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26 Publications
2019 | Journal Article | LibreCat-ID: 47478
Münzmay, Andreas, and Christine Siegert. “Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten.” Editio: Internationales Jahrbuch für Editionswissenschaft 33, no. 1 (2019): 10–30. https://doi.org/10.1515/editio-2019-0002.
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2018 | Conference Paper | LibreCat-ID: 4345
Merten, Marie-Luis, and Nina Seemann. “Analysing Constructional Change: Linguistic Annotation and Sources of Uncertainty.” In Proceedings of the 6th International Conference on Technological Ecosystems for Enhancing Multiculturality (TEEM’18), edited by Francisco José García-Peñalvo, 819–25. ACM’s International Conference Proceedings Series. New York, NY, USA: ACM, 2018. https://doi.org/10.1145/3284179.3284320.
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2018 | Journal Article | LibreCat-ID: 47481 | 
Münzmay, Andreas. “Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. Kommentar aus Nutzer-Perspektive.” Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB) 65, no. 2–3 (2018): 101–4. https://doi.org/10.3196/1864295018652390.
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2018 | Journal Article | LibreCat-ID: 47480 |
Münzmay, Andreas. “Lesen und Schreiben im digitalen Dickicht. Musikwissenschaft, Digital Humanities und die hybride Musikbibliothek.” Bibliothek: Forschung und Praxis 42, no. 2 (2018): 236–46. https://doi.org/10.1515/bfp-2018-0031.
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2017 | Conference Paper | LibreCat-ID: 1158
Seemann, Nina, Marie-Luis Merten, Michaela Geierhos, Doris Tophinke, and Eyke Hüllermeier. “Annotation Challenges for Reconstructing the Structural Elaboration of Middle Low German.” In Proceedings of the Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature, 40–45. Stroudsburg, PA, USA: Association for Computational Linguistics (ACL), 2017. https://doi.org/10.18653/v1/W17-2206.
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2017 | Special Issue | LibreCat-ID: 49166
Münzmay, Andreas, and Stefanie Acquavella-Rauch, eds. Digitalität in der Musikwissenschaft. Musiktheorie. Zeitschrift für Musikwissenschaft. Vol. 32, 2017.
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