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140 Publications
2003 | Book Review | LibreCat-ID: 9660
Tönnies, Merle. “Logan, T.: The Victorian Parlour, 2001.” Anglia, vol. 121, no. 2, 2003, pp. 323–25.
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2003 | Book Review | LibreCat-ID: 9661
Tönnies, Merle. “Keipert, H.: Pope, Popovskij Und Die Popen, 2001.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 240, no. 1, 2003, pp. 141–44.
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2003 | Book Review | LibreCat-ID: 9662
Tönnies, Merle. “Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen Und Ästhetische Konstruktion Bei Jean Paul Und Samuel Beckett, 2001.” The Beckett Circle, vol. 26, no. 1, 2003, p. 20.
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2003 | Book Review | LibreCat-ID: 9663
Tönnies, Merle. “Beckett, S.: Dante Und Der Hummer. Gesammelte Prosa, 2000.” The Beckett Circle, vol. 26, no. 1, 2003, pp. 15–16.
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2002 | Journal Article | LibreCat-ID: 8853
Tönnies, Merle. “Good/Bad Girls and Their Fathers.” Journal for the Study of British Cultures, vol. 9, no. 2, 2002, pp. 185–95.
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2002 | Book Chapter | LibreCat-ID: 8862
Tönnies, Merle. “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions.” Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, edited by Manfred Pfister, vol. 57, Rodopi, 2002, pp. 99–119.
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2002 | Journal Article | LibreCat-ID: 8863
Tönnies, Merle. “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, Its 1960s Forebears and the Beginning of the 21st Century .” Contemporary Drama in English, vol. 9, WVT, 2002, pp. 57–71.
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2002 | Book Review | LibreCat-ID: 9664
Tönnies, Merle. “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000.” Forum Modernes Theater, vol. 17, no. 1, 2002, pp. 95–98.
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2001 | Journal Article | LibreCat-ID: 8864
Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000, vol. 11, 2001, pp. 194–201.
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2001 | Journal Article | LibreCat-ID: 8865
Tönnies, Merle. “The Limits of Defining Power in Terms of Exclusion.” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, WVT, 2001, pp. 61–64.
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2001 | Book (Editor) | LibreCat-ID: 6760
Tönnies, Merle, and Claus-Ulrich Viol, editors. British Political Speeches from Churchill to Blair. Reclam, 2001.
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2000 | Book Review | LibreCat-ID: 9665
Tönnies, Merle. “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998.” Journal for the Study of British Cultures, vol. 7, no. 1, 2000, pp. 80–83.
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2000 | Book (Editor) | LibreCat-ID: 6762
Tönnies, Merle, et al., editors. Youth Identities. Teens and Twens in British Culture. Winter, 2000.
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1999 | Book (Editor) | LibreCat-ID: 6765
Tönnies, Merle, and Claus-Ulrich Viol, editors. Hanif Kureishi. My Beautiful Laundrette. Reclam, 1999.
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1999 | Book (Editor) | LibreCat-ID: 6767
Tönnies, Merle, and Reinhold Schiffer, editors. British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. WVT, 1999.
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1999 | Book Review | LibreCat-ID: 9666
Tönnies, Merle. “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997.” Journal for the Study of British Cultures, vol. 6, no. 2, 1999, pp. 211–13.
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1999 | Book Review | LibreCat-ID: 9667
Tönnies, Merle. “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten Für Theater, Radio, Film Und Fernsehen, 1998.” Forum Modernes Theater, vol. 14, no. 2, 1999, pp. 229–33.
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1999 | Book Review | LibreCat-ID: 9668
Tönnies, Merle. “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997.” Anglia, vol. 117, 1999, pp. 460–62.
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1997 | Book | LibreCat-ID: 6752
Tönnies, Merle. Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. WVT, 1997.
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1996 | Journal Article | LibreCat-ID: 9626
Tönnies, Merle. “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama.” Forum Modernes Theater, vol. 11, no. 2, 1996, pp. 185–96.
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