106 Publications

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[106]
2023 | Book Review | LibreCat-ID: 50264
Tönnies, Merle. Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century. no. 3, 2023, pp. 268–70, doi: https://doi.org/10.33675/ANGL/2023/3/20.
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[105]
2022 | Book (Editor) | LibreCat-ID: 34453
Tönnies, Merle, et al., editors. Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre. Walter deGruyter, 2022.
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[104]
2022 | Journal Article | LibreCat-ID: 34452
Tönnies, Merle, and Christina Flotmann-Scholz. “Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics.” Anglistik: International Journal of English Studies, vol. 33, no. 2, 2022, pp. 257–72.
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[103]
2022 | Journal Article | LibreCat-ID: 34454
Tönnies, Merle, and Eckart Voigts. “Anger, Anxiety and Hope: The Complicit Realities and Engaged/Ing Communities of Contemporary Briitsh Dys/Utopian Theatre.” Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies), vol. 32, Walter deGruyter, 2022.
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[102]
2021 | Book Chapter | LibreCat-ID: 24539
Tönnies, Merle. “Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain.” Mentalities and Materialities: Essays in Honour of Jürgen Kamm, edited by Philip Jacobi and Anette Pankratz, Königshausen & Neumann, 2021, pp. 149–63.
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[101]
2021 | Book (Editor) | LibreCat-ID: 21825
Tönnies, Merle, and Hendrick Schlieper, editors. Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas. Vol. 21, Harrassowitz, 2021.
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[100]
2021 | Book Chapter | LibreCat-ID: 21826
Tönnies, Merle. “The Black British Bildungsroman: Gender-Specific Plot Models?” Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas, edited by Merle Tönnies and Hendrick Schlieper, vol. 21, Harrassowitz, 2021, pp. 235-263.
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[99]
2021 | Journal Article | LibreCat-ID: 29244
Tönnies, Merle, and Aleks Sierz. “‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama.” Journal of Contemporary Drama in English, vol. 9, no. 1, DeGruyter, 2021, pp. 20–42.
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[98]
2020 | Journal Article | LibreCat-ID: 21824
Tönnies, Merle, and Eckart Voigts. “Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre.” Journal of Contemporary Drama in English, vol. 8, no. 2, DeGruyter, 2020, pp. 295–312.
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[97]
2020 | Book Chapter | LibreCat-ID: 17058
Tönnies, Merle, and Matthias Göhrmann. “British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach.” How to Do Cultural Studies: Ideas, Approaches, Scenarios, edited by Jürgen Kramer and Bernd Lenz, Königshausen & Neumann, 2020, pp. 303–39.
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[96]
2019 | Journal Article | LibreCat-ID: 17057
Tönnies, Merle, and Dennis Henneböhl. “Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit.” Journal for the Study of British Cultures, vol. 26, no. 2, 2019, pp. 181–93.
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[95]
2018 | Book Chapter | LibreCat-ID: 9694
Tönnies, Merle, and Anna Lienen. “Changing Uses of the City in Contemporary Black British Novels.” Resistance and the City. Negotiating Urban Identities: Race, Class, Gender, edited by Christoph Ehland and Pascal Fischer, vol. 28, Brill, 2018, pp. 66–82.
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[94]
2017 | Journal Article | LibreCat-ID: 9692
Tönnies, Merle. “The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias.” Journal of Contemporary Drama in English, vol. 5, no. 1, 2017, pp. 156–72.
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[93]
2017 | Book Chapter | LibreCat-ID: 9693
Tönnies, Merle. “Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011).” Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama, edited by Kerstin Frank and Caroline Lusin, vol. 82, Narr Francke Attempto, 2017, pp. 19–39.
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[92]
2017 | Book Review | LibreCat-ID: 9696
Tönnies, Merle. “Pope, G.: Reading London’s Suburbs.” Anglistik. International Journal of English Studies, vol. 28, no. 1, 2017, pp. 175–77.
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[91]
2017 | Journal Article | LibreCat-ID: 13875
Tönnies, Merle. “The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power.” Storyworlds: A Journal of Narrative Studies, vol. 9, no. 1–2, 2017, pp. 95–120.
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[90]
2016 | Conference (Editor) | LibreCat-ID: 9688
Tönnies, Merle, et al., editors. Anglistentag 2015 Paderborn: Proceedings. WVT, 2016.
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[89]
2016 | Book Chapter | LibreCat-ID: 9689
Tönnies, Merle. “Religion im zeitgenössischen britischen Drama.” Religion und Kultur, edited by Klaus von Stosch et al., transcript, 2016, pp. 81–96.
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[88]
2016 | Journal Article | LibreCat-ID: 9690
Tönnies, Merle. “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s.” Anglistik. International Journal of English Studies, vol. 27, no. 1, 2016, pp. 113–24.
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[87]
2016 | Journal Article | LibreCat-ID: 9691
Tönnies, Merle, et al. “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance.” Zeitschrift Für Anglistik Und Amerikanistik, vol. 64, no. 3, 2016, pp. 301–20.
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[86]
2015 | Book Review | LibreCat-ID: 9695
Tönnies, Merle. “Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political.” Journal of Contemporary Drama in English, vol. 3, no. 2, 2015, pp. 355–58.
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[85]
2015 | Journal Article | LibreCat-ID: 6769
Tönnies, Merle. “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama.” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, Peter Lang, 2015, pp. 243–60.
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[84]
2014 | Book Review | LibreCat-ID: 9627
Tönnies, Merle. “Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism.” Arbeiten Aus Anglistik Und Amerikanistik, vol. 39, 2014, pp. 203–07.
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[83]
2014 | Book | LibreCat-ID: 6699
Tönnies, Merle. (En-)Gendering a Popular Theatrical Genre. The Roles of Women in Nineteenth-Century British Melodrama. 1., Winter, 2014.
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[82]
2014 | Journal Article | LibreCat-ID: 6781
Tönnies, Merle. “Anti-hegemoniale Strategien des Kleinen. Britische dokumentarische Farbfotografie als Kritik des Thatcherismus.” Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien, Wilhelm Fink, 2014, pp. 321–33.
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[81]
2013 | Book Review | LibreCat-ID: 9629
Tönnies, Merle. “Middeke,M. / Schnierer, P.P. / Sierz, A. (Hg.): The Methuen Guide to Contemporary British Playwrights.” Anglia, vol. 131, no. 1, 2013, pp. 183–88.
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[80]
2013 | Book Review | LibreCat-ID: 9630
Tönnies, Merle. “Rossow, H. Globalismus Und Lew Labour.” Anglistik. International Journal of English Studies, vol. 24, no. 2, 2013, pp. 223–25.
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[79]
2013 | Book Review | LibreCat-ID: 9632
Tönnies, Merle. “Baumbach, S. / Neumann, B. / Nünning, A.: A History of British Drama.” Anglistik. International Journal of English Studies, vol. 24, no. 1, 2013, pp. 201–03.
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[78]
2013 | Journal Article | LibreCat-ID: 6782
Tönnies, Merle. “Northern Landscapes and Anti-Thatcherite Positioning.” Journal for the Study of British Cultures, vol. 20, no. 2, 2013, pp. 115–24.
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[77]
2013 | Journal Article | LibreCat-ID: 6783
Tönnies, Merle. “Feminising a Classical Male Plot Model? Black British Women Writers and the ‘Bildungsroman.’” International Journal of English Studies, vol. 24, no. 1, 2013, pp. 51–61.
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[76]
2012 | Book (Editor) | LibreCat-ID: 6753
Tönnies, Merle, et al., editors. Spatial Representations of British Identities. Winter, 2012.
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[75]
2012 | Journal Article | LibreCat-ID: 6784
Tönnies, Merle. “A Bricolage of Identities in Crisis. Colour Photography Documenting Northern England under Thatcher.” Facteurs d’Identité / Faktoren Der Identität, Peter Lang, 2012, pp. 301–23.
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[74]
2011 | Book Chapter | LibreCat-ID: 9726
Flotmann, Christina, and Merle Tönnies. “Introducing Narrative in Drama.” Narrative in Drama: CDE Studies 18, edited by Merle Tönnies and Christina Flotmann-Scholz, vol. 18, WVT, 2011, pp. 9–17.
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[73]
2011 | Book (Editor) | LibreCat-ID: 9918
Tönnies, Merle, and Christina Flotmann, editors. Narrative in Drama. WVT, 2011.
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[72]
2011 | Book (Editor) | LibreCat-ID: 6755
Tönnies, Merle, et al., editors. Narrative in Drama. WVT, 2011.
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[71]
2010 | Book (Editor) | LibreCat-ID: 6756
Tönnies, Merle, et al., editors. Reading British Spaces. Narr, 2010.
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[70]
2010 | Book (Editor) | LibreCat-ID: 6757
Tönnies, Merle, and WVT Handbücher zum literaturwissenschaftlichen Studium 13, editors. Das englische Drama der Gegenwart: Kategorien-Entwicklungen-Modellnterpretationen. WVT, 2010.
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[69]
2010 | Journal Article | LibreCat-ID: 6785
Tönnies, Merle, and Andrea Sand. “The Features of Meanings of Orality in Black British Performance Poetry.” Anglistentag 2009 Klagenfurt. Proceedings, WVT, 2010, pp. 105–14.
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[68]
2010 | Journal Article | LibreCat-ID: 6863
Tönnies, Merle. “Transgressive Melodrama. The ‘Sensational’ 1860s and Their After-Effects.” Victorian Highways - Victorian Byways. New Approaches to Nineteenth-Century British Literature and Culture, 2010, pp. 157–80.
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[67]
2009 | Book Review | LibreCat-ID: 9636
Tönnies, Merle. “Assmann, A.: Einführung in Die Kulturwissenschaft.” Anglistik. International Journal of English Studies, vol. 20, no. 1, 2009, pp. 198–200.
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[66]
2009 | Encyclopedia Article | LibreCat-ID: 6871
Tönnies, Merle. “Shelagh  Delaney ‘A Taste of Honey.’” Kindlers Literaturlexikon, 2009.
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[65]
2009 | Encyclopedia Article | LibreCat-ID: 6874
Tönnies, Merle. “David Hare ‘A Map of the World.’” Kindlers Literaturlexikon, 2009.
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[64]
2009 | Encyclopedia Article | LibreCat-ID: 6875
Tönnies, Merle. “David Hare ‘Knuckle.’” Kindlers Literaturlexikon, 2009.
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[63]
2009 | Encyclopedia Article | LibreCat-ID: 6876
Tönnies, Merle. “David Hare ‘Plenty.’” Kindlers Literaturlexikon, 2009.
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[62]
2009 | Encyclopedia Article | LibreCat-ID: 6877
Tönnies, Merle. “Ann Patricia Jellicoe ‘The Knack.’” Kindlers Literaturlexikon, 2009.
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[61]
2009 | Encyclopedia Article | LibreCat-ID: 6878
Tönnies, Merle. “Stephen Poliakoff ‘Strawberry Fields.’” Kindlers Literaturlexikon, 2009.
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[60]
2009 | Encyclopedia Article | LibreCat-ID: 6879
Tönnies, Merle. “Peter Shaffer ‘Amadeus.’” Kindlers Literaturlexikon, 2009.
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[59]
2009 | Encyclopedia Article | LibreCat-ID: 6880
Tönnies, Merle. “Peter Shaffer ‘Equus.’” Kindlers Literaturlexikon, 2009.
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[58]
2009 | Encyclopedia Article | LibreCat-ID: 6881
Tönnies, Merle. “George Bernard Shaw ‘Mrs Warren’s Profession.’” Kindlers Literaturlexikon, 2009.
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[57]
2009 | Encyclopedia Article | LibreCat-ID: 6883
Tönnies, Merle. “Oscar Wilde ‘Mrs Henry Wood.’” Kindlers Literaturlexikon, 2009.
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[56]
2009 | Encyclopedia Article | LibreCat-ID: 6867
Tönnies, Merle. “Mary Elisabeth Braddon ‘Lady Audley’s Secret.’” Kindlers Literaturlexikon, 2009.
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[55]
2009 | Encyclopedia Article | LibreCat-ID: 6882
Tönnies, Merle. “Oscar Wilde ‘Lady Windermere’s Fan.’” Kindlers Literaturlexikon, 2009.
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[54]
2009 | Encyclopedia Article | LibreCat-ID: 6865
Tönnies, Merle. “Alan Ayckbourn ‘Woman in Mind.’” Kindlers Literaturlexikon, 2009.
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[53]
2009 | Encyclopedia Article | LibreCat-ID: 6869
Tönnies, Merle. “Wilkie Collins ‘The Moonstone.’” Kindlers Literaturlexikon, 2009.
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[52]
2009 | Encyclopedia Article | LibreCat-ID: 6884
Tönnies, Merle. “Oscar Wilde ‘East Lynne.’” Kindlers Literaturlexikon, 2009.
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[51]
2008 | Journal Article | LibreCat-ID: 7594
Tönnies, Merle. “Translating African Traditions and Identities. Black Poetry in Contemporary Britain.” Cultures of Translation, Cambridge Scholars Publishing, 2008, pp. 87–104.
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[50]
2008 | Journal Article | LibreCat-ID: 7595
Tönnies, Merle. “The Visual Strategies of Nineteenth-Century Melodrama.” Anglistik & Englischunterricht 71, 2008, pp. 183–205.
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[49]
2008 | Journal Article | LibreCat-ID: 7596
Tönnies, Merle. “Kulturelle Bedeutungen Und Kontexte Der Indischen Küche in Großbritannien.” Interkulturelle Mahlzeiten. Kulinarische Begegnungen Und Kommunikation in Der Literatur, transcript, 2008, pp. 337–54.
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[48]
2008 | Book Review | LibreCat-ID: 9640
Tönnies, Merle. “Caselli, D.: Beckett’s Dante.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 245, no. 1, 2008, pp. 155–56.
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[47]
2007 | Journal Article | LibreCat-ID: 7597
Tönnies, Merle. “Constructing an Emblematic Northern Space. The New Brighton Photographs of Martin Parr and Tom Wood.” Spatial Practices 2, Rodopi, 2007, pp. 305–24.
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[46]
2007 | Book Review | LibreCat-ID: 9641
Tönnies, Merle. “Stierstorfer, K. / L. Volkmann (Hg.): Kulturwissenschaft Interdisziplinär.” Anglistik. International Journal of English Studies, vol. 18, no. 1, 2007, pp. 170–71.
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[45]
2007 | Book | LibreCat-ID: 6751
Tönnies, Merle, and Ulrich Voigt. Introduction to the Study of British Culture. Narr Studienbücher, 2007.
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[44]
2007 | Book Chapter | LibreCat-ID: 6759
Tönnies, Merle. “London-Diversity and Myth.” Viewfinder Special. Lese-Und Arbeitsbuch Für Die Gymnasiale Oberstufe, edited by Peter Freese, Langenscheidt, 2007, pp. 96–111.
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[43]
2006 | Conference Paper | LibreCat-ID: 7598
Tönnies, Merle. “Forms and Functions of Violence in Contemporary Black British Drama.” Anglistentag 2005, WVT, 2006, pp. 69–77.
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[42]
2006 | Journal Article | LibreCat-ID: 7599
Tönnies, Merle. “Foregrounding Boundary Zones. Martin Parr’s Photographic (De-)Constructions of Englishness.” Spatial Practices 1, Rodopi, 2006, pp. 225–41.
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[41]
2006 | Journal Article | LibreCat-ID: 7600
Tönnies, Merle. “Percy Mtwa, Mbongeni Ngema and Barney Simon: Woza Albert! (1981).” Drama II, vol. 2, 2006, pp. 389–404.
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[40]
2006 | Journal Article | LibreCat-ID: 7601
Tönnies, Merle. “New Labour in the New Millenium. A Further Theatricalisation of Politics?” Passauer Arbeiten Zur Literatur-Und Kulturwissenschaft, vol. 3, Stutz, 2006, pp. 119–38.
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[39]
2006 | Journal Article | LibreCat-ID: 7615
Tönnies, Merle. “Radicalising Postmodern Biofictions. British Fictional Autobiography of the Twenty-First Century.” Salzburg Studies in English Literature and Culture, vol. 3, Lang, 2006, pp. 305–14.
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[38]
2006 | Journal Article | LibreCat-ID: 7616
Tönnies, Merle. “A Midsummer Night’s Dream.” Stauffenburg Handbücher, vol. 9, Stauffenburg, 2006, pp. 195–214.
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[37]
2006 | Book Review | LibreCat-ID: 9642
Tönnies, Merle. “Boehmer, E.: Stories of Women, 2005.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 243, no. 2, 2006, pp. 445–47.
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[36]
2006 | Book Review | LibreCat-ID: 9643
Tönnies, Merle. “Middeke, M.: Die Kunst Der Gelebten Zeit, 2004.” Zeitschrift Für Anglistik Und Amerikanistik, vol. 54, no. 3, 2006, pp. 315–17.
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[35]
2006 | Book Review | LibreCat-ID: 9644
Tönnies, Merle. “Kamm, J. / B. Lenz: Großbritannien Verstehen, 2004.” Anglia, vol. 123, no. 4, 2006, pp. 779–82.
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[34]
2006 | Book Review | LibreCat-ID: 9645
Tönnies, Merle. “Nünning, V. / A. Nünning (Hg.): Erzähltextanalyse Und Gender Studies, 2004.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 242, no. 2, 2006, pp. 434–36.
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[33]
2005 | Journal Article | LibreCat-ID: 8352
Tönnies, Merle. “Courttia Newland’s Theatre Work. On the Occasion of B Is for Black (Oval House Theatre, London, 1-18 October 2003.” Hard Times, vol. 76, 2005, pp. 31–33.
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[32]
2005 | Book Chapter | LibreCat-ID: 8353
Tönnies, Merle. “‘Serious’ Science vs. ‘Light’ Entertainment? Femininity Concepts in Nineteenth-Century British Medical Discourse and Popular Fiction.” Unmapped Countries: Biological Visions in Nineteenth-Century Literature and Culture, edited by Anne-Julia Zwierlein, Anthem Press, 2005, pp. 183–92.
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[31]
2005 | Book Chapter | LibreCat-ID: 8845
Tönnies, Merle. “A New Self-Conscious Turn at the Turn of the Centruy?” Anglistik & Englischunterricht, vol. 66, 2005, pp. 57–82.
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[30]
2005 | Journal Article | LibreCat-ID: 8847
Tönnies, Merle. “Das viktorianische Theater als Populärkultur.” Eine Kulturgeschichte der englischen Literatur: Von der Renaissance bis zur Gegenwart, 2005, pp. 158–70.
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[29]
2005 | Book Review | LibreCat-ID: 9647
Tönnies, Merle. “Hooper, B.: Voices in the Heart. Postcolonialism and Identity in Hong Kong Literature, 2003.” Anglistik, vol. 16, no. 2, 2005, pp. 201–03.
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[28]
2004 | Journal Article | LibreCat-ID: 8848
Tönnies, Merle. “New Britain as Consumer Country and Commodity.” Journal for the Study of British Cultures, vol. 11, no. 2, 2004, pp. 117–28.
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[27]
2004 | Book Review | LibreCat-ID: 9657
Tönnies, Merle. “Mergenthal, S.: A Fast-Forward Version of England, 2003.” Anglia, vol. 122, no. 4, 2004, pp. 758–61.
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[26]
2003 | Journal Article | LibreCat-ID: 8849
Tönnies, Merle. “Peter Brook’s Glückliche Tage.” The Beckett Circle, vol. 26, no. 2, 2003, pp. 1–3.
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[25]
2003 | Book Chapter | LibreCat-ID: 8850
Tönnies, Merle. “‘New Lingo - New Theatre’?” Anglistik & Englischunterricht, vol. 65, 2003, pp. 169–91.
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[24]
2003 | Journal Article | LibreCat-ID: 8851
Tönnies, Merle. “The ‘Postcolonial University Novel’ in Britain.” Xenophobic Memories: Otherness in Postcolonial Constructions of the Past, Winter, 2003, pp. 13–37.
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[23]
2003 | Journal Article | LibreCat-ID: 8852
Tönnies, Merle, et al. “Making Play-Texts Live: Teaching Drama as Experience.” Global Challenges and Regional Responses in Contemporary Drama in English, vol. 10, WVT, 2003, pp. 247–64.
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[22]
2003 | Book Review | LibreCat-ID: 9658
Tönnies, Merle. “Sager, P.: Oxford & Cambridge. Eine Kulturgeschichte.” Journal for the Study of British Cultures, vol. 10, no. 2, 2003.
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[21]
2003 | Book Review | LibreCat-ID: 9659
Tönnies, Merle. “Veit, C.: Ich-Konzept Und Körper in Becketts Dualen Konstruktionen, 2002.” The Beckett Circle, vol. 26, no. 2, 2003, p. 18.
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[20]
2003 | Book Review | LibreCat-ID: 9660
Tönnies, Merle. “Logan, T.: The Victorian Parlour, 2001.” Anglia, vol. 121, no. 2, 2003, pp. 323–25.
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[19]
2003 | Book Review | LibreCat-ID: 9661
Tönnies, Merle. “Keipert, H.: Pope, Popovskij Und Die Popen, 2001.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 240, no. 1, 2003, pp. 141–44.
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[18]
2003 | Book Review | LibreCat-ID: 9662
Tönnies, Merle. “Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen Und Ästhetische Konstruktion Bei Jean Paul Und Samuel Beckett, 2001.” The Beckett Circle, vol. 26, no. 1, 2003, p. 20.
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[17]
2003 | Book Review | LibreCat-ID: 9663
Tönnies, Merle. “Beckett, S.: Dante Und Der Hummer. Gesammelte Prosa, 2000.” The Beckett Circle, vol. 26, no. 1, 2003, pp. 15–16.
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[16]
2002 | Journal Article | LibreCat-ID: 8853
Tönnies, Merle. “Good/Bad Girls and Their Fathers.” Journal for the Study of British Cultures, vol. 9, no. 2, 2002, pp. 185–95.
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[15]
2002 | Book Chapter | LibreCat-ID: 8862
Tönnies, Merle. “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions.” Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, edited by Manfred Pfister, vol. 57, Rodopi, 2002, pp. 99–119.
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[14]
2002 | Journal Article | LibreCat-ID: 8863
Tönnies, Merle. “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, Its 1960s Forebears and the Beginning of the 21st Century .” Contemporary Drama in English, vol. 9, WVT, 2002, pp. 57–71.
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[13]
2002 | Book Review | LibreCat-ID: 9664
Tönnies, Merle. “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000.” Forum Modernes Theater, vol. 17, no. 1, 2002, pp. 95–98.
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[12]
2001 | Journal Article | LibreCat-ID: 8864
Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000, vol. 11, 2001, pp. 194–201.
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[11]
2001 | Journal Article | LibreCat-ID: 8865
Tönnies, Merle. “The Limits of Defining Power in Terms of Exclusion.” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, WVT, 2001, pp. 61–64.
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[10]
2001 | Book (Editor) | LibreCat-ID: 6760
Tönnies, Merle, and Claus-Ulrich Viol, editors. British Political Speeches from Churchill to Blair. Reclam, 2001.
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[9]
2000 | Book Review | LibreCat-ID: 9665
Tönnies, Merle. “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998.” Journal for the Study of British Cultures, vol. 7, no. 1, 2000, pp. 80–83.
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[8]
2000 | Book (Editor) | LibreCat-ID: 6762
Tönnies, Merle, et al., editors. Youth Identities. Teens and Twens in British Culture. Winter, 2000.
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[7]
1999 | Book (Editor) | LibreCat-ID: 6765
Tönnies, Merle, and Claus-Ulrich Viol, editors. Hanif Kureishi. My Beautiful Laundrette. Reclam, 1999.
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[6]
1999 | Book (Editor) | LibreCat-ID: 6767
Tönnies, Merle, and Reinhold Schiffer, editors. British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. WVT, 1999.
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[5]
1999 | Book Review | LibreCat-ID: 9666
Tönnies, Merle. “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997.” Journal for the Study of British Cultures, vol. 6, no. 2, 1999, pp. 211–13.
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[4]
1999 | Book Review | LibreCat-ID: 9667
Tönnies, Merle. “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten Für Theater, Radio, Film Und Fernsehen, 1998.” Forum Modernes Theater, vol. 14, no. 2, 1999, pp. 229–33.
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[3]
1999 | Book Review | LibreCat-ID: 9668
Tönnies, Merle. “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997.” Anglia, vol. 117, 1999, pp. 460–62.
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[2]
1997 | Book | LibreCat-ID: 6752
Tönnies, Merle. Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. WVT, 1997.
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[1]
1996 | Journal Article | LibreCat-ID: 9626
Tönnies, Merle. “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama.” Forum Modernes Theater, vol. 11, no. 2, 1996, pp. 185–96.
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[106]
2023 | Book Review | LibreCat-ID: 50264
Tönnies, Merle. Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century. no. 3, 2023, pp. 268–70, doi: https://doi.org/10.33675/ANGL/2023/3/20.
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[105]
2022 | Book (Editor) | LibreCat-ID: 34453
Tönnies, Merle, et al., editors. Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre. Walter deGruyter, 2022.
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[104]
2022 | Journal Article | LibreCat-ID: 34452
Tönnies, Merle, and Christina Flotmann-Scholz. “Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics.” Anglistik: International Journal of English Studies, vol. 33, no. 2, 2022, pp. 257–72.
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[103]
2022 | Journal Article | LibreCat-ID: 34454
Tönnies, Merle, and Eckart Voigts. “Anger, Anxiety and Hope: The Complicit Realities and Engaged/Ing Communities of Contemporary Briitsh Dys/Utopian Theatre.” Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies), vol. 32, Walter deGruyter, 2022.
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[102]
2021 | Book Chapter | LibreCat-ID: 24539
Tönnies, Merle. “Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain.” Mentalities and Materialities: Essays in Honour of Jürgen Kamm, edited by Philip Jacobi and Anette Pankratz, Königshausen & Neumann, 2021, pp. 149–63.
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[101]
2021 | Book (Editor) | LibreCat-ID: 21825
Tönnies, Merle, and Hendrick Schlieper, editors. Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas. Vol. 21, Harrassowitz, 2021.
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[100]
2021 | Book Chapter | LibreCat-ID: 21826
Tönnies, Merle. “The Black British Bildungsroman: Gender-Specific Plot Models?” Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas, edited by Merle Tönnies and Hendrick Schlieper, vol. 21, Harrassowitz, 2021, pp. 235-263.
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[99]
2021 | Journal Article | LibreCat-ID: 29244
Tönnies, Merle, and Aleks Sierz. “‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama.” Journal of Contemporary Drama in English, vol. 9, no. 1, DeGruyter, 2021, pp. 20–42.
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[98]
2020 | Journal Article | LibreCat-ID: 21824
Tönnies, Merle, and Eckart Voigts. “Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre.” Journal of Contemporary Drama in English, vol. 8, no. 2, DeGruyter, 2020, pp. 295–312.
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[97]
2020 | Book Chapter | LibreCat-ID: 17058
Tönnies, Merle, and Matthias Göhrmann. “British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach.” How to Do Cultural Studies: Ideas, Approaches, Scenarios, edited by Jürgen Kramer and Bernd Lenz, Königshausen & Neumann, 2020, pp. 303–39.
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[96]
2019 | Journal Article | LibreCat-ID: 17057
Tönnies, Merle, and Dennis Henneböhl. “Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit.” Journal for the Study of British Cultures, vol. 26, no. 2, 2019, pp. 181–93.
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[95]
2018 | Book Chapter | LibreCat-ID: 9694
Tönnies, Merle, and Anna Lienen. “Changing Uses of the City in Contemporary Black British Novels.” Resistance and the City. Negotiating Urban Identities: Race, Class, Gender, edited by Christoph Ehland and Pascal Fischer, vol. 28, Brill, 2018, pp. 66–82.
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[94]
2017 | Journal Article | LibreCat-ID: 9692
Tönnies, Merle. “The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias.” Journal of Contemporary Drama in English, vol. 5, no. 1, 2017, pp. 156–72.
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[93]
2017 | Book Chapter | LibreCat-ID: 9693
Tönnies, Merle. “Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011).” Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama, edited by Kerstin Frank and Caroline Lusin, vol. 82, Narr Francke Attempto, 2017, pp. 19–39.
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[92]
2017 | Book Review | LibreCat-ID: 9696
Tönnies, Merle. “Pope, G.: Reading London’s Suburbs.” Anglistik. International Journal of English Studies, vol. 28, no. 1, 2017, pp. 175–77.
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[91]
2017 | Journal Article | LibreCat-ID: 13875
Tönnies, Merle. “The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power.” Storyworlds: A Journal of Narrative Studies, vol. 9, no. 1–2, 2017, pp. 95–120.
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[90]
2016 | Conference (Editor) | LibreCat-ID: 9688
Tönnies, Merle, et al., editors. Anglistentag 2015 Paderborn: Proceedings. WVT, 2016.
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[89]
2016 | Book Chapter | LibreCat-ID: 9689
Tönnies, Merle. “Religion im zeitgenössischen britischen Drama.” Religion und Kultur, edited by Klaus von Stosch et al., transcript, 2016, pp. 81–96.
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[88]
2016 | Journal Article | LibreCat-ID: 9690
Tönnies, Merle. “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s.” Anglistik. International Journal of English Studies, vol. 27, no. 1, 2016, pp. 113–24.
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[87]
2016 | Journal Article | LibreCat-ID: 9691
Tönnies, Merle, et al. “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance.” Zeitschrift Für Anglistik Und Amerikanistik, vol. 64, no. 3, 2016, pp. 301–20.
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[86]
2015 | Book Review | LibreCat-ID: 9695
Tönnies, Merle. “Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political.” Journal of Contemporary Drama in English, vol. 3, no. 2, 2015, pp. 355–58.
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[85]
2015 | Journal Article | LibreCat-ID: 6769
Tönnies, Merle. “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama.” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, Peter Lang, 2015, pp. 243–60.
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[84]
2014 | Book Review | LibreCat-ID: 9627
Tönnies, Merle. “Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism.” Arbeiten Aus Anglistik Und Amerikanistik, vol. 39, 2014, pp. 203–07.
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[83]
2014 | Book | LibreCat-ID: 6699
Tönnies, Merle. (En-)Gendering a Popular Theatrical Genre. The Roles of Women in Nineteenth-Century British Melodrama. 1., Winter, 2014.
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[82]
2014 | Journal Article | LibreCat-ID: 6781
Tönnies, Merle. “Anti-hegemoniale Strategien des Kleinen. Britische dokumentarische Farbfotografie als Kritik des Thatcherismus.” Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien, Wilhelm Fink, 2014, pp. 321–33.
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[81]
2013 | Book Review | LibreCat-ID: 9629
Tönnies, Merle. “Middeke,M. / Schnierer, P.P. / Sierz, A. (Hg.): The Methuen Guide to Contemporary British Playwrights.” Anglia, vol. 131, no. 1, 2013, pp. 183–88.
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[80]
2013 | Book Review | LibreCat-ID: 9630
Tönnies, Merle. “Rossow, H. Globalismus Und Lew Labour.” Anglistik. International Journal of English Studies, vol. 24, no. 2, 2013, pp. 223–25.
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[79]
2013 | Book Review | LibreCat-ID: 9632
Tönnies, Merle. “Baumbach, S. / Neumann, B. / Nünning, A.: A History of British Drama.” Anglistik. International Journal of English Studies, vol. 24, no. 1, 2013, pp. 201–03.
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[78]
2013 | Journal Article | LibreCat-ID: 6782
Tönnies, Merle. “Northern Landscapes and Anti-Thatcherite Positioning.” Journal for the Study of British Cultures, vol. 20, no. 2, 2013, pp. 115–24.
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[77]
2013 | Journal Article | LibreCat-ID: 6783
Tönnies, Merle. “Feminising a Classical Male Plot Model? Black British Women Writers and the ‘Bildungsroman.’” International Journal of English Studies, vol. 24, no. 1, 2013, pp. 51–61.
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[76]
2012 | Book (Editor) | LibreCat-ID: 6753
Tönnies, Merle, et al., editors. Spatial Representations of British Identities. Winter, 2012.
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[75]
2012 | Journal Article | LibreCat-ID: 6784
Tönnies, Merle. “A Bricolage of Identities in Crisis. Colour Photography Documenting Northern England under Thatcher.” Facteurs d’Identité / Faktoren Der Identität, Peter Lang, 2012, pp. 301–23.
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[74]
2011 | Book Chapter | LibreCat-ID: 9726
Flotmann, Christina, and Merle Tönnies. “Introducing Narrative in Drama.” Narrative in Drama: CDE Studies 18, edited by Merle Tönnies and Christina Flotmann-Scholz, vol. 18, WVT, 2011, pp. 9–17.
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[73]
2011 | Book (Editor) | LibreCat-ID: 9918
Tönnies, Merle, and Christina Flotmann, editors. Narrative in Drama. WVT, 2011.
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[72]
2011 | Book (Editor) | LibreCat-ID: 6755
Tönnies, Merle, et al., editors. Narrative in Drama. WVT, 2011.
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[71]
2010 | Book (Editor) | LibreCat-ID: 6756
Tönnies, Merle, et al., editors. Reading British Spaces. Narr, 2010.
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[70]
2010 | Book (Editor) | LibreCat-ID: 6757
Tönnies, Merle, and WVT Handbücher zum literaturwissenschaftlichen Studium 13, editors. Das englische Drama der Gegenwart: Kategorien-Entwicklungen-Modellnterpretationen. WVT, 2010.
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[69]
2010 | Journal Article | LibreCat-ID: 6785
Tönnies, Merle, and Andrea Sand. “The Features of Meanings of Orality in Black British Performance Poetry.” Anglistentag 2009 Klagenfurt. Proceedings, WVT, 2010, pp. 105–14.
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[68]
2010 | Journal Article | LibreCat-ID: 6863
Tönnies, Merle. “Transgressive Melodrama. The ‘Sensational’ 1860s and Their After-Effects.” Victorian Highways - Victorian Byways. New Approaches to Nineteenth-Century British Literature and Culture, 2010, pp. 157–80.
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[67]
2009 | Book Review | LibreCat-ID: 9636
Tönnies, Merle. “Assmann, A.: Einführung in Die Kulturwissenschaft.” Anglistik. International Journal of English Studies, vol. 20, no. 1, 2009, pp. 198–200.
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[66]
2009 | Encyclopedia Article | LibreCat-ID: 6871
Tönnies, Merle. “Shelagh  Delaney ‘A Taste of Honey.’” Kindlers Literaturlexikon, 2009.
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[65]
2009 | Encyclopedia Article | LibreCat-ID: 6874
Tönnies, Merle. “David Hare ‘A Map of the World.’” Kindlers Literaturlexikon, 2009.
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[64]
2009 | Encyclopedia Article | LibreCat-ID: 6875
Tönnies, Merle. “David Hare ‘Knuckle.’” Kindlers Literaturlexikon, 2009.
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[63]
2009 | Encyclopedia Article | LibreCat-ID: 6876
Tönnies, Merle. “David Hare ‘Plenty.’” Kindlers Literaturlexikon, 2009.
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[62]
2009 | Encyclopedia Article | LibreCat-ID: 6877
Tönnies, Merle. “Ann Patricia Jellicoe ‘The Knack.’” Kindlers Literaturlexikon, 2009.
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[61]
2009 | Encyclopedia Article | LibreCat-ID: 6878
Tönnies, Merle. “Stephen Poliakoff ‘Strawberry Fields.’” Kindlers Literaturlexikon, 2009.
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[60]
2009 | Encyclopedia Article | LibreCat-ID: 6879
Tönnies, Merle. “Peter Shaffer ‘Amadeus.’” Kindlers Literaturlexikon, 2009.
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[59]
2009 | Encyclopedia Article | LibreCat-ID: 6880
Tönnies, Merle. “Peter Shaffer ‘Equus.’” Kindlers Literaturlexikon, 2009.
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[58]
2009 | Encyclopedia Article | LibreCat-ID: 6881
Tönnies, Merle. “George Bernard Shaw ‘Mrs Warren’s Profession.’” Kindlers Literaturlexikon, 2009.
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[57]
2009 | Encyclopedia Article | LibreCat-ID: 6883
Tönnies, Merle. “Oscar Wilde ‘Mrs Henry Wood.’” Kindlers Literaturlexikon, 2009.
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[56]
2009 | Encyclopedia Article | LibreCat-ID: 6867
Tönnies, Merle. “Mary Elisabeth Braddon ‘Lady Audley’s Secret.’” Kindlers Literaturlexikon, 2009.
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[55]
2009 | Encyclopedia Article | LibreCat-ID: 6882
Tönnies, Merle. “Oscar Wilde ‘Lady Windermere’s Fan.’” Kindlers Literaturlexikon, 2009.
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[54]
2009 | Encyclopedia Article | LibreCat-ID: 6865
Tönnies, Merle. “Alan Ayckbourn ‘Woman in Mind.’” Kindlers Literaturlexikon, 2009.
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[53]
2009 | Encyclopedia Article | LibreCat-ID: 6869
Tönnies, Merle. “Wilkie Collins ‘The Moonstone.’” Kindlers Literaturlexikon, 2009.
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[52]
2009 | Encyclopedia Article | LibreCat-ID: 6884
Tönnies, Merle. “Oscar Wilde ‘East Lynne.’” Kindlers Literaturlexikon, 2009.
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[51]
2008 | Journal Article | LibreCat-ID: 7594
Tönnies, Merle. “Translating African Traditions and Identities. Black Poetry in Contemporary Britain.” Cultures of Translation, Cambridge Scholars Publishing, 2008, pp. 87–104.
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[50]
2008 | Journal Article | LibreCat-ID: 7595
Tönnies, Merle. “The Visual Strategies of Nineteenth-Century Melodrama.” Anglistik & Englischunterricht 71, 2008, pp. 183–205.
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[49]
2008 | Journal Article | LibreCat-ID: 7596
Tönnies, Merle. “Kulturelle Bedeutungen Und Kontexte Der Indischen Küche in Großbritannien.” Interkulturelle Mahlzeiten. Kulinarische Begegnungen Und Kommunikation in Der Literatur, transcript, 2008, pp. 337–54.
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[48]
2008 | Book Review | LibreCat-ID: 9640
Tönnies, Merle. “Caselli, D.: Beckett’s Dante.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 245, no. 1, 2008, pp. 155–56.
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[47]
2007 | Journal Article | LibreCat-ID: 7597
Tönnies, Merle. “Constructing an Emblematic Northern Space. The New Brighton Photographs of Martin Parr and Tom Wood.” Spatial Practices 2, Rodopi, 2007, pp. 305–24.
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[46]
2007 | Book Review | LibreCat-ID: 9641
Tönnies, Merle. “Stierstorfer, K. / L. Volkmann (Hg.): Kulturwissenschaft Interdisziplinär.” Anglistik. International Journal of English Studies, vol. 18, no. 1, 2007, pp. 170–71.
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[45]
2007 | Book | LibreCat-ID: 6751
Tönnies, Merle, and Ulrich Voigt. Introduction to the Study of British Culture. Narr Studienbücher, 2007.
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[44]
2007 | Book Chapter | LibreCat-ID: 6759
Tönnies, Merle. “London-Diversity and Myth.” Viewfinder Special. Lese-Und Arbeitsbuch Für Die Gymnasiale Oberstufe, edited by Peter Freese, Langenscheidt, 2007, pp. 96–111.
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[43]
2006 | Conference Paper | LibreCat-ID: 7598
Tönnies, Merle. “Forms and Functions of Violence in Contemporary Black British Drama.” Anglistentag 2005, WVT, 2006, pp. 69–77.
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[42]
2006 | Journal Article | LibreCat-ID: 7599
Tönnies, Merle. “Foregrounding Boundary Zones. Martin Parr’s Photographic (De-)Constructions of Englishness.” Spatial Practices 1, Rodopi, 2006, pp. 225–41.
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[41]
2006 | Journal Article | LibreCat-ID: 7600
Tönnies, Merle. “Percy Mtwa, Mbongeni Ngema and Barney Simon: Woza Albert! (1981).” Drama II, vol. 2, 2006, pp. 389–404.
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[40]
2006 | Journal Article | LibreCat-ID: 7601
Tönnies, Merle. “New Labour in the New Millenium. A Further Theatricalisation of Politics?” Passauer Arbeiten Zur Literatur-Und Kulturwissenschaft, vol. 3, Stutz, 2006, pp. 119–38.
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[39]
2006 | Journal Article | LibreCat-ID: 7615
Tönnies, Merle. “Radicalising Postmodern Biofictions. British Fictional Autobiography of the Twenty-First Century.” Salzburg Studies in English Literature and Culture, vol. 3, Lang, 2006, pp. 305–14.
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[38]
2006 | Journal Article | LibreCat-ID: 7616
Tönnies, Merle. “A Midsummer Night’s Dream.” Stauffenburg Handbücher, vol. 9, Stauffenburg, 2006, pp. 195–214.
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[37]
2006 | Book Review | LibreCat-ID: 9642
Tönnies, Merle. “Boehmer, E.: Stories of Women, 2005.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 243, no. 2, 2006, pp. 445–47.
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[36]
2006 | Book Review | LibreCat-ID: 9643
Tönnies, Merle. “Middeke, M.: Die Kunst Der Gelebten Zeit, 2004.” Zeitschrift Für Anglistik Und Amerikanistik, vol. 54, no. 3, 2006, pp. 315–17.
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[35]
2006 | Book Review | LibreCat-ID: 9644
Tönnies, Merle. “Kamm, J. / B. Lenz: Großbritannien Verstehen, 2004.” Anglia, vol. 123, no. 4, 2006, pp. 779–82.
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[34]
2006 | Book Review | LibreCat-ID: 9645
Tönnies, Merle. “Nünning, V. / A. Nünning (Hg.): Erzähltextanalyse Und Gender Studies, 2004.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 242, no. 2, 2006, pp. 434–36.
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[33]
2005 | Journal Article | LibreCat-ID: 8352
Tönnies, Merle. “Courttia Newland’s Theatre Work. On the Occasion of B Is for Black (Oval House Theatre, London, 1-18 October 2003.” Hard Times, vol. 76, 2005, pp. 31–33.
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[32]
2005 | Book Chapter | LibreCat-ID: 8353
Tönnies, Merle. “‘Serious’ Science vs. ‘Light’ Entertainment? Femininity Concepts in Nineteenth-Century British Medical Discourse and Popular Fiction.” Unmapped Countries: Biological Visions in Nineteenth-Century Literature and Culture, edited by Anne-Julia Zwierlein, Anthem Press, 2005, pp. 183–92.
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[31]
2005 | Book Chapter | LibreCat-ID: 8845
Tönnies, Merle. “A New Self-Conscious Turn at the Turn of the Centruy?” Anglistik & Englischunterricht, vol. 66, 2005, pp. 57–82.
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[30]
2005 | Journal Article | LibreCat-ID: 8847
Tönnies, Merle. “Das viktorianische Theater als Populärkultur.” Eine Kulturgeschichte der englischen Literatur: Von der Renaissance bis zur Gegenwart, 2005, pp. 158–70.
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[29]
2005 | Book Review | LibreCat-ID: 9647
Tönnies, Merle. “Hooper, B.: Voices in the Heart. Postcolonialism and Identity in Hong Kong Literature, 2003.” Anglistik, vol. 16, no. 2, 2005, pp. 201–03.
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[28]
2004 | Journal Article | LibreCat-ID: 8848
Tönnies, Merle. “New Britain as Consumer Country and Commodity.” Journal for the Study of British Cultures, vol. 11, no. 2, 2004, pp. 117–28.
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[27]
2004 | Book Review | LibreCat-ID: 9657
Tönnies, Merle. “Mergenthal, S.: A Fast-Forward Version of England, 2003.” Anglia, vol. 122, no. 4, 2004, pp. 758–61.
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[26]
2003 | Journal Article | LibreCat-ID: 8849
Tönnies, Merle. “Peter Brook’s Glückliche Tage.” The Beckett Circle, vol. 26, no. 2, 2003, pp. 1–3.
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[25]
2003 | Book Chapter | LibreCat-ID: 8850
Tönnies, Merle. “‘New Lingo - New Theatre’?” Anglistik & Englischunterricht, vol. 65, 2003, pp. 169–91.
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[24]
2003 | Journal Article | LibreCat-ID: 8851
Tönnies, Merle. “The ‘Postcolonial University Novel’ in Britain.” Xenophobic Memories: Otherness in Postcolonial Constructions of the Past, Winter, 2003, pp. 13–37.
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[23]
2003 | Journal Article | LibreCat-ID: 8852
Tönnies, Merle, et al. “Making Play-Texts Live: Teaching Drama as Experience.” Global Challenges and Regional Responses in Contemporary Drama in English, vol. 10, WVT, 2003, pp. 247–64.
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[22]
2003 | Book Review | LibreCat-ID: 9658
Tönnies, Merle. “Sager, P.: Oxford & Cambridge. Eine Kulturgeschichte.” Journal for the Study of British Cultures, vol. 10, no. 2, 2003.
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[21]
2003 | Book Review | LibreCat-ID: 9659
Tönnies, Merle. “Veit, C.: Ich-Konzept Und Körper in Becketts Dualen Konstruktionen, 2002.” The Beckett Circle, vol. 26, no. 2, 2003, p. 18.
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[20]
2003 | Book Review | LibreCat-ID: 9660
Tönnies, Merle. “Logan, T.: The Victorian Parlour, 2001.” Anglia, vol. 121, no. 2, 2003, pp. 323–25.
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[19]
2003 | Book Review | LibreCat-ID: 9661
Tönnies, Merle. “Keipert, H.: Pope, Popovskij Und Die Popen, 2001.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 240, no. 1, 2003, pp. 141–44.
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[18]
2003 | Book Review | LibreCat-ID: 9662
Tönnies, Merle. “Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen Und Ästhetische Konstruktion Bei Jean Paul Und Samuel Beckett, 2001.” The Beckett Circle, vol. 26, no. 1, 2003, p. 20.
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[17]
2003 | Book Review | LibreCat-ID: 9663
Tönnies, Merle. “Beckett, S.: Dante Und Der Hummer. Gesammelte Prosa, 2000.” The Beckett Circle, vol. 26, no. 1, 2003, pp. 15–16.
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[16]
2002 | Journal Article | LibreCat-ID: 8853
Tönnies, Merle. “Good/Bad Girls and Their Fathers.” Journal for the Study of British Cultures, vol. 9, no. 2, 2002, pp. 185–95.
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[15]
2002 | Book Chapter | LibreCat-ID: 8862
Tönnies, Merle. “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions.” Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, edited by Manfred Pfister, vol. 57, Rodopi, 2002, pp. 99–119.
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[14]
2002 | Journal Article | LibreCat-ID: 8863
Tönnies, Merle. “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, Its 1960s Forebears and the Beginning of the 21st Century .” Contemporary Drama in English, vol. 9, WVT, 2002, pp. 57–71.
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[13]
2002 | Book Review | LibreCat-ID: 9664
Tönnies, Merle. “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000.” Forum Modernes Theater, vol. 17, no. 1, 2002, pp. 95–98.
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[12]
2001 | Journal Article | LibreCat-ID: 8864
Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000, vol. 11, 2001, pp. 194–201.
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[11]
2001 | Journal Article | LibreCat-ID: 8865
Tönnies, Merle. “The Limits of Defining Power in Terms of Exclusion.” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, WVT, 2001, pp. 61–64.
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[10]
2001 | Book (Editor) | LibreCat-ID: 6760
Tönnies, Merle, and Claus-Ulrich Viol, editors. British Political Speeches from Churchill to Blair. Reclam, 2001.
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[9]
2000 | Book Review | LibreCat-ID: 9665
Tönnies, Merle. “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998.” Journal for the Study of British Cultures, vol. 7, no. 1, 2000, pp. 80–83.
LibreCat
 
[8]
2000 | Book (Editor) | LibreCat-ID: 6762
Tönnies, Merle, et al., editors. Youth Identities. Teens and Twens in British Culture. Winter, 2000.
LibreCat
 
[7]
1999 | Book (Editor) | LibreCat-ID: 6765
Tönnies, Merle, and Claus-Ulrich Viol, editors. Hanif Kureishi. My Beautiful Laundrette. Reclam, 1999.
LibreCat
 
[6]
1999 | Book (Editor) | LibreCat-ID: 6767
Tönnies, Merle, and Reinhold Schiffer, editors. British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. WVT, 1999.
LibreCat
 
[5]
1999 | Book Review | LibreCat-ID: 9666
Tönnies, Merle. “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997.” Journal for the Study of British Cultures, vol. 6, no. 2, 1999, pp. 211–13.
LibreCat
 
[4]
1999 | Book Review | LibreCat-ID: 9667
Tönnies, Merle. “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten Für Theater, Radio, Film Und Fernsehen, 1998.” Forum Modernes Theater, vol. 14, no. 2, 1999, pp. 229–33.
LibreCat
 
[3]
1999 | Book Review | LibreCat-ID: 9668
Tönnies, Merle. “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997.” Anglia, vol. 117, 1999, pp. 460–62.
LibreCat
 
[2]
1997 | Book | LibreCat-ID: 6752
Tönnies, Merle. Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. WVT, 1997.
LibreCat
 
[1]
1996 | Journal Article | LibreCat-ID: 9626
Tönnies, Merle. “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama.” Forum Modernes Theater, vol. 11, no. 2, 1996, pp. 185–96.
LibreCat
 

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