106 Publications

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[106]
2023 | Book Review | LibreCat-ID: 50264
Tönnies, M. (2023). Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century (Vol. 34, Issue 3, pp. 268–270). https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20
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[105]
2022 | Book (Editor) | LibreCat-ID: 34453
Tönnies, M., Voigts, E., & The German Society for Contemporary Theatre and Drama in English (Eds.). (2022). Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (Vol. 32). Walter deGruyter.
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[104]
2022 | Journal Article | LibreCat-ID: 34452
Tönnies, M., & Flotmann-Scholz, C. (2022). Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics. Anglistik: International Journal of English Studies, 33(2), 257–272.
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[103]
2022 | Journal Article | LibreCat-ID: 34454
Tönnies, M., & Voigts, E. (2022). Anger, Anxiety and Hope: The Complicit Realities and Engaged/ing Communities of Contemporary Briitsh Dys/Utopian Theatre. Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies), 32.
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[102]
2021 | Book Chapter | LibreCat-ID: 24539
Tönnies, M. (2021). Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain. In P. Jacobi & A. Pankratz (Eds.), Mentalities and Materialities: Essays in Honour of Jürgen Kamm (pp. 149–163). Königshausen & Neumann.
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[101]
2021 | Book (Editor) | LibreCat-ID: 21825
Tönnies, M., & Schlieper, H. (Eds.). (2021). Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas (Vol. 21). Harrassowitz.
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[100]
2021 | Book Chapter | LibreCat-ID: 21826
Tönnies, M. (2021). The Black British Bildungsroman: Gender-specific Plot Models? In M. Tönnies & H. Schlieper (Eds.), Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas (Vol. 21, pp. 235-263.). Harrassowitz.
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[99]
2021 | Journal Article | LibreCat-ID: 29244
Tönnies, M., & Sierz, A. (2021). ‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama. Journal of Contemporary Drama in English, 9(1), 20–42.
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[98]
2020 | Journal Article | LibreCat-ID: 21824
Tönnies, M., & Voigts, E. (2020). Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre. Journal of Contemporary Drama in English, 8(2), 295–312.
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[97]
2020 | Book Chapter | LibreCat-ID: 17058
Tönnies, M., & Göhrmann, M. (2020). British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach. In J. Kramer & B. Lenz (Eds.), How to Do Cultural Studies: Ideas, Approaches, Scenarios (pp. 303–339). Würzburg: Königshausen & Neumann.
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[96]
2019 | Journal Article | LibreCat-ID: 17057
Tönnies, M., & Henneböhl, D. (2019). Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit. Journal for the Study of British Cultures, 26(2), 181–193.
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[95]
2018 | Book Chapter | LibreCat-ID: 9694
Tönnies, M., & Lienen, A. (2018). Changing Uses of the City in Contemporary Black British Novels. In C. Ehland & P. Fischer (Eds.), Resistance and the City. Negotiating Urban Identities: Race, Class, Gender (Vol. 28, pp. 66–82). Leiden: Brill.
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[94]
2017 | Journal Article | LibreCat-ID: 9692
Tönnies, M. (2017). The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias. Journal of Contemporary Drama in English, 5(1), 156–172.
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[93]
2017 | Book Chapter | LibreCat-ID: 9693
Tönnies, M. (2017). Still/Again “Political”? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011). In K. Frank & C. Lusin (Eds.), Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama (Vol. 82, pp. 19–39). Tübingen: Narr Francke Attempto.
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[92]
2017 | Book Review | LibreCat-ID: 9696
Tönnies, M. (2017). Pope, G.: Reading London’s Suburbs. Anglistik. International Journal of English Studies.
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[91]
2017 | Journal Article | LibreCat-ID: 13875
Tönnies, M. (2017). The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power. Storyworlds: A Journal of Narrative Studies, 9(1–2), 95–120.
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[90]
2016 | Conference (Editor) | LibreCat-ID: 9688
Tönnies, M., Ehland, C., & Mindt, I. (Eds.). (2016). Anglistentag 2015 Paderborn: Proceedings. Presented at the Anglistentag, Trier: WVT.
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[89]
2016 | Book Chapter | LibreCat-ID: 9689
Tönnies, M. (2016). Religion im zeitgenössischen britischen Drama. In K. von Stosch, M. Hofmann, & S. Schmitz (Eds.), Religion und Kultur (pp. 81–96). Bielefeld: transcript.
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[88]
2016 | Journal Article | LibreCat-ID: 9690
Tönnies, M. (2016). The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s. Anglistik. International Journal of English Studies, 27(1), 113–124.
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[87]
2016 | Journal Article | LibreCat-ID: 9691
Tönnies, M., Brüning, J., & Sand, A. (2016). The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance. Zeitschrift Für Anglistik Und Amerikanistik, 64(3), 301–320.
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[86]
2015 | Book Review | LibreCat-ID: 9695
Tönnies, M. (2015). Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political. Journal of Contemporary Drama in English.
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[85]
2015 | Journal Article | LibreCat-ID: 6769
Tönnies, M. (2015). Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama. Dramatic Minds. Performance, Cognition, and the Representation of Interiority, 243–260.
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[84]
2014 | Book Review | LibreCat-ID: 9627
Tönnies, M. (2014). Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism. Arbeiten Aus Anglistik Und Amerikanistik.
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[83]
2014 | Book | LibreCat-ID: 6699
Tönnies, M. (2014). (En-)Gendering a Popular Theatrical Genre. The Roles of Women in Nineteenth-Century British Melodrama (1.). Heidelberg: Winter.
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[82]
2014 | Journal Article | LibreCat-ID: 6781
Tönnies, M. (2014). Anti-hegemoniale Strategien des Kleinen. Britische dokumentarische Farbfotografie als Kritik des Thatcherismus. Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien, 321–333.
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[81]
2013 | Book Review | LibreCat-ID: 9629
Tönnies, M. (2013). Middeke,M. / Schnierer, P.P. / Sierz, A. (Hg.): The Methuen Guide to Contemporary British Playwrights. Anglia.
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[80]
2013 | Book Review | LibreCat-ID: 9630
Tönnies, M. (2013). Rossow, H. Globalismus und Lew Labour. Anglistik. International Journal of English Studies.
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[79]
2013 | Book Review | LibreCat-ID: 9632
Tönnies, M. (2013). Baumbach, S. / Neumann, B. / Nünning, A.: A History of British Drama. Anglistik. International Journal of English Studies.
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[78]
2013 | Journal Article | LibreCat-ID: 6782
Tönnies, M. (2013). Northern Landscapes and Anti-Thatcherite Positioning. Journal for the Study of British Cultures, 20(2), 115–124.
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[77]
2013 | Journal Article | LibreCat-ID: 6783
Tönnies, M. (2013). Feminising a Classical Male Plot Model? Black British Women Writers and the “Bildungsroman.” International Journal of English Studies, 24(1), 51–61.
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[76]
2012 | Book (Editor) | LibreCat-ID: 6753
Tönnies, M., Buschmann, H., & Anglistik und Englischunterricht (Eds.). (2012). Spatial Representations of British Identities. Heidelberg: Winter.
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[75]
2012 | Journal Article | LibreCat-ID: 6784
Tönnies, M. (2012). A Bricolage of Identities in Crisis. Colour Photography Documenting Northern England under Thatcher. Facteurs d’Identité / Faktoren Der Identität, 301–323.
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[74]
2011 | Book Chapter | LibreCat-ID: 9726
Flotmann, C., & Tönnies, M. (2011). Introducing Narrative in Drama. In M. Tönnies & C. Flotmann-Scholz (Eds.), Narrative in Drama: CDE Studies 18 (Vol. 18, pp. 9–17). Trier: WVT.
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[73]
2011 | Book (Editor) | LibreCat-ID: 9918
Tönnies, M., & Flotmann, C. (Eds.). (2011). Narrative in Drama. Trier: WVT.
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[72]
2011 | Book (Editor) | LibreCat-ID: 6755
Tönnies, M., Flotmann, C., & Contemporary Drama in English (Eds.). (2011). Narrative in Drama. Trier: WVT.
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[71]
2010 | Book (Editor) | LibreCat-ID: 6756
Tönnies, M., Grimm, I., & Journal for the Study of British Cultures (Eds.). (2010). Reading British Spaces. Tübingen: Narr.
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[70]
2010 | Book (Editor) | LibreCat-ID: 6757
Tönnies, M., & WVT Handbücher zum literaturwissenschaftlichen Studium 13 (Eds.). (2010). Das englische Drama der Gegenwart: Kategorien-Entwicklungen-Modellnterpretationen. Trier: WVT.
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[69]
2010 | Journal Article | LibreCat-ID: 6785
Tönnies, M., & Sand, A. (2010). The Features of Meanings of Orality in Black British Performance Poetry. Anglistentag 2009 Klagenfurt. Proceedings, 105–114.
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[68]
2010 | Journal Article | LibreCat-ID: 6863
Tönnies, M. (2010). Transgressive Melodrama. The “Sensational” 1860s and their After-Effects. Victorian Highways - Victorian Byways. New Approaches to Nineteenth-Century British Literature and Culture, 157–180.
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[67]
2009 | Book Review | LibreCat-ID: 9636
Tönnies, M. (2009). Assmann, A.: Einführung in die Kulturwissenschaft. Anglistik. International Journal of English Studies.
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[66]
2009 | Encyclopedia Article | LibreCat-ID: 6871
Tönnies, M. (2009). Shelagh  Delaney “A Taste of Honey.” In Kindlers Literaturlexikon.
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[65]
2009 | Encyclopedia Article | LibreCat-ID: 6874
Tönnies, M. (2009). David Hare “A Map of the World.” In Kindlers Literaturlexikon.
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[64]
2009 | Encyclopedia Article | LibreCat-ID: 6875
Tönnies, M. (2009). David Hare “Knuckle.” In Kindlers Literaturlexikon.
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[63]
2009 | Encyclopedia Article | LibreCat-ID: 6876
Tönnies, M. (2009). David Hare “Plenty.” In Kindlers Literaturlexikon.
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[62]
2009 | Encyclopedia Article | LibreCat-ID: 6877
Tönnies, M. (2009). Ann Patricia Jellicoe “The Knack.” In Kindlers Literaturlexikon.
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[61]
2009 | Encyclopedia Article | LibreCat-ID: 6878
Tönnies, M. (2009). Stephen Poliakoff “Strawberry Fields.” In Kindlers Literaturlexikon.
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[60]
2009 | Encyclopedia Article | LibreCat-ID: 6879
Tönnies, M. (2009). Peter Shaffer “Amadeus.” In Kindlers Literaturlexikon.
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[59]
2009 | Encyclopedia Article | LibreCat-ID: 6880
Tönnies, M. (2009). Peter Shaffer “Equus.” In Kindlers Literaturlexikon.
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[58]
2009 | Encyclopedia Article | LibreCat-ID: 6881
Tönnies, M. (2009). George Bernard Shaw “Mrs Warren’s Profession.” In Kindlers Literaturlexikon.
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[57]
2009 | Encyclopedia Article | LibreCat-ID: 6883
Tönnies, M. (2009). Oscar Wilde “Mrs Henry Wood.” In Kindlers Literaturlexikon.
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[56]
2009 | Encyclopedia Article | LibreCat-ID: 6867
Tönnies, M. (2009). Mary Elisabeth Braddon “Lady Audley’s Secret.” In Kindlers Literaturlexikon.
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[55]
2009 | Encyclopedia Article | LibreCat-ID: 6882
Tönnies, M. (2009). Oscar Wilde “Lady Windermere’s Fan.” In Kindlers Literaturlexikon.
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[54]
2009 | Encyclopedia Article | LibreCat-ID: 6865
Tönnies, M. (2009). Alan Ayckbourn “Woman in Mind.” In Kindlers Literaturlexikon.
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[53]
2009 | Encyclopedia Article | LibreCat-ID: 6869
Tönnies, M. (2009). Wilkie Collins “The Moonstone.” In Kindlers Literaturlexikon.
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[52]
2009 | Encyclopedia Article | LibreCat-ID: 6884
Tönnies, M. (2009). Oscar Wilde “East Lynne.” In Kindlers Literaturlexikon.
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[51]
2008 | Journal Article | LibreCat-ID: 7594
Tönnies, M. (2008). Translating African Traditions and Identities. Black Poetry in Contemporary Britain. Cultures of Translation, 87–104.
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[50]
2008 | Journal Article | LibreCat-ID: 7595
Tönnies, M. (2008). The Visual Strategies of Nineteenth-Century Melodrama. Anglistik & Englischunterricht 71, 183–205.
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[49]
2008 | Journal Article | LibreCat-ID: 7596
Tönnies, M. (2008). Kulturelle Bedeutungen und Kontexte der indischen Küche in Großbritannien. Interkulturelle Mahlzeiten. Kulinarische Begegnungen Und Kommunikation in Der Literatur, 337–354.
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[48]
2008 | Book Review | LibreCat-ID: 9640
Tönnies, M. (2008). Caselli, D.: Beckett’s Dante. Archiv Für Das Studium Der Neueren Sprachen Und Literaturen.
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[47]
2007 | Journal Article | LibreCat-ID: 7597
Tönnies, M. (2007). Constructing an Emblematic Northern Space. The New Brighton Photographs of Martin Parr and Tom Wood. Spatial Practices 2, 305–324.
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[46]
2007 | Book Review | LibreCat-ID: 9641
Tönnies, M. (2007). Stierstorfer, K. / L. Volkmann (Hg.): Kulturwissenschaft Interdisziplinär. Anglistik. International Journal of English Studies.
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[45]
2007 | Book | LibreCat-ID: 6751
Tönnies, M., & Voigt, U. (2007). Introduction to the Study of British Culture. Tübingen: Narr Studienbücher.
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[44]
2007 | Book Chapter | LibreCat-ID: 6759
Tönnies, M. (2007). London-Diversity and Myth. In P. Freese (Ed.), Viewfinder Special. Lese-und Arbeitsbuch für die gymnasiale Oberstufe (pp. 96–111). Berlin: Langenscheidt.
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[43]
2006 | Conference Paper | LibreCat-ID: 7598
Tönnies, M. (2006). Forms and Functions of Violence in Contemporary Black British Drama. In Anglistentag 2005 (pp. 69–77). Trier: WVT.
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[42]
2006 | Journal Article | LibreCat-ID: 7599
Tönnies, M. (2006). Foregrounding Boundary Zones. Martin Parr’s Photographic (De-)Constructions of Englishness. Spatial Practices 1, 225–241.
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[41]
2006 | Journal Article | LibreCat-ID: 7600
Tönnies, M. (2006). Percy Mtwa, Mbongeni Ngema and Barney Simon: Woza Albert! (1981). Drama II, 2, 389–404.
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[40]
2006 | Journal Article | LibreCat-ID: 7601
Tönnies, M. (2006). New Labour in the New Millenium. A Further Theatricalisation of Politics? Passauer Arbeiten Zur Literatur-Und Kulturwissenschaft, 3, 119–138.
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[39]
2006 | Journal Article | LibreCat-ID: 7615
Tönnies, M. (2006). Radicalising Postmodern Biofictions. British Fictional Autobiography of the Twenty-First Century. Salzburg Studies in English Literature and Culture, 3, 305–314.
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[38]
2006 | Journal Article | LibreCat-ID: 7616
Tönnies, M. (2006). A Midsummer Night’s Dream. Stauffenburg Handbücher, 9, 195–214.
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[37]
2006 | Book Review | LibreCat-ID: 9642
Tönnies, M. (2006). Boehmer, E.: Stories of Women, 2005. Archiv Für Das Studium Der Neueren Sprachen Und Literaturen.
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[36]
2006 | Book Review | LibreCat-ID: 9643
Tönnies, M. (2006). Middeke, M.: Die Kunst der gelebten Zeit, 2004. Zeitschrift Für Anglistik Und Amerikanistik.
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[35]
2006 | Book Review | LibreCat-ID: 9644
Tönnies, M. (2006). Kamm, J. / B. Lenz: Großbritannien verstehen, 2004. Anglia.
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[34]
2006 | Book Review | LibreCat-ID: 9645
Tönnies, M. (2006). Nünning, V. / A. Nünning (Hg.): Erzähltextanalyse und Gender Studies, 2004. Archiv Für Das Studium Der Neueren Sprachen Und Literaturen.
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[33]
2005 | Journal Article | LibreCat-ID: 8352
Tönnies, M. (2005). Courttia Newland’s Theatre Work. On the Occasion of B is for Black (Oval House Theatre, London, 1-18 October 2003. Hard Times, 76, 31–33.
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[32]
2005 | Book Chapter | LibreCat-ID: 8353
Tönnies, M. (2005). “Serious” Science vs. “Light” Entertainment? Femininity Concepts in Nineteenth-Century British Medical Discourse and Popular Fiction. In A.-J. Zwierlein (Ed.), Unmapped Countries: Biological Visions in Nineteenth-Century Literature and Culture (pp. 183–192). Anthem Press.
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[31]
2005 | Book Chapter | LibreCat-ID: 8845
Tönnies, M. (2005). A New Self-Conscious Turn at the Turn of the Centruy? In anglistik & englischunterricht (Vol. 66, pp. 57–82).
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[30]
2005 | Journal Article | LibreCat-ID: 8847
Tönnies, M. (2005). Das viktorianische Theater als Populärkultur. Eine Kulturgeschichte der englischen Literatur: Von der Renaissance bis zur Gegenwart, 158–170.
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[29]
2005 | Book Review | LibreCat-ID: 9647
Tönnies, M. (2005). Hooper, B.: Voices in the Heart. Postcolonialism and Identity in Hong Kong Literature, 2003. Anglistik.
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[28]
2004 | Journal Article | LibreCat-ID: 8848
Tönnies, M. (2004). New Britain as Consumer Country and Commodity. Journal for the Study of British Cultures, 11(2), 117–128.
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[27]
2004 | Book Review | LibreCat-ID: 9657
Tönnies, M. (2004). Mergenthal, S.: A Fast-Forward Version of England, 2003. Anglia.
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[26]
2003 | Journal Article | LibreCat-ID: 8849
Tönnies, M. (2003). Peter Brook’s Glückliche Tage. The Beckett Circle, 26(2), 1–3.
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[25]
2003 | Book Chapter | LibreCat-ID: 8850
Tönnies, M. (2003). “New Lingo - New Theatre”? In anglistik & englischunterricht (Vol. 65, pp. 169–191).
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[24]
2003 | Journal Article | LibreCat-ID: 8851
Tönnies, M. (2003). The “Postcolonial University Novel” in Britain. Xenophobic Memories: Otherness in Postcolonial Constructions of the Past, 13–37.
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[23]
2003 | Journal Article | LibreCat-ID: 8852
Tönnies, M., Annette, P., Alyce, von R., & Kathleen, S. (2003). Making Play-texts Live: Teaching Drama as Experience. Global Challenges and Regional Responses in Contemporary Drama in English, 10, 247–264.
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[22]
2003 | Book Review | LibreCat-ID: 9658
Tönnies, M. (2003). Sager, P.: Oxford & Cambridge. Eine Kulturgeschichte. Journal for the Study of British Cultures.
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[21]
2003 | Book Review | LibreCat-ID: 9659
Tönnies, M. (2003). Veit, C.: Ich-Konzept und Körper in Becketts dualen Konstruktionen, 2002. The Beckett Circle.
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[20]
2003 | Book Review | LibreCat-ID: 9660
Tönnies, M. (2003). Logan, T.: The Victorian Parlour, 2001. Anglia.
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[19]
2003 | Book Review | LibreCat-ID: 9661
Tönnies, M. (2003). Keipert, H.: Pope, Popovskij und die Popen, 2001. Archiv Für Das Studium Der Neueren Sprachen Und Literaturen.
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[18]
2003 | Book Review | LibreCat-ID: 9662
Tönnies, M. (2003). Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen und ästhetische Konstruktion bei Jean Paul und Samuel Beckett, 2001. The Beckett Circle.
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[17]
2003 | Book Review | LibreCat-ID: 9663
Tönnies, M. (2003). Beckett, S.: Dante und der Hummer. Gesammelte Prosa, 2000. The Beckett Circle.
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[16]
2002 | Journal Article | LibreCat-ID: 8853
Tönnies, M. (2002). Good/Bad Girls and their Fathers. Journal for the Study of British Cultures, 9(2), 185–195.
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[15]
2002 | Book Chapter | LibreCat-ID: 8862
Tönnies, M. (2002). Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions. In M. Pfister (Ed.), Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft (Vol. 57, pp. 99–119). Amsterdam: Rodopi.
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[14]
2002 | Journal Article | LibreCat-ID: 8863
Tönnies, M. (2002). The “Sensationalist Theatre of Cruelty” in 1990s Britain, its 1960s Forebears and the Beginning of the 21st Century . Contemporary Drama in English, 9, 57–71.
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[13]
2002 | Book Review | LibreCat-ID: 9664
Tönnies, M. (2002). Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000. Forum Modernes Theater.
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[12]
2001 | Journal Article | LibreCat-ID: 8864
Tönnies, M. (2001). Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama. Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000, 11, 194–201.
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[11]
2001 | Journal Article | LibreCat-ID: 8865
Tönnies, M. (2001). The Limits of Defining Power in Terms of Exclusion. Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, 61–64.
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[10]
2001 | Book (Editor) | LibreCat-ID: 6760
Tönnies, M., & Viol, C.-U. (Eds.). (2001). British Political Speeches from Churchill to Blair. Stuttgart: Reclam.
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[9]
2000 | Book Review | LibreCat-ID: 9665
Tönnies, M. (2000). Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998. Journal for the Study of British Cultures.
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[8]
2000 | Book (Editor) | LibreCat-ID: 6762
Tönnies, M., Stratmann, G., Viol, C.-U., & Anglistik und Englischunterricht 63 (Eds.). (2000). Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter.
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[7]
1999 | Book (Editor) | LibreCat-ID: 6765
Tönnies, M., & Viol, C.-U. (Eds.). (1999). Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam.
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[6]
1999 | Book (Editor) | LibreCat-ID: 6767
Tönnies, M., & Schiffer, R. (Eds.). (1999). British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. Trier: WVT.
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[5]
1999 | Book Review | LibreCat-ID: 9666
Tönnies, M. (1999). Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997. In Journal for the Study of British Cultures (Vol. 6, Issue 2, pp. 211–213).
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[4]
1999 | Book Review | LibreCat-ID: 9667
Tönnies, M. (1999). Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten für Theater, Radio, Film und Fernsehen, 1998. In Forum Modernes Theater (Vol. 14, Issue 2, pp. 229–233).
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[3]
1999 | Book Review | LibreCat-ID: 9668
Tönnies, M. (1999). Ledger, S.: The New Woman. Fiction and Feminism at the “Fin de Siècle”, 1997. In Anglia (Vol. 117, pp. 460–462).
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[2]
1997 | Book | LibreCat-ID: 6752
Tönnies, M. (1997). Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT.
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[1]
1996 | Journal Article | LibreCat-ID: 9626
Tönnies, M. (1996). The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama. Forum Modernes Theater, 11(2), 185–196.
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106 Publications

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[106]
2023 | Book Review | LibreCat-ID: 50264
Tönnies, M. (2023). Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century (Vol. 34, Issue 3, pp. 268–270). https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20
LibreCat | DOI
 
[105]
2022 | Book (Editor) | LibreCat-ID: 34453
Tönnies, M., Voigts, E., & The German Society for Contemporary Theatre and Drama in English (Eds.). (2022). Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (Vol. 32). Walter deGruyter.
LibreCat
 
[104]
2022 | Journal Article | LibreCat-ID: 34452
Tönnies, M., & Flotmann-Scholz, C. (2022). Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics. Anglistik: International Journal of English Studies, 33(2), 257–272.
LibreCat
 
[103]
2022 | Journal Article | LibreCat-ID: 34454
Tönnies, M., & Voigts, E. (2022). Anger, Anxiety and Hope: The Complicit Realities and Engaged/ing Communities of Contemporary Briitsh Dys/Utopian Theatre. Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies), 32.
LibreCat
 
[102]
2021 | Book Chapter | LibreCat-ID: 24539
Tönnies, M. (2021). Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain. In P. Jacobi & A. Pankratz (Eds.), Mentalities and Materialities: Essays in Honour of Jürgen Kamm (pp. 149–163). Königshausen & Neumann.
LibreCat
 
[101]
2021 | Book (Editor) | LibreCat-ID: 21825
Tönnies, M., & Schlieper, H. (Eds.). (2021). Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas (Vol. 21). Harrassowitz.
LibreCat
 
[100]
2021 | Book Chapter | LibreCat-ID: 21826
Tönnies, M. (2021). The Black British Bildungsroman: Gender-specific Plot Models? In M. Tönnies & H. Schlieper (Eds.), Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas (Vol. 21, pp. 235-263.). Harrassowitz.
LibreCat
 
[99]
2021 | Journal Article | LibreCat-ID: 29244
Tönnies, M., & Sierz, A. (2021). ‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama. Journal of Contemporary Drama in English, 9(1), 20–42.
LibreCat
 
[98]
2020 | Journal Article | LibreCat-ID: 21824
Tönnies, M., & Voigts, E. (2020). Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre. Journal of Contemporary Drama in English, 8(2), 295–312.
LibreCat
 
[97]
2020 | Book Chapter | LibreCat-ID: 17058
Tönnies, M., & Göhrmann, M. (2020). British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach. In J. Kramer & B. Lenz (Eds.), How to Do Cultural Studies: Ideas, Approaches, Scenarios (pp. 303–339). Würzburg: Königshausen & Neumann.
LibreCat
 
[96]
2019 | Journal Article | LibreCat-ID: 17057
Tönnies, M., & Henneböhl, D. (2019). Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit. Journal for the Study of British Cultures, 26(2), 181–193.
LibreCat
 
[95]
2018 | Book Chapter | LibreCat-ID: 9694
Tönnies, M., & Lienen, A. (2018). Changing Uses of the City in Contemporary Black British Novels. In C. Ehland & P. Fischer (Eds.), Resistance and the City. Negotiating Urban Identities: Race, Class, Gender (Vol. 28, pp. 66–82). Leiden: Brill.
LibreCat
 
[94]
2017 | Journal Article | LibreCat-ID: 9692
Tönnies, M. (2017). The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias. Journal of Contemporary Drama in English, 5(1), 156–172.
LibreCat
 
[93]
2017 | Book Chapter | LibreCat-ID: 9693
Tönnies, M. (2017). Still/Again “Political”? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011). In K. Frank & C. Lusin (Eds.), Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama (Vol. 82, pp. 19–39). Tübingen: Narr Francke Attempto.
LibreCat
 
[92]
2017 | Book Review | LibreCat-ID: 9696
Tönnies, M. (2017). Pope, G.: Reading London’s Suburbs. Anglistik. International Journal of English Studies.
LibreCat
 
[91]
2017 | Journal Article | LibreCat-ID: 13875
Tönnies, M. (2017). The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power. Storyworlds: A Journal of Narrative Studies, 9(1–2), 95–120.
LibreCat
 
[90]
2016 | Conference (Editor) | LibreCat-ID: 9688
Tönnies, M., Ehland, C., & Mindt, I. (Eds.). (2016). Anglistentag 2015 Paderborn: Proceedings. Presented at the Anglistentag, Trier: WVT.
LibreCat
 
[89]
2016 | Book Chapter | LibreCat-ID: 9689
Tönnies, M. (2016). Religion im zeitgenössischen britischen Drama. In K. von Stosch, M. Hofmann, & S. Schmitz (Eds.), Religion und Kultur (pp. 81–96). Bielefeld: transcript.
LibreCat
 
[88]
2016 | Journal Article | LibreCat-ID: 9690
Tönnies, M. (2016). The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s. Anglistik. International Journal of English Studies, 27(1), 113–124.
LibreCat
 
[87]
2016 | Journal Article | LibreCat-ID: 9691
Tönnies, M., Brüning, J., & Sand, A. (2016). The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance. Zeitschrift Für Anglistik Und Amerikanistik, 64(3), 301–320.
LibreCat
 
[86]
2015 | Book Review | LibreCat-ID: 9695
Tönnies, M. (2015). Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political. Journal of Contemporary Drama in English.
LibreCat
 
[85]
2015 | Journal Article | LibreCat-ID: 6769
Tönnies, M. (2015). Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama. Dramatic Minds. Performance, Cognition, and the Representation of Interiority, 243–260.
LibreCat
 
[84]
2014 | Book Review | LibreCat-ID: 9627
Tönnies, M. (2014). Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism. Arbeiten Aus Anglistik Und Amerikanistik.
LibreCat
 
[83]
2014 | Book | LibreCat-ID: 6699
Tönnies, M. (2014). (En-)Gendering a Popular Theatrical Genre. The Roles of Women in Nineteenth-Century British Melodrama (1.). Heidelberg: Winter.
LibreCat
 
[82]
2014 | Journal Article | LibreCat-ID: 6781
Tönnies, M. (2014). Anti-hegemoniale Strategien des Kleinen. Britische dokumentarische Farbfotografie als Kritik des Thatcherismus. Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien, 321–333.
LibreCat
 
[81]
2013 | Book Review | LibreCat-ID: 9629
Tönnies, M. (2013). Middeke,M. / Schnierer, P.P. / Sierz, A. (Hg.): The Methuen Guide to Contemporary British Playwrights. Anglia.
LibreCat
 
[80]
2013 | Book Review | LibreCat-ID: 9630
Tönnies, M. (2013). Rossow, H. Globalismus und Lew Labour. Anglistik. International Journal of English Studies.
LibreCat
 
[79]
2013 | Book Review | LibreCat-ID: 9632
Tönnies, M. (2013). Baumbach, S. / Neumann, B. / Nünning, A.: A History of British Drama. Anglistik. International Journal of English Studies.
LibreCat
 
[78]
2013 | Journal Article | LibreCat-ID: 6782
Tönnies, M. (2013). Northern Landscapes and Anti-Thatcherite Positioning. Journal for the Study of British Cultures, 20(2), 115–124.
LibreCat
 
[77]
2013 | Journal Article | LibreCat-ID: 6783
Tönnies, M. (2013). Feminising a Classical Male Plot Model? Black British Women Writers and the “Bildungsroman.” International Journal of English Studies, 24(1), 51–61.
LibreCat
 
[76]
2012 | Book (Editor) | LibreCat-ID: 6753
Tönnies, M., Buschmann, H., & Anglistik und Englischunterricht (Eds.). (2012). Spatial Representations of British Identities. Heidelberg: Winter.
LibreCat
 
[75]
2012 | Journal Article | LibreCat-ID: 6784
Tönnies, M. (2012). A Bricolage of Identities in Crisis. Colour Photography Documenting Northern England under Thatcher. Facteurs d’Identité / Faktoren Der Identität, 301–323.
LibreCat
 
[74]
2011 | Book Chapter | LibreCat-ID: 9726
Flotmann, C., & Tönnies, M. (2011). Introducing Narrative in Drama. In M. Tönnies & C. Flotmann-Scholz (Eds.), Narrative in Drama: CDE Studies 18 (Vol. 18, pp. 9–17). Trier: WVT.
LibreCat
 
[73]
2011 | Book (Editor) | LibreCat-ID: 9918
Tönnies, M., & Flotmann, C. (Eds.). (2011). Narrative in Drama. Trier: WVT.
LibreCat
 
[72]
2011 | Book (Editor) | LibreCat-ID: 6755
Tönnies, M., Flotmann, C., & Contemporary Drama in English (Eds.). (2011). Narrative in Drama. Trier: WVT.
LibreCat
 
[71]
2010 | Book (Editor) | LibreCat-ID: 6756
Tönnies, M., Grimm, I., & Journal for the Study of British Cultures (Eds.). (2010). Reading British Spaces. Tübingen: Narr.
LibreCat
 
[70]
2010 | Book (Editor) | LibreCat-ID: 6757
Tönnies, M., & WVT Handbücher zum literaturwissenschaftlichen Studium 13 (Eds.). (2010). Das englische Drama der Gegenwart: Kategorien-Entwicklungen-Modellnterpretationen. Trier: WVT.
LibreCat
 
[69]
2010 | Journal Article | LibreCat-ID: 6785
Tönnies, M., & Sand, A. (2010). The Features of Meanings of Orality in Black British Performance Poetry. Anglistentag 2009 Klagenfurt. Proceedings, 105–114.
LibreCat
 
[68]
2010 | Journal Article | LibreCat-ID: 6863
Tönnies, M. (2010). Transgressive Melodrama. The “Sensational” 1860s and their After-Effects. Victorian Highways - Victorian Byways. New Approaches to Nineteenth-Century British Literature and Culture, 157–180.
LibreCat
 
[67]
2009 | Book Review | LibreCat-ID: 9636
Tönnies, M. (2009). Assmann, A.: Einführung in die Kulturwissenschaft. Anglistik. International Journal of English Studies.
LibreCat
 
[66]
2009 | Encyclopedia Article | LibreCat-ID: 6871
Tönnies, M. (2009). Shelagh  Delaney “A Taste of Honey.” In Kindlers Literaturlexikon.
LibreCat
 
[65]
2009 | Encyclopedia Article | LibreCat-ID: 6874
Tönnies, M. (2009). David Hare “A Map of the World.” In Kindlers Literaturlexikon.
LibreCat
 
[64]
2009 | Encyclopedia Article | LibreCat-ID: 6875
Tönnies, M. (2009). David Hare “Knuckle.” In Kindlers Literaturlexikon.
LibreCat
 
[63]
2009 | Encyclopedia Article | LibreCat-ID: 6876
Tönnies, M. (2009). David Hare “Plenty.” In Kindlers Literaturlexikon.
LibreCat
 
[62]
2009 | Encyclopedia Article | LibreCat-ID: 6877
Tönnies, M. (2009). Ann Patricia Jellicoe “The Knack.” In Kindlers Literaturlexikon.
LibreCat
 
[61]
2009 | Encyclopedia Article | LibreCat-ID: 6878
Tönnies, M. (2009). Stephen Poliakoff “Strawberry Fields.” In Kindlers Literaturlexikon.
LibreCat
 
[60]
2009 | Encyclopedia Article | LibreCat-ID: 6879
Tönnies, M. (2009). Peter Shaffer “Amadeus.” In Kindlers Literaturlexikon.
LibreCat
 
[59]
2009 | Encyclopedia Article | LibreCat-ID: 6880
Tönnies, M. (2009). Peter Shaffer “Equus.” In Kindlers Literaturlexikon.
LibreCat
 
[58]
2009 | Encyclopedia Article | LibreCat-ID: 6881
Tönnies, M. (2009). George Bernard Shaw “Mrs Warren’s Profession.” In Kindlers Literaturlexikon.
LibreCat
 
[57]
2009 | Encyclopedia Article | LibreCat-ID: 6883
Tönnies, M. (2009). Oscar Wilde “Mrs Henry Wood.” In Kindlers Literaturlexikon.
LibreCat
 
[56]
2009 | Encyclopedia Article | LibreCat-ID: 6867
Tönnies, M. (2009). Mary Elisabeth Braddon “Lady Audley’s Secret.” In Kindlers Literaturlexikon.
LibreCat
 
[55]
2009 | Encyclopedia Article | LibreCat-ID: 6882
Tönnies, M. (2009). Oscar Wilde “Lady Windermere’s Fan.” In Kindlers Literaturlexikon.
LibreCat
 
[54]
2009 | Encyclopedia Article | LibreCat-ID: 6865
Tönnies, M. (2009). Alan Ayckbourn “Woman in Mind.” In Kindlers Literaturlexikon.
LibreCat
 
[53]
2009 | Encyclopedia Article | LibreCat-ID: 6869
Tönnies, M. (2009). Wilkie Collins “The Moonstone.” In Kindlers Literaturlexikon.
LibreCat
 
[52]
2009 | Encyclopedia Article | LibreCat-ID: 6884
Tönnies, M. (2009). Oscar Wilde “East Lynne.” In Kindlers Literaturlexikon.
LibreCat
 
[51]
2008 | Journal Article | LibreCat-ID: 7594
Tönnies, M. (2008). Translating African Traditions and Identities. Black Poetry in Contemporary Britain. Cultures of Translation, 87–104.
LibreCat
 
[50]
2008 | Journal Article | LibreCat-ID: 7595
Tönnies, M. (2008). The Visual Strategies of Nineteenth-Century Melodrama. Anglistik & Englischunterricht 71, 183–205.
LibreCat
 
[49]
2008 | Journal Article | LibreCat-ID: 7596
Tönnies, M. (2008). Kulturelle Bedeutungen und Kontexte der indischen Küche in Großbritannien. Interkulturelle Mahlzeiten. Kulinarische Begegnungen Und Kommunikation in Der Literatur, 337–354.
LibreCat
 
[48]
2008 | Book Review | LibreCat-ID: 9640
Tönnies, M. (2008). Caselli, D.: Beckett’s Dante. Archiv Für Das Studium Der Neueren Sprachen Und Literaturen.
LibreCat
 
[47]
2007 | Journal Article | LibreCat-ID: 7597
Tönnies, M. (2007). Constructing an Emblematic Northern Space. The New Brighton Photographs of Martin Parr and Tom Wood. Spatial Practices 2, 305–324.
LibreCat
 
[46]
2007 | Book Review | LibreCat-ID: 9641
Tönnies, M. (2007). Stierstorfer, K. / L. Volkmann (Hg.): Kulturwissenschaft Interdisziplinär. Anglistik. International Journal of English Studies.
LibreCat
 
[45]
2007 | Book | LibreCat-ID: 6751
Tönnies, M., & Voigt, U. (2007). Introduction to the Study of British Culture. Tübingen: Narr Studienbücher.
LibreCat
 
[44]
2007 | Book Chapter | LibreCat-ID: 6759
Tönnies, M. (2007). London-Diversity and Myth. In P. Freese (Ed.), Viewfinder Special. Lese-und Arbeitsbuch für die gymnasiale Oberstufe (pp. 96–111). Berlin: Langenscheidt.
LibreCat
 
[43]
2006 | Conference Paper | LibreCat-ID: 7598
Tönnies, M. (2006). Forms and Functions of Violence in Contemporary Black British Drama. In Anglistentag 2005 (pp. 69–77). Trier: WVT.
LibreCat
 
[42]
2006 | Journal Article | LibreCat-ID: 7599
Tönnies, M. (2006). Foregrounding Boundary Zones. Martin Parr’s Photographic (De-)Constructions of Englishness. Spatial Practices 1, 225–241.
LibreCat
 
[41]
2006 | Journal Article | LibreCat-ID: 7600
Tönnies, M. (2006). Percy Mtwa, Mbongeni Ngema and Barney Simon: Woza Albert! (1981). Drama II, 2, 389–404.
LibreCat
 
[40]
2006 | Journal Article | LibreCat-ID: 7601
Tönnies, M. (2006). New Labour in the New Millenium. A Further Theatricalisation of Politics? Passauer Arbeiten Zur Literatur-Und Kulturwissenschaft, 3, 119–138.
LibreCat
 
[39]
2006 | Journal Article | LibreCat-ID: 7615
Tönnies, M. (2006). Radicalising Postmodern Biofictions. British Fictional Autobiography of the Twenty-First Century. Salzburg Studies in English Literature and Culture, 3, 305–314.
LibreCat
 
[38]
2006 | Journal Article | LibreCat-ID: 7616
Tönnies, M. (2006). A Midsummer Night’s Dream. Stauffenburg Handbücher, 9, 195–214.
LibreCat
 
[37]
2006 | Book Review | LibreCat-ID: 9642
Tönnies, M. (2006). Boehmer, E.: Stories of Women, 2005. Archiv Für Das Studium Der Neueren Sprachen Und Literaturen.
LibreCat
 
[36]
2006 | Book Review | LibreCat-ID: 9643
Tönnies, M. (2006). Middeke, M.: Die Kunst der gelebten Zeit, 2004. Zeitschrift Für Anglistik Und Amerikanistik.
LibreCat
 
[35]
2006 | Book Review | LibreCat-ID: 9644
Tönnies, M. (2006). Kamm, J. / B. Lenz: Großbritannien verstehen, 2004. Anglia.
LibreCat
 
[34]
2006 | Book Review | LibreCat-ID: 9645
Tönnies, M. (2006). Nünning, V. / A. Nünning (Hg.): Erzähltextanalyse und Gender Studies, 2004. Archiv Für Das Studium Der Neueren Sprachen Und Literaturen.
LibreCat
 
[33]
2005 | Journal Article | LibreCat-ID: 8352
Tönnies, M. (2005). Courttia Newland’s Theatre Work. On the Occasion of B is for Black (Oval House Theatre, London, 1-18 October 2003. Hard Times, 76, 31–33.
LibreCat
 
[32]
2005 | Book Chapter | LibreCat-ID: 8353
Tönnies, M. (2005). “Serious” Science vs. “Light” Entertainment? Femininity Concepts in Nineteenth-Century British Medical Discourse and Popular Fiction. In A.-J. Zwierlein (Ed.), Unmapped Countries: Biological Visions in Nineteenth-Century Literature and Culture (pp. 183–192). Anthem Press.
LibreCat
 
[31]
2005 | Book Chapter | LibreCat-ID: 8845
Tönnies, M. (2005). A New Self-Conscious Turn at the Turn of the Centruy? In anglistik & englischunterricht (Vol. 66, pp. 57–82).
LibreCat
 
[30]
2005 | Journal Article | LibreCat-ID: 8847
Tönnies, M. (2005). Das viktorianische Theater als Populärkultur. Eine Kulturgeschichte der englischen Literatur: Von der Renaissance bis zur Gegenwart, 158–170.
LibreCat
 
[29]
2005 | Book Review | LibreCat-ID: 9647
Tönnies, M. (2005). Hooper, B.: Voices in the Heart. Postcolonialism and Identity in Hong Kong Literature, 2003. Anglistik.
LibreCat
 
[28]
2004 | Journal Article | LibreCat-ID: 8848
Tönnies, M. (2004). New Britain as Consumer Country and Commodity. Journal for the Study of British Cultures, 11(2), 117–128.
LibreCat
 
[27]
2004 | Book Review | LibreCat-ID: 9657
Tönnies, M. (2004). Mergenthal, S.: A Fast-Forward Version of England, 2003. Anglia.
LibreCat
 
[26]
2003 | Journal Article | LibreCat-ID: 8849
Tönnies, M. (2003). Peter Brook’s Glückliche Tage. The Beckett Circle, 26(2), 1–3.
LibreCat
 
[25]
2003 | Book Chapter | LibreCat-ID: 8850
Tönnies, M. (2003). “New Lingo - New Theatre”? In anglistik & englischunterricht (Vol. 65, pp. 169–191).
LibreCat
 
[24]
2003 | Journal Article | LibreCat-ID: 8851
Tönnies, M. (2003). The “Postcolonial University Novel” in Britain. Xenophobic Memories: Otherness in Postcolonial Constructions of the Past, 13–37.
LibreCat
 
[23]
2003 | Journal Article | LibreCat-ID: 8852
Tönnies, M., Annette, P., Alyce, von R., & Kathleen, S. (2003). Making Play-texts Live: Teaching Drama as Experience. Global Challenges and Regional Responses in Contemporary Drama in English, 10, 247–264.
LibreCat
 
[22]
2003 | Book Review | LibreCat-ID: 9658
Tönnies, M. (2003). Sager, P.: Oxford & Cambridge. Eine Kulturgeschichte. Journal for the Study of British Cultures.
LibreCat
 
[21]
2003 | Book Review | LibreCat-ID: 9659
Tönnies, M. (2003). Veit, C.: Ich-Konzept und Körper in Becketts dualen Konstruktionen, 2002. The Beckett Circle.
LibreCat
 
[20]
2003 | Book Review | LibreCat-ID: 9660
Tönnies, M. (2003). Logan, T.: The Victorian Parlour, 2001. Anglia.
LibreCat
 
[19]
2003 | Book Review | LibreCat-ID: 9661
Tönnies, M. (2003). Keipert, H.: Pope, Popovskij und die Popen, 2001. Archiv Für Das Studium Der Neueren Sprachen Und Literaturen.
LibreCat
 
[18]
2003 | Book Review | LibreCat-ID: 9662
Tönnies, M. (2003). Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen und ästhetische Konstruktion bei Jean Paul und Samuel Beckett, 2001. The Beckett Circle.
LibreCat
 
[17]
2003 | Book Review | LibreCat-ID: 9663
Tönnies, M. (2003). Beckett, S.: Dante und der Hummer. Gesammelte Prosa, 2000. The Beckett Circle.
LibreCat
 
[16]
2002 | Journal Article | LibreCat-ID: 8853
Tönnies, M. (2002). Good/Bad Girls and their Fathers. Journal for the Study of British Cultures, 9(2), 185–195.
LibreCat
 
[15]
2002 | Book Chapter | LibreCat-ID: 8862
Tönnies, M. (2002). Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions. In M. Pfister (Ed.), Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft (Vol. 57, pp. 99–119). Amsterdam: Rodopi.
LibreCat
 
[14]
2002 | Journal Article | LibreCat-ID: 8863
Tönnies, M. (2002). The “Sensationalist Theatre of Cruelty” in 1990s Britain, its 1960s Forebears and the Beginning of the 21st Century . Contemporary Drama in English, 9, 57–71.
LibreCat
 
[13]
2002 | Book Review | LibreCat-ID: 9664
Tönnies, M. (2002). Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000. Forum Modernes Theater.
LibreCat
 
[12]
2001 | Journal Article | LibreCat-ID: 8864
Tönnies, M. (2001). Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama. Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000, 11, 194–201.
LibreCat
 
[11]
2001 | Journal Article | LibreCat-ID: 8865
Tönnies, M. (2001). The Limits of Defining Power in Terms of Exclusion. Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, 61–64.
LibreCat
 
[10]
2001 | Book (Editor) | LibreCat-ID: 6760
Tönnies, M., & Viol, C.-U. (Eds.). (2001). British Political Speeches from Churchill to Blair. Stuttgart: Reclam.
LibreCat
 
[9]
2000 | Book Review | LibreCat-ID: 9665
Tönnies, M. (2000). Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998. Journal for the Study of British Cultures.
LibreCat
 
[8]
2000 | Book (Editor) | LibreCat-ID: 6762
Tönnies, M., Stratmann, G., Viol, C.-U., & Anglistik und Englischunterricht 63 (Eds.). (2000). Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter.
LibreCat
 
[7]
1999 | Book (Editor) | LibreCat-ID: 6765
Tönnies, M., & Viol, C.-U. (Eds.). (1999). Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam.
LibreCat
 
[6]
1999 | Book (Editor) | LibreCat-ID: 6767
Tönnies, M., & Schiffer, R. (Eds.). (1999). British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. Trier: WVT.
LibreCat
 
[5]
1999 | Book Review | LibreCat-ID: 9666
Tönnies, M. (1999). Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997. In Journal for the Study of British Cultures (Vol. 6, Issue 2, pp. 211–213).
LibreCat
 
[4]
1999 | Book Review | LibreCat-ID: 9667
Tönnies, M. (1999). Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten für Theater, Radio, Film und Fernsehen, 1998. In Forum Modernes Theater (Vol. 14, Issue 2, pp. 229–233).
LibreCat
 
[3]
1999 | Book Review | LibreCat-ID: 9668
Tönnies, M. (1999). Ledger, S.: The New Woman. Fiction and Feminism at the “Fin de Siècle”, 1997. In Anglia (Vol. 117, pp. 460–462).
LibreCat
 
[2]
1997 | Book | LibreCat-ID: 6752
Tönnies, M. (1997). Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT.
LibreCat
 
[1]
1996 | Journal Article | LibreCat-ID: 9626
Tönnies, M. (1996). The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama. Forum Modernes Theater, 11(2), 185–196.
LibreCat
 

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