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140 Publications
2003 | Book Review | LibreCat-ID: 9660
Tönnies, M. (2003). Logan, T.: The Victorian Parlour, 2001. Anglia.
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2003 | Book Review | LibreCat-ID: 9661
Tönnies, M. (2003). Keipert, H.: Pope, Popovskij und die Popen, 2001. Archiv Für Das Studium Der Neueren Sprachen Und Literaturen.
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2003 | Book Review | LibreCat-ID: 9662
Tönnies, M. (2003). Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen und ästhetische Konstruktion bei Jean Paul und Samuel Beckett, 2001. The Beckett Circle.
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2003 | Book Review | LibreCat-ID: 9663
Tönnies, M. (2003). Beckett, S.: Dante und der Hummer. Gesammelte Prosa, 2000. The Beckett Circle.
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2002 | Journal Article | LibreCat-ID: 8853
Tönnies, M. (2002). Good/Bad Girls and their Fathers. Journal for the Study of British Cultures, 9(2), 185–195.
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2002 | Book Chapter | LibreCat-ID: 8862
Tönnies, M. (2002). Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions. In M. Pfister (Ed.), Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft (Vol. 57, pp. 99–119). Amsterdam: Rodopi.
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2002 | Journal Article | LibreCat-ID: 8863
Tönnies, M. (2002). The “Sensationalist Theatre of Cruelty” in 1990s Britain, its 1960s Forebears and the Beginning of the 21st Century . Contemporary Drama in English, 9, 57–71.
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2002 | Book Review | LibreCat-ID: 9664
Tönnies, M. (2002). Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000. Forum Modernes Theater.
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2001 | Journal Article | LibreCat-ID: 8864
Tönnies, M. (2001). Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama. Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000, 11, 194–201.
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2001 | Journal Article | LibreCat-ID: 8865
Tönnies, M. (2001). The Limits of Defining Power in Terms of Exclusion. Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, 61–64.
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2001 | Book (Editor) | LibreCat-ID: 6760
Tönnies, M., & Viol, C.-U. (Eds.). (2001). British Political Speeches from Churchill to Blair. Stuttgart: Reclam.
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2000 | Book Review | LibreCat-ID: 9665
Tönnies, M. (2000). Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998. Journal for the Study of British Cultures.
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2000 | Book (Editor) | LibreCat-ID: 6762
Tönnies, M., Stratmann, G., Viol, C.-U., & Anglistik und Englischunterricht 63 (Eds.). (2000). Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter.
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1999 | Book (Editor) | LibreCat-ID: 6765
Tönnies, M., & Viol, C.-U. (Eds.). (1999). Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam.
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1999 | Book (Editor) | LibreCat-ID: 6767
Tönnies, M., & Schiffer, R. (Eds.). (1999). British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. Trier: WVT.
LibreCat
1999 | Book Review | LibreCat-ID: 9666
Tönnies, M. (1999). Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997. In Journal for the Study of British Cultures (Vol. 6, Issue 2, pp. 211–213).
LibreCat
1999 | Book Review | LibreCat-ID: 9667
Tönnies, M. (1999). Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten für Theater, Radio, Film und Fernsehen, 1998. In Forum Modernes Theater (Vol. 14, Issue 2, pp. 229–233).
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1999 | Book Review | LibreCat-ID: 9668
Tönnies, M. (1999). Ledger, S.: The New Woman. Fiction and Feminism at the “Fin de Siècle”, 1997. In Anglia (Vol. 117, pp. 460–462).
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1997 | Book | LibreCat-ID: 6752
Tönnies, M. (1997). Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT.
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1996 | Journal Article | LibreCat-ID: 9626
Tönnies, M. (1996). The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama. Forum Modernes Theater, 11(2), 185–196.
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