In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“
N.O. Eke, New German Critique 41 (2014) 95–112.
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New German Critique
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41
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No. 3/123
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95-112
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Eke NO. In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“. New German Critique. 2014;41(No. 3/123):95-112.
Eke, N. O. (2014). In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“. New German Critique, 41(No. 3/123), 95–112.
@article{Eke_2014, title={In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“}, volume={41}, number={No. 3/123}, journal={New German Critique}, author={Eke, Norbert Otto}, year={2014}, pages={95–112} }
Eke, Norbert Otto. “In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“.” New German Critique 41, no. No. 3/123 (2014): 95–112.
N. O. Eke, “In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“,” New German Critique, vol. 41, no. No. 3/123, pp. 95–112, 2014.
Eke, Norbert Otto. “In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“.” New German Critique, vol. 41, no. No. 3/123, 2014, pp. 95–112.
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