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442 Publications


2024 | Book Chapter | LibreCat-ID: 56223
Münzmay, Andreas. “Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg.” Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836), edited by Jean-Cloude Yon and Cécile Reynaud, Hermann Editeurs, 2024, pp. 101–10.
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2024 | Research Data | LibreCat-ID: 57562
Minetti, Elena, et al. HenDi-Data (Data Package) v6.1.0. Zenodo, 2024, doi:10.5281/ZENODO.14227711.
LibreCat | DOI
 

2024 | Research Data | LibreCat-ID: 57564
Ried, Dennis, et al. HenDi-ODD v6.1.0. LibreCat University, 2024, doi:10.5281/ZENODO.14227688.
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2024 | Research Data | LibreCat-ID: 57566
Ried, Dennis. HenDi-WebApp v6.1.0. LibreCat University, 2024, doi:10.5281/ZENODO.14227708.
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2024 | Journal Article | LibreCat-ID: 57579
Tumat, Antje. “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis.” Wagner-Spektrum, vol. 2, Königshausen und Neumann, 2024, pp. 71–83.
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2024 | Conference Paper | LibreCat-ID: 58131
Tumat, Antje. Weltethos and Wunderzaichen: Religion in the Music of the Western Avant-Garde. Edited by Dominik Höink and Andreas Meyer, Textum, 2024, pp. 27–71.
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2024 | Journal Article | LibreCat-ID: 56307 | OA
Tumat, Antje. “Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes.” Takte. Das Bärenreiter-Magazin, vol. 2, 2024, pp. 14–15.
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2024 | Conference Paper | LibreCat-ID: 58554
Berndt, A., and A. Münzmay. “Digitale Interpretationsedition Und Filmmusikedition Als Multimodale Schwestern – Gemeinsame Herausforderungen Und Lösungsansätze.” {Edition von Filmmusik: Herausforderungen Der Multimedialität}, 2024.
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2024 | Conference Paper | LibreCat-ID: 58552
Berndt, A., et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and Its Potential for Ethnomusicology.” {Diskografentag: International Conference on Recorded Music}, 2024.
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2024 | Conference Paper | LibreCat-ID: 58551
Berndt, A., et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” {DAGA 2024 – 50. Jahrestagung Für Akustik}, 2024.
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2024 | Conference Paper | LibreCat-ID: 58550
Berndt, A. “Auditory Pointers: Spatial Navigation with Sounds.” {Forschungskolloquium Zur Audiokommunikation}, 2024.
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2024 | Conference Paper | LibreCat-ID: 58553
Berndt, A., and S. Waloschek. “FlowScore: MEI Streaming to Digital Music Stands.” {Edirom Summer School 2024}, 2024.
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2024 | Book Chapter | LibreCat-ID: 57443
Höink, Dominik. “The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century.” Music and Religions in the 21st Century, edited by Dominik Höink and Andreas Meyer, vol. 1, Tectum, 2024.
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2024 | Book (Editor) | LibreCat-ID: 57441
Höink, Dominik, and Andreas Meyer, editors. Music and Religions in the 21st Century. Tectum, 2024.
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2024 | Research Data | LibreCat-ID: 56269
Bachmann, Tobias, et al. OPEN FAUST Preview (Dataset). RADAR4Culture, 2024, doi:10.22000/uupxmgkq94r0jpsk.
LibreCat | Files available | DOI
 

2024 | Working Paper | LibreCat-ID: 56716 | OA
Münzmay, Andreas, et al. Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle. 2024, doi:10.5281/ZENODO.13946152.
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2023 | Conference Paper | LibreCat-ID: 50440
Baratè, Adriano, et al. “Towards the Future of Multi-Layer Music Encoding: The IEEE 1599 v2.0 Draft.” 2023 4th International Symposium on the Internet of Sounds, IEEE, 2023, doi:10.1109/ieeeconf59510.2023.10335429.
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2023 | Conference Paper | LibreCat-ID: 50439
Baratè, Adriano, et al. “Towards the Future of Multi-Layer Music Encoding: The IEEE 1599 v2.0 Draft.” 2023 4th International Symposium on the Internet of Sounds, IEEE, 2023, doi:10.1109/ieeeconf59510.2023.10335429.
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2023 | Research Data | LibreCat-ID: 51804
Stadler, Peter, et al. Edirom/WeGA-ODD: WeGA ODD Files Release 4.7.0. LibreCat University, 2023, doi:10.5281/ZENODO.7652568.
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2023 | Conference Paper | LibreCat-ID: 50289
Bohl, Benjamin W., and Dennis Ried. “»Play It Again, Sam« – Levels of Complexity in Encoding Performance Personnel.” Music Encoding Conference Proceedings 2022, edited by David M. Weigl, 2023, doi:10.17613/XN3G-VS35.
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