Axel Berndt

Fakultät für Kulturwissenschaften
Musikwissenschaftliches Seminar Detmold/Paderborn
Modellierung vernetzter virtueller Datenräume (im Bereich Musik und Medien) (Berndt)
axel.berndt@uni-paderborn.de
ID
55565

104 Publications

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[104]
2025 | Conference Paper | LibreCat-ID: 59783
Mauro D ~A., Ludovico L ~A., Aydin H ~H., Berndt A, Grothe T. Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation pattern using IEEE 1599. In: {AM.ICAD: Audio Mostly & ICAD Joint Conf.}. ACM; 2025.
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[103]
2025 | Conference Paper | LibreCat-ID: 59782
Kallionpää M, Berndt A, Mauro D ~A., Dziwis D. Non/Repeat: Three Case Studies of Non-linear Live-Music Practices. In: {AM.ICAD: Audio Mostly & ICAD Joint Conf.}. ACM; 2025.
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[102]
2025 | Journal Article | LibreCat-ID: 59749
Balke S, Berndt A, Müller M. ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research. Transactions of the International Society for Music Information Retrieval. 2025;8(1):39-54. doi:10.5334/tismir.252
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[101]
2025 | Conference Paper | LibreCat-ID: 59748
Grothe T, Aydin H ~B., Mauro D ~A., Ludovico L ~A., Berndt A. Detmold interactive Musical Instrument Timbre Explorer (DmITE)—a web application for experiental learning in musical acoustics. In: {DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}. ; 2025.
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[100]
2025 | Conference Paper | LibreCat-ID: 59751
Berndt A. Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht. In: {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}. ; 2025.
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[99]
2025 | Conference Paper | LibreCat-ID: 59750
Mauro D ~A., Berndt A. Automatic Rendering of Ramati’s Ludus Musicalis Scores. In: {22nd Sound and Music Computing Conf.\ (SMC 2025), Auditory Landscapes}. ; 2025.
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[98]
2025 | Conference Paper | LibreCat-ID: 58555
Berndt A. Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht. In: {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}. ; 2025.
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[97]
2024 | Conference Paper | LibreCat-ID: 58554
Berndt A, Münzmay A. Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze. In: {Edition von Filmmusik: Herausforderungen Der Multimedialität}. ; 2024.
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[96]
2024 | Conference Paper | LibreCat-ID: 58552
Berndt A, Vollmer F, Münzmay A. Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology. In: {Diskografentag: International Conference on Recorded Music}. ; 2024.
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[95]
2024 | Conference Paper | LibreCat-ID: 58551
Berndt A, Münzmay A, Vollmer F. Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition. In: {DAGA 2024 – 50. Jahrestagung Für Akustik}. ; 2024.
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[94]
2024 | Conference Paper | LibreCat-ID: 58550
Berndt A. Auditory Pointers: Spatial Navigation with Sounds. In: {Forschungskolloquium Zur Audiokommunikation}. ; 2024.
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[93]
2024 | Conference Paper | LibreCat-ID: 58553
Berndt A, Waloschek S. FlowScore: MEI Streaming to Digital Music Stands. In: {Edirom Summer School 2024}. ; 2024.
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[92]
2024 | Conference Paper | LibreCat-ID: 52514
Berndt A. Mozart-Dekonstruktionen: Genese einer KI-generierten Konzertmusik. In: {Digitale Methoden in Den Geisteswissenschaften. Herausforderungen Und Chancen}. ; 2024.
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[91]
2024 | Conference Paper | LibreCat-ID: 54247
Berndt A, Mauro D ~A. Arpeggiatorum: An audio controllable MIDI arpeggiator. In: {Sound and Music Computing Conf.\ (SMC 2024), Immersive}. ; 2024.
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[90]
2023 | Conference Paper | LibreCat-ID: 47316
Nowakowski M, Berndt A, Plaksin AVK, Şahin N, Hadjakos A. Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing. In: {Encoding Cultures—Joint MEC and TEI Conference 2023}. ; 2023.
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[89]
2023 | Conference Paper | LibreCat-ID: 47318
Münzmay A, Berndt A. Was ist eine Interpretationsedition? In: {Methoden Softwaregestützter Interpretationsforschung}. ; 2023.
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[88]
2023 | Conference Paper | LibreCat-ID: 47317
Berndt A. Three Experiments with AI Music Generation. In: {Deconstruction; Order. Mozart?}. ; 2023.
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[87]
2023 | Book Chapter | LibreCat-ID: 47321
Berndt A. Meditation. In: Harras S, Schlüter S, Schrötke R, eds. {Das Gehört Zusammen: Bläserheft Zum Landesposaunentag Wolfenbüttel 2023}. Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig; 2023:30–31.
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[86]
2023 | Book Chapter | LibreCat-ID: 47320
Berndt A. Der Tag, mein Gott, ist nun vergangen. In: Diehl K-P, Schnabel M, Form A, eds. {Zwischentöne 2: Bläsermusik Zwischen Himmel Und Erde}. CVJM-Westbund e.V.; 2023:119–121.
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[85]
2023 | Conference Paper | LibreCat-ID: 47322
Nowakowski M, Berndt A, Hadjakos A. Forschungsperspektiven zur Interaktion mit Musiknotation. In: {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}. ; 2023.
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[84]
2023 | Conference Paper | LibreCat-ID: 47319
Berndt A. Interpretationsbeschreibung und -analyse mittels Music Performance Markup (MPM). In: {Methoden Softwaregestützter Interpretationsforschung}. ; 2023.
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[83]
2023 | Conference Paper | LibreCat-ID: 50434
Nowakowski M, Berndt A, Plaksin AVK, Şahin N, Hadjakos A. Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing. In: {Encoding Cultures—Joint MEC and TEI Conference 2023}. ; 2023.
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[82]
2023 | Conference Paper | LibreCat-ID: 50433
Kallionpaa M, Berndt A, Gasselseder H-P. Sonification as a Composition Technique and Means of Artistic Expression. In: {XXV Generative Art 2023}. ; 2023:199–207.
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[81]
2023 | Conference Paper | LibreCat-ID: 50432
Berndt A. MPM Toolbox: Eine Software zur Analyse und kreativen Erstellung musikalischer Interpretationen. In: {Netzwerk Lunch}. ; 2023.
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[80]
2023 | Conference Paper | LibreCat-ID: 50435
Berndt A. Three Experiments with AI Music Generation. In: {Deconstruction; Order. Mozart?}. ; 2023.
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[79]
2022 | Conference Paper | LibreCat-ID: 47324
Berndt A. Musik vom Computer: Eine Entdeckungsreise in die Welt der generativen Musik. In: {Data Society. Chancen – Verantwortung – Innovationen}. ; 2022.
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[78]
2022 | Conference Paper | LibreCat-ID: 47323
Berndt A. Modellbasierte Beschreibung musikalischer Interpretationen. In: Forschungskolloquium. ; 2022.
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[77]
2022 | Conference Paper | LibreCat-ID: 47325
Berndt A. Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen. In: {Edirom Summer School 2022}. ; 2022.
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[76]
2022 | Conference Paper | LibreCat-ID: 47328
Berndt A. Encoding Musical Performances. In: {Music Encoding Conference}. ; 2022:167–169.
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[75]
2022 | Book Chapter | LibreCat-ID: 47326
Berndt A. Herr Christ, der einig Gotts Sohn. In: Plewka F, ed. {Der Tag Ist Nicht Mehr Fern: Bläsermusik Zum Weihnachtsfestkreis}. Strube Verlag; 2022:88–89.
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[74]
2022 | Conference Paper | LibreCat-ID: 47327
Plaksin AVK, Lewis D, Şahin N, Berndt A. Sharing MEI: Common Semantics in Diverse Musics? In: {Music Encoding Conference}. ; 2022:157–161.
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[73]
2021 | Book Chapter | LibreCat-ID: 47331
Berndt A. Morgenglanz der Ewigkeit. In: Döhler M, Peter T, Schab T, Schlegel J-M, eds. {Gott Danken Ist Freude, Band IV}. Sächsische Posaunenmission; 2021:187–188.
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[72]
2021 | Conference Paper | LibreCat-ID: 47329
Berndt A. The Music Performance Markup Format and Ecosystem. In: {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}. ; 2021.
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[71]
2021 | Conference Paper | LibreCat-ID: 47330
Berndt A. Music Performance Markup: Format and Software Tools Report. In: {Music Encoding Conference}. ; 2021:57–63.
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[70]
2021 | Book Chapter | LibreCat-ID: 47332
Berndt A. Meditation. In: Döhler M, Peter T, Schab T, Schlegel J-M, eds. {Gott Danken Ist Freude, Band IV}. Sächsische Posaunenmission; 2021:88–89.
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[69]
2020 | Conference Paper | LibreCat-ID: 47334
Berndt A, Waloschek S, Hadjakos A, Veit J. Inside Beethoven! A Musical Installation for a New Listening Perspective. In: Groß-Vogt K, ed. {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}. ACM; 2020:245–248.
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[68]
2020 | Book Chapter | LibreCat-ID: 47335
Berndt A. Lob Gott getrost mit Singen. In: Kornmaul C, ed. {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}. Posaunendienst in der Lippischen Landeskirche; 2020:64–67.
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[67]
2020 | Conference Paper | LibreCat-ID: 47333
Berndt A. Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen. In: {Edirom Summer School 2020}. ; 2020.
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[66]
2019 | Book | LibreCat-ID: 47336
Berndt A, Veit J. Inside Beethoven! Das Begehbare Ensemble - Begleitpublikation Zur Klanginstallation Der Hochschule Für Musik Detmold Zum Septett Op. 20 Und Trio Op. 38 (Mit CD). Beethoven-Haus Bonn; 2019.
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[65]
2019 | Conference Paper | LibreCat-ID: 47338
Waloschek S, Berndt A, Hadjakos A, Pacha A. A Showcase of New MEI Tools. In: {Music Encoding Conference}. ; 2019.
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[64]
2019 | Book Chapter | LibreCat-ID: 47337
Berndt A. Adaptive Game Scoring with Ambient Music. In: Adkins M, Cummings S, eds. Music Beyond Airports: Apraising Ambient Music. University of Huddersfield Press; 2019:197–226.
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[63]
2018 | Conference Paper | LibreCat-ID: 47344
Berndt A. Interactive Media Scoring with Ambient Music. In: {Ambient@40}. ; 2018.
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[62]
2018 | Book Chapter | LibreCat-ID: 47340
Berndt A, Bohl B ~W. Music Performance Markup: Formale Beschreibung musikalischer Interpretationen. In: Nutt-Kofoth R, Plachta B, eds. {editio: International Yearbook of Scholarly Editing}. Vol 32. De Gruyter; 2018:185–204.
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[61]
2018 | Conference Paper | LibreCat-ID: 47342
Berndt A, Waloschek S, Hadjakos A. Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications. In: {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}. ACM; 2018.
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[60]
2018 | Conference Paper | LibreCat-ID: 47343
Waloschek S, Hadjakos A, Berndt A. Score and sound-based interface for exploring music performances. In: {Interdisciplinary Workshop on Timbre 2018}. ; 2018.
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[59]
2018 | Conference Paper | LibreCat-ID: 47341
Berndt A. Digital Sounds im Future Marketing: So klingt die Zukunft. In: {CEBIT 2018 Panel Discussion}. ; 2018.
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[58]
2018 | Book Chapter | LibreCat-ID: 47345
Berndt A, Bohl B ~W. Music Performance Markup: Formale Beschreibung musikalischer Interpretationen. In: Nutt-Kofoth R, Plachta B, eds. {Editio: Internationales Jahrbuch Für Editionswissenschaft}. Vol 32. De Gruyter; 2018.
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[57]
2018 | Conference Paper | LibreCat-ID: 47346
Berndt A, Bohl B ~W. Formale Beschreibung musikalischer Interpretationen. In: {Aufführung Und Edition 2018, 17. Int. Tagung Der Arbeitsgemeinschaft Für Germanistische Edition}. ; 2018.
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[56]
2018 | Conference Paper | LibreCat-ID: 47347
Berndt A. Musik im Spiel. In: {Kolloquium Zur Musik Des 20. Jahrhunderts}. ; 2018.
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[55]
2017 | Conference Paper | LibreCat-ID: 47350
Berndt A, Waloschek S, Hadjakos A. Musikeditionen zum Klingen bringen. In: {Edirom Summer School 2017}. ; 2017.
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[54]
2017 | Conference Paper | LibreCat-ID: 47349
Berndt A. Herausforderungen der editorischen Erschließung auditiver Objekte. In: {Projekt Sprechmaschine Workshop: Wo Liegt Der Mehrwert Digitaler Ausstellungen Für Universitäre Sammlungen?}. ; 2017.
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[53]
2017 | Journal Article | LibreCat-ID: 47348
Berndt A, Al-Kassab N, Dachselt R. The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra. {Computer Music Journal}. 2017;41(4):32–44.
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[52]
2017 | Conference Paper | LibreCat-ID: 47351
Peschke J, Berndt A. The Geometric Oscillator: Sound Synthesis with Cyclic Shapes. In: {Audio Mostly 2017: 12th Conf. on Interaction with Sound—Augmented and Participatory Sound/Music Experiences}. ACM; 2017.
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[51]
2017 | Conference Paper | LibreCat-ID: 47352
Mexin Y, Hadjakos A, Berndt A, Waloschek S, Wawilow A, Szwillus G. Tools for Annotating Musical Measures in Digital Music Editions. In: {14th Sound and Music Computing Conf.\ (SMC-17)}. ; 2017.
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[50]
2017 | Book Chapter | LibreCat-ID: 47354
Berndt A. Generative Musik als Werkzeug in der Musikwissenschaft. In: Lange C, Reipsch B, eds. {Vom Umgang Mit Telemanns Werken Einst Und Jetzt. Telemannrezeption in Drei Jahrhunderten. Bericht Über Die Wissenschaftliche Konferenz, Magdeburg, 15. Und 16. März 2012, Anlässlich Der 21. Magdeburger Telemann-Festtage}. Olms Verlag; 2017:305–326.
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[49]
2017 | Conference Paper | LibreCat-ID: 47353
Berndt A, Waloschek S, Hadjakos A, Leemhuis A. AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games. In: {Proc. of New Interfaces for Musical Expression (NIME) 2017}. Aalborg University Copenhagen; 2017.
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[48]
2016 | Conference Paper | LibreCat-ID: 47356
Waloschek S, Berndt A, Bohl B ~W., Hadjakos A. Interactive Scores in Classical Music Production. In: Mandel M, ed. {Proc. of the 17th Int. Society for Music Information Retrieval Conf.\ (ISMIR) 2016}. Int. Society for Music Information Retrieval; 2016.
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[47]
2016 | Conference Paper | LibreCat-ID: 47357
Berndt A, Waloschek S, Hadjakos A. Hand Gestures in Music Production. In: Timmermans H, ed. {Proc. of the Int. Computer Music Conf.\ (ICMC)}. International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek; 2016.
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[46]
2016 | Conference Paper | LibreCat-ID: 47355
Waloschek S, Berndt A, Bohl B ~W., Hadjakos A. Accelerating the Editing Phase in Music Productions using Interactive Scores. In: {Proc. of the 2nd AES Workshop on Intelligent Music Production}. Audio Engineering Society (AES); 2016.
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[45]
2016 | Book Chapter | LibreCat-ID: 47359
Bohl B ~W., Berndt A, Waloschek S, Hadjakos A. Dem Igel Sitte lehren … Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung. In: Richts K, Stadler P, eds. {\glqqEi, Dem Alten Herrn Zoll’ Ich Achtung Gern’\grqq Festschrift Für Joachim Veit Zum 60. Geburtstag}. Allitera Verlag; 2016:141–163.
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[44]
2016 | Conference Paper | LibreCat-ID: 47360
Bohl B ~W., Berndt A, Senft B. Formate als Sackgassen: Handlungsempfehlungen. In: {DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities Als Fachübergreifendes Forschungsparadigma}. nisaba verlag; 2016.
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[43]
2016 | Conference Paper | LibreCat-ID: 47358
Berndt A, Bohl B ~W. XML Music Performance Description. In: Di Bacco G, Kepper J, Roland P ~D., eds. {Music Encoding Conference 2016}. Music Encoding Initiative; 2016:91–94.
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[42]
2015 | Conference Paper | LibreCat-ID: 47369
Berndt A, Waloschek S, Hadjakos A. Gedanken zur Nutzung von Handgesten in der Musikproduktion. In: Schmidt A, Burmester M, Weisbecker A, eds. {Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}. Oldenbourg Wissenschaftsverlag; 2015:247–252.
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[41]
2015 | Book Chapter | LibreCat-ID: 47363
Al-Kassab N, Berndt A. TouchNoise: A Multitouch Noise Instrument. In: Berndt A, ed. {Works in Audio and Music Technology}. TUDpress; 2015:31–57.
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[40]
2015 | Conference Paper | LibreCat-ID: 47370
Hadjakos A, Berndt A, Waloschek S. Synchronizing Spatially Distributed Musical Ensembles. In: {12th Sound and Music Computing Conf.\ (SMC15)}. ; 2015.
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[39]
2015 | Book | LibreCat-ID: 47361
Berndt A. Works in Audio and Music Technology. TUDpress; 2015.
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[38]
2015 | Book Chapter | LibreCat-ID: 47368
Berndt A, Schönfeld F, Groh R, Hähnel T, Marx T, Pfleiderer M. Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen. In: Auhagen W, Bullerjahn C, von Georgi R, eds. {Musikpsychologie – Anwendungsorientierte Forschung}. {Jahrbuch der Deutschen Gesellschaft für Musikpsychologie}. Hogrefe Verlag; 2015:254–262.
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[37]
2015 | Book Chapter | LibreCat-ID: 47366
Berndt A, Hähnel T. Studying Music Performance and Perception via Interaction. In: Berndt A, ed. {Works in Audio and Music Technology}. TUDpress; 2015:129–153.
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[36]
2015 | Book Chapter | LibreCat-ID: 47365
Berndt A. Formalizing Expressive Music Performance Phenomena. In: Berndt A, ed. {Works in Audio and Music Technology}. TUDpress; 2015:97–128.
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[35]
2015 | Conference Paper | LibreCat-ID: 47372
Berndt A, Menges S ~H. Musizieren mit dem Computer. In: {21. Schulinformatiktag}. ; 2015.
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[34]
2015 | Conference Paper | LibreCat-ID: 47371
Berndt A, Al-Kassab N, Dachselt R. TouchNoise: A New Multitouch Interface for Creative Work with Noise. In: {Audio Mostly 2015: 10th Conf. on Interaction with Sound—Sound, Semantics and Social Interaction}. ACM; 2015.
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[33]
2014 | Conference Paper | LibreCat-ID: 47373
Schönfeld F, Berndt A, Hähnel T, Pfleiderer M, Groh R. Vocalmetrics: An interactive software for visualization and classification of music. In: {Audio Mostly 2014: 9th Conf. on Interaction with Sound—Imagining Sound and Music}. ACM; 2014.
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[32]
2014 | Book Chapter | LibreCat-ID: 47375
Berndt A. Ambiente Musik zur Vertonung immersiver interaktiver Medien. In: für immersive Medien I, ed. {Jahrbuch Immersiver Medien 2014: Klänge, Musik Und Soundscapes}. Schüren Verlag; 2014:95–105.
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[31]
2014 | Conference Paper | LibreCat-ID: 47374
Berndt A, Al-Kassab N, Dachselt R. TouchNoise: A Particle-based Multitouch Noise Modulation Interface. In: {Proc. of New Interfaces for Musical Expression (NIME) 2014}. Goldsmiths, University of London; 2014:323–326.
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[30]
2013 | Conference Paper | LibreCat-ID: 47377
de Almeida Madeira Clemente M, Berndt A, Leitner H, Keck M, Gaertner R, Groh R. New Perspectives on Interactivity in Project Management Tools. In: Stephanidis C, ed. {HCI International 2013—Posters’ Extended Abstracts}. Vol 374. Communications in Computer and Information Science. Springer Verlag; 2013:484–488.
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[29]
2013 | Conference Paper | LibreCat-ID: 47376
Lorenz R, Berndt A, Groh R. Designing Auditory Pointers. In: {Audio Mostly 2013: 8th Conf. on Interaction with Sound—Sound for Information and Intuition}. ACM; 2013.
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[28]
2013 | Journal Article | LibreCat-ID: 47378
Berndt A. Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen. {Kieler Beiträge zur Filmmusikforschung}. 2013;9:293–323.
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[27]
2012 | Conference Paper | LibreCat-ID: 47381
Berndt A. Variance in Repetitive Games Music. In: M. Marolt M, Kaltenbrunner M, Ciglar M, eds. {Proc. of the Int. Computer Music Conf.\ (ICMC)}. International Computer Music Association, University of Ljubljana; 2012:412–415.
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[26]
2012 | Conference Paper | LibreCat-ID: 47380
Berndt A, Dachselt R, Groh R. A Survey of Variation Techniques for Repetitive Games Music. In: {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}. ACM SIGCHI; 2012:61–67.
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[25]
2012 | Conference Paper | LibreCat-ID: 47379
Berndt A. Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen. In: 7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik. Kieler Gesellschaft für Filmmusikforschung; 2012.
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[24]
2012 | Book Chapter | LibreCat-ID: 47384
Berndt A. Nun sich der Tag geendet hat. In: Plewka F, Schmeiß M, Sterzig T, Häußler J, eds. {Musik Aus Mitteldeutschland}. Strube Verlag; 2012.
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[23]
2011 | Book | LibreCat-ID: 47382
Berndt A. Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken. Verlag Dr. Hut; 2011.
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[22]
2011 | Conference Paper | LibreCat-ID: 47385
Berndt A. Musical Tempo Curves. In: Clarke M, Adkins M, Isaacs B, eds. {Proc. of the Int. Computer Music Conf.\ (ICMC)}. International Computer Music Association, University of Huddersfield; 2011:118–121.
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[21]
2011 | Conference Paper | LibreCat-ID: 47388
Hähnel T, Berndt A. Studying Interdependencies in Music Performance: An Interactive Tool. In: {Proc. of New Interfaces for Musical Expression (NIME) 2011}. University of Oslo, Norwegian Academy of Music; 2011:48–51.
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[20]
2011 | Conference Paper | LibreCat-ID: 47387
Hähnel T, Berndt A. Eighth-Notes Performances: Kinds of Inégalité. In: {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}. ACM SIGCHI; 2011:75–81.
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[19]
2011 | Conference Paper | LibreCat-ID: 47386
Berndt A. Der Computer als Komponist und Interpret der Zukunft? In: {Meeting of the Gesellschaft Für Informatik (GI)}. ; 2011.
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[18]
2011 | Book Chapter | LibreCat-ID: 47393
Berndt A. Diegetic Music: New Interactive Experiences. In: Grimshaw M, ed. {Game Sound Technology and Player Interaction: Concepts and Developments}. IGI Global; 2011:60–76.
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[17]
2010 | Conference Paper | LibreCat-ID: 47389
Berndt A, Hähnel T. Modelling Musical Dynamics. In: {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}. ACM; 2010:134–141.
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[16]
2010 | Conference Paper | LibreCat-ID: 47390
Hähnel T, Berndt A. Synthetic and Pseudo-Synthetic Music Performances: An Evaluation. In: {Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}. ; 2010.
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[15]
2010 | Conference Paper | LibreCat-ID: 47392
Berndt A. Decentralizing Music, Its Performance, and Processing. In: Schedel M, Weymouth D, eds. {Proc. of the Int. Computer Music Conf.\ (ICMC)}. International Computer Music Association, Stony Brook University; 2010:381–388.
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[14]
2010 | Conference Paper | LibreCat-ID: 47391
Hähnel T, Berndt A. Expressive Articulation for Synthetic Music Performances. In: {Proc. of New Interfaces for Musical Expression (NIME) 2010}. University of Technology Sydney; 2010:277–282.
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[13]
2009 | Conference Paper | LibreCat-ID: 47397
Berndt A. Adaptive Musical Expression from Automatic Realtime Orchestration and Performance. In: Interactive Digital Storytelling (ICIDS) 2008. ; 2009.
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[12]
2009 | Conference Paper | LibreCat-ID: 47396
Berndt A. Musical Nonlinearity in Interactive Narrative Environments. In: Scavone G, Verfaille V, da Silva A, eds. {Proc. of the Int. Computer Music Conf.\ (ICMC)}. International Computer Music Association, Schulich School of Music/McGill University; 2009:355–358.
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[11]
2009 | Conference Paper | LibreCat-ID: 47395
Berndt A, Hähnel T. Expressive Musical Timing. In: {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}. Glasgow Caledonian University, Interactive Institute/Sonic Studio Piteå; 2009:9–16.
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[10]
2009 | Conference Paper | LibreCat-ID: 47394
Berndt A, Hähnel T. Der Computer als Interpret. In: {Gespräche Um Telemann}. ; 2009.
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[9]
2008 | Conference Paper | LibreCat-ID: 47398
Berndt A, Theisel H. Adaptive Musical Expression from Automatic Realtime Orchestration and Performance. In: Spierling U, Szilas N, eds. {Interactive Digital Storytelling (ICIDS) 2008}. Springer; 2008:132–143.
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[8]
2008 | Conference Paper | LibreCat-ID: 47400
Stockmann L, Berndt A, Röber N. A Musical Instrument based on Interactive Sonification Techniques. In: {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}. Interactive Institute/Sonic Studio Piteå; 2008:72–79.
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[7]
2008 | Conference Paper | LibreCat-ID: 47399
Berndt A, Hartmann K. The Functions of Music in Interactive Media. In: Spierling U, Szilas N, eds. {Interactive Digital Storytelling (ICIDS) 2008}. Springer; 2008:126–131.
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[6]
2008 | Book | LibreCat-ID: 47404
Berndt A. Liturgie Für Bläser. Musikverlag Bruno Uetz; 2008.
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[5]
2007 | Conference Paper | LibreCat-ID: 47402
Hartmann K, Büchner D, Berndt A, Nürnberger A, Lange C. Interactive Data Mining & Machine Learning Techniques for Musicology. In: {Conf. on Interdisciplinary Musicology 2007 (CIM07)}. ; 2007.
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[4]
2007 | Conference Paper | LibreCat-ID: 47403
Berndt A, Hartmann K. Audio-Interactive Counterpoint. In: {Sound, Music and the Moving Image}. ; 2007.
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[3]
2007 | Conference Paper | LibreCat-ID: 47401
Berndt A, Hartmann K. Strategies for Narrative and Adaptive Game Scoring. In: {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}. Fraunhofer IDMT, Interactive Institute/Sonic Studio Piteå; 2007:141–147.
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[2]
2006 | Conference Paper | LibreCat-ID: 47413
Berndt A, Hartmann K, Röber N, Masuch M. Composition and Arrangement Techniques for Music in Interactive Immersive Environments. In: {Audio Mostly 2006: A Conf. on Sound in Games}. Interactive Institute/Sonic Studio; 2006:53–59.
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[1]
2006 | Mastersthesis | LibreCat-ID: 47412
Berndt A. Repräsentation musikalischer Metainformationen. Otto-von-Guericke University, Department of Simulation and Graphics; 2006.
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[104]
2025 | Conference Paper | LibreCat-ID: 59783
Mauro D ~A., Ludovico L ~A., Aydin H ~H., Berndt A, Grothe T. Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation pattern using IEEE 1599. In: {AM.ICAD: Audio Mostly & ICAD Joint Conf.}. ACM; 2025.
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[103]
2025 | Conference Paper | LibreCat-ID: 59782
Kallionpää M, Berndt A, Mauro D ~A., Dziwis D. Non/Repeat: Three Case Studies of Non-linear Live-Music Practices. In: {AM.ICAD: Audio Mostly & ICAD Joint Conf.}. ACM; 2025.
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[102]
2025 | Journal Article | LibreCat-ID: 59749
Balke S, Berndt A, Müller M. ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research. Transactions of the International Society for Music Information Retrieval. 2025;8(1):39-54. doi:10.5334/tismir.252
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[101]
2025 | Conference Paper | LibreCat-ID: 59748
Grothe T, Aydin H ~B., Mauro D ~A., Ludovico L ~A., Berndt A. Detmold interactive Musical Instrument Timbre Explorer (DmITE)—a web application for experiental learning in musical acoustics. In: {DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}. ; 2025.
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[100]
2025 | Conference Paper | LibreCat-ID: 59751
Berndt A. Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht. In: {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}. ; 2025.
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[99]
2025 | Conference Paper | LibreCat-ID: 59750
Mauro D ~A., Berndt A. Automatic Rendering of Ramati’s Ludus Musicalis Scores. In: {22nd Sound and Music Computing Conf.\ (SMC 2025), Auditory Landscapes}. ; 2025.
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[98]
2025 | Conference Paper | LibreCat-ID: 58555
Berndt A. Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht. In: {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}. ; 2025.
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[97]
2024 | Conference Paper | LibreCat-ID: 58554
Berndt A, Münzmay A. Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze. In: {Edition von Filmmusik: Herausforderungen Der Multimedialität}. ; 2024.
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[96]
2024 | Conference Paper | LibreCat-ID: 58552
Berndt A, Vollmer F, Münzmay A. Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology. In: {Diskografentag: International Conference on Recorded Music}. ; 2024.
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[95]
2024 | Conference Paper | LibreCat-ID: 58551
Berndt A, Münzmay A, Vollmer F. Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition. In: {DAGA 2024 – 50. Jahrestagung Für Akustik}. ; 2024.
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[94]
2024 | Conference Paper | LibreCat-ID: 58550
Berndt A. Auditory Pointers: Spatial Navigation with Sounds. In: {Forschungskolloquium Zur Audiokommunikation}. ; 2024.
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[93]
2024 | Conference Paper | LibreCat-ID: 58553
Berndt A, Waloschek S. FlowScore: MEI Streaming to Digital Music Stands. In: {Edirom Summer School 2024}. ; 2024.
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[92]
2024 | Conference Paper | LibreCat-ID: 52514
Berndt A. Mozart-Dekonstruktionen: Genese einer KI-generierten Konzertmusik. In: {Digitale Methoden in Den Geisteswissenschaften. Herausforderungen Und Chancen}. ; 2024.
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[91]
2024 | Conference Paper | LibreCat-ID: 54247
Berndt A, Mauro D ~A. Arpeggiatorum: An audio controllable MIDI arpeggiator. In: {Sound and Music Computing Conf.\ (SMC 2024), Immersive}. ; 2024.
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[90]
2023 | Conference Paper | LibreCat-ID: 47316
Nowakowski M, Berndt A, Plaksin AVK, Şahin N, Hadjakos A. Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing. In: {Encoding Cultures—Joint MEC and TEI Conference 2023}. ; 2023.
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[89]
2023 | Conference Paper | LibreCat-ID: 47318
Münzmay A, Berndt A. Was ist eine Interpretationsedition? In: {Methoden Softwaregestützter Interpretationsforschung}. ; 2023.
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[88]
2023 | Conference Paper | LibreCat-ID: 47317
Berndt A. Three Experiments with AI Music Generation. In: {Deconstruction; Order. Mozart?}. ; 2023.
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[87]
2023 | Book Chapter | LibreCat-ID: 47321
Berndt A. Meditation. In: Harras S, Schlüter S, Schrötke R, eds. {Das Gehört Zusammen: Bläserheft Zum Landesposaunentag Wolfenbüttel 2023}. Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig; 2023:30–31.
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[86]
2023 | Book Chapter | LibreCat-ID: 47320
Berndt A. Der Tag, mein Gott, ist nun vergangen. In: Diehl K-P, Schnabel M, Form A, eds. {Zwischentöne 2: Bläsermusik Zwischen Himmel Und Erde}. CVJM-Westbund e.V.; 2023:119–121.
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[85]
2023 | Conference Paper | LibreCat-ID: 47322
Nowakowski M, Berndt A, Hadjakos A. Forschungsperspektiven zur Interaktion mit Musiknotation. In: {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}. ; 2023.
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[84]
2023 | Conference Paper | LibreCat-ID: 47319
Berndt A. Interpretationsbeschreibung und -analyse mittels Music Performance Markup (MPM). In: {Methoden Softwaregestützter Interpretationsforschung}. ; 2023.
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[83]
2023 | Conference Paper | LibreCat-ID: 50434
Nowakowski M, Berndt A, Plaksin AVK, Şahin N, Hadjakos A. Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing. In: {Encoding Cultures—Joint MEC and TEI Conference 2023}. ; 2023.
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[82]
2023 | Conference Paper | LibreCat-ID: 50433
Kallionpaa M, Berndt A, Gasselseder H-P. Sonification as a Composition Technique and Means of Artistic Expression. In: {XXV Generative Art 2023}. ; 2023:199–207.
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[81]
2023 | Conference Paper | LibreCat-ID: 50432
Berndt A. MPM Toolbox: Eine Software zur Analyse und kreativen Erstellung musikalischer Interpretationen. In: {Netzwerk Lunch}. ; 2023.
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[80]
2023 | Conference Paper | LibreCat-ID: 50435
Berndt A. Three Experiments with AI Music Generation. In: {Deconstruction; Order. Mozart?}. ; 2023.
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[79]
2022 | Conference Paper | LibreCat-ID: 47324
Berndt A. Musik vom Computer: Eine Entdeckungsreise in die Welt der generativen Musik. In: {Data Society. Chancen – Verantwortung – Innovationen}. ; 2022.
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[78]
2022 | Conference Paper | LibreCat-ID: 47323
Berndt A. Modellbasierte Beschreibung musikalischer Interpretationen. In: Forschungskolloquium. ; 2022.
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[77]
2022 | Conference Paper | LibreCat-ID: 47325
Berndt A. Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen. In: {Edirom Summer School 2022}. ; 2022.
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[76]
2022 | Conference Paper | LibreCat-ID: 47328
Berndt A. Encoding Musical Performances. In: {Music Encoding Conference}. ; 2022:167–169.
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[75]
2022 | Book Chapter | LibreCat-ID: 47326
Berndt A. Herr Christ, der einig Gotts Sohn. In: Plewka F, ed. {Der Tag Ist Nicht Mehr Fern: Bläsermusik Zum Weihnachtsfestkreis}. Strube Verlag; 2022:88–89.
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[74]
2022 | Conference Paper | LibreCat-ID: 47327
Plaksin AVK, Lewis D, Şahin N, Berndt A. Sharing MEI: Common Semantics in Diverse Musics? In: {Music Encoding Conference}. ; 2022:157–161.
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[73]
2021 | Book Chapter | LibreCat-ID: 47331
Berndt A. Morgenglanz der Ewigkeit. In: Döhler M, Peter T, Schab T, Schlegel J-M, eds. {Gott Danken Ist Freude, Band IV}. Sächsische Posaunenmission; 2021:187–188.
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[72]
2021 | Conference Paper | LibreCat-ID: 47329
Berndt A. The Music Performance Markup Format and Ecosystem. In: {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}. ; 2021.
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[71]
2021 | Conference Paper | LibreCat-ID: 47330
Berndt A. Music Performance Markup: Format and Software Tools Report. In: {Music Encoding Conference}. ; 2021:57–63.
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[70]
2021 | Book Chapter | LibreCat-ID: 47332
Berndt A. Meditation. In: Döhler M, Peter T, Schab T, Schlegel J-M, eds. {Gott Danken Ist Freude, Band IV}. Sächsische Posaunenmission; 2021:88–89.
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[69]
2020 | Conference Paper | LibreCat-ID: 47334
Berndt A, Waloschek S, Hadjakos A, Veit J. Inside Beethoven! A Musical Installation for a New Listening Perspective. In: Groß-Vogt K, ed. {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}. ACM; 2020:245–248.
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[68]
2020 | Book Chapter | LibreCat-ID: 47335
Berndt A. Lob Gott getrost mit Singen. In: Kornmaul C, ed. {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}. Posaunendienst in der Lippischen Landeskirche; 2020:64–67.
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[67]
2020 | Conference Paper | LibreCat-ID: 47333
Berndt A. Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen. In: {Edirom Summer School 2020}. ; 2020.
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[66]
2019 | Book | LibreCat-ID: 47336
Berndt A, Veit J. Inside Beethoven! Das Begehbare Ensemble - Begleitpublikation Zur Klanginstallation Der Hochschule Für Musik Detmold Zum Septett Op. 20 Und Trio Op. 38 (Mit CD). Beethoven-Haus Bonn; 2019.
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[65]
2019 | Conference Paper | LibreCat-ID: 47338
Waloschek S, Berndt A, Hadjakos A, Pacha A. A Showcase of New MEI Tools. In: {Music Encoding Conference}. ; 2019.
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[64]
2019 | Book Chapter | LibreCat-ID: 47337
Berndt A. Adaptive Game Scoring with Ambient Music. In: Adkins M, Cummings S, eds. Music Beyond Airports: Apraising Ambient Music. University of Huddersfield Press; 2019:197–226.
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[63]
2018 | Conference Paper | LibreCat-ID: 47344
Berndt A. Interactive Media Scoring with Ambient Music. In: {Ambient@40}. ; 2018.
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[62]
2018 | Book Chapter | LibreCat-ID: 47340
Berndt A, Bohl B ~W. Music Performance Markup: Formale Beschreibung musikalischer Interpretationen. In: Nutt-Kofoth R, Plachta B, eds. {editio: International Yearbook of Scholarly Editing}. Vol 32. De Gruyter; 2018:185–204.
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[61]
2018 | Conference Paper | LibreCat-ID: 47342
Berndt A, Waloschek S, Hadjakos A. Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications. In: {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}. ACM; 2018.
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[60]
2018 | Conference Paper | LibreCat-ID: 47343
Waloschek S, Hadjakos A, Berndt A. Score and sound-based interface for exploring music performances. In: {Interdisciplinary Workshop on Timbre 2018}. ; 2018.
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[59]
2018 | Conference Paper | LibreCat-ID: 47341
Berndt A. Digital Sounds im Future Marketing: So klingt die Zukunft. In: {CEBIT 2018 Panel Discussion}. ; 2018.
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[58]
2018 | Book Chapter | LibreCat-ID: 47345
Berndt A, Bohl B ~W. Music Performance Markup: Formale Beschreibung musikalischer Interpretationen. In: Nutt-Kofoth R, Plachta B, eds. {Editio: Internationales Jahrbuch Für Editionswissenschaft}. Vol 32. De Gruyter; 2018.
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[57]
2018 | Conference Paper | LibreCat-ID: 47346
Berndt A, Bohl B ~W. Formale Beschreibung musikalischer Interpretationen. In: {Aufführung Und Edition 2018, 17. Int. Tagung Der Arbeitsgemeinschaft Für Germanistische Edition}. ; 2018.
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[56]
2018 | Conference Paper | LibreCat-ID: 47347
Berndt A. Musik im Spiel. In: {Kolloquium Zur Musik Des 20. Jahrhunderts}. ; 2018.
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[55]
2017 | Conference Paper | LibreCat-ID: 47350
Berndt A, Waloschek S, Hadjakos A. Musikeditionen zum Klingen bringen. In: {Edirom Summer School 2017}. ; 2017.
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[54]
2017 | Conference Paper | LibreCat-ID: 47349
Berndt A. Herausforderungen der editorischen Erschließung auditiver Objekte. In: {Projekt Sprechmaschine Workshop: Wo Liegt Der Mehrwert Digitaler Ausstellungen Für Universitäre Sammlungen?}. ; 2017.
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[53]
2017 | Journal Article | LibreCat-ID: 47348
Berndt A, Al-Kassab N, Dachselt R. The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra. {Computer Music Journal}. 2017;41(4):32–44.
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[52]
2017 | Conference Paper | LibreCat-ID: 47351
Peschke J, Berndt A. The Geometric Oscillator: Sound Synthesis with Cyclic Shapes. In: {Audio Mostly 2017: 12th Conf. on Interaction with Sound—Augmented and Participatory Sound/Music Experiences}. ACM; 2017.
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[51]
2017 | Conference Paper | LibreCat-ID: 47352
Mexin Y, Hadjakos A, Berndt A, Waloschek S, Wawilow A, Szwillus G. Tools for Annotating Musical Measures in Digital Music Editions. In: {14th Sound and Music Computing Conf.\ (SMC-17)}. ; 2017.
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[50]
2017 | Book Chapter | LibreCat-ID: 47354
Berndt A. Generative Musik als Werkzeug in der Musikwissenschaft. In: Lange C, Reipsch B, eds. {Vom Umgang Mit Telemanns Werken Einst Und Jetzt. Telemannrezeption in Drei Jahrhunderten. Bericht Über Die Wissenschaftliche Konferenz, Magdeburg, 15. Und 16. März 2012, Anlässlich Der 21. Magdeburger Telemann-Festtage}. Olms Verlag; 2017:305–326.
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[49]
2017 | Conference Paper | LibreCat-ID: 47353
Berndt A, Waloschek S, Hadjakos A, Leemhuis A. AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games. In: {Proc. of New Interfaces for Musical Expression (NIME) 2017}. Aalborg University Copenhagen; 2017.
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[48]
2016 | Conference Paper | LibreCat-ID: 47356
Waloschek S, Berndt A, Bohl B ~W., Hadjakos A. Interactive Scores in Classical Music Production. In: Mandel M, ed. {Proc. of the 17th Int. Society for Music Information Retrieval Conf.\ (ISMIR) 2016}. Int. Society for Music Information Retrieval; 2016.
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[47]
2016 | Conference Paper | LibreCat-ID: 47357
Berndt A, Waloschek S, Hadjakos A. Hand Gestures in Music Production. In: Timmermans H, ed. {Proc. of the Int. Computer Music Conf.\ (ICMC)}. International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek; 2016.
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[46]
2016 | Conference Paper | LibreCat-ID: 47355
Waloschek S, Berndt A, Bohl B ~W., Hadjakos A. Accelerating the Editing Phase in Music Productions using Interactive Scores. In: {Proc. of the 2nd AES Workshop on Intelligent Music Production}. Audio Engineering Society (AES); 2016.
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[45]
2016 | Book Chapter | LibreCat-ID: 47359
Bohl B ~W., Berndt A, Waloschek S, Hadjakos A. Dem Igel Sitte lehren … Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung. In: Richts K, Stadler P, eds. {\glqqEi, Dem Alten Herrn Zoll’ Ich Achtung Gern’\grqq Festschrift Für Joachim Veit Zum 60. Geburtstag}. Allitera Verlag; 2016:141–163.
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[44]
2016 | Conference Paper | LibreCat-ID: 47360
Bohl B ~W., Berndt A, Senft B. Formate als Sackgassen: Handlungsempfehlungen. In: {DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities Als Fachübergreifendes Forschungsparadigma}. nisaba verlag; 2016.
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[43]
2016 | Conference Paper | LibreCat-ID: 47358
Berndt A, Bohl B ~W. XML Music Performance Description. In: Di Bacco G, Kepper J, Roland P ~D., eds. {Music Encoding Conference 2016}. Music Encoding Initiative; 2016:91–94.
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[42]
2015 | Conference Paper | LibreCat-ID: 47369
Berndt A, Waloschek S, Hadjakos A. Gedanken zur Nutzung von Handgesten in der Musikproduktion. In: Schmidt A, Burmester M, Weisbecker A, eds. {Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}. Oldenbourg Wissenschaftsverlag; 2015:247–252.
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[41]
2015 | Book Chapter | LibreCat-ID: 47363
Al-Kassab N, Berndt A. TouchNoise: A Multitouch Noise Instrument. In: Berndt A, ed. {Works in Audio and Music Technology}. TUDpress; 2015:31–57.
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[40]
2015 | Conference Paper | LibreCat-ID: 47370
Hadjakos A, Berndt A, Waloschek S. Synchronizing Spatially Distributed Musical Ensembles. In: {12th Sound and Music Computing Conf.\ (SMC15)}. ; 2015.
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[39]
2015 | Book | LibreCat-ID: 47361
Berndt A. Works in Audio and Music Technology. TUDpress; 2015.
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[38]
2015 | Book Chapter | LibreCat-ID: 47368
Berndt A, Schönfeld F, Groh R, Hähnel T, Marx T, Pfleiderer M. Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen. In: Auhagen W, Bullerjahn C, von Georgi R, eds. {Musikpsychologie – Anwendungsorientierte Forschung}. {Jahrbuch der Deutschen Gesellschaft für Musikpsychologie}. Hogrefe Verlag; 2015:254–262.
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[37]
2015 | Book Chapter | LibreCat-ID: 47366
Berndt A, Hähnel T. Studying Music Performance and Perception via Interaction. In: Berndt A, ed. {Works in Audio and Music Technology}. TUDpress; 2015:129–153.
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[36]
2015 | Book Chapter | LibreCat-ID: 47365
Berndt A. Formalizing Expressive Music Performance Phenomena. In: Berndt A, ed. {Works in Audio and Music Technology}. TUDpress; 2015:97–128.
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[35]
2015 | Conference Paper | LibreCat-ID: 47372
Berndt A, Menges S ~H. Musizieren mit dem Computer. In: {21. Schulinformatiktag}. ; 2015.
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[34]
2015 | Conference Paper | LibreCat-ID: 47371
Berndt A, Al-Kassab N, Dachselt R. TouchNoise: A New Multitouch Interface for Creative Work with Noise. In: {Audio Mostly 2015: 10th Conf. on Interaction with Sound—Sound, Semantics and Social Interaction}. ACM; 2015.
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[33]
2014 | Conference Paper | LibreCat-ID: 47373
Schönfeld F, Berndt A, Hähnel T, Pfleiderer M, Groh R. Vocalmetrics: An interactive software for visualization and classification of music. In: {Audio Mostly 2014: 9th Conf. on Interaction with Sound—Imagining Sound and Music}. ACM; 2014.
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[32]
2014 | Book Chapter | LibreCat-ID: 47375
Berndt A. Ambiente Musik zur Vertonung immersiver interaktiver Medien. In: für immersive Medien I, ed. {Jahrbuch Immersiver Medien 2014: Klänge, Musik Und Soundscapes}. Schüren Verlag; 2014:95–105.
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[31]
2014 | Conference Paper | LibreCat-ID: 47374
Berndt A, Al-Kassab N, Dachselt R. TouchNoise: A Particle-based Multitouch Noise Modulation Interface. In: {Proc. of New Interfaces for Musical Expression (NIME) 2014}. Goldsmiths, University of London; 2014:323–326.
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[30]
2013 | Conference Paper | LibreCat-ID: 47377
de Almeida Madeira Clemente M, Berndt A, Leitner H, Keck M, Gaertner R, Groh R. New Perspectives on Interactivity in Project Management Tools. In: Stephanidis C, ed. {HCI International 2013—Posters’ Extended Abstracts}. Vol 374. Communications in Computer and Information Science. Springer Verlag; 2013:484–488.
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[29]
2013 | Conference Paper | LibreCat-ID: 47376
Lorenz R, Berndt A, Groh R. Designing Auditory Pointers. In: {Audio Mostly 2013: 8th Conf. on Interaction with Sound—Sound for Information and Intuition}. ACM; 2013.
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[28]
2013 | Journal Article | LibreCat-ID: 47378
Berndt A. Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen. {Kieler Beiträge zur Filmmusikforschung}. 2013;9:293–323.
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[27]
2012 | Conference Paper | LibreCat-ID: 47381
Berndt A. Variance in Repetitive Games Music. In: M. Marolt M, Kaltenbrunner M, Ciglar M, eds. {Proc. of the Int. Computer Music Conf.\ (ICMC)}. International Computer Music Association, University of Ljubljana; 2012:412–415.
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[26]
2012 | Conference Paper | LibreCat-ID: 47380
Berndt A, Dachselt R, Groh R. A Survey of Variation Techniques for Repetitive Games Music. In: {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}. ACM SIGCHI; 2012:61–67.
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[25]
2012 | Conference Paper | LibreCat-ID: 47379
Berndt A. Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen. In: 7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik. Kieler Gesellschaft für Filmmusikforschung; 2012.
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[24]
2012 | Book Chapter | LibreCat-ID: 47384
Berndt A. Nun sich der Tag geendet hat. In: Plewka F, Schmeiß M, Sterzig T, Häußler J, eds. {Musik Aus Mitteldeutschland}. Strube Verlag; 2012.
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[23]
2011 | Book | LibreCat-ID: 47382
Berndt A. Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken. Verlag Dr. Hut; 2011.
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[22]
2011 | Conference Paper | LibreCat-ID: 47385
Berndt A. Musical Tempo Curves. In: Clarke M, Adkins M, Isaacs B, eds. {Proc. of the Int. Computer Music Conf.\ (ICMC)}. International Computer Music Association, University of Huddersfield; 2011:118–121.
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[21]
2011 | Conference Paper | LibreCat-ID: 47388
Hähnel T, Berndt A. Studying Interdependencies in Music Performance: An Interactive Tool. In: {Proc. of New Interfaces for Musical Expression (NIME) 2011}. University of Oslo, Norwegian Academy of Music; 2011:48–51.
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[20]
2011 | Conference Paper | LibreCat-ID: 47387
Hähnel T, Berndt A. Eighth-Notes Performances: Kinds of Inégalité. In: {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}. ACM SIGCHI; 2011:75–81.
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[19]
2011 | Conference Paper | LibreCat-ID: 47386
Berndt A. Der Computer als Komponist und Interpret der Zukunft? In: {Meeting of the Gesellschaft Für Informatik (GI)}. ; 2011.
LibreCat
 
[18]
2011 | Book Chapter | LibreCat-ID: 47393
Berndt A. Diegetic Music: New Interactive Experiences. In: Grimshaw M, ed. {Game Sound Technology and Player Interaction: Concepts and Developments}. IGI Global; 2011:60–76.
LibreCat
 
[17]
2010 | Conference Paper | LibreCat-ID: 47389
Berndt A, Hähnel T. Modelling Musical Dynamics. In: {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}. ACM; 2010:134–141.
LibreCat
 
[16]
2010 | Conference Paper | LibreCat-ID: 47390
Hähnel T, Berndt A. Synthetic and Pseudo-Synthetic Music Performances: An Evaluation. In: {Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}. ; 2010.
LibreCat
 
[15]
2010 | Conference Paper | LibreCat-ID: 47392
Berndt A. Decentralizing Music, Its Performance, and Processing. In: Schedel M, Weymouth D, eds. {Proc. of the Int. Computer Music Conf.\ (ICMC)}. International Computer Music Association, Stony Brook University; 2010:381–388.
LibreCat
 
[14]
2010 | Conference Paper | LibreCat-ID: 47391
Hähnel T, Berndt A. Expressive Articulation for Synthetic Music Performances. In: {Proc. of New Interfaces for Musical Expression (NIME) 2010}. University of Technology Sydney; 2010:277–282.
LibreCat
 
[13]
2009 | Conference Paper | LibreCat-ID: 47397
Berndt A. Adaptive Musical Expression from Automatic Realtime Orchestration and Performance. In: Interactive Digital Storytelling (ICIDS) 2008. ; 2009.
LibreCat
 
[12]
2009 | Conference Paper | LibreCat-ID: 47396
Berndt A. Musical Nonlinearity in Interactive Narrative Environments. In: Scavone G, Verfaille V, da Silva A, eds. {Proc. of the Int. Computer Music Conf.\ (ICMC)}. International Computer Music Association, Schulich School of Music/McGill University; 2009:355–358.
LibreCat
 
[11]
2009 | Conference Paper | LibreCat-ID: 47395
Berndt A, Hähnel T. Expressive Musical Timing. In: {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}. Glasgow Caledonian University, Interactive Institute/Sonic Studio Piteå; 2009:9–16.
LibreCat
 
[10]
2009 | Conference Paper | LibreCat-ID: 47394
Berndt A, Hähnel T. Der Computer als Interpret. In: {Gespräche Um Telemann}. ; 2009.
LibreCat
 
[9]
2008 | Conference Paper | LibreCat-ID: 47398
Berndt A, Theisel H. Adaptive Musical Expression from Automatic Realtime Orchestration and Performance. In: Spierling U, Szilas N, eds. {Interactive Digital Storytelling (ICIDS) 2008}. Springer; 2008:132–143.
LibreCat
 
[8]
2008 | Conference Paper | LibreCat-ID: 47400
Stockmann L, Berndt A, Röber N. A Musical Instrument based on Interactive Sonification Techniques. In: {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}. Interactive Institute/Sonic Studio Piteå; 2008:72–79.
LibreCat
 
[7]
2008 | Conference Paper | LibreCat-ID: 47399
Berndt A, Hartmann K. The Functions of Music in Interactive Media. In: Spierling U, Szilas N, eds. {Interactive Digital Storytelling (ICIDS) 2008}. Springer; 2008:126–131.
LibreCat
 
[6]
2008 | Book | LibreCat-ID: 47404
Berndt A. Liturgie Für Bläser. Musikverlag Bruno Uetz; 2008.
LibreCat
 
[5]
2007 | Conference Paper | LibreCat-ID: 47402
Hartmann K, Büchner D, Berndt A, Nürnberger A, Lange C. Interactive Data Mining & Machine Learning Techniques for Musicology. In: {Conf. on Interdisciplinary Musicology 2007 (CIM07)}. ; 2007.
LibreCat
 
[4]
2007 | Conference Paper | LibreCat-ID: 47403
Berndt A, Hartmann K. Audio-Interactive Counterpoint. In: {Sound, Music and the Moving Image}. ; 2007.
LibreCat
 
[3]
2007 | Conference Paper | LibreCat-ID: 47401
Berndt A, Hartmann K. Strategies for Narrative and Adaptive Game Scoring. In: {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}. Fraunhofer IDMT, Interactive Institute/Sonic Studio Piteå; 2007:141–147.
LibreCat
 
[2]
2006 | Conference Paper | LibreCat-ID: 47413
Berndt A, Hartmann K, Röber N, Masuch M. Composition and Arrangement Techniques for Music in Interactive Immersive Environments. In: {Audio Mostly 2006: A Conf. on Sound in Games}. Interactive Institute/Sonic Studio; 2006:53–59.
LibreCat
 
[1]
2006 | Mastersthesis | LibreCat-ID: 47412
Berndt A. Repräsentation musikalischer Metainformationen. Otto-von-Guericke University, Department of Simulation and Graphics; 2006.
LibreCat
 
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