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402 Publications


2019 | Bachelorsthesis | LibreCat-ID: 13435
Friesen, Edwin. Requirements Engineering im OTF-Computing: Informationsextraktion und Unvollständigkeitskompensation mittels domänenspezifischer Wissensbasis. Universität Paderborn, 2019.
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2019 | Journal Article | LibreCat-ID: 18126
Mildorf, Jarmila. “Aural Worldmaking: An Introduction.” CounterText 5, no. 3 (2019): 290–93.
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2019 | Journal Article | LibreCat-ID: 18129
Mildorf, Jarmila. “The Irrelevance of Relevance Theory for the Study of Generic Fiction.” Style 53, no. 4 (2019): 463–69.
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2019 | Journal Article | LibreCat-ID: 18127
Mildorf, Jarmila. “Can Sounds Narrate? Prosody in Sound Poetry Performance.” CounterText 5, no. 3 (2019): 294–311.
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2019 | Book Chapter | LibreCat-ID: 18131
Mildorf, Jarmila, and Daniel Ketteler. “Ressourcenorientiertes Schreiben. Tagebücher, Skizzen Und Notate in Der Sozio-Therapeutischen Praxis. Mit Einem Exkurs Zum Tagebuch Der Trauer von Roland Barthes.” In Jahrbuch Literatur Und Medizin, edited by Florian Steger, 43–58. Heidelberg: Universitätsverlag Winter, 2019.
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2019 | Book Chapter | LibreCat-ID: 26840
Mildorf, Jarmila. “Why Poetry Matters: Defamiliarization and Perspective in Poetry.” In Lyrik Und Medizin, edited by Florian Steger and Katharina Fürholzer, 199–212. Heidelberg: Universitätsverlag Winter, 2019.
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2019 | Special Issue | LibreCat-ID: 9621
Hatavara, Mari, Matti Hyvärinen, and Jarmila Mildorf, eds. Narrating Selves and the Literary from the Bible to Social Media. Partial Answers. Vol. 17. Partial Answers 17(1), 2019.
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2019 | Special Issue | LibreCat-ID: 18130
Mildorf, Jarmila, ed. Aural Worldmaking: Audionarratological Approaches to Sound and Narrative. CounterText. Vol. 5. CounterText 5, 2019.
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2019 | Journal Article | LibreCat-ID: 18128
Mildorf, Jarmila. “Dance, Text and Philosophy in Gertrude Stein’s ‘One Dancing’ and Roger Scruton’s Perictione in Colophon.” Germanisch-Romanische Monatsschrift 69, no. 4 (2019): 1–18.
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2019 | Journal Article | LibreCat-ID: 18125
Mildorf, Jarmila. “Narratives of Vicarious Experience in Oral History Interviews with Craft Artists.” Journal of Pragmatics 152 (2019): 103–12.
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