Merle Tönnies

merle.toennies@uni-paderborn.de
ID
555

106 Publications

Mark all

[106]
2023 | Book Review | LibreCat-ID: 50264
Tönnies, Merle. “Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century,” 2023. https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20.
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[105]
2022 | Book (Editor) | LibreCat-ID: 34453
Tönnies, Merle, Eckart Voigts, and The German Society for Contemporary Theatre and Drama in English, eds. Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre. Vol. 32. CDE Studies. Berlin: Walter deGruyter, 2022.
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[104]
2022 | Journal Article | LibreCat-ID: 34452
Tönnies, Merle, and Christina Flotmann-Scholz. “Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics.” Anglistik: International Journal of English Studies 33, no. 2 (2022): 257–72.
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[103]
2022 | Journal Article | LibreCat-ID: 34454
Tönnies, Merle, and Eckart Voigts. “Anger, Anxiety and Hope: The Complicit Realities and Engaged/Ing Communities of Contemporary Briitsh Dys/Utopian Theatre.” Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies) 32 (2022).
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[102]
2021 | Book Chapter | LibreCat-ID: 24539
Tönnies, Merle. “Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain.” In Mentalities and Materialities: Essays in Honour of Jürgen Kamm, edited by Philip Jacobi and Anette Pankratz, 149–63. Würzburg: Königshausen & Neumann, 2021.
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[101]
2021 | Book (Editor) | LibreCat-ID: 21825
Tönnies, Merle, and Hendrick Schlieper, eds. Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas. Vol. 21. Culturae. Harrassowitz, 2021.
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[100]
2021 | Book Chapter | LibreCat-ID: 21826
Tönnies, Merle. “The Black British Bildungsroman: Gender-Specific Plot Models?” In Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas, edited by Merle Tönnies and Hendrick Schlieper, 21:235-263. Culturae. Harrassowitz, 2021.
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[99]
2021 | Journal Article | LibreCat-ID: 29244
Tönnies, Merle, and Aleks Sierz. “‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama.” Journal of Contemporary Drama in English 9, no. 1 (2021): 20–42.
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[98]
2020 | Journal Article | LibreCat-ID: 21824
Tönnies, Merle, and Eckart Voigts. “Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre.” Journal of Contemporary Drama in English 8, no. 2 (2020): 295–312.
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[97]
2020 | Book Chapter | LibreCat-ID: 17058
Tönnies, Merle, and Matthias Göhrmann. “British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach.” In How to Do Cultural Studies: Ideas, Approaches, Scenarios, edited by Jürgen Kramer and Bernd Lenz, 303–39. Würzburg: Königshausen & Neumann, 2020.
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[96]
2019 | Journal Article | LibreCat-ID: 17057
Tönnies, Merle, and Dennis Henneböhl. “Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit.” Journal for the Study of British Cultures 26, no. 2 (2019): 181–93.
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[95]
2018 | Book Chapter | LibreCat-ID: 9694
Tönnies, Merle, and Anna Lienen. “Changing Uses of the City in Contemporary Black British Novels.” In Resistance and the City. Negotiating Urban Identities: Race, Class, Gender, edited by Christoph Ehland and Pascal Fischer, 28:66–82. Spatial Practices . Leiden: Brill, 2018.
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[94]
2017 | Journal Article | LibreCat-ID: 9692
Tönnies, Merle. “The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias.” Journal of Contemporary Drama in English 5, no. 1 (2017): 156–72.
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[93]
2017 | Book Chapter | LibreCat-ID: 9693
Tönnies, Merle. “Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011).” In Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama, edited by Kerstin Frank and Caroline Lusin, 82:19–39. Mannerheimer Beiträge Zur Literatur- Und Kulturwissenschaft. Tübingen: Narr Francke Attempto, 2017.
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[92]
2017 | Book Review | LibreCat-ID: 9696
Tönnies, Merle. “Pope, G.: Reading London’s Suburbs.” Anglistik. International Journal of English Studies, 2017.
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[91]
2017 | Journal Article | LibreCat-ID: 13875
Tönnies, Merle. “The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power.” Storyworlds: A Journal of Narrative Studies 9, no. 1–2 (2017): 95–120.
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[90]
2016 | Conference (Editor) | LibreCat-ID: 9688
Tönnies, Merle, Christoph Ehland, and Ilka Mindt, eds. Anglistentag 2015 Paderborn: Proceedings. Trier: WVT, 2016.
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[89]
2016 | Book Chapter | LibreCat-ID: 9689
Tönnies, Merle. “Religion im zeitgenössischen britischen Drama.” In Religion und Kultur, edited by Klaus von Stosch, Michael Hofmann, and Sabine Schmitz, 81–96. Bielefeld: transcript, 2016.
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[88]
2016 | Journal Article | LibreCat-ID: 9690
Tönnies, Merle. “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s.” Anglistik. International Journal of English Studies 27, no. 1 (2016): 113–24.
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[87]
2016 | Journal Article | LibreCat-ID: 9691
Tönnies, Merle, Joana Brüning, and Andrea Sand. “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance.” Zeitschrift Für Anglistik Und Amerikanistik 64, no. 3 (2016): 301–20.
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[86]
2015 | Book Review | LibreCat-ID: 9695
Tönnies, Merle. “Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political.” Journal of Contemporary Drama in English, 2015.
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[85]
2015 | Journal Article | LibreCat-ID: 6769
Tönnies, Merle. “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama.” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, 2015, 243–60.
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[84]
2014 | Book Review | LibreCat-ID: 9627
Tönnies, Merle. “Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism.” Arbeiten Aus Anglistik Und Amerikanistik, 2014.
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[83]
2014 | Book | LibreCat-ID: 6699
Tönnies, Merle. (En-)Gendering a Popular Theatrical Genre. The Roles of Women in Nineteenth-Century British Melodrama. 1. Heidelberg: Winter, 2014.
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[82]
2014 | Journal Article | LibreCat-ID: 6781
Tönnies, Merle. “Anti-hegemoniale Strategien des Kleinen. Britische dokumentarische Farbfotografie als Kritik des Thatcherismus.” Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien, 2014, 321–33.
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[81]
2013 | Book Review | LibreCat-ID: 9629
Tönnies, Merle. “Middeke,M. / Schnierer, P.P. / Sierz, A. (Hg.): The Methuen Guide to Contemporary British Playwrights.” Anglia, 2013.
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[80]
2013 | Book Review | LibreCat-ID: 9630
Tönnies, Merle. “Rossow, H. Globalismus Und Lew Labour.” Anglistik. International Journal of English Studies, 2013.
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[79]
2013 | Book Review | LibreCat-ID: 9632
Tönnies, Merle. “Baumbach, S. / Neumann, B. / Nünning, A.: A History of British Drama.” Anglistik. International Journal of English Studies, 2013.
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[78]
2013 | Journal Article | LibreCat-ID: 6782
Tönnies, Merle. “Northern Landscapes and Anti-Thatcherite Positioning.” Journal for the Study of British Cultures 20, no. 2 (2013): 115–24.
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[77]
2013 | Journal Article | LibreCat-ID: 6783
Tönnies, Merle. “Feminising a Classical Male Plot Model? Black British Women Writers and the ‘Bildungsroman.’” International Journal of English Studies 24, no. 1 (2013): 51–61.
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[76]
2012 | Book (Editor) | LibreCat-ID: 6753
Tönnies, Merle, Heike Buschmann, and Anglistik und Englischunterricht, eds. Spatial Representations of British Identities. Heidelberg: Winter, 2012.
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[75]
2012 | Journal Article | LibreCat-ID: 6784
Tönnies, Merle. “A Bricolage of Identities in Crisis. Colour Photography Documenting Northern England under Thatcher.” Facteurs d’Identité / Faktoren Der Identität, 2012, 301–23.
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[74]
2011 | Book Chapter | LibreCat-ID: 9726
Flotmann, Christina, and Merle Tönnies. “Introducing Narrative in Drama.” In Narrative in Drama: CDE Studies 18, edited by Merle Tönnies and Christina Flotmann-Scholz, 18:9–17. Trier: WVT, 2011.
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[73]
2011 | Book (Editor) | LibreCat-ID: 9918
Tönnies, Merle, and Christina Flotmann, eds. Narrative in Drama. Trier: WVT, 2011.
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[72]
2011 | Book (Editor) | LibreCat-ID: 6755
Tönnies, Merle, Christina Flotmann, and Contemporary Drama in English, eds. Narrative in Drama. Trier: WVT, 2011.
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[71]
2010 | Book (Editor) | LibreCat-ID: 6756
Tönnies, Merle, Ina Grimm, and Journal for the Study of British Cultures, eds. Reading British Spaces. Tübingen: Narr, 2010.
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[70]
2010 | Book (Editor) | LibreCat-ID: 6757
Tönnies, Merle, and WVT Handbücher zum literaturwissenschaftlichen Studium 13, eds. Das englische Drama der Gegenwart: Kategorien-Entwicklungen-Modellnterpretationen. Trier: WVT, 2010.
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[69]
2010 | Journal Article | LibreCat-ID: 6785
Tönnies, Merle, and Andrea Sand. “The Features of Meanings of Orality in Black British Performance Poetry.” Anglistentag 2009 Klagenfurt. Proceedings, 2010, 105–14.
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[68]
2010 | Journal Article | LibreCat-ID: 6863
Tönnies, Merle. “Transgressive Melodrama. The ‘Sensational’ 1860s and Their After-Effects.” Victorian Highways - Victorian Byways. New Approaches to Nineteenth-Century British Literature and Culture, 2010, 157–80.
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[67]
2009 | Book Review | LibreCat-ID: 9636
Tönnies, Merle. “Assmann, A.: Einführung in Die Kulturwissenschaft.” Anglistik. International Journal of English Studies, 2009.
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[66]
2009 | Encyclopedia Article | LibreCat-ID: 6871
Tönnies, Merle. “Shelagh  Delaney ‘A Taste of Honey.’” In Kindlers Literaturlexikon, 2009.
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[65]
2009 | Encyclopedia Article | LibreCat-ID: 6874
Tönnies, Merle. “David Hare ‘A Map of the World.’” In Kindlers Literaturlexikon, 2009.
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[64]
2009 | Encyclopedia Article | LibreCat-ID: 6875
Tönnies, Merle. “David Hare ‘Knuckle.’” In Kindlers Literaturlexikon, 2009.
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[63]
2009 | Encyclopedia Article | LibreCat-ID: 6876
Tönnies, Merle. “David Hare ‘Plenty.’” In Kindlers Literaturlexikon, 2009.
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[62]
2009 | Encyclopedia Article | LibreCat-ID: 6877
Tönnies, Merle. “Ann Patricia Jellicoe ‘The Knack.’” In Kindlers Literaturlexikon, 2009.
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[61]
2009 | Encyclopedia Article | LibreCat-ID: 6878
Tönnies, Merle. “Stephen Poliakoff ‘Strawberry Fields.’” In Kindlers Literaturlexikon, 2009.
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[60]
2009 | Encyclopedia Article | LibreCat-ID: 6879
Tönnies, Merle. “Peter Shaffer ‘Amadeus.’” In Kindlers Literaturlexikon, 2009.
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[59]
2009 | Encyclopedia Article | LibreCat-ID: 6880
Tönnies, Merle. “Peter Shaffer ‘Equus.’” In Kindlers Literaturlexikon, 2009.
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[58]
2009 | Encyclopedia Article | LibreCat-ID: 6881
Tönnies, Merle. “George Bernard Shaw ‘Mrs Warren’s Profession.’” In Kindlers Literaturlexikon, 2009.
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[57]
2009 | Encyclopedia Article | LibreCat-ID: 6883
Tönnies, Merle. “Oscar Wilde ‘Mrs Henry Wood.’” In Kindlers Literaturlexikon, 2009.
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[56]
2009 | Encyclopedia Article | LibreCat-ID: 6867
Tönnies, Merle. “Mary Elisabeth Braddon ‘Lady Audley’s Secret.’” In Kindlers Literaturlexikon, 2009.
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[55]
2009 | Encyclopedia Article | LibreCat-ID: 6882
Tönnies, Merle. “Oscar Wilde ‘Lady Windermere’s Fan.’” In Kindlers Literaturlexikon, 2009.
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[54]
2009 | Encyclopedia Article | LibreCat-ID: 6865
Tönnies, Merle. “Alan Ayckbourn ‘Woman in Mind.’” In Kindlers Literaturlexikon, 2009.
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[53]
2009 | Encyclopedia Article | LibreCat-ID: 6869
Tönnies, Merle. “Wilkie Collins ‘The Moonstone.’” In Kindlers Literaturlexikon, 2009.
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[52]
2009 | Encyclopedia Article | LibreCat-ID: 6884
Tönnies, Merle. “Oscar Wilde ‘East Lynne.’” In Kindlers Literaturlexikon, 2009.
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[51]
2008 | Journal Article | LibreCat-ID: 7594
Tönnies, Merle. “Translating African Traditions and Identities. Black Poetry in Contemporary Britain.” Cultures of Translation, 2008, 87–104.
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[50]
2008 | Journal Article | LibreCat-ID: 7595
Tönnies, Merle. “The Visual Strategies of Nineteenth-Century Melodrama.” Anglistik & Englischunterricht 71, 2008, 183–205.
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[49]
2008 | Journal Article | LibreCat-ID: 7596
Tönnies, Merle. “Kulturelle Bedeutungen Und Kontexte Der Indischen Küche in Großbritannien.” Interkulturelle Mahlzeiten. Kulinarische Begegnungen Und Kommunikation in Der Literatur, 2008, 337–54.
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[48]
2008 | Book Review | LibreCat-ID: 9640
Tönnies, Merle. “Caselli, D.: Beckett’s Dante.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 2008.
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[47]
2007 | Journal Article | LibreCat-ID: 7597
Tönnies, Merle. “Constructing an Emblematic Northern Space. The New Brighton Photographs of Martin Parr and Tom Wood.” Spatial Practices 2, 2007, 305–24.
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[46]
2007 | Book Review | LibreCat-ID: 9641
Tönnies, Merle. “Stierstorfer, K. / L. Volkmann (Hg.): Kulturwissenschaft Interdisziplinär.” Anglistik. International Journal of English Studies, 2007.
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[45]
2007 | Book | LibreCat-ID: 6751
Tönnies, Merle, and Ulrich Voigt. Introduction to the Study of British Culture. Tübingen: Narr Studienbücher, 2007.
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[44]
2007 | Book Chapter | LibreCat-ID: 6759
Tönnies, Merle. “London-Diversity and Myth.” In Viewfinder Special. Lese-Und Arbeitsbuch Für Die Gymnasiale Oberstufe, edited by Peter Freese, 96–111. Berlin: Langenscheidt, 2007.
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[43]
2006 | Conference Paper | LibreCat-ID: 7598
Tönnies, Merle. “Forms and Functions of Violence in Contemporary Black British Drama.” In Anglistentag 2005, 69–77. Trier: WVT, 2006.
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[42]
2006 | Journal Article | LibreCat-ID: 7599
Tönnies, Merle. “Foregrounding Boundary Zones. Martin Parr’s Photographic (De-)Constructions of Englishness.” Spatial Practices 1, 2006, 225–41.
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[41]
2006 | Journal Article | LibreCat-ID: 7600
Tönnies, Merle. “Percy Mtwa, Mbongeni Ngema and Barney Simon: Woza Albert! (1981).” Drama II 2 (2006): 389–404.
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[40]
2006 | Journal Article | LibreCat-ID: 7601
Tönnies, Merle. “New Labour in the New Millenium. A Further Theatricalisation of Politics?” Passauer Arbeiten Zur Literatur-Und Kulturwissenschaft 3 (2006): 119–38.
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[39]
2006 | Journal Article | LibreCat-ID: 7615
Tönnies, Merle. “Radicalising Postmodern Biofictions. British Fictional Autobiography of the Twenty-First Century.” Salzburg Studies in English Literature and Culture 3 (2006): 305–14.
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[38]
2006 | Journal Article | LibreCat-ID: 7616
Tönnies, Merle. “A Midsummer Night’s Dream.” Stauffenburg Handbücher 9 (2006): 195–214.
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[37]
2006 | Book Review | LibreCat-ID: 9642
Tönnies, Merle. “Boehmer, E.: Stories of Women, 2005.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 2006.
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[36]
2006 | Book Review | LibreCat-ID: 9643
Tönnies, Merle. “Middeke, M.: Die Kunst Der Gelebten Zeit, 2004.” Zeitschrift Für Anglistik Und Amerikanistik, 2006.
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[35]
2006 | Book Review | LibreCat-ID: 9644
Tönnies, Merle. “Kamm, J. / B. Lenz: Großbritannien Verstehen, 2004.” Anglia, 2006.
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[34]
2006 | Book Review | LibreCat-ID: 9645
Tönnies, Merle. “Nünning, V. / A. Nünning (Hg.): Erzähltextanalyse Und Gender Studies, 2004.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 2006.
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[33]
2005 | Journal Article | LibreCat-ID: 8352
Tönnies, Merle. “Courttia Newland’s Theatre Work. On the Occasion of B Is for Black (Oval House Theatre, London, 1-18 October 2003.” Hard Times 76 (2005): 31–33.
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[32]
2005 | Book Chapter | LibreCat-ID: 8353
Tönnies, Merle. “‘Serious’ Science vs. ‘Light’ Entertainment? Femininity Concepts in Nineteenth-Century British Medical Discourse and Popular Fiction.” In Unmapped Countries: Biological Visions in Nineteenth-Century Literature and Culture, edited by Anne-Julia Zwierlein, 183–92. Anthem Press, 2005.
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[31]
2005 | Book Chapter | LibreCat-ID: 8845
Tönnies, Merle. “A New Self-Conscious Turn at the Turn of the Centruy?” In Anglistik & Englischunterricht, 66:57–82, 2005.
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[30]
2005 | Journal Article | LibreCat-ID: 8847
Tönnies, Merle. “Das viktorianische Theater als Populärkultur.” Eine Kulturgeschichte der englischen Literatur: Von der Renaissance bis zur Gegenwart, 2005, 158–70.
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[29]
2005 | Book Review | LibreCat-ID: 9647
Tönnies, Merle. “Hooper, B.: Voices in the Heart. Postcolonialism and Identity in Hong Kong Literature, 2003.” Anglistik, 2005.
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[28]
2004 | Journal Article | LibreCat-ID: 8848
Tönnies, Merle. “New Britain as Consumer Country and Commodity.” Journal for the Study of British Cultures 11, no. 2 (2004): 117–28.
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[27]
2004 | Book Review | LibreCat-ID: 9657
Tönnies, Merle. “Mergenthal, S.: A Fast-Forward Version of England, 2003.” Anglia, 2004.
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[26]
2003 | Journal Article | LibreCat-ID: 8849
Tönnies, Merle. “Peter Brook’s Glückliche Tage.” The Beckett Circle 26, no. 2 (2003): 1–3.
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[25]
2003 | Book Chapter | LibreCat-ID: 8850
Tönnies, Merle. “‘New Lingo - New Theatre’?” In Anglistik & Englischunterricht, 65:169–91, 2003.
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[24]
2003 | Journal Article | LibreCat-ID: 8851
Tönnies, Merle. “The ‘Postcolonial University Novel’ in Britain.” Xenophobic Memories: Otherness in Postcolonial Constructions of the Past, 2003, 13–37.
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[23]
2003 | Journal Article | LibreCat-ID: 8852
Tönnies, Merle, Pankratz Annette, von Rothkirch Alyce, and Stark Kathleen. “Making Play-Texts Live: Teaching Drama as Experience.” Global Challenges and Regional Responses in Contemporary Drama in English 10 (2003): 247–64.
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[22]
2003 | Book Review | LibreCat-ID: 9658
Tönnies, Merle. “Sager, P.: Oxford & Cambridge. Eine Kulturgeschichte.” Journal for the Study of British Cultures, 2003.
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[21]
2003 | Book Review | LibreCat-ID: 9659
Tönnies, Merle. “Veit, C.: Ich-Konzept Und Körper in Becketts Dualen Konstruktionen, 2002.” The Beckett Circle, 2003.
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[20]
2003 | Book Review | LibreCat-ID: 9660
Tönnies, Merle. “Logan, T.: The Victorian Parlour, 2001.” Anglia, 2003.
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[19]
2003 | Book Review | LibreCat-ID: 9661
Tönnies, Merle. “Keipert, H.: Pope, Popovskij Und Die Popen, 2001.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 2003.
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[18]
2003 | Book Review | LibreCat-ID: 9662
Tönnies, Merle. “Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen Und Ästhetische Konstruktion Bei Jean Paul Und Samuel Beckett, 2001.” The Beckett Circle, 2003.
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[17]
2003 | Book Review | LibreCat-ID: 9663
Tönnies, Merle. “Beckett, S.: Dante Und Der Hummer. Gesammelte Prosa, 2000.” The Beckett Circle, 2003.
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[16]
2002 | Journal Article | LibreCat-ID: 8853
Tönnies, Merle. “Good/Bad Girls and Their Fathers.” Journal for the Study of British Cultures 9, no. 2 (2002): 185–95.
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[15]
2002 | Book Chapter | LibreCat-ID: 8862
Tönnies, Merle. “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions.” In Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, edited by Manfred Pfister, 57:99–119. A History of Laughter: Laughter from Beowulf to Beckett and Beyond. Amsterdam: Rodopi, 2002.
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[14]
2002 | Journal Article | LibreCat-ID: 8863
Tönnies, Merle. “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, Its 1960s Forebears and the Beginning of the 21st Century .” Contemporary Drama in English 9 (2002): 57–71.
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[13]
2002 | Book Review | LibreCat-ID: 9664
Tönnies, Merle. “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000.” Forum Modernes Theater, 2002.
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[12]
2001 | Journal Article | LibreCat-ID: 8864
Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000 11 (2001): 194–201.
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[11]
2001 | Journal Article | LibreCat-ID: 8865
Tönnies, Merle. “The Limits of Defining Power in Terms of Exclusion.” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, 2001, 61–64.
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[10]
2001 | Book (Editor) | LibreCat-ID: 6760
Tönnies, Merle, and Claus-Ulrich Viol, eds. British Political Speeches from Churchill to Blair. Stuttgart: Reclam, 2001.
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[9]
2000 | Book Review | LibreCat-ID: 9665
Tönnies, Merle. “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998.” Journal for the Study of British Cultures, 2000.
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[8]
2000 | Book (Editor) | LibreCat-ID: 6762
Tönnies, Merle, Gerd Stratmann, Claus-Ulrich Viol, and Anglistik und Englischunterricht 63, eds. Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter, 2000.
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[7]
1999 | Book (Editor) | LibreCat-ID: 6765
Tönnies, Merle, and Claus-Ulrich Viol, eds. Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam, 1999.
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[6]
1999 | Book (Editor) | LibreCat-ID: 6767
Tönnies, Merle, and Reinhold Schiffer, eds. British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. Trier: WVT, 1999.
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[5]
1999 | Book Review | LibreCat-ID: 9666
Tönnies, Merle. “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997.” Journal for the Study of British Cultures, 1999.
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[4]
1999 | Book Review | LibreCat-ID: 9667
Tönnies, Merle. “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten Für Theater, Radio, Film Und Fernsehen, 1998.” Forum Modernes Theater, 1999.
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[3]
1999 | Book Review | LibreCat-ID: 9668
Tönnies, Merle. “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997.” Anglia, 1999.
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[2]
1997 | Book | LibreCat-ID: 6752
Tönnies, Merle. Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT, 1997.
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[1]
1996 | Journal Article | LibreCat-ID: 9626
Tönnies, Merle. “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama.” Forum Modernes Theater 11, no. 2 (1996): 185–96.
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[106]
2023 | Book Review | LibreCat-ID: 50264
Tönnies, Merle. “Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century,” 2023. https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20.
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[105]
2022 | Book (Editor) | LibreCat-ID: 34453
Tönnies, Merle, Eckart Voigts, and The German Society for Contemporary Theatre and Drama in English, eds. Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre. Vol. 32. CDE Studies. Berlin: Walter deGruyter, 2022.
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[104]
2022 | Journal Article | LibreCat-ID: 34452
Tönnies, Merle, and Christina Flotmann-Scholz. “Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics.” Anglistik: International Journal of English Studies 33, no. 2 (2022): 257–72.
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[103]
2022 | Journal Article | LibreCat-ID: 34454
Tönnies, Merle, and Eckart Voigts. “Anger, Anxiety and Hope: The Complicit Realities and Engaged/Ing Communities of Contemporary Briitsh Dys/Utopian Theatre.” Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies) 32 (2022).
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[102]
2021 | Book Chapter | LibreCat-ID: 24539
Tönnies, Merle. “Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain.” In Mentalities and Materialities: Essays in Honour of Jürgen Kamm, edited by Philip Jacobi and Anette Pankratz, 149–63. Würzburg: Königshausen & Neumann, 2021.
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[101]
2021 | Book (Editor) | LibreCat-ID: 21825
Tönnies, Merle, and Hendrick Schlieper, eds. Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas. Vol. 21. Culturae. Harrassowitz, 2021.
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[100]
2021 | Book Chapter | LibreCat-ID: 21826
Tönnies, Merle. “The Black British Bildungsroman: Gender-Specific Plot Models?” In Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas, edited by Merle Tönnies and Hendrick Schlieper, 21:235-263. Culturae. Harrassowitz, 2021.
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[99]
2021 | Journal Article | LibreCat-ID: 29244
Tönnies, Merle, and Aleks Sierz. “‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama.” Journal of Contemporary Drama in English 9, no. 1 (2021): 20–42.
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[98]
2020 | Journal Article | LibreCat-ID: 21824
Tönnies, Merle, and Eckart Voigts. “Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre.” Journal of Contemporary Drama in English 8, no. 2 (2020): 295–312.
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[97]
2020 | Book Chapter | LibreCat-ID: 17058
Tönnies, Merle, and Matthias Göhrmann. “British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach.” In How to Do Cultural Studies: Ideas, Approaches, Scenarios, edited by Jürgen Kramer and Bernd Lenz, 303–39. Würzburg: Königshausen & Neumann, 2020.
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[96]
2019 | Journal Article | LibreCat-ID: 17057
Tönnies, Merle, and Dennis Henneböhl. “Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit.” Journal for the Study of British Cultures 26, no. 2 (2019): 181–93.
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[95]
2018 | Book Chapter | LibreCat-ID: 9694
Tönnies, Merle, and Anna Lienen. “Changing Uses of the City in Contemporary Black British Novels.” In Resistance and the City. Negotiating Urban Identities: Race, Class, Gender, edited by Christoph Ehland and Pascal Fischer, 28:66–82. Spatial Practices . Leiden: Brill, 2018.
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[94]
2017 | Journal Article | LibreCat-ID: 9692
Tönnies, Merle. “The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias.” Journal of Contemporary Drama in English 5, no. 1 (2017): 156–72.
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[93]
2017 | Book Chapter | LibreCat-ID: 9693
Tönnies, Merle. “Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011).” In Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama, edited by Kerstin Frank and Caroline Lusin, 82:19–39. Mannerheimer Beiträge Zur Literatur- Und Kulturwissenschaft. Tübingen: Narr Francke Attempto, 2017.
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[92]
2017 | Book Review | LibreCat-ID: 9696
Tönnies, Merle. “Pope, G.: Reading London’s Suburbs.” Anglistik. International Journal of English Studies, 2017.
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[91]
2017 | Journal Article | LibreCat-ID: 13875
Tönnies, Merle. “The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power.” Storyworlds: A Journal of Narrative Studies 9, no. 1–2 (2017): 95–120.
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[90]
2016 | Conference (Editor) | LibreCat-ID: 9688
Tönnies, Merle, Christoph Ehland, and Ilka Mindt, eds. Anglistentag 2015 Paderborn: Proceedings. Trier: WVT, 2016.
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[89]
2016 | Book Chapter | LibreCat-ID: 9689
Tönnies, Merle. “Religion im zeitgenössischen britischen Drama.” In Religion und Kultur, edited by Klaus von Stosch, Michael Hofmann, and Sabine Schmitz, 81–96. Bielefeld: transcript, 2016.
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[88]
2016 | Journal Article | LibreCat-ID: 9690
Tönnies, Merle. “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s.” Anglistik. International Journal of English Studies 27, no. 1 (2016): 113–24.
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[87]
2016 | Journal Article | LibreCat-ID: 9691
Tönnies, Merle, Joana Brüning, and Andrea Sand. “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance.” Zeitschrift Für Anglistik Und Amerikanistik 64, no. 3 (2016): 301–20.
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[86]
2015 | Book Review | LibreCat-ID: 9695
Tönnies, Merle. “Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political.” Journal of Contemporary Drama in English, 2015.
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[85]
2015 | Journal Article | LibreCat-ID: 6769
Tönnies, Merle. “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama.” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, 2015, 243–60.
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[84]
2014 | Book Review | LibreCat-ID: 9627
Tönnies, Merle. “Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism.” Arbeiten Aus Anglistik Und Amerikanistik, 2014.
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[83]
2014 | Book | LibreCat-ID: 6699
Tönnies, Merle. (En-)Gendering a Popular Theatrical Genre. The Roles of Women in Nineteenth-Century British Melodrama. 1. Heidelberg: Winter, 2014.
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[82]
2014 | Journal Article | LibreCat-ID: 6781
Tönnies, Merle. “Anti-hegemoniale Strategien des Kleinen. Britische dokumentarische Farbfotografie als Kritik des Thatcherismus.” Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien, 2014, 321–33.
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[81]
2013 | Book Review | LibreCat-ID: 9629
Tönnies, Merle. “Middeke,M. / Schnierer, P.P. / Sierz, A. (Hg.): The Methuen Guide to Contemporary British Playwrights.” Anglia, 2013.
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[80]
2013 | Book Review | LibreCat-ID: 9630
Tönnies, Merle. “Rossow, H. Globalismus Und Lew Labour.” Anglistik. International Journal of English Studies, 2013.
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[79]
2013 | Book Review | LibreCat-ID: 9632
Tönnies, Merle. “Baumbach, S. / Neumann, B. / Nünning, A.: A History of British Drama.” Anglistik. International Journal of English Studies, 2013.
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[78]
2013 | Journal Article | LibreCat-ID: 6782
Tönnies, Merle. “Northern Landscapes and Anti-Thatcherite Positioning.” Journal for the Study of British Cultures 20, no. 2 (2013): 115–24.
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[77]
2013 | Journal Article | LibreCat-ID: 6783
Tönnies, Merle. “Feminising a Classical Male Plot Model? Black British Women Writers and the ‘Bildungsroman.’” International Journal of English Studies 24, no. 1 (2013): 51–61.
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[76]
2012 | Book (Editor) | LibreCat-ID: 6753
Tönnies, Merle, Heike Buschmann, and Anglistik und Englischunterricht, eds. Spatial Representations of British Identities. Heidelberg: Winter, 2012.
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[75]
2012 | Journal Article | LibreCat-ID: 6784
Tönnies, Merle. “A Bricolage of Identities in Crisis. Colour Photography Documenting Northern England under Thatcher.” Facteurs d’Identité / Faktoren Der Identität, 2012, 301–23.
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[74]
2011 | Book Chapter | LibreCat-ID: 9726
Flotmann, Christina, and Merle Tönnies. “Introducing Narrative in Drama.” In Narrative in Drama: CDE Studies 18, edited by Merle Tönnies and Christina Flotmann-Scholz, 18:9–17. Trier: WVT, 2011.
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[73]
2011 | Book (Editor) | LibreCat-ID: 9918
Tönnies, Merle, and Christina Flotmann, eds. Narrative in Drama. Trier: WVT, 2011.
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[72]
2011 | Book (Editor) | LibreCat-ID: 6755
Tönnies, Merle, Christina Flotmann, and Contemporary Drama in English, eds. Narrative in Drama. Trier: WVT, 2011.
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[71]
2010 | Book (Editor) | LibreCat-ID: 6756
Tönnies, Merle, Ina Grimm, and Journal for the Study of British Cultures, eds. Reading British Spaces. Tübingen: Narr, 2010.
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[70]
2010 | Book (Editor) | LibreCat-ID: 6757
Tönnies, Merle, and WVT Handbücher zum literaturwissenschaftlichen Studium 13, eds. Das englische Drama der Gegenwart: Kategorien-Entwicklungen-Modellnterpretationen. Trier: WVT, 2010.
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[69]
2010 | Journal Article | LibreCat-ID: 6785
Tönnies, Merle, and Andrea Sand. “The Features of Meanings of Orality in Black British Performance Poetry.” Anglistentag 2009 Klagenfurt. Proceedings, 2010, 105–14.
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[68]
2010 | Journal Article | LibreCat-ID: 6863
Tönnies, Merle. “Transgressive Melodrama. The ‘Sensational’ 1860s and Their After-Effects.” Victorian Highways - Victorian Byways. New Approaches to Nineteenth-Century British Literature and Culture, 2010, 157–80.
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[67]
2009 | Book Review | LibreCat-ID: 9636
Tönnies, Merle. “Assmann, A.: Einführung in Die Kulturwissenschaft.” Anglistik. International Journal of English Studies, 2009.
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[66]
2009 | Encyclopedia Article | LibreCat-ID: 6871
Tönnies, Merle. “Shelagh  Delaney ‘A Taste of Honey.’” In Kindlers Literaturlexikon, 2009.
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[65]
2009 | Encyclopedia Article | LibreCat-ID: 6874
Tönnies, Merle. “David Hare ‘A Map of the World.’” In Kindlers Literaturlexikon, 2009.
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[64]
2009 | Encyclopedia Article | LibreCat-ID: 6875
Tönnies, Merle. “David Hare ‘Knuckle.’” In Kindlers Literaturlexikon, 2009.
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[63]
2009 | Encyclopedia Article | LibreCat-ID: 6876
Tönnies, Merle. “David Hare ‘Plenty.’” In Kindlers Literaturlexikon, 2009.
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[62]
2009 | Encyclopedia Article | LibreCat-ID: 6877
Tönnies, Merle. “Ann Patricia Jellicoe ‘The Knack.’” In Kindlers Literaturlexikon, 2009.
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[61]
2009 | Encyclopedia Article | LibreCat-ID: 6878
Tönnies, Merle. “Stephen Poliakoff ‘Strawberry Fields.’” In Kindlers Literaturlexikon, 2009.
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[60]
2009 | Encyclopedia Article | LibreCat-ID: 6879
Tönnies, Merle. “Peter Shaffer ‘Amadeus.’” In Kindlers Literaturlexikon, 2009.
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[59]
2009 | Encyclopedia Article | LibreCat-ID: 6880
Tönnies, Merle. “Peter Shaffer ‘Equus.’” In Kindlers Literaturlexikon, 2009.
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[58]
2009 | Encyclopedia Article | LibreCat-ID: 6881
Tönnies, Merle. “George Bernard Shaw ‘Mrs Warren’s Profession.’” In Kindlers Literaturlexikon, 2009.
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[57]
2009 | Encyclopedia Article | LibreCat-ID: 6883
Tönnies, Merle. “Oscar Wilde ‘Mrs Henry Wood.’” In Kindlers Literaturlexikon, 2009.
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[56]
2009 | Encyclopedia Article | LibreCat-ID: 6867
Tönnies, Merle. “Mary Elisabeth Braddon ‘Lady Audley’s Secret.’” In Kindlers Literaturlexikon, 2009.
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[55]
2009 | Encyclopedia Article | LibreCat-ID: 6882
Tönnies, Merle. “Oscar Wilde ‘Lady Windermere’s Fan.’” In Kindlers Literaturlexikon, 2009.
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[54]
2009 | Encyclopedia Article | LibreCat-ID: 6865
Tönnies, Merle. “Alan Ayckbourn ‘Woman in Mind.’” In Kindlers Literaturlexikon, 2009.
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[53]
2009 | Encyclopedia Article | LibreCat-ID: 6869
Tönnies, Merle. “Wilkie Collins ‘The Moonstone.’” In Kindlers Literaturlexikon, 2009.
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[52]
2009 | Encyclopedia Article | LibreCat-ID: 6884
Tönnies, Merle. “Oscar Wilde ‘East Lynne.’” In Kindlers Literaturlexikon, 2009.
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[51]
2008 | Journal Article | LibreCat-ID: 7594
Tönnies, Merle. “Translating African Traditions and Identities. Black Poetry in Contemporary Britain.” Cultures of Translation, 2008, 87–104.
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[50]
2008 | Journal Article | LibreCat-ID: 7595
Tönnies, Merle. “The Visual Strategies of Nineteenth-Century Melodrama.” Anglistik & Englischunterricht 71, 2008, 183–205.
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[49]
2008 | Journal Article | LibreCat-ID: 7596
Tönnies, Merle. “Kulturelle Bedeutungen Und Kontexte Der Indischen Küche in Großbritannien.” Interkulturelle Mahlzeiten. Kulinarische Begegnungen Und Kommunikation in Der Literatur, 2008, 337–54.
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[48]
2008 | Book Review | LibreCat-ID: 9640
Tönnies, Merle. “Caselli, D.: Beckett’s Dante.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 2008.
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[47]
2007 | Journal Article | LibreCat-ID: 7597
Tönnies, Merle. “Constructing an Emblematic Northern Space. The New Brighton Photographs of Martin Parr and Tom Wood.” Spatial Practices 2, 2007, 305–24.
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[46]
2007 | Book Review | LibreCat-ID: 9641
Tönnies, Merle. “Stierstorfer, K. / L. Volkmann (Hg.): Kulturwissenschaft Interdisziplinär.” Anglistik. International Journal of English Studies, 2007.
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[45]
2007 | Book | LibreCat-ID: 6751
Tönnies, Merle, and Ulrich Voigt. Introduction to the Study of British Culture. Tübingen: Narr Studienbücher, 2007.
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[44]
2007 | Book Chapter | LibreCat-ID: 6759
Tönnies, Merle. “London-Diversity and Myth.” In Viewfinder Special. Lese-Und Arbeitsbuch Für Die Gymnasiale Oberstufe, edited by Peter Freese, 96–111. Berlin: Langenscheidt, 2007.
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[43]
2006 | Conference Paper | LibreCat-ID: 7598
Tönnies, Merle. “Forms and Functions of Violence in Contemporary Black British Drama.” In Anglistentag 2005, 69–77. Trier: WVT, 2006.
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[42]
2006 | Journal Article | LibreCat-ID: 7599
Tönnies, Merle. “Foregrounding Boundary Zones. Martin Parr’s Photographic (De-)Constructions of Englishness.” Spatial Practices 1, 2006, 225–41.
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[41]
2006 | Journal Article | LibreCat-ID: 7600
Tönnies, Merle. “Percy Mtwa, Mbongeni Ngema and Barney Simon: Woza Albert! (1981).” Drama II 2 (2006): 389–404.
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[40]
2006 | Journal Article | LibreCat-ID: 7601
Tönnies, Merle. “New Labour in the New Millenium. A Further Theatricalisation of Politics?” Passauer Arbeiten Zur Literatur-Und Kulturwissenschaft 3 (2006): 119–38.
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[39]
2006 | Journal Article | LibreCat-ID: 7615
Tönnies, Merle. “Radicalising Postmodern Biofictions. British Fictional Autobiography of the Twenty-First Century.” Salzburg Studies in English Literature and Culture 3 (2006): 305–14.
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[38]
2006 | Journal Article | LibreCat-ID: 7616
Tönnies, Merle. “A Midsummer Night’s Dream.” Stauffenburg Handbücher 9 (2006): 195–214.
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[37]
2006 | Book Review | LibreCat-ID: 9642
Tönnies, Merle. “Boehmer, E.: Stories of Women, 2005.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 2006.
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[36]
2006 | Book Review | LibreCat-ID: 9643
Tönnies, Merle. “Middeke, M.: Die Kunst Der Gelebten Zeit, 2004.” Zeitschrift Für Anglistik Und Amerikanistik, 2006.
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[35]
2006 | Book Review | LibreCat-ID: 9644
Tönnies, Merle. “Kamm, J. / B. Lenz: Großbritannien Verstehen, 2004.” Anglia, 2006.
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[34]
2006 | Book Review | LibreCat-ID: 9645
Tönnies, Merle. “Nünning, V. / A. Nünning (Hg.): Erzähltextanalyse Und Gender Studies, 2004.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 2006.
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[33]
2005 | Journal Article | LibreCat-ID: 8352
Tönnies, Merle. “Courttia Newland’s Theatre Work. On the Occasion of B Is for Black (Oval House Theatre, London, 1-18 October 2003.” Hard Times 76 (2005): 31–33.
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[32]
2005 | Book Chapter | LibreCat-ID: 8353
Tönnies, Merle. “‘Serious’ Science vs. ‘Light’ Entertainment? Femininity Concepts in Nineteenth-Century British Medical Discourse and Popular Fiction.” In Unmapped Countries: Biological Visions in Nineteenth-Century Literature and Culture, edited by Anne-Julia Zwierlein, 183–92. Anthem Press, 2005.
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[31]
2005 | Book Chapter | LibreCat-ID: 8845
Tönnies, Merle. “A New Self-Conscious Turn at the Turn of the Centruy?” In Anglistik & Englischunterricht, 66:57–82, 2005.
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[30]
2005 | Journal Article | LibreCat-ID: 8847
Tönnies, Merle. “Das viktorianische Theater als Populärkultur.” Eine Kulturgeschichte der englischen Literatur: Von der Renaissance bis zur Gegenwart, 2005, 158–70.
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[29]
2005 | Book Review | LibreCat-ID: 9647
Tönnies, Merle. “Hooper, B.: Voices in the Heart. Postcolonialism and Identity in Hong Kong Literature, 2003.” Anglistik, 2005.
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[28]
2004 | Journal Article | LibreCat-ID: 8848
Tönnies, Merle. “New Britain as Consumer Country and Commodity.” Journal for the Study of British Cultures 11, no. 2 (2004): 117–28.
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[27]
2004 | Book Review | LibreCat-ID: 9657
Tönnies, Merle. “Mergenthal, S.: A Fast-Forward Version of England, 2003.” Anglia, 2004.
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[26]
2003 | Journal Article | LibreCat-ID: 8849
Tönnies, Merle. “Peter Brook’s Glückliche Tage.” The Beckett Circle 26, no. 2 (2003): 1–3.
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[25]
2003 | Book Chapter | LibreCat-ID: 8850
Tönnies, Merle. “‘New Lingo - New Theatre’?” In Anglistik & Englischunterricht, 65:169–91, 2003.
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[24]
2003 | Journal Article | LibreCat-ID: 8851
Tönnies, Merle. “The ‘Postcolonial University Novel’ in Britain.” Xenophobic Memories: Otherness in Postcolonial Constructions of the Past, 2003, 13–37.
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[23]
2003 | Journal Article | LibreCat-ID: 8852
Tönnies, Merle, Pankratz Annette, von Rothkirch Alyce, and Stark Kathleen. “Making Play-Texts Live: Teaching Drama as Experience.” Global Challenges and Regional Responses in Contemporary Drama in English 10 (2003): 247–64.
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[22]
2003 | Book Review | LibreCat-ID: 9658
Tönnies, Merle. “Sager, P.: Oxford & Cambridge. Eine Kulturgeschichte.” Journal for the Study of British Cultures, 2003.
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[21]
2003 | Book Review | LibreCat-ID: 9659
Tönnies, Merle. “Veit, C.: Ich-Konzept Und Körper in Becketts Dualen Konstruktionen, 2002.” The Beckett Circle, 2003.
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[20]
2003 | Book Review | LibreCat-ID: 9660
Tönnies, Merle. “Logan, T.: The Victorian Parlour, 2001.” Anglia, 2003.
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[19]
2003 | Book Review | LibreCat-ID: 9661
Tönnies, Merle. “Keipert, H.: Pope, Popovskij Und Die Popen, 2001.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 2003.
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[18]
2003 | Book Review | LibreCat-ID: 9662
Tönnies, Merle. “Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen Und Ästhetische Konstruktion Bei Jean Paul Und Samuel Beckett, 2001.” The Beckett Circle, 2003.
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[17]
2003 | Book Review | LibreCat-ID: 9663
Tönnies, Merle. “Beckett, S.: Dante Und Der Hummer. Gesammelte Prosa, 2000.” The Beckett Circle, 2003.
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[16]
2002 | Journal Article | LibreCat-ID: 8853
Tönnies, Merle. “Good/Bad Girls and Their Fathers.” Journal for the Study of British Cultures 9, no. 2 (2002): 185–95.
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[15]
2002 | Book Chapter | LibreCat-ID: 8862
Tönnies, Merle. “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions.” In Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, edited by Manfred Pfister, 57:99–119. A History of Laughter: Laughter from Beowulf to Beckett and Beyond. Amsterdam: Rodopi, 2002.
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[14]
2002 | Journal Article | LibreCat-ID: 8863
Tönnies, Merle. “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, Its 1960s Forebears and the Beginning of the 21st Century .” Contemporary Drama in English 9 (2002): 57–71.
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[13]
2002 | Book Review | LibreCat-ID: 9664
Tönnies, Merle. “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000.” Forum Modernes Theater, 2002.
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[12]
2001 | Journal Article | LibreCat-ID: 8864
Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000 11 (2001): 194–201.
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[11]
2001 | Journal Article | LibreCat-ID: 8865
Tönnies, Merle. “The Limits of Defining Power in Terms of Exclusion.” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, 2001, 61–64.
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[10]
2001 | Book (Editor) | LibreCat-ID: 6760
Tönnies, Merle, and Claus-Ulrich Viol, eds. British Political Speeches from Churchill to Blair. Stuttgart: Reclam, 2001.
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[9]
2000 | Book Review | LibreCat-ID: 9665
Tönnies, Merle. “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998.” Journal for the Study of British Cultures, 2000.
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[8]
2000 | Book (Editor) | LibreCat-ID: 6762
Tönnies, Merle, Gerd Stratmann, Claus-Ulrich Viol, and Anglistik und Englischunterricht 63, eds. Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter, 2000.
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[7]
1999 | Book (Editor) | LibreCat-ID: 6765
Tönnies, Merle, and Claus-Ulrich Viol, eds. Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam, 1999.
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[6]
1999 | Book (Editor) | LibreCat-ID: 6767
Tönnies, Merle, and Reinhold Schiffer, eds. British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. Trier: WVT, 1999.
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[5]
1999 | Book Review | LibreCat-ID: 9666
Tönnies, Merle. “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997.” Journal for the Study of British Cultures, 1999.
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[4]
1999 | Book Review | LibreCat-ID: 9667
Tönnies, Merle. “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten Für Theater, Radio, Film Und Fernsehen, 1998.” Forum Modernes Theater, 1999.
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[3]
1999 | Book Review | LibreCat-ID: 9668
Tönnies, Merle. “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997.” Anglia, 1999.
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[2]
1997 | Book | LibreCat-ID: 6752
Tönnies, Merle. Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT, 1997.
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[1]
1996 | Journal Article | LibreCat-ID: 9626
Tönnies, Merle. “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama.” Forum Modernes Theater 11, no. 2 (1996): 185–96.
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