Midsummer Night’s Dream.” Stauffenburg Handbücher, vol. 9, Stauffenburg, 2006, pp. 195–214.
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2006 | Book Review | LibreCat-ID: 9642
Tönnies, Merle. “Boehmer, E.: Stories of Women, 2005.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 243, no. 2, 2006, pp. 445–47.
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2006 | Book Review | LibreCat-ID: 9643
Tönnies, Merle. “Middeke, M.: Die Kunst Der Gelebten Zeit, 2004.” Zeitschrift Für Anglistik Und Amerikanistik, vol. 54, no. 3, 2006, pp. 315–17.
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2006 | Book Review | LibreCat-ID: 9644
Tönnies, Merle. “Kamm, J. / B. Lenz: Großbritannien Verstehen, 2004.” Anglia, vol. 123, no. 4, 2006, pp. 779–82.
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2006 | Book Review | LibreCat-ID: 9645
Tönnies, Merle. “Nünning, V. / A. Nünning (Hg.): Erzähltextanalyse Und Gender Studies, 2004.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 242, no. 2, 2006, pp. 434–36.
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2005 | Journal Article | LibreCat-ID: 8352
Tönnies, Merle. “Courttia Newland’s Theatre Work. On the Occasion of B Is for Black (Oval House Theatre, London, 1-18 October 2003.” Hard Times, vol. 76, 2005, pp. 31–33.
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2005 | Book Chapter | LibreCat-ID: 8353
Tönnies, Merle. “‘Serious’ Science vs. ‘Light’ Entertainment? Femininity Concepts in Nineteenth-Century British Medical Discourse and Popular Fiction.” Unmapped Countries: Biological Visions in Nineteenth-Century Literature and Culture, edited by Anne-Julia Zwierlein, Anthem Press, 2005, pp. 183–92.
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2005 | Book Chapter | LibreCat-ID: 8845
Tönnies, Merle. “A New Self-Conscious Turn at the Turn of the Centruy?” Anglistik & Englischunterricht, vol. 66, 2005, pp. 57–82.
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2005 | Journal Article | LibreCat-ID: 8847
Tönnies, Merle. “Das viktorianische Theater als Populärkultur.” Eine Kulturgeschichte der englischen Literatur: Von der Renaissance bis zur Gegenwart, 2005, pp. 158–70.
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2005 | Book Review | LibreCat-ID: 9647
Tönnies, Merle. “Hooper, B.: Voices in the Heart. Postcolonialism and Identity in Hong Kong Literature, 2003.” Anglistik, vol. 16, no. 2, 2005, pp. 201–03.
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2004 | Journal Article | LibreCat-ID: 8848
Tönnies, Merle. “New Britain as Consumer Country and Commodity.” Journal for the Study of British Cultures, vol. 11, no. 2, 2004, pp. 117–28.
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2004 | Book Review | LibreCat-ID: 9657
Tönnies, Merle. “Mergenthal, S.: A Fast-Forward Version of England, 2003.” Anglia, vol. 122, no. 4, 2004, pp. 758–61.
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2003 | Journal Article | LibreCat-ID: 8849
Tönnies, Merle. “Peter Brook’s Glückliche Tage.” The Beckett Circle, vol. 26, no. 2, 2003, pp. 1–3.
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2003 | Book Chapter | LibreCat-ID: 8850
Tönnies, Merle. “‘New Lingo - New Theatre’?” Anglistik & Englischunterricht, vol. 65, 2003, pp. 169–91.
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2003 | Journal Article | LibreCat-ID: 8851
Tönnies, Merle. “The ‘Postcolonial University Novel’ in Britain.” Xenophobic Memories: Otherness in Postcolonial Constructions of the Past, Winter, 2003, pp. 13–37.
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2003 | Journal Article | LibreCat-ID: 8852
Tönnies, Merle, et al. “Making Play-Texts Live: Teaching Drama as Experience.” Global Challenges and Regional Responses in Contemporary Drama in English, vol. 10, WVT, 2003, pp. 247–64.
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2003 | Book Review | LibreCat-ID: 9658
Tönnies, Merle. “Sager, P.: Oxford & Cambridge. Eine Kulturgeschichte.” Journal for the Study of British Cultures, vol. 10, no. 2, 2003.
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2003 | Book Review | LibreCat-ID: 9659
Tönnies, Merle. “Veit, C.: Ich-Konzept Und Körper in Becketts Dualen Konstruktionen, 2002.” The Beckett Circle, vol. 26, no. 2, 2003, p. 18.
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2003 | Book Review | LibreCat-ID: 9660
Tönnies, Merle. “Logan, T.: The Victorian Parlour, 2001.” Anglia, vol. 121, no. 2, 2003, pp. 323–25.
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2003 | Book Review | LibreCat-ID: 9661
Tönnies, Merle. “Keipert, H.: Pope, Popovskij Und Die Popen, 2001.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 240, no. 1, 2003, pp. 141–44.
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2003 | Book Review | LibreCat-ID: 9662
Tönnies, Merle. “Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen Und Ästhetische Konstruktion Bei Jean Paul Und Samuel Beckett, 2001.” The Beckett Circle, vol. 26, no. 1, 2003, p. 20.
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2003 | Book Review | LibreCat-ID: 9663
Tönnies, Merle. “Beckett, S.: Dante Und Der Hummer. Gesammelte Prosa, 2000.” The Beckett Circle, vol. 26, no. 1, 2003, pp. 15–16.
LibreCat
2002 | Journal Article | LibreCat-ID: 8853
Tönnies, Merle. “Good/Bad Girls and Their Fathers.” Journal for the Study of British Cultures, vol. 9, no. 2, 2002, pp. 185–95.
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2002 | Book Chapter | LibreCat-ID: 8862
Tönnies, Merle. “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions.” Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, edited by Manfred Pfister, vol. 57, Rodopi, 2002, pp. 99–119.
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2002 | Journal Article | LibreCat-ID: 8863
Tönnies, Merle. “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, Its 1960s Forebears and the Beginning of the 21st Century .” Contemporary Drama in English, vol. 9, WVT, 2002, pp. 57–71.
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2002 | Book Review | LibreCat-ID: 9664
Tönnies, Merle. “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000.” Forum Modernes Theater, vol. 17, no. 1, 2002, pp. 95–98.
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2001 | Journal Article | LibreCat-ID: 8864
Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000, vol. 11, 2001, pp. 194–201.
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2001 | Journal Article | LibreCat-ID: 8865
Tönnies, Merle. “The Limits of Defining Power in Terms of Exclusion.” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, WVT, 2001, pp. 61–64.
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2001 | Book (Editor) | LibreCat-ID: 6760
Tönnies, Merle, and Claus-Ulrich Viol, editors. British Political Speeches from Churchill to Blair. Reclam, 2001.
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2000 | Book Review | LibreCat-ID: 9665
Tönnies, Merle. “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998.” Journal for the Study of British Cultures, vol. 7, no. 1, 2000, pp. 80–83.
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2000 | Book (Editor) | LibreCat-ID: 6762
Tönnies, Merle, et al., editors. Youth Identities. Teens and Twens in British Culture. Winter, 2000.
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1999 | Book (Editor) | LibreCat-ID: 6765
Tönnies, Merle, and Claus-Ulrich Viol, editors. Hanif Kureishi. My Beautiful Laundrette. Reclam, 1999.
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1999 | Book (Editor) | LibreCat-ID: 6767
Tönnies, Merle, and Reinhold Schiffer, editors. British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. WVT, 1999.
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1999 | Book Review | LibreCat-ID: 9666
Tönnies, Merle. “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997.” Journal for the Study of British Cultures, vol. 6, no. 2, 1999, pp. 211–13.
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1999 | Book Review | LibreCat-ID: 9667
Tönnies, Merle. “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten Für Theater, Radio, Film Und Fernsehen, 1998.” Forum Modernes Theater, vol. 14, no. 2, 1999, pp. 229–33.
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1999 | Book Review | LibreCat-ID: 9668
Tönnies, Merle. “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997.” Anglia, vol. 117, 1999, pp. 460–62.
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1997 | Book | LibreCat-ID: 6752
Tönnies, Merle. Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. WVT, 1997.
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1996 | Journal Article | LibreCat-ID: 9626
Tönnies, Merle. “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama.” Forum Modernes Theater, vol. 11, no. 2, 1996, pp. 185–96.
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