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26 Publications
2019 | Journal Article | LibreCat-ID: 47478
A. Münzmay and C. Siegert, “Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten,” Editio: Internationales Jahrbuch für Editionswissenschaft, vol. 33, no. 1, pp. 10–30, 2019, doi: 10.1515/editio-2019-0002.
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2018 | Conference Paper | LibreCat-ID: 4345
M.-L. Merten and N. Seemann, “Analysing Constructional Change: Linguistic Annotation and Sources of Uncertainty,” in Proceedings of the 6th International Conference on Technological Ecosystems for Enhancing Multiculturality (TEEM’18), Salamanca, Spain, 2018, pp. 819–825.
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2018 | Journal Article | LibreCat-ID: 47481 | 
A. Münzmay, “Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. Kommentar aus Nutzer-Perspektive,” Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB), vol. 65, no. 2–3, pp. 101–104, 2018, doi: 10.3196/1864295018652390.
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2018 | Journal Article | LibreCat-ID: 47480 |
A. Münzmay, “Lesen und Schreiben im digitalen Dickicht. Musikwissenschaft, Digital Humanities und die hybride Musikbibliothek,” Bibliothek: Forschung und Praxis, vol. 42, no. 2, pp. 236–246, 2018, doi: 10.1515/bfp-2018-0031.
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2017 | Conference Paper | LibreCat-ID: 1158
N. Seemann, M.-L. Merten, M. Geierhos, D. Tophinke, and E. Hüllermeier, “Annotation Challenges for Reconstructing the Structural Elaboration of Middle Low German,” in Proceedings of the Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature, Vancouver, BC, Canada, 2017, pp. 40–45.
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2017 | Special Issue | LibreCat-ID: 49166
A. Münzmay and S. Acquavella-Rauch, Eds., Digitalität in der Musikwissenschaft, vol. 32, no. 4. 2017.
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