Please note that LibreCat no longer supports Internet Explorer versions 8 or 9 (or earlier).

We recommend upgrading to the latest Internet Explorer, Google Chrome, or Firefox.

21 Publications


2022 | Conference Paper | LibreCat-ID: 55839 | OA
Cox, S., & Kepper, J. (2022). Encoding Genetic Processes II. In S. Münnich & D. Rizo (Eds.), Music Encoding Conference Proceedings 2021 (pp. 85–95). Humanities Commons. https://doi.org/10.17613/q6y4-9139
LibreCat | DOI | Download (ext.)
 

2020 | Conference Paper | LibreCat-ID: 55841 | OA
Herold, K., Kepper, J., Mo, R., & Seipelt, A. R. (2020). MusicDiff – A Diff Tool for MEI. In E. De Luca & J. Flanders (Eds.), Music Encoding Conference Proceedings 2020 (pp. 59–66). Humanities Commons. https://doi.org/10.17613/ydbv-e158
LibreCat | DOI | Download (ext.)
 

2019 | Book (Editor) | LibreCat-ID: 55849 | OA
Di Bacco, G., Kepper, J., & Roland, P. D. (Eds.). (2019). Music Encoding Conference Proceedings 2015, 2016 and 2017. Bavarian State Library (BSB). https://doi.org/10.15463/music-1
LibreCat | DOI | Download (ext.)
 

2019 | Conference Paper | LibreCat-ID: 55837
Kepper, J. (2019). Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project. In G. Di Bacco, J. Kepper, & P. Roland (Eds.), Music Encoding Conference Proceedings 2015, 2016 and 2017 (pp. 95–105). Bavarian State Library (BSB). https://doi.org/10.15463/music-1
LibreCat | DOI
 

2017 | Report | LibreCat-ID: 55843
Kepper, J. (2017). Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017). https://doi.org/10.5281/ZENODO.13289742
LibreCat | DOI
 

2017 | Journal Article | LibreCat-ID: 55828
Kepper, J., & Pugin, L. (2017). Was ist eine Digitale Edition? Versuch einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017. Musiktheorie (Zeitschrift für Musikwissenschaft), Jahrgang 32(4), 347–363.
LibreCat
 

2017 | Research Data | LibreCat-ID: 55844
Kepper, J. (2017). Freischütz Digital: data-music, The Academy 2017 Release. Zenodo. https://doi.org/10.5281/ZENODO.13310669
LibreCat | DOI
 

2016 | Book Chapter | LibreCat-ID: 55827
Kepper, J., & Hartwig, M. (2016). Die Spuren des Digitalen. Über die Nachnutzbarkeit digitaler Inhalte. In K. Richts & P. Stadler (Eds.), „Ei, dem alten Herrn zoll’ ich Achtung gern’“. Festschrift für Joachim Veit zum 60. Geburtstag (pp. 319–330). Allitera Verlag.
LibreCat
 

2016 | Conference Abstract | LibreCat-ID: 55845
Kepper, J., & Richts, K. (2016). Expression beyond Scope: How FRBR and MEI fit together. IAML Congress Programme with Abstracts, 59–60.
LibreCat
 

2015 | Book Chapter | LibreCat-ID: 55826
Kepper, J. (2015). The Impact of the Digital. How Digital Editions will change Editing itself, and what can be learned from the History of Editing. In P. D. Roland & J. Kepper (Eds.), Music Encoding Conference Proceedings 2013 and 2014 (pp. 162–167).
LibreCat
 

2014 | Journal Article | LibreCat-ID: 55825
Kepper, J., Schreiter, S., & Veit, J. (2014). ‚Freischütz‘ analog oder digital – Editionsformen im Spannungsfeld von Wissenschaft und Praxis. editio. Internationales Jahrbuch für Editionswissenschaft, 28, 127–150. https://doi.org/10.1515/editio-2014-009
LibreCat | DOI
 

2013 | Conference Paper | LibreCat-ID: 55824 | OA
Kepper, J., Roland, P. D., & Röwenstrunk, D. (2013). Musical Variants in Encoding, Analysis and Visualization. Proceedings of Balisage: The Markup Conference 2013. https://doi.org/10.4242/BalisageVol10.Kepper01
LibreCat | DOI | Download (ext.)
 

2012 | Book Chapter | LibreCat-ID: 55823
Siegert, C., & Kepper, J. (2012). Oper multimedial – Zur Ausgabe von Haydns Arienbearbeitungen. In A. Bohnenkamp-Renken (Ed.), Medienwandel / Medienwechsel in der Editionswissenschaft (Vol. 35, pp. 141–150). https://doi.org/10.1515/9783110300437.141
LibreCat | DOI
 

2012 | Conference Paper | LibreCat-ID: 55848 | OA
Pugin, L., Kepper, J., Roland, P., Hartwig, M., & Hankinson, A. (2012). Separating Presentation and Content in MEI. In F. Gouyon, P. Herrera, L. G. Martins, & M. Müller (Eds.), Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012 (pp. 505–510). FEUP Edições.
LibreCat | Download (ext.)
 

2011 | Journal Article | LibreCat-ID: 55821
Bohl, B. W., Kepper, J., & Röwenstrunk, D. (2011). Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts. Die Tonkunst, III, 270–276.
LibreCat
 

2011 | Book | LibreCat-ID: 55829 | OA
Kepper, J. (2011). Musikedition im Zeichen neuer Medien – Historische Entwicklung und gegenwärtige Perspektiven musikalischer Gesamtausgaben (Vol. 5). Books on Demand.
LibreCat | Download (ext.)
 

2010 | Book | LibreCat-ID: 55813 | OA
Kepper, J., & Roland, P. D. (2010). Music Encoding Initiative Tag Library, 2010-05 Release.
LibreCat | Download (ext.)
 

2009 | Journal Article | LibreCat-ID: 55820
Kepper, J. (2009). XML-basierte Codierung musikwissenschaftlicher Daten – Zu den Voraussetzungen einer digitalen Musikedition. it – Information Technology, 51(4), 216–221.
LibreCat
 

2009 | Book Chapter | LibreCat-ID: 55838
Kepper, J., & Morent, S. (2009). Anforderungen an ein musikeditorisches Codierungsformat. In P. Stadler & J. Veit (Eds.), Digitale Edition zwischen Experiment und Standardisierung (pp. 265–280). Walter de Gruyter. https://doi.org/10.1515/9783110231144.265
LibreCat | DOI
 

2007 | Journal Article | LibreCat-ID: 55819
Kepper, J., & Röwenstrunk, D. (2007). Das Edirom-Projekt. Werkzeuge für digitale Formen wissenschaftlich-kritischer Musikeditionen. Forum Musikbibliothek, 28(1), 36–49.
LibreCat
 

Filters and Search Terms

department=538

Search

Filter Publications

Display / Sort

Citation Style: APA

Export / Embed