106 Publications

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[106]
2023 | Book Review | LibreCat-ID: 50264
M. Tönnies, “Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century,” vol. 34, no. 3. pp. 268–270, 2023, doi: https://doi.org/10.33675/ANGL/2023/3/20.
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[105]
2022 | Book (Editor) | LibreCat-ID: 34453
M. Tönnies, E. Voigts, and The German Society for Contemporary Theatre and Drama in English, Eds., Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre, vol. 32. Berlin: Walter deGruyter, 2022.
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[104]
2022 | Journal Article | LibreCat-ID: 34452
M. Tönnies and C. Flotmann-Scholz, “Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics,” Anglistik: International Journal of English Studies, vol. 33, no. 2, pp. 257–272, 2022.
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[103]
2022 | Journal Article | LibreCat-ID: 34454
M. Tönnies and E. Voigts, “Anger, Anxiety and Hope: The Complicit Realities and Engaged/ing Communities of Contemporary Briitsh Dys/Utopian Theatre,” Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies), vol. 32, 2022.
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[102]
2021 | Book Chapter | LibreCat-ID: 24539
M. Tönnies, “Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain,” in Mentalities and Materialities: Essays in Honour of Jürgen Kamm, P. Jacobi and A. Pankratz, Eds. Würzburg: Königshausen & Neumann, 2021, pp. 149–163.
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[101]
2021 | Book (Editor) | LibreCat-ID: 21825
M. Tönnies and H. Schlieper, Eds., Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas, vol. 21. Harrassowitz, 2021.
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[100]
2021 | Book Chapter | LibreCat-ID: 21826
M. Tönnies, “The Black British Bildungsroman: Gender-specific Plot Models?,” in Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas, vol. 21, M. Tönnies and H. Schlieper, Eds. Harrassowitz, 2021, pp. 235-263.
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[99]
2021 | Journal Article | LibreCat-ID: 29244
M. Tönnies and A. Sierz, “‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama,” Journal of Contemporary Drama in English, vol. 9, no. 1, pp. 20–42, 2021.
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[98]
2020 | Journal Article | LibreCat-ID: 21824
M. Tönnies and E. Voigts, “Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre,” Journal of Contemporary Drama in English, vol. 8, no. 2, pp. 295–312, 2020.
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[97]
2020 | Book Chapter | LibreCat-ID: 17058
M. Tönnies and M. Göhrmann, “British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach,” in How to Do Cultural Studies: Ideas, Approaches, Scenarios, J. Kramer and B. Lenz, Eds. Würzburg: Königshausen & Neumann, 2020, pp. 303–339.
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[96]
2019 | Journal Article | LibreCat-ID: 17057
M. Tönnies and D. Henneböhl, “Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit,” Journal for the Study of British Cultures, vol. 26, no. 2, pp. 181–193, 2019.
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[95]
2018 | Book Chapter | LibreCat-ID: 9694
M. Tönnies and A. Lienen, “Changing Uses of the City in Contemporary Black British Novels,” in Resistance and the City. Negotiating Urban Identities: Race, Class, Gender, vol. 28, C. Ehland and P. Fischer, Eds. Leiden: Brill, 2018, pp. 66–82.
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[94]
2017 | Journal Article | LibreCat-ID: 9692
M. Tönnies, “The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias,” Journal of Contemporary Drama in English, vol. 5, no. 1, pp. 156–172, 2017.
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[93]
2017 | Book Chapter | LibreCat-ID: 9693
M. Tönnies, “Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011),” in Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama, vol. 82, K. Frank and C. Lusin, Eds. Tübingen: Narr Francke Attempto, 2017, pp. 19–39.
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[92]
2017 | Book Review | LibreCat-ID: 9696
M. Tönnies, “Pope, G.: Reading London’s Suburbs,” Anglistik. International Journal of English Studies, vol. 28, no. 1. pp. 175–177, 2017.
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[91]
2017 | Journal Article | LibreCat-ID: 13875
M. Tönnies, “The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power,” Storyworlds: A Journal of Narrative Studies, vol. 9, no. 1–2, pp. 95–120, 2017.
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[90]
2016 | Conference (Editor) | LibreCat-ID: 9688
M. Tönnies, C. Ehland, and I. Mindt, Eds., Anglistentag 2015 Paderborn: Proceedings. Trier: WVT, 2016.
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[89]
2016 | Book Chapter | LibreCat-ID: 9689
M. Tönnies, “Religion im zeitgenössischen britischen Drama,” in Religion und Kultur, K. von Stosch, M. Hofmann, and S. Schmitz, Eds. Bielefeld: transcript, 2016, pp. 81–96.
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[88]
2016 | Journal Article | LibreCat-ID: 9690
M. Tönnies, “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s,” Anglistik. International Journal of English Studies, vol. 27, no. 1, pp. 113–124, 2016.
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[87]
2016 | Journal Article | LibreCat-ID: 9691
M. Tönnies, J. Brüning, and A. Sand, “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance,” Zeitschrift für Anglistik und Amerikanistik, vol. 64, no. 3, pp. 301–320, 2016.
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[86]
2015 | Book Review | LibreCat-ID: 9695
M. Tönnies, “Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political,” Journal of Contemporary Drama in English, vol. 3, no. 2. pp. 355–358, 2015.
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[85]
2015 | Journal Article | LibreCat-ID: 6769
M. Tönnies, “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama,” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, pp. 243–260, 2015.
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[84]
2014 | Book Review | LibreCat-ID: 9627
M. Tönnies, “Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism,” Arbeiten aus Anglistik und Amerikanistik, vol. 39. pp. 203–207, 2014.
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[83]
2014 | Book | LibreCat-ID: 6699
M. Tönnies, (En-)Gendering a Popular Theatrical Genre. The Roles of Women in Nineteenth-Century British Melodrama, 1. Heidelberg: Winter, 2014.
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[82]
2014 | Journal Article | LibreCat-ID: 6781
M. Tönnies, “Anti-hegemoniale Strategien des Kleinen. Britische dokumentarische Farbfotografie als Kritik des Thatcherismus,” Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien, pp. 321–333, 2014.
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[81]
2013 | Book Review | LibreCat-ID: 9629
M. Tönnies, “Middeke,M. / Schnierer, P.P. / Sierz, A. (Hg.): The Methuen Guide to Contemporary British Playwrights,” Anglia, vol. 131, no. 1. pp. 183–188, 2013.
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[80]
2013 | Book Review | LibreCat-ID: 9630
M. Tönnies, “Rossow, H. Globalismus und Lew Labour,” Anglistik. International Journal of English Studies, vol. 24, no. 2. pp. 223–225, 2013.
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[79]
2013 | Book Review | LibreCat-ID: 9632
M. Tönnies, “Baumbach, S. / Neumann, B. / Nünning, A.: A History of British Drama,” Anglistik. International Journal of English Studies, vol. 24, no. 1. pp. 201–203, 2013.
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[78]
2013 | Journal Article | LibreCat-ID: 6782
M. Tönnies, “Northern Landscapes and Anti-Thatcherite Positioning,” Journal for the Study of British Cultures, vol. 20, no. 2, pp. 115–124, 2013.
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[77]
2013 | Journal Article | LibreCat-ID: 6783
M. Tönnies, “Feminising a Classical Male Plot Model? Black British Women Writers and the ‘Bildungsroman,’” International Journal of English Studies, vol. 24, no. 1, pp. 51–61, 2013.
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[76]
2012 | Book (Editor) | LibreCat-ID: 6753
M. Tönnies, H. Buschmann, and Anglistik und Englischunterricht, Eds., Spatial Representations of British Identities. Heidelberg: Winter, 2012.
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[75]
2012 | Journal Article | LibreCat-ID: 6784
M. Tönnies, “A Bricolage of Identities in Crisis. Colour Photography Documenting Northern England under Thatcher,” Facteurs d’Identité / Faktoren der Identität, pp. 301–323, 2012.
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[74]
2011 | Book Chapter | LibreCat-ID: 9726
C. Flotmann and M. Tönnies, “Introducing Narrative in Drama,” in Narrative in Drama: CDE Studies 18, vol. 18, M. Tönnies and C. Flotmann-Scholz, Eds. Trier: WVT, 2011, pp. 9–17.
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[73]
2011 | Book (Editor) | LibreCat-ID: 9918
M. Tönnies and C. Flotmann, Eds., Narrative in Drama. Trier: WVT, 2011.
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[72]
2011 | Book (Editor) | LibreCat-ID: 6755
M. Tönnies, C. Flotmann, and Contemporary Drama in English, Eds., Narrative in Drama. Trier: WVT, 2011.
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[71]
2010 | Book (Editor) | LibreCat-ID: 6756
M. Tönnies, I. Grimm, and Journal for the Study of British Cultures, Eds., Reading British Spaces. Tübingen: Narr, 2010.
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[70]
2010 | Book (Editor) | LibreCat-ID: 6757
M. Tönnies and WVT Handbücher zum literaturwissenschaftlichen Studium 13, Eds., Das englische Drama der Gegenwart: Kategorien-Entwicklungen-Modellnterpretationen. Trier: WVT, 2010.
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[69]
2010 | Journal Article | LibreCat-ID: 6785
M. Tönnies and A. Sand, “The Features of Meanings of Orality in Black British Performance Poetry,” Anglistentag 2009 Klagenfurt. Proceedings, pp. 105–114, 2010.
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[68]
2010 | Journal Article | LibreCat-ID: 6863
M. Tönnies, “Transgressive Melodrama. The ‘Sensational’ 1860s and their After-Effects,” Victorian Highways - Victorian Byways. New Approaches to Nineteenth-Century British Literature and Culture, pp. 157–180, 2010.
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[67]
2009 | Book Review | LibreCat-ID: 9636
M. Tönnies, “Assmann, A.: Einführung in die Kulturwissenschaft,” Anglistik. International Journal of English Studies, vol. 20, no. 1. pp. 198–200, 2009.
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[66]
2009 | Encyclopedia Article | LibreCat-ID: 6871
M. Tönnies, “Shelagh  Delaney ‘A Taste of Honey,’” in Kindlers Literaturlexikon, 2009.
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[65]
2009 | Encyclopedia Article | LibreCat-ID: 6874
M. Tönnies, “David Hare ‘A Map of the World,’” in Kindlers Literaturlexikon, 2009.
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[64]
2009 | Encyclopedia Article | LibreCat-ID: 6875
M. Tönnies, “David Hare ‘Knuckle,’” in Kindlers Literaturlexikon, 2009.
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[63]
2009 | Encyclopedia Article | LibreCat-ID: 6876
M. Tönnies, “David Hare ‘Plenty,’” in Kindlers Literaturlexikon, 2009.
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[62]
2009 | Encyclopedia Article | LibreCat-ID: 6877
M. Tönnies, “Ann Patricia Jellicoe ‘The Knack,’” in Kindlers Literaturlexikon, 2009.
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[61]
2009 | Encyclopedia Article | LibreCat-ID: 6878
M. Tönnies, “Stephen Poliakoff ‘Strawberry Fields,’” in Kindlers Literaturlexikon, 2009.
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[60]
2009 | Encyclopedia Article | LibreCat-ID: 6879
M. Tönnies, “Peter Shaffer ‘Amadeus,’” in Kindlers Literaturlexikon, 2009.
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[59]
2009 | Encyclopedia Article | LibreCat-ID: 6880
M. Tönnies, “Peter Shaffer ‘Equus,’” in Kindlers Literaturlexikon, 2009.
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[58]
2009 | Encyclopedia Article | LibreCat-ID: 6881
M. Tönnies, “George Bernard Shaw ‘Mrs Warren’s Profession,’” in Kindlers Literaturlexikon, 2009.
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[57]
2009 | Encyclopedia Article | LibreCat-ID: 6883
M. Tönnies, “Oscar Wilde ‘Mrs Henry Wood,’” in Kindlers Literaturlexikon, 2009.
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[56]
2009 | Encyclopedia Article | LibreCat-ID: 6867
M. Tönnies, “Mary Elisabeth Braddon ‘Lady Audley’s Secret,’” in Kindlers Literaturlexikon, 2009.
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[55]
2009 | Encyclopedia Article | LibreCat-ID: 6882
M. Tönnies, “Oscar Wilde ‘Lady Windermere’s Fan,’” in Kindlers Literaturlexikon, 2009.
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[54]
2009 | Encyclopedia Article | LibreCat-ID: 6865
M. Tönnies, “Alan Ayckbourn ‘Woman in Mind,’” in Kindlers Literaturlexikon, 2009.
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[53]
2009 | Encyclopedia Article | LibreCat-ID: 6869
M. Tönnies, “Wilkie Collins ‘The Moonstone,’” in Kindlers Literaturlexikon, 2009.
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[52]
2009 | Encyclopedia Article | LibreCat-ID: 6884
M. Tönnies, “Oscar Wilde ‘East Lynne,’” in Kindlers Literaturlexikon, 2009.
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[51]
2008 | Journal Article | LibreCat-ID: 7594
M. Tönnies, “Translating African Traditions and Identities. Black Poetry in Contemporary Britain,” Cultures of Translation, pp. 87–104, 2008.
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[50]
2008 | Journal Article | LibreCat-ID: 7595
M. Tönnies, “The Visual Strategies of Nineteenth-Century Melodrama,” Anglistik & Englischunterricht 71, pp. 183–205, 2008.
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[49]
2008 | Journal Article | LibreCat-ID: 7596
M. Tönnies, “Kulturelle Bedeutungen und Kontexte der indischen Küche in Großbritannien,” Interkulturelle Mahlzeiten. Kulinarische Begegnungen und Kommunikation in der Literatur, pp. 337–354, 2008.
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[48]
2008 | Book Review | LibreCat-ID: 9640
M. Tönnies, “Caselli, D.: Beckett’s Dante,” Archiv für das Studium der neueren Sprachen und Literaturen, vol. 245, no. 1. pp. 155–156, 2008.
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[47]
2007 | Journal Article | LibreCat-ID: 7597
M. Tönnies, “Constructing an Emblematic Northern Space. The New Brighton Photographs of Martin Parr and Tom Wood,” Spatial Practices 2, pp. 305–324, 2007.
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[46]
2007 | Book Review | LibreCat-ID: 9641
M. Tönnies, “Stierstorfer, K. / L. Volkmann (Hg.): Kulturwissenschaft Interdisziplinär,” Anglistik. International Journal of English Studies, vol. 18, no. 1. pp. 170–1, 2007.
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[45]
2007 | Book | LibreCat-ID: 6751
M. Tönnies and U. Voigt, Introduction to the Study of British Culture. Tübingen: Narr Studienbücher, 2007.
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[44]
2007 | Book Chapter | LibreCat-ID: 6759
M. Tönnies, “London-Diversity and Myth,” in Viewfinder Special. Lese-und Arbeitsbuch für die gymnasiale Oberstufe, P. Freese, Ed. Berlin: Langenscheidt, 2007, pp. 96–111.
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[43]
2006 | Conference Paper | LibreCat-ID: 7598
M. Tönnies, “Forms and Functions of Violence in Contemporary Black British Drama,” in Anglistentag 2005, 2006, pp. 69–77.
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[42]
2006 | Journal Article | LibreCat-ID: 7599
M. Tönnies, “Foregrounding Boundary Zones. Martin Parr’s Photographic (De-)Constructions of Englishness,” Spatial Practices 1, pp. 225–241, 2006.
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[41]
2006 | Journal Article | LibreCat-ID: 7600
M. Tönnies, “Percy Mtwa, Mbongeni Ngema and Barney Simon: Woza Albert! (1981),” Drama II, vol. 2, pp. 389–404, 2006.
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[40]
2006 | Journal Article | LibreCat-ID: 7601
M. Tönnies, “New Labour in the New Millenium. A Further Theatricalisation of Politics?,” Passauer Arbeiten zur Literatur-und Kulturwissenschaft, vol. 3, pp. 119–138, 2006.
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[39]
2006 | Journal Article | LibreCat-ID: 7615
M. Tönnies, “Radicalising Postmodern Biofictions. British Fictional Autobiography of the Twenty-First Century,” Salzburg Studies in English Literature and Culture, vol. 3, pp. 305–314, 2006.
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[38]
2006 | Journal Article | LibreCat-ID: 7616
M. Tönnies, “A Midsummer Night’s Dream,” Stauffenburg Handbücher, vol. 9, pp. 195–214, 2006.
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[37]
2006 | Book Review | LibreCat-ID: 9642
M. Tönnies, “Boehmer, E.: Stories of Women, 2005,” Archiv für das Studium der neueren Sprachen und Literaturen, vol. 243, no. 2. pp. 445–447, 2006.
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[36]
2006 | Book Review | LibreCat-ID: 9643
M. Tönnies, “Middeke, M.: Die Kunst der gelebten Zeit, 2004,” Zeitschrift für Anglistik und Amerikanistik, vol. 54, no. 3. pp. 315–317, 2006.
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[35]
2006 | Book Review | LibreCat-ID: 9644
M. Tönnies, “Kamm, J. / B. Lenz: Großbritannien verstehen, 2004,” Anglia, vol. 123, no. 4. pp. 779–782, 2006.
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[34]
2006 | Book Review | LibreCat-ID: 9645
M. Tönnies, “Nünning, V. / A. Nünning (Hg.): Erzähltextanalyse und Gender Studies, 2004,” Archiv für das Studium der neueren Sprachen und Literaturen, vol. 242, no. 2. pp. 434–436, 2006.
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[33]
2005 | Journal Article | LibreCat-ID: 8352
M. Tönnies, “Courttia Newland’s Theatre Work. On the Occasion of B is for Black (Oval House Theatre, London, 1-18 October 2003,” Hard Times, vol. 76, pp. 31–33, 2005.
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[32]
2005 | Book Chapter | LibreCat-ID: 8353
M. Tönnies, “‘Serious’ Science vs. ‘Light’ Entertainment? Femininity Concepts in Nineteenth-Century British Medical Discourse and Popular Fiction,” in Unmapped Countries: Biological Visions in Nineteenth-Century Literature and Culture, A.-J. Zwierlein, Ed. Anthem Press, 2005, pp. 183–192.
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[31]
2005 | Book Chapter | LibreCat-ID: 8845
M. Tönnies, “A New Self-Conscious Turn at the Turn of the Centruy?,” in anglistik & englischunterricht, vol. 66, 2005, pp. 57–82.
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[30]
2005 | Journal Article | LibreCat-ID: 8847
M. Tönnies, “Das viktorianische Theater als Populärkultur,” Eine Kulturgeschichte der englischen Literatur: Von der Renaissance bis zur Gegenwart, pp. 158–170, 2005.
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[29]
2005 | Book Review | LibreCat-ID: 9647
M. Tönnies, “Hooper, B.: Voices in the Heart. Postcolonialism and Identity in Hong Kong Literature, 2003,” Anglistik, vol. 16, no. 2. pp. 201–203, 2005.
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[28]
2004 | Journal Article | LibreCat-ID: 8848
M. Tönnies, “New Britain as Consumer Country and Commodity,” Journal for the Study of British Cultures, vol. 11, no. 2, pp. 117–128, 2004.
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[27]
2004 | Book Review | LibreCat-ID: 9657
M. Tönnies, “Mergenthal, S.: A Fast-Forward Version of England, 2003,” Anglia, vol. 122, no. 4. pp. 758–761, 2004.
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[26]
2003 | Journal Article | LibreCat-ID: 8849
M. Tönnies, “Peter Brook’s Glückliche Tage,” The Beckett Circle, vol. 26, no. 2, pp. 1–3, 2003.
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[25]
2003 | Book Chapter | LibreCat-ID: 8850
M. Tönnies, “‘New Lingo - New Theatre’?,” in anglistik & englischunterricht, vol. 65, 2003, pp. 169–191.
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[24]
2003 | Journal Article | LibreCat-ID: 8851
M. Tönnies, “The ‘Postcolonial University Novel’ in Britain.,” Xenophobic Memories: Otherness in Postcolonial Constructions of the Past, pp. 13–37, 2003.
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[23]
2003 | Journal Article | LibreCat-ID: 8852
M. Tönnies, P. Annette, von R. Alyce, and S. Kathleen, “Making Play-texts Live: Teaching Drama as Experience,” Global Challenges and Regional Responses in Contemporary Drama in English, vol. 10, pp. 247–264, 2003.
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[22]
2003 | Book Review | LibreCat-ID: 9658
M. Tönnies, “Sager, P.: Oxford & Cambridge. Eine Kulturgeschichte,” Journal for the Study of British Cultures, vol. 10, no. 2. 2003.
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[21]
2003 | Book Review | LibreCat-ID: 9659
M. Tönnies, “Veit, C.: Ich-Konzept und Körper in Becketts dualen Konstruktionen, 2002,” The Beckett Circle, vol. 26, no. 2. p. 18, 2003.
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[20]
2003 | Book Review | LibreCat-ID: 9660
M. Tönnies, “Logan, T.: The Victorian Parlour, 2001,” Anglia, vol. 121, no. 2. pp. 323–325, 2003.
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[19]
2003 | Book Review | LibreCat-ID: 9661
M. Tönnies, “Keipert, H.: Pope, Popovskij und die Popen, 2001,” Archiv für das Studium der neueren Sprachen und Literaturen, vol. 240, no. 1. pp. 141–144, 2003.
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[18]
2003 | Book Review | LibreCat-ID: 9662
M. Tönnies, “Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen und ästhetische Konstruktion bei Jean Paul und Samuel Beckett, 2001,” The Beckett Circle, vol. 26, no. 1. p. 20, 2003.
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[17]
2003 | Book Review | LibreCat-ID: 9663
M. Tönnies, “Beckett, S.: Dante und der Hummer. Gesammelte Prosa, 2000,” The Beckett Circle, vol. 26, no. 1. pp. 15–16, 2003.
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[16]
2002 | Journal Article | LibreCat-ID: 8853
M. Tönnies, “Good/Bad Girls and their Fathers,” Journal for the Study of British Cultures, vol. 9, no. 2, pp. 185–195, 2002.
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[15]
2002 | Book Chapter | LibreCat-ID: 8862
M. Tönnies, “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions,” in Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, vol. 57, M. Pfister, Ed. Amsterdam: Rodopi, 2002, pp. 99–119.
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[14]
2002 | Journal Article | LibreCat-ID: 8863
M. Tönnies, “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, its 1960s Forebears and the Beginning of the 21st Century ,” Contemporary Drama in English, vol. 9, pp. 57–71, 2002.
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[13]
2002 | Book Review | LibreCat-ID: 9664
M. Tönnies, “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000,” Forum Modernes Theater, vol. 17, no. 1. pp. 95–98, 2002.
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[12]
2001 | Journal Article | LibreCat-ID: 8864
M. Tönnies, “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama,” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans fin en l’an 2000, vol. 11, pp. 194–201, 2001.
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[11]
2001 | Journal Article | LibreCat-ID: 8865
M. Tönnies, “The Limits of Defining Power in Terms of Exclusion,” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, pp. 61–64, 2001.
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[10]
2001 | Book (Editor) | LibreCat-ID: 6760
M. Tönnies and C.-U. Viol, Eds., British Political Speeches from Churchill to Blair. Stuttgart: Reclam, 2001.
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[9]
2000 | Book Review | LibreCat-ID: 9665
M. Tönnies, “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998,” Journal for the Study of British Cultures, vol. 7, no. 1. pp. 80–83, 2000.
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[8]
2000 | Book (Editor) | LibreCat-ID: 6762
M. Tönnies, G. Stratmann, C.-U. Viol, and Anglistik und Englischunterricht 63, Eds., Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter, 2000.
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[7]
1999 | Book (Editor) | LibreCat-ID: 6765
M. Tönnies and C.-U. Viol, Eds., Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam, 1999.
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[6]
1999 | Book (Editor) | LibreCat-ID: 6767
M. Tönnies and R. Schiffer, Eds., British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. Trier: WVT, 1999.
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[5]
1999 | Book Review | LibreCat-ID: 9666
M. Tönnies, “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997,” Journal for the Study of British Cultures, vol. 6, no. 2. pp. 211–213, 1999.
LibreCat
 
[4]
1999 | Book Review | LibreCat-ID: 9667
M. Tönnies, “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten für Theater, Radio, Film und Fernsehen, 1998,” Forum Modernes Theater, vol. 14, no. 2. pp. 229–233, 1999.
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[3]
1999 | Book Review | LibreCat-ID: 9668
M. Tönnies, “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997,” Anglia, vol. 117. pp. 460–462, 1999.
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[2]
1997 | Book | LibreCat-ID: 6752
M. Tönnies, Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT, 1997.
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[1]
1996 | Journal Article | LibreCat-ID: 9626
M. Tönnies, “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama,” Forum Modernes Theater, vol. 11, no. 2, pp. 185–196, 1996.
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[106]
2023 | Book Review | LibreCat-ID: 50264
M. Tönnies, “Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century,” vol. 34, no. 3. pp. 268–270, 2023, doi: https://doi.org/10.33675/ANGL/2023/3/20.
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[105]
2022 | Book (Editor) | LibreCat-ID: 34453
M. Tönnies, E. Voigts, and The German Society for Contemporary Theatre and Drama in English, Eds., Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre, vol. 32. Berlin: Walter deGruyter, 2022.
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[104]
2022 | Journal Article | LibreCat-ID: 34452
M. Tönnies and C. Flotmann-Scholz, “Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics,” Anglistik: International Journal of English Studies, vol. 33, no. 2, pp. 257–272, 2022.
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[103]
2022 | Journal Article | LibreCat-ID: 34454
M. Tönnies and E. Voigts, “Anger, Anxiety and Hope: The Complicit Realities and Engaged/ing Communities of Contemporary Briitsh Dys/Utopian Theatre,” Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies), vol. 32, 2022.
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[102]
2021 | Book Chapter | LibreCat-ID: 24539
M. Tönnies, “Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain,” in Mentalities and Materialities: Essays in Honour of Jürgen Kamm, P. Jacobi and A. Pankratz, Eds. Würzburg: Königshausen & Neumann, 2021, pp. 149–163.
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[101]
2021 | Book (Editor) | LibreCat-ID: 21825
M. Tönnies and H. Schlieper, Eds., Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas, vol. 21. Harrassowitz, 2021.
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[100]
2021 | Book Chapter | LibreCat-ID: 21826
M. Tönnies, “The Black British Bildungsroman: Gender-specific Plot Models?,” in Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas, vol. 21, M. Tönnies and H. Schlieper, Eds. Harrassowitz, 2021, pp. 235-263.
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[99]
2021 | Journal Article | LibreCat-ID: 29244
M. Tönnies and A. Sierz, “‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama,” Journal of Contemporary Drama in English, vol. 9, no. 1, pp. 20–42, 2021.
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[98]
2020 | Journal Article | LibreCat-ID: 21824
M. Tönnies and E. Voigts, “Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre,” Journal of Contemporary Drama in English, vol. 8, no. 2, pp. 295–312, 2020.
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[97]
2020 | Book Chapter | LibreCat-ID: 17058
M. Tönnies and M. Göhrmann, “British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach,” in How to Do Cultural Studies: Ideas, Approaches, Scenarios, J. Kramer and B. Lenz, Eds. Würzburg: Königshausen & Neumann, 2020, pp. 303–339.
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[96]
2019 | Journal Article | LibreCat-ID: 17057
M. Tönnies and D. Henneböhl, “Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit,” Journal for the Study of British Cultures, vol. 26, no. 2, pp. 181–193, 2019.
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[95]
2018 | Book Chapter | LibreCat-ID: 9694
M. Tönnies and A. Lienen, “Changing Uses of the City in Contemporary Black British Novels,” in Resistance and the City. Negotiating Urban Identities: Race, Class, Gender, vol. 28, C. Ehland and P. Fischer, Eds. Leiden: Brill, 2018, pp. 66–82.
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[94]
2017 | Journal Article | LibreCat-ID: 9692
M. Tönnies, “The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias,” Journal of Contemporary Drama in English, vol. 5, no. 1, pp. 156–172, 2017.
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[93]
2017 | Book Chapter | LibreCat-ID: 9693
M. Tönnies, “Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011),” in Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama, vol. 82, K. Frank and C. Lusin, Eds. Tübingen: Narr Francke Attempto, 2017, pp. 19–39.
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[92]
2017 | Book Review | LibreCat-ID: 9696
M. Tönnies, “Pope, G.: Reading London’s Suburbs,” Anglistik. International Journal of English Studies, vol. 28, no. 1. pp. 175–177, 2017.
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[91]
2017 | Journal Article | LibreCat-ID: 13875
M. Tönnies, “The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power,” Storyworlds: A Journal of Narrative Studies, vol. 9, no. 1–2, pp. 95–120, 2017.
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[90]
2016 | Conference (Editor) | LibreCat-ID: 9688
M. Tönnies, C. Ehland, and I. Mindt, Eds., Anglistentag 2015 Paderborn: Proceedings. Trier: WVT, 2016.
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[89]
2016 | Book Chapter | LibreCat-ID: 9689
M. Tönnies, “Religion im zeitgenössischen britischen Drama,” in Religion und Kultur, K. von Stosch, M. Hofmann, and S. Schmitz, Eds. Bielefeld: transcript, 2016, pp. 81–96.
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[88]
2016 | Journal Article | LibreCat-ID: 9690
M. Tönnies, “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s,” Anglistik. International Journal of English Studies, vol. 27, no. 1, pp. 113–124, 2016.
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[87]
2016 | Journal Article | LibreCat-ID: 9691
M. Tönnies, J. Brüning, and A. Sand, “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance,” Zeitschrift für Anglistik und Amerikanistik, vol. 64, no. 3, pp. 301–320, 2016.
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[86]
2015 | Book Review | LibreCat-ID: 9695
M. Tönnies, “Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political,” Journal of Contemporary Drama in English, vol. 3, no. 2. pp. 355–358, 2015.
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[85]
2015 | Journal Article | LibreCat-ID: 6769
M. Tönnies, “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama,” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, pp. 243–260, 2015.
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[84]
2014 | Book Review | LibreCat-ID: 9627
M. Tönnies, “Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism,” Arbeiten aus Anglistik und Amerikanistik, vol. 39. pp. 203–207, 2014.
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[83]
2014 | Book | LibreCat-ID: 6699
M. Tönnies, (En-)Gendering a Popular Theatrical Genre. The Roles of Women in Nineteenth-Century British Melodrama, 1. Heidelberg: Winter, 2014.
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[82]
2014 | Journal Article | LibreCat-ID: 6781
M. Tönnies, “Anti-hegemoniale Strategien des Kleinen. Britische dokumentarische Farbfotografie als Kritik des Thatcherismus,” Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien, pp. 321–333, 2014.
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[81]
2013 | Book Review | LibreCat-ID: 9629
M. Tönnies, “Middeke,M. / Schnierer, P.P. / Sierz, A. (Hg.): The Methuen Guide to Contemporary British Playwrights,” Anglia, vol. 131, no. 1. pp. 183–188, 2013.
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[80]
2013 | Book Review | LibreCat-ID: 9630
M. Tönnies, “Rossow, H. Globalismus und Lew Labour,” Anglistik. International Journal of English Studies, vol. 24, no. 2. pp. 223–225, 2013.
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[79]
2013 | Book Review | LibreCat-ID: 9632
M. Tönnies, “Baumbach, S. / Neumann, B. / Nünning, A.: A History of British Drama,” Anglistik. International Journal of English Studies, vol. 24, no. 1. pp. 201–203, 2013.
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[78]
2013 | Journal Article | LibreCat-ID: 6782
M. Tönnies, “Northern Landscapes and Anti-Thatcherite Positioning,” Journal for the Study of British Cultures, vol. 20, no. 2, pp. 115–124, 2013.
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[77]
2013 | Journal Article | LibreCat-ID: 6783
M. Tönnies, “Feminising a Classical Male Plot Model? Black British Women Writers and the ‘Bildungsroman,’” International Journal of English Studies, vol. 24, no. 1, pp. 51–61, 2013.
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[76]
2012 | Book (Editor) | LibreCat-ID: 6753
M. Tönnies, H. Buschmann, and Anglistik und Englischunterricht, Eds., Spatial Representations of British Identities. Heidelberg: Winter, 2012.
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[75]
2012 | Journal Article | LibreCat-ID: 6784
M. Tönnies, “A Bricolage of Identities in Crisis. Colour Photography Documenting Northern England under Thatcher,” Facteurs d’Identité / Faktoren der Identität, pp. 301–323, 2012.
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[74]
2011 | Book Chapter | LibreCat-ID: 9726
C. Flotmann and M. Tönnies, “Introducing Narrative in Drama,” in Narrative in Drama: CDE Studies 18, vol. 18, M. Tönnies and C. Flotmann-Scholz, Eds. Trier: WVT, 2011, pp. 9–17.
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[73]
2011 | Book (Editor) | LibreCat-ID: 9918
M. Tönnies and C. Flotmann, Eds., Narrative in Drama. Trier: WVT, 2011.
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[72]
2011 | Book (Editor) | LibreCat-ID: 6755
M. Tönnies, C. Flotmann, and Contemporary Drama in English, Eds., Narrative in Drama. Trier: WVT, 2011.
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[71]
2010 | Book (Editor) | LibreCat-ID: 6756
M. Tönnies, I. Grimm, and Journal for the Study of British Cultures, Eds., Reading British Spaces. Tübingen: Narr, 2010.
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[70]
2010 | Book (Editor) | LibreCat-ID: 6757
M. Tönnies and WVT Handbücher zum literaturwissenschaftlichen Studium 13, Eds., Das englische Drama der Gegenwart: Kategorien-Entwicklungen-Modellnterpretationen. Trier: WVT, 2010.
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[69]
2010 | Journal Article | LibreCat-ID: 6785
M. Tönnies and A. Sand, “The Features of Meanings of Orality in Black British Performance Poetry,” Anglistentag 2009 Klagenfurt. Proceedings, pp. 105–114, 2010.
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[68]
2010 | Journal Article | LibreCat-ID: 6863
M. Tönnies, “Transgressive Melodrama. The ‘Sensational’ 1860s and their After-Effects,” Victorian Highways - Victorian Byways. New Approaches to Nineteenth-Century British Literature and Culture, pp. 157–180, 2010.
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[67]
2009 | Book Review | LibreCat-ID: 9636
M. Tönnies, “Assmann, A.: Einführung in die Kulturwissenschaft,” Anglistik. International Journal of English Studies, vol. 20, no. 1. pp. 198–200, 2009.
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[66]
2009 | Encyclopedia Article | LibreCat-ID: 6871
M. Tönnies, “Shelagh  Delaney ‘A Taste of Honey,’” in Kindlers Literaturlexikon, 2009.
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[65]
2009 | Encyclopedia Article | LibreCat-ID: 6874
M. Tönnies, “David Hare ‘A Map of the World,’” in Kindlers Literaturlexikon, 2009.
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[64]
2009 | Encyclopedia Article | LibreCat-ID: 6875
M. Tönnies, “David Hare ‘Knuckle,’” in Kindlers Literaturlexikon, 2009.
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[63]
2009 | Encyclopedia Article | LibreCat-ID: 6876
M. Tönnies, “David Hare ‘Plenty,’” in Kindlers Literaturlexikon, 2009.
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[62]
2009 | Encyclopedia Article | LibreCat-ID: 6877
M. Tönnies, “Ann Patricia Jellicoe ‘The Knack,’” in Kindlers Literaturlexikon, 2009.
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[61]
2009 | Encyclopedia Article | LibreCat-ID: 6878
M. Tönnies, “Stephen Poliakoff ‘Strawberry Fields,’” in Kindlers Literaturlexikon, 2009.
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[60]
2009 | Encyclopedia Article | LibreCat-ID: 6879
M. Tönnies, “Peter Shaffer ‘Amadeus,’” in Kindlers Literaturlexikon, 2009.
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[59]
2009 | Encyclopedia Article | LibreCat-ID: 6880
M. Tönnies, “Peter Shaffer ‘Equus,’” in Kindlers Literaturlexikon, 2009.
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[58]
2009 | Encyclopedia Article | LibreCat-ID: 6881
M. Tönnies, “George Bernard Shaw ‘Mrs Warren’s Profession,’” in Kindlers Literaturlexikon, 2009.
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[57]
2009 | Encyclopedia Article | LibreCat-ID: 6883
M. Tönnies, “Oscar Wilde ‘Mrs Henry Wood,’” in Kindlers Literaturlexikon, 2009.
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[56]
2009 | Encyclopedia Article | LibreCat-ID: 6867
M. Tönnies, “Mary Elisabeth Braddon ‘Lady Audley’s Secret,’” in Kindlers Literaturlexikon, 2009.
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[55]
2009 | Encyclopedia Article | LibreCat-ID: 6882
M. Tönnies, “Oscar Wilde ‘Lady Windermere’s Fan,’” in Kindlers Literaturlexikon, 2009.
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[54]
2009 | Encyclopedia Article | LibreCat-ID: 6865
M. Tönnies, “Alan Ayckbourn ‘Woman in Mind,’” in Kindlers Literaturlexikon, 2009.
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[53]
2009 | Encyclopedia Article | LibreCat-ID: 6869
M. Tönnies, “Wilkie Collins ‘The Moonstone,’” in Kindlers Literaturlexikon, 2009.
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[52]
2009 | Encyclopedia Article | LibreCat-ID: 6884
M. Tönnies, “Oscar Wilde ‘East Lynne,’” in Kindlers Literaturlexikon, 2009.
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[51]
2008 | Journal Article | LibreCat-ID: 7594
M. Tönnies, “Translating African Traditions and Identities. Black Poetry in Contemporary Britain,” Cultures of Translation, pp. 87–104, 2008.
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[50]
2008 | Journal Article | LibreCat-ID: 7595
M. Tönnies, “The Visual Strategies of Nineteenth-Century Melodrama,” Anglistik & Englischunterricht 71, pp. 183–205, 2008.
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[49]
2008 | Journal Article | LibreCat-ID: 7596
M. Tönnies, “Kulturelle Bedeutungen und Kontexte der indischen Küche in Großbritannien,” Interkulturelle Mahlzeiten. Kulinarische Begegnungen und Kommunikation in der Literatur, pp. 337–354, 2008.
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[48]
2008 | Book Review | LibreCat-ID: 9640
M. Tönnies, “Caselli, D.: Beckett’s Dante,” Archiv für das Studium der neueren Sprachen und Literaturen, vol. 245, no. 1. pp. 155–156, 2008.
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[47]
2007 | Journal Article | LibreCat-ID: 7597
M. Tönnies, “Constructing an Emblematic Northern Space. The New Brighton Photographs of Martin Parr and Tom Wood,” Spatial Practices 2, pp. 305–324, 2007.
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[46]
2007 | Book Review | LibreCat-ID: 9641
M. Tönnies, “Stierstorfer, K. / L. Volkmann (Hg.): Kulturwissenschaft Interdisziplinär,” Anglistik. International Journal of English Studies, vol. 18, no. 1. pp. 170–1, 2007.
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[45]
2007 | Book | LibreCat-ID: 6751
M. Tönnies and U. Voigt, Introduction to the Study of British Culture. Tübingen: Narr Studienbücher, 2007.
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[44]
2007 | Book Chapter | LibreCat-ID: 6759
M. Tönnies, “London-Diversity and Myth,” in Viewfinder Special. Lese-und Arbeitsbuch für die gymnasiale Oberstufe, P. Freese, Ed. Berlin: Langenscheidt, 2007, pp. 96–111.
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[43]
2006 | Conference Paper | LibreCat-ID: 7598
M. Tönnies, “Forms and Functions of Violence in Contemporary Black British Drama,” in Anglistentag 2005, 2006, pp. 69–77.
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[42]
2006 | Journal Article | LibreCat-ID: 7599
M. Tönnies, “Foregrounding Boundary Zones. Martin Parr’s Photographic (De-)Constructions of Englishness,” Spatial Practices 1, pp. 225–241, 2006.
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[41]
2006 | Journal Article | LibreCat-ID: 7600
M. Tönnies, “Percy Mtwa, Mbongeni Ngema and Barney Simon: Woza Albert! (1981),” Drama II, vol. 2, pp. 389–404, 2006.
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[40]
2006 | Journal Article | LibreCat-ID: 7601
M. Tönnies, “New Labour in the New Millenium. A Further Theatricalisation of Politics?,” Passauer Arbeiten zur Literatur-und Kulturwissenschaft, vol. 3, pp. 119–138, 2006.
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[39]
2006 | Journal Article | LibreCat-ID: 7615
M. Tönnies, “Radicalising Postmodern Biofictions. British Fictional Autobiography of the Twenty-First Century,” Salzburg Studies in English Literature and Culture, vol. 3, pp. 305–314, 2006.
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[38]
2006 | Journal Article | LibreCat-ID: 7616
M. Tönnies, “A Midsummer Night’s Dream,” Stauffenburg Handbücher, vol. 9, pp. 195–214, 2006.
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[37]
2006 | Book Review | LibreCat-ID: 9642
M. Tönnies, “Boehmer, E.: Stories of Women, 2005,” Archiv für das Studium der neueren Sprachen und Literaturen, vol. 243, no. 2. pp. 445–447, 2006.
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[36]
2006 | Book Review | LibreCat-ID: 9643
M. Tönnies, “Middeke, M.: Die Kunst der gelebten Zeit, 2004,” Zeitschrift für Anglistik und Amerikanistik, vol. 54, no. 3. pp. 315–317, 2006.
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[35]
2006 | Book Review | LibreCat-ID: 9644
M. Tönnies, “Kamm, J. / B. Lenz: Großbritannien verstehen, 2004,” Anglia, vol. 123, no. 4. pp. 779–782, 2006.
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[34]
2006 | Book Review | LibreCat-ID: 9645
M. Tönnies, “Nünning, V. / A. Nünning (Hg.): Erzähltextanalyse und Gender Studies, 2004,” Archiv für das Studium der neueren Sprachen und Literaturen, vol. 242, no. 2. pp. 434–436, 2006.
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[33]
2005 | Journal Article | LibreCat-ID: 8352
M. Tönnies, “Courttia Newland’s Theatre Work. On the Occasion of B is for Black (Oval House Theatre, London, 1-18 October 2003,” Hard Times, vol. 76, pp. 31–33, 2005.
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[32]
2005 | Book Chapter | LibreCat-ID: 8353
M. Tönnies, “‘Serious’ Science vs. ‘Light’ Entertainment? Femininity Concepts in Nineteenth-Century British Medical Discourse and Popular Fiction,” in Unmapped Countries: Biological Visions in Nineteenth-Century Literature and Culture, A.-J. Zwierlein, Ed. Anthem Press, 2005, pp. 183–192.
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[31]
2005 | Book Chapter | LibreCat-ID: 8845
M. Tönnies, “A New Self-Conscious Turn at the Turn of the Centruy?,” in anglistik & englischunterricht, vol. 66, 2005, pp. 57–82.
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[30]
2005 | Journal Article | LibreCat-ID: 8847
M. Tönnies, “Das viktorianische Theater als Populärkultur,” Eine Kulturgeschichte der englischen Literatur: Von der Renaissance bis zur Gegenwart, pp. 158–170, 2005.
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[29]
2005 | Book Review | LibreCat-ID: 9647
M. Tönnies, “Hooper, B.: Voices in the Heart. Postcolonialism and Identity in Hong Kong Literature, 2003,” Anglistik, vol. 16, no. 2. pp. 201–203, 2005.
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[28]
2004 | Journal Article | LibreCat-ID: 8848
M. Tönnies, “New Britain as Consumer Country and Commodity,” Journal for the Study of British Cultures, vol. 11, no. 2, pp. 117–128, 2004.
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[27]
2004 | Book Review | LibreCat-ID: 9657
M. Tönnies, “Mergenthal, S.: A Fast-Forward Version of England, 2003,” Anglia, vol. 122, no. 4. pp. 758–761, 2004.
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[26]
2003 | Journal Article | LibreCat-ID: 8849
M. Tönnies, “Peter Brook’s Glückliche Tage,” The Beckett Circle, vol. 26, no. 2, pp. 1–3, 2003.
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[25]
2003 | Book Chapter | LibreCat-ID: 8850
M. Tönnies, “‘New Lingo - New Theatre’?,” in anglistik & englischunterricht, vol. 65, 2003, pp. 169–191.
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[24]
2003 | Journal Article | LibreCat-ID: 8851
M. Tönnies, “The ‘Postcolonial University Novel’ in Britain.,” Xenophobic Memories: Otherness in Postcolonial Constructions of the Past, pp. 13–37, 2003.
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[23]
2003 | Journal Article | LibreCat-ID: 8852
M. Tönnies, P. Annette, von R. Alyce, and S. Kathleen, “Making Play-texts Live: Teaching Drama as Experience,” Global Challenges and Regional Responses in Contemporary Drama in English, vol. 10, pp. 247–264, 2003.
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[22]
2003 | Book Review | LibreCat-ID: 9658
M. Tönnies, “Sager, P.: Oxford & Cambridge. Eine Kulturgeschichte,” Journal for the Study of British Cultures, vol. 10, no. 2. 2003.
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[21]
2003 | Book Review | LibreCat-ID: 9659
M. Tönnies, “Veit, C.: Ich-Konzept und Körper in Becketts dualen Konstruktionen, 2002,” The Beckett Circle, vol. 26, no. 2. p. 18, 2003.
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[20]
2003 | Book Review | LibreCat-ID: 9660
M. Tönnies, “Logan, T.: The Victorian Parlour, 2001,” Anglia, vol. 121, no. 2. pp. 323–325, 2003.
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[19]
2003 | Book Review | LibreCat-ID: 9661
M. Tönnies, “Keipert, H.: Pope, Popovskij und die Popen, 2001,” Archiv für das Studium der neueren Sprachen und Literaturen, vol. 240, no. 1. pp. 141–144, 2003.
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[18]
2003 | Book Review | LibreCat-ID: 9662
M. Tönnies, “Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen und ästhetische Konstruktion bei Jean Paul und Samuel Beckett, 2001,” The Beckett Circle, vol. 26, no. 1. p. 20, 2003.
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[17]
2003 | Book Review | LibreCat-ID: 9663
M. Tönnies, “Beckett, S.: Dante und der Hummer. Gesammelte Prosa, 2000,” The Beckett Circle, vol. 26, no. 1. pp. 15–16, 2003.
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[16]
2002 | Journal Article | LibreCat-ID: 8853
M. Tönnies, “Good/Bad Girls and their Fathers,” Journal for the Study of British Cultures, vol. 9, no. 2, pp. 185–195, 2002.
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[15]
2002 | Book Chapter | LibreCat-ID: 8862
M. Tönnies, “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions,” in Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, vol. 57, M. Pfister, Ed. Amsterdam: Rodopi, 2002, pp. 99–119.
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[14]
2002 | Journal Article | LibreCat-ID: 8863
M. Tönnies, “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, its 1960s Forebears and the Beginning of the 21st Century ,” Contemporary Drama in English, vol. 9, pp. 57–71, 2002.
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[13]
2002 | Book Review | LibreCat-ID: 9664
M. Tönnies, “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000,” Forum Modernes Theater, vol. 17, no. 1. pp. 95–98, 2002.
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[12]
2001 | Journal Article | LibreCat-ID: 8864
M. Tönnies, “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama,” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans fin en l’an 2000, vol. 11, pp. 194–201, 2001.
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[11]
2001 | Journal Article | LibreCat-ID: 8865
M. Tönnies, “The Limits of Defining Power in Terms of Exclusion,” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, pp. 61–64, 2001.
LibreCat
 
[10]
2001 | Book (Editor) | LibreCat-ID: 6760
M. Tönnies and C.-U. Viol, Eds., British Political Speeches from Churchill to Blair. Stuttgart: Reclam, 2001.
LibreCat
 
[9]
2000 | Book Review | LibreCat-ID: 9665
M. Tönnies, “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998,” Journal for the Study of British Cultures, vol. 7, no. 1. pp. 80–83, 2000.
LibreCat
 
[8]
2000 | Book (Editor) | LibreCat-ID: 6762
M. Tönnies, G. Stratmann, C.-U. Viol, and Anglistik und Englischunterricht 63, Eds., Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter, 2000.
LibreCat
 
[7]
1999 | Book (Editor) | LibreCat-ID: 6765
M. Tönnies and C.-U. Viol, Eds., Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam, 1999.
LibreCat
 
[6]
1999 | Book (Editor) | LibreCat-ID: 6767
M. Tönnies and R. Schiffer, Eds., British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. Trier: WVT, 1999.
LibreCat
 
[5]
1999 | Book Review | LibreCat-ID: 9666
M. Tönnies, “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997,” Journal for the Study of British Cultures, vol. 6, no. 2. pp. 211–213, 1999.
LibreCat
 
[4]
1999 | Book Review | LibreCat-ID: 9667
M. Tönnies, “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten für Theater, Radio, Film und Fernsehen, 1998,” Forum Modernes Theater, vol. 14, no. 2. pp. 229–233, 1999.
LibreCat
 
[3]
1999 | Book Review | LibreCat-ID: 9668
M. Tönnies, “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997,” Anglia, vol. 117. pp. 460–462, 1999.
LibreCat
 
[2]
1997 | Book | LibreCat-ID: 6752
M. Tönnies, Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT, 1997.
LibreCat
 
[1]
1996 | Journal Article | LibreCat-ID: 9626
M. Tönnies, “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama,” Forum Modernes Theater, vol. 11, no. 2, pp. 185–196, 1996.
LibreCat
 

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