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21 Publications
2022 | Conference Paper | LibreCat-ID: 55839 | 
S. Cox and J. Kepper, “Encoding Genetic Processes II,” in Music Encoding Conference Proceedings 2021, 2022, pp. 85–95, doi: https://doi.org/10.17613/q6y4-9139.
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2020 | Conference Paper | LibreCat-ID: 55841 |
K. Herold, J. Kepper, R. Mo, and A. R. Seipelt, “MusicDiff – A Diff Tool for MEI,” in Music Encoding Conference Proceedings 2020, 2020, pp. 59–66, doi: 10.17613/ydbv-e158.
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2019 | Book (Editor) | LibreCat-ID: 55849 |
G. Di Bacco, J. Kepper, and P. D. Roland, Eds., Music Encoding Conference Proceedings 2015, 2016 and 2017. Bavarian State Library (BSB), 2019.
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2019 | Conference Paper | LibreCat-ID: 55837
J. Kepper, “Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project,” in Music Encoding Conference Proceedings 2015, 2016 and 2017, 2019, pp. 95–105, doi: 10.15463/music-1.
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2017 | Journal Article | LibreCat-ID: 55828
J. Kepper and L. Pugin, “Was ist eine Digitale Edition? Versuch einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017,” Musiktheorie (Zeitschrift für Musikwissenschaft), vol. Jahrgang 32, no. 4, pp. 347–363, 2017.
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2016 | Book Chapter | LibreCat-ID: 55827
J. Kepper and M. Hartwig, “Die Spuren des Digitalen. Über die Nachnutzbarkeit digitaler Inhalte,” in „Ei, dem alten Herrn zoll’ ich Achtung gern’“. Festschrift für Joachim Veit zum 60. Geburtstag, K. Richts and P. Stadler, Eds. München: Allitera Verlag, 2016, pp. 319–330.
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2016 | Conference Abstract | LibreCat-ID: 55845
J. Kepper and K. Richts, “Expression beyond Scope: How FRBR and MEI fit together,” in IAML Congress Programme with abstracts, Rom, 2016, pp. 59–60.
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2015 | Book Chapter | LibreCat-ID: 55826
J. Kepper, “The Impact of the Digital. How Digital Editions will change Editing itself, and what can be learned from the History of Editing,” in Music Encoding Conference Proceedings 2013 and 2014, P. D. Roland and J. Kepper, Eds. Charlottesville und Detmold, 2015, pp. 162–167.
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2014 | Journal Article | LibreCat-ID: 55825
J. Kepper, S. Schreiter, and J. Veit, “‚Freischütz‘ analog oder digital – Editionsformen im Spannungsfeld von Wissenschaft und Praxis,” editio. Internationales Jahrbuch für Editionswissenschaft, vol. 28, pp. 127–150, 2014, doi: https://doi.org/10.1515/editio-2014-009.
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2013 | Conference Paper | LibreCat-ID: 55824 |
J. Kepper, P. D. Roland, and D. Röwenstrunk, “Musical Variants in Encoding, Analysis and Visualization,” 2013, doi: 10.4242/BalisageVol10.Kepper01.
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2012 | Conference Paper | LibreCat-ID: 55848 |
L. Pugin, J. Kepper, P. Roland, M. Hartwig, and A. Hankinson, “Separating Presentation and Content in MEI,” in Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012, 2012, pp. 505–510.
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2011 | Journal Article | LibreCat-ID: 55821
B. W. Bohl, J. Kepper, and D. Röwenstrunk, “Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts,” Die Tonkunst, no. III, pp. 270–276, 2011.
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2011 | Book | LibreCat-ID: 55829 |
J. Kepper, Musikedition im Zeichen neuer Medien – Historische Entwicklung und gegenwärtige Perspektiven musikalischer Gesamtausgaben, vol. 5. Norderstedt: Books on Demand, 2011.
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2010 | Book | LibreCat-ID: 55813 |
J. Kepper and P. D. Roland, Music Encoding Initiative Tag Library, 2010-05 Release. Charlottesville und Detmold, 2010.
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2009 | Journal Article | LibreCat-ID: 55820
J. Kepper, “XML-basierte Codierung musikwissenschaftlicher Daten – Zu den Voraussetzungen einer digitalen Musikedition,” it – Information Technology, vol. 51, no. 4, pp. 216–221, 2009.
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2007 | Journal Article | LibreCat-ID: 55819
J. Kepper and D. Röwenstrunk, “Das Edirom-Projekt. Werkzeuge für digitale Formen wissenschaftlich-kritischer Musikeditionen,” Forum Musikbibliothek, vol. 28, no. 1, pp. 36–49, 2007.
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