Axel Berndt

Fakultät für Kulturwissenschaften
Musikwissenschaftliches Seminar Detmold/Paderborn
Modellierung vernetzter virtueller Datenräume (im Bereich Musik und Medien) (Berndt)
axel.berndt@uni-paderborn.de
ID
55565

104 Publications

Mark all

[104]
2025 | Journal Article | LibreCat-ID: 59749
S. Balke, A. Berndt, and M. Müller, “ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research,” Transactions of the International Society for Music Information Retrieval, vol. 8, no. 1, pp. 39–54, 2025, doi: 10.5334/tismir.252.
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[103]
2025 | Conference Paper | LibreCat-ID: 58555
A. Berndt, “Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht,” 2025.
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[102]
2025 | Conference Paper | LibreCat-ID: 59783
D. A. Mauro, L. A. Ludovico, H. H. Aydin, A. Berndt, and T. Grothe, “Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation pattern using IEEE 1599,” 2025.
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[101]
2025 | Conference Paper | LibreCat-ID: 59748
T. Grothe, H. B. Aydin, D. A. Mauro, L. A. Ludovico, and A. Berndt, “Detmold interactive Musical Instrument Timbre Explorer (DmITE) - a web application for experimental learning in musical acoustics,” 2025.
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[100]
2025 | Conference Paper | LibreCat-ID: 59782
M. Kallionpää, A. Berndt, D. A. Mauro, and D. Dziwis, “Non/Repeat: Three Case Studies of Non-linear Live-Music Practices,” 2025.
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[99]
2025 | Conference Paper | LibreCat-ID: 59750
D. A. Mauro and A. Berndt, “Automatic Rendering of Ramati’s Ludus Musicalis Scores,” 2025.
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[98]
2025 | Conference Paper | LibreCat-ID: 60759
A. Berndt, G. Falkemeier, A. Kutter, A. V. K. Plaksin, S. Etezazi, and D. Dziwis, “KreativInstitut.OWL: An Interdisciplinary Institute for Transfer Between Science, Cultural and Creative Industries,” 2025.
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[97]
2024 | Conference Paper | LibreCat-ID: 58550
A. Berndt, “Auditory Pointers: Spatial Navigation with Sounds,” 2024.
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[96]
2024 | Conference Paper | LibreCat-ID: 58553
A. Berndt and S. Waloschek, “FlowScore: MEI Streaming to Digital Music Stands,” 2024.
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[95]
2024 | Conference Paper | LibreCat-ID: 52514
A. Berndt, “Mozart-Dekonstruktionen: Genese einer KI-generierten Konzertmusik,” 2024.
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[94]
2024 | Conference Paper | LibreCat-ID: 54247
A. Berndt and D. A. Mauro, “Arpeggiatorum: An audio controllable MIDI arpeggiator,” 2024.
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[93]
2024 | Conference Paper | LibreCat-ID: 58552
A. Berndt, F. Vollmer, and A. Münzmay, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology,” 2024.
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[92]
2024 | Conference Paper | LibreCat-ID: 58554
A. Berndt and A. Münzmay, “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” presented at the Edition von Filmmusik: Herausforderungen der Multimedialität, Frankfurt am Main, 2024.
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[91]
2024 | Conference Paper | LibreCat-ID: 58551
A. Berndt, A. Münzmay, and F. Bömcke-Vollmer, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition,” 2024.
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[90]
2023 | Conference Paper | LibreCat-ID: 47316
M. Nowakowski, A. Berndt, A. V. K. Plaksin, N. Şahin, and A. Hadjakos, “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing,” 2023.
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[89]
2023 | Conference Paper | LibreCat-ID: 47317
A. Berndt, “Three Experiments with AI Music Generation,” 2023.
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[88]
2023 | Book Chapter | LibreCat-ID: 47321
A. Berndt, “Meditation,” in {Das gehört zusammen: Bläserheft zum Landesposaunentag Wolfenbüttel 2023}, S. Harras, S. Schlüter, and R. Schrötke, Eds. Wolfenbüttel, Germany: Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, 2023, pp. 30–31.
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[87]
2023 | Book Chapter | LibreCat-ID: 47320
A. Berndt, “Der Tag, mein Gott, ist nun vergangen,” in {Zwischentöne 2: Bläsermusik zwischen Himmel und Erde}, K.-P. Diehl, M. Schnabel, and A. Form, Eds. Wuppertal, Germany: CVJM-Westbund e.V., 2023, pp. 119–121.
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[86]
2023 | Conference Paper | LibreCat-ID: 47322
M. Nowakowski, A. Berndt, and A. Hadjakos, “Forschungsperspektiven zur Interaktion mit Musiknotation,” 2023.
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[85]
2023 | Conference Paper | LibreCat-ID: 47319
A. Berndt, “Interpretationsbeschreibung und -analyse mittels Music Performance Markup (MPM),” 2023.
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[84]
2023 | Conference Paper | LibreCat-ID: 50434
M. Nowakowski, A. Berndt, A. V. K. Plaksin, N. Şahin, and A. Hadjakos, “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing,” 2023.
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[83]
2023 | Conference Paper | LibreCat-ID: 50433
M. Kallionpaa, A. Berndt, and H.-P. Gasselseder, “Sonification as a Composition Technique and Means of Artistic Expression,” in {XXV Generative Art 2023}, 2023, pp. 199–207.
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[82]
2023 | Conference Paper | LibreCat-ID: 50432
A. Berndt, “MPM Toolbox: Eine Software zur Analyse und kreativen Erstellung musikalischer Interpretationen,” 2023.
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[81]
2023 | Conference Paper | LibreCat-ID: 50435
A. Berndt, “Three Experiments with AI Music Generation,” 2023.
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[80]
2023 | Misc | LibreCat-ID: 47318 | OA
A. Münzmay and A. Berndt, Was ist eine Interpretationsedition? Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023: Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.
LibreCat | Download (ext.)
 
[79]
2022 | Conference Paper | LibreCat-ID: 47324
A. Berndt, “Musik vom Computer: Eine Entdeckungsreise in die Welt der generativen Musik,” 2022.
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[78]
2022 | Conference Paper | LibreCat-ID: 47323
A. Berndt, “Modellbasierte Beschreibung musikalischer Interpretationen,” 2022.
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[77]
2022 | Conference Paper | LibreCat-ID: 47325
A. Berndt, “Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen,” 2022.
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[76]
2022 | Conference Paper | LibreCat-ID: 47328
A. Berndt, “Encoding Musical Performances,” in {Music Encoding Conference}, 2022, pp. 167–169.
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[75]
2022 | Book Chapter | LibreCat-ID: 47326
A. Berndt, “Herr Christ, der einig Gotts Sohn,” in {Der Tag ist nicht mehr fern: Bläsermusik zum Weihnachtsfestkreis}, F. Plewka, Ed. Munich, Germany: Strube Verlag, 2022, pp. 88–89.
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[74]
2022 | Conference Paper | LibreCat-ID: 47327
A. V. K. Plaksin, D. Lewis, N. Şahin, and A. Berndt, “Sharing MEI: Common Semantics in Diverse Musics?,” in {Music Encoding Conference}, 2022, pp. 157–161.
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[73]
2021 | Book Chapter | LibreCat-ID: 47331
A. Berndt, “Morgenglanz der Ewigkeit,” in {Gott danken ist Freude, Band IV}, M. Döhler, T. Peter, T. Schab, and J.-M. Schlegel, Eds. Dresden, Germany: Sächsische Posaunenmission, 2021, pp. 187–188.
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[72]
2021 | Conference Paper | LibreCat-ID: 47329
A. Berndt, “The Music Performance Markup Format and Ecosystem,” 2021.
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[71]
2021 | Conference Paper | LibreCat-ID: 47330
A. Berndt, “Music Performance Markup: Format and Software Tools Report,” in {Music Encoding Conference}, 2021, pp. 57–63.
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[70]
2021 | Book Chapter | LibreCat-ID: 47332
A. Berndt, “Meditation,” in {Gott danken ist Freude, Band IV}, M. Döhler, T. Peter, T. Schab, and J.-M. Schlegel, Eds. Dresden, Germany: Sächsische Posaunenmission, 2021, pp. 88–89.
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[69]
2020 | Conference Paper | LibreCat-ID: 47334
A. Berndt, S. Waloschek, A. Hadjakos, and J. Veit, “Inside Beethoven! A Musical Installation for a New Listening Perspective,” in {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}, 2020, pp. 245–248.
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[68]
2020 | Book Chapter | LibreCat-ID: 47335
A. Berndt, “Lob Gott getrost mit Singen,” in {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}, C. Kornmaul, Ed. Detmold, Germany: Posaunendienst in der Lippischen Landeskirche, 2020, pp. 64–67.
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[67]
2020 | Conference Paper | LibreCat-ID: 47333
A. Berndt, “Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen,” 2020.
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[66]
2019 | Book | LibreCat-ID: 47336
A. Berndt and J. Veit, Inside Beethoven! Das begehbare Ensemble - Begleitpublikation zur Klanginstallation der Hochschule für Musik Detmold zum Septett op. 20 und Trio op. 38 (mit CD). Bonn, Germany: Beethoven-Haus Bonn, 2019.
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[65]
2019 | Conference Paper | LibreCat-ID: 47338
S. Waloschek, A. Berndt, A. Hadjakos, and A. Pacha, “A Showcase of New MEI Tools,” 2019.
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[64]
2019 | Book Chapter | LibreCat-ID: 47337
A. Berndt, “Adaptive Game Scoring with Ambient Music,” in Music Beyond Airports: Apraising Ambient Music, M. Adkins and S. Cummings, Eds. Huddersfield, UK: University of Huddersfield Press, 2019, pp. 197–226.
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[63]
2018 | Conference Paper | LibreCat-ID: 47344
A. Berndt, “Interactive Media Scoring with Ambient Music,” 2018.
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[62]
2018 | Conference Paper | LibreCat-ID: 47342
A. Berndt, S. Waloschek, and A. Hadjakos, “Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications,” 2018.
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[61]
2018 | Conference Paper | LibreCat-ID: 47343
S. Waloschek, A. Hadjakos, and A. Berndt, “Score and sound-based interface for exploring music performances,” 2018.
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[60]
2018 | Conference Paper | LibreCat-ID: 47341
A. Berndt, “Digital Sounds im Future Marketing: So klingt die Zukunft,” 2018.
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[59]
2018 | Conference Paper | LibreCat-ID: 47347
A. Berndt, “Musik im Spiel,” 2018.
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[58]
2018 | Book Chapter | LibreCat-ID: 47345
A. Berndt and B. W. Bohl, “Music Performance Markup: Formale Beschreibung musikalischer Interpretationen,” in Internationales Jahrbuch für Editionswissenschaft, vol. 32, R. Nutt-Kofoth and B. Plachta, Eds. Berlin, Germany: De Gruyter, 2018.
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[57]
2018 | Book Chapter | LibreCat-ID: 47340
A. Berndt and B. W. Bohl, “Music Performance Markup: Formale Beschreibung musikalischer Interpretationen,” in International Yearbook of Scholarly Editing, vol. 32, R. Nutt-Kofoth and B. Plachta, Eds. Berlin, Germany: De Gruyter, 2018, pp. 185–204.
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[56]
2018 | Conference Paper | LibreCat-ID: 47346
A. Berndt and B. W. Bohl, “Formale Beschreibung musikalischer Interpretationen,” 2018.
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[55]
2017 | Conference Paper | LibreCat-ID: 47350
A. Berndt, S. Waloschek, and A. Hadjakos, “Musikeditionen zum Klingen bringen,” 2017.
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[54]
2017 | Conference Paper | LibreCat-ID: 47349
A. Berndt, “Herausforderungen der editorischen Erschließung auditiver Objekte,” 2017.
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[53]
2017 | Journal Article | LibreCat-ID: 47348
A. Berndt, N. Al-Kassab, and R. Dachselt, “The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra,” {Computer Music Journal}, vol. 41, no. 4, pp. 32–44, 2017.
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[52]
2017 | Conference Paper | LibreCat-ID: 47351
J. Peschke and A. Berndt, “The Geometric Oscillator: Sound Synthesis with Cyclic Shapes,” 2017.
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[51]
2017 | Conference Paper | LibreCat-ID: 47352
Y. Mexin, A. Hadjakos, A. Berndt, S. Waloschek, A. Wawilow, and G. Szwillus, “Tools for Annotating Musical Measures in Digital Music Editions,” 2017.
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[50]
2017 | Book Chapter | LibreCat-ID: 47354
A. Berndt, “Generative Musik als Werkzeug in der Musikwissenschaft,” in {Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten. Bericht über die Wissenschaftliche Konferenz, Magdeburg, 15. und 16. März 2012, anlässlich der 21. Magdeburger Telemann-Festtage}, C. Lange and B. Reipsch, Eds. Hildesheim, Germany: Olms Verlag, 2017, pp. 305–326.
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[49]
2017 | Conference Paper | LibreCat-ID: 47353
A. Berndt, S. Waloschek, A. Hadjakos, and A. Leemhuis, “AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games,” 2017.
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[48]
2016 | Conference Paper | LibreCat-ID: 47357
A. Berndt, S. Waloschek, and A. Hadjakos, “Hand Gestures in Music Production,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2016.
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[47]
2016 | Book Chapter | LibreCat-ID: 47359
B. W. Bohl, A. Berndt, S. Waloschek, and A. Hadjakos, “Dem Igel Sitte lehren … Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung,” in Ei, dem alten Herrn zoll’ ich Achtung gern’ Festschrift für Joachim Veit zum 60. Geburtstag}, K. Richts and P. Stadler, Eds. Munich, Germany: Allitera Verlag, 2016, pp. 141–163.
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[46]
2016 | Conference Paper | LibreCat-ID: 47356
S. Waloschek, A. Berndt, B. W. Bohl, and A. Hadjakos, “Interactive Scores in Classical Music Production,” in Proc. of the 17th Int. Society for Music Information Retrieval Conference (ISMIR) 2016, 2016.
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[45]
2016 | Conference Paper | LibreCat-ID: 47360
B. W. Bohl, A. Berndt, and B. Senft, “Formate als Sackgassen: Handlungsempfehlungen,” 2016.
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[44]
2016 | Conference Paper | LibreCat-ID: 47355
S. Waloschek, A. Berndt, B. W. Bohl, and A. Hadjakos, “Accelerating the Editing Phase in Music Productions using Interactive Scores,” 2016.
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[43]
2016 | Conference Paper | LibreCat-ID: 47358
A. Berndt and B. W. Bohl, “XML Music Performance Description,” in Music Encoding Conference 2016, 2016, pp. 91–94.
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[42]
2015 | Conference Paper | LibreCat-ID: 47369
A. Berndt, S. Waloschek, and A. Hadjakos, “Gedanken zur Nutzung von Handgesten in der Musikproduktion,” in {Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces}, 2015, pp. 247–252.
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[41]
2015 | Book Chapter | LibreCat-ID: 47363
N. Al-Kassab and A. Berndt, “TouchNoise: A Multitouch Noise Instrument,” in {Works in Audio and Music Technology}, A. Berndt, Ed. Dresden, Germany: TUDpress, 2015, pp. 31–57.
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[40]
2015 | Conference Paper | LibreCat-ID: 47370
A. Hadjakos, A. Berndt, and S. Waloschek, “Synchronizing Spatially Distributed Musical Ensembles,” 2015.
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[39]
2015 | Book | LibreCat-ID: 47361
A. Berndt, Works in Audio and Music Technology. Dresden, Germany: TUDpress, 2015.
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[38]
2015 | Book Chapter | LibreCat-ID: 47368
A. Berndt, F. Schönfeld, R. Groh, T. Hähnel, T. Marx, and M. Pfleiderer, “Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen,” in {Musikpsychologie – Anwendungsorientierte Forschung}, W. Auhagen, C. Bullerjahn, and R. von Georgi, Eds. Göttingen, Germany: Hogrefe Verlag, 2015, pp. 254–262.
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[37]
2015 | Book Chapter | LibreCat-ID: 47366
A. Berndt and T. Hähnel, “Studying Music Performance and Perception via Interaction,” in {Works in Audio and Music Technology}, A. Berndt, Ed. Dresden, Germany: TUDpress, 2015, pp. 129–153.
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[36]
2015 | Book Chapter | LibreCat-ID: 47365
A. Berndt, “Formalizing Expressive Music Performance Phenomena,” in {Works in Audio and Music Technology}, A. Berndt, Ed. Dresden, Germany: TUDpress, 2015, pp. 97–128.
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[35]
2015 | Conference Paper | LibreCat-ID: 47371
A. Berndt, N. Al-Kassab, and R. Dachselt, “TouchNoise: A New Multitouch Interface for Creative Work with Noise,” 2015.
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[34]
2015 | Conference Paper | LibreCat-ID: 47372
A. Berndt and S. H. Menges, “Musizieren mit dem Computer,” 2015.
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[33]
2014 | Conference Paper | LibreCat-ID: 47373
F. Schönfeld, A. Berndt, T. Hähnel, M. Pfleiderer, and R. Groh, “Vocalmetrics: An interactive software for visualization and classification of music,” 2014.
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[32]
2014 | Book Chapter | LibreCat-ID: 47375
A. Berndt, “Ambiente Musik zur Vertonung immersiver interaktiver Medien,” in {Jahrbuch immersiver Medien 2014: Klänge, Musik und Soundscapes}, I. für immersive Medien, Ed. Fachhochschule Kiel, Germany: Schüren Verlag, 2014, pp. 95–105.
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[31]
2014 | Conference Paper | LibreCat-ID: 47374
A. Berndt, N. Al-Kassab, and R. Dachselt, “TouchNoise: A Particle-based Multitouch Noise Modulation Interface,” in {Proc. of New Interfaces for Musical Expression (NIME) 2014}, 2014, pp. 323–326.
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[30]
2013 | Conference Paper | LibreCat-ID: 47377
M. de Almeida Madeira Clemente, A. Berndt, H. Leitner, M. Keck, R. Gaertner, and R. Groh, “New Perspectives on Interactivity in Project Management Tools,” in {HCI International 2013—Posters’ Extended Abstracts}, 2013, vol. 374, pp. 484–488.
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[29]
2013 | Conference Paper | LibreCat-ID: 47376
R. Lorenz, A. Berndt, and R. Groh, “Designing Auditory Pointers,” 2013.
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[28]
2013 | Journal Article | LibreCat-ID: 47378
A. Berndt, “Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen,” {Kieler Beiträge zur Filmmusikforschung}, vol. 9, pp. 293–323, 2013.
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[27]
2012 | Conference Paper | LibreCat-ID: 47381
A. Berndt, “Variance in Repetitive Games Music,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2012, pp. 412–415.
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[26]
2012 | Conference Paper | LibreCat-ID: 47380
A. Berndt, R. Dachselt, and R. Groh, “A Survey of Variation Techniques for Repetitive Games Music,” in {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, 2012, pp. 61–67.
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[25]
2012 | Conference Paper | LibreCat-ID: 47379
A. Berndt, “Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen,” 2012.
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[24]
2012 | Book Chapter | LibreCat-ID: 47384
A. Berndt, “Nun sich der Tag geendet hat,” in {Musik aus Mitteldeutschland}, F. Plewka, M. Schmeiß, T. Sterzig, and J. Häußler, Eds. Munich, Germany: Strube Verlag, 2012.
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[23]
2011 | Book | LibreCat-ID: 47382
A. Berndt, Musik für interaktive Medien: Arrangement- und Interpretationstechniken. Munich, Germany: Verlag Dr. Hut, 2011.
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[22]
2011 | Conference Paper | LibreCat-ID: 47385
A. Berndt, “Musical Tempo Curves,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2011, pp. 118–121.
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[21]
2011 | Conference Paper | LibreCat-ID: 47388
T. Hähnel and A. Berndt, “Studying Interdependencies in Music Performance: An Interactive Tool,” in {Proc. of New Interfaces for Musical Expression (NIME) 2011}, 2011, pp. 48–51.
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[20]
2011 | Conference Paper | LibreCat-ID: 47387
T. Hähnel and A. Berndt, “Eighth-Notes Performances: Kinds of Inégalité,” in {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, 2011, pp. 75–81.
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[19]
2011 | Conference Paper | LibreCat-ID: 47386
A. Berndt, “Der Computer als Komponist und Interpret der Zukunft?,” 2011.
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[18]
2011 | Book Chapter | LibreCat-ID: 47393
A. Berndt, “Diegetic Music: New Interactive Experiences,” in {Game Sound Technology and Player Interaction: Concepts and Developments}, M. Grimshaw, Ed. Hershey, PA: IGI Global, 2011, pp. 60–76.
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[17]
2010 | Conference Paper | LibreCat-ID: 47389
A. Berndt and T. Hähnel, “Modelling Musical Dynamics,” in {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, 2010, pp. 134–141.
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[16]
2010 | Conference Paper | LibreCat-ID: 47390
T. Hähnel and A. Berndt, “Synthetic and Pseudo-Synthetic Music Performances: An Evaluation,” 2010.
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[15]
2010 | Conference Paper | LibreCat-ID: 47392
A. Berndt, “Decentralizing Music, Its Performance, and Processing,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2010, pp. 381–388.
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[14]
2010 | Conference Paper | LibreCat-ID: 47391
T. Hähnel and A. Berndt, “Expressive Articulation for Synthetic Music Performances,” in {Proc. of New Interfaces for Musical Expression (NIME) 2010}, 2010, pp. 277–282.
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[13]
2009 | Conference Paper | LibreCat-ID: 47397
A. Berndt, “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance,” 2009.
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[12]
2009 | Conference Paper | LibreCat-ID: 47396
A. Berndt, “Musical Nonlinearity in Interactive Narrative Environments,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2009, pp. 355–358.
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[11]
2009 | Conference Paper | LibreCat-ID: 47395
A. Berndt and T. Hähnel, “Expressive Musical Timing,” in {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, 2009, pp. 9–16.
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[10]
2009 | Conference Paper | LibreCat-ID: 47394
A. Berndt and T. Hähnel, “Der Computer als Interpret,” 2009.
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[9]
2008 | Conference Paper | LibreCat-ID: 47398
A. Berndt and H. Theisel, “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance,” in {Interactive Digital Storytelling (ICIDS) 2008}, 2008, pp. 132–143.
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[8]
2008 | Conference Paper | LibreCat-ID: 47400
L. Stockmann, A. Berndt, and N. Röber, “A Musical Instrument based on Interactive Sonification Techniques,” in {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, 2008, pp. 72–79.
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[7]
2008 | Conference Paper | LibreCat-ID: 47399
A. Berndt and K. Hartmann, “The Functions of Music in Interactive Media,” in {Interactive Digital Storytelling (ICIDS) 2008}, 2008, pp. 126–131.
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[6]
2008 | Book | LibreCat-ID: 47404
A. Berndt, Liturgie für Bläser. Halberstadt, Germany: Musikverlag Bruno Uetz, 2008.
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[5]
2007 | Conference Paper | LibreCat-ID: 47402
K. Hartmann, D. Büchner, A. Berndt, A. Nürnberger, and C. Lange, “Interactive Data Mining & Machine Learning Techniques for Musicology,” 2007.
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[4]
2007 | Conference Paper | LibreCat-ID: 47403
A. Berndt and K. Hartmann, “Audio-Interactive Counterpoint,” 2007.
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[3]
2007 | Conference Paper | LibreCat-ID: 47401
A. Berndt and K. Hartmann, “Strategies for Narrative and Adaptive Game Scoring,” in {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}, 2007, pp. 141–147.
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[2]
2006 | Conference Paper | LibreCat-ID: 47413
A. Berndt, K. Hartmann, N. Röber, and M. Masuch, “Composition and Arrangement Techniques for Music in Interactive Immersive Environments,” in {Audio Mostly 2006: A Conf. on Sound in Games}, 2006, pp. 53–59.
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[1]
2006 | Mastersthesis | LibreCat-ID: 47412
A. Berndt, Repräsentation musikalischer Metainformationen. Otto-von-Guericke University, Department of Simulation and Graphics, 2006.
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[104]
2025 | Journal Article | LibreCat-ID: 59749
S. Balke, A. Berndt, and M. Müller, “ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research,” Transactions of the International Society for Music Information Retrieval, vol. 8, no. 1, pp. 39–54, 2025, doi: 10.5334/tismir.252.
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[103]
2025 | Conference Paper | LibreCat-ID: 58555
A. Berndt, “Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht,” 2025.
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[102]
2025 | Conference Paper | LibreCat-ID: 59783
D. A. Mauro, L. A. Ludovico, H. H. Aydin, A. Berndt, and T. Grothe, “Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation pattern using IEEE 1599,” 2025.
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[101]
2025 | Conference Paper | LibreCat-ID: 59748
T. Grothe, H. B. Aydin, D. A. Mauro, L. A. Ludovico, and A. Berndt, “Detmold interactive Musical Instrument Timbre Explorer (DmITE) - a web application for experimental learning in musical acoustics,” 2025.
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[100]
2025 | Conference Paper | LibreCat-ID: 59782
M. Kallionpää, A. Berndt, D. A. Mauro, and D. Dziwis, “Non/Repeat: Three Case Studies of Non-linear Live-Music Practices,” 2025.
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[99]
2025 | Conference Paper | LibreCat-ID: 59750
D. A. Mauro and A. Berndt, “Automatic Rendering of Ramati’s Ludus Musicalis Scores,” 2025.
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[98]
2025 | Conference Paper | LibreCat-ID: 60759
A. Berndt, G. Falkemeier, A. Kutter, A. V. K. Plaksin, S. Etezazi, and D. Dziwis, “KreativInstitut.OWL: An Interdisciplinary Institute for Transfer Between Science, Cultural and Creative Industries,” 2025.
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[97]
2024 | Conference Paper | LibreCat-ID: 58550
A. Berndt, “Auditory Pointers: Spatial Navigation with Sounds,” 2024.
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[96]
2024 | Conference Paper | LibreCat-ID: 58553
A. Berndt and S. Waloschek, “FlowScore: MEI Streaming to Digital Music Stands,” 2024.
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[95]
2024 | Conference Paper | LibreCat-ID: 52514
A. Berndt, “Mozart-Dekonstruktionen: Genese einer KI-generierten Konzertmusik,” 2024.
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[94]
2024 | Conference Paper | LibreCat-ID: 54247
A. Berndt and D. A. Mauro, “Arpeggiatorum: An audio controllable MIDI arpeggiator,” 2024.
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[93]
2024 | Conference Paper | LibreCat-ID: 58552
A. Berndt, F. Vollmer, and A. Münzmay, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology,” 2024.
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[92]
2024 | Conference Paper | LibreCat-ID: 58554
A. Berndt and A. Münzmay, “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” presented at the Edition von Filmmusik: Herausforderungen der Multimedialität, Frankfurt am Main, 2024.
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[91]
2024 | Conference Paper | LibreCat-ID: 58551
A. Berndt, A. Münzmay, and F. Bömcke-Vollmer, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition,” 2024.
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[90]
2023 | Conference Paper | LibreCat-ID: 47316
M. Nowakowski, A. Berndt, A. V. K. Plaksin, N. Şahin, and A. Hadjakos, “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing,” 2023.
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[89]
2023 | Conference Paper | LibreCat-ID: 47317
A. Berndt, “Three Experiments with AI Music Generation,” 2023.
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[88]
2023 | Book Chapter | LibreCat-ID: 47321
A. Berndt, “Meditation,” in {Das gehört zusammen: Bläserheft zum Landesposaunentag Wolfenbüttel 2023}, S. Harras, S. Schlüter, and R. Schrötke, Eds. Wolfenbüttel, Germany: Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, 2023, pp. 30–31.
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[87]
2023 | Book Chapter | LibreCat-ID: 47320
A. Berndt, “Der Tag, mein Gott, ist nun vergangen,” in {Zwischentöne 2: Bläsermusik zwischen Himmel und Erde}, K.-P. Diehl, M. Schnabel, and A. Form, Eds. Wuppertal, Germany: CVJM-Westbund e.V., 2023, pp. 119–121.
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[86]
2023 | Conference Paper | LibreCat-ID: 47322
M. Nowakowski, A. Berndt, and A. Hadjakos, “Forschungsperspektiven zur Interaktion mit Musiknotation,” 2023.
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[85]
2023 | Conference Paper | LibreCat-ID: 47319
A. Berndt, “Interpretationsbeschreibung und -analyse mittels Music Performance Markup (MPM),” 2023.
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[84]
2023 | Conference Paper | LibreCat-ID: 50434
M. Nowakowski, A. Berndt, A. V. K. Plaksin, N. Şahin, and A. Hadjakos, “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing,” 2023.
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[83]
2023 | Conference Paper | LibreCat-ID: 50433
M. Kallionpaa, A. Berndt, and H.-P. Gasselseder, “Sonification as a Composition Technique and Means of Artistic Expression,” in {XXV Generative Art 2023}, 2023, pp. 199–207.
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[82]
2023 | Conference Paper | LibreCat-ID: 50432
A. Berndt, “MPM Toolbox: Eine Software zur Analyse und kreativen Erstellung musikalischer Interpretationen,” 2023.
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[81]
2023 | Conference Paper | LibreCat-ID: 50435
A. Berndt, “Three Experiments with AI Music Generation,” 2023.
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[80]
2023 | Misc | LibreCat-ID: 47318 | OA
A. Münzmay and A. Berndt, Was ist eine Interpretationsedition? Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023: Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.
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[79]
2022 | Conference Paper | LibreCat-ID: 47324
A. Berndt, “Musik vom Computer: Eine Entdeckungsreise in die Welt der generativen Musik,” 2022.
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[78]
2022 | Conference Paper | LibreCat-ID: 47323
A. Berndt, “Modellbasierte Beschreibung musikalischer Interpretationen,” 2022.
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[77]
2022 | Conference Paper | LibreCat-ID: 47325
A. Berndt, “Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen,” 2022.
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[76]
2022 | Conference Paper | LibreCat-ID: 47328
A. Berndt, “Encoding Musical Performances,” in {Music Encoding Conference}, 2022, pp. 167–169.
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[75]
2022 | Book Chapter | LibreCat-ID: 47326
A. Berndt, “Herr Christ, der einig Gotts Sohn,” in {Der Tag ist nicht mehr fern: Bläsermusik zum Weihnachtsfestkreis}, F. Plewka, Ed. Munich, Germany: Strube Verlag, 2022, pp. 88–89.
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[74]
2022 | Conference Paper | LibreCat-ID: 47327
A. V. K. Plaksin, D. Lewis, N. Şahin, and A. Berndt, “Sharing MEI: Common Semantics in Diverse Musics?,” in {Music Encoding Conference}, 2022, pp. 157–161.
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[73]
2021 | Book Chapter | LibreCat-ID: 47331
A. Berndt, “Morgenglanz der Ewigkeit,” in {Gott danken ist Freude, Band IV}, M. Döhler, T. Peter, T. Schab, and J.-M. Schlegel, Eds. Dresden, Germany: Sächsische Posaunenmission, 2021, pp. 187–188.
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[72]
2021 | Conference Paper | LibreCat-ID: 47329
A. Berndt, “The Music Performance Markup Format and Ecosystem,” 2021.
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[71]
2021 | Conference Paper | LibreCat-ID: 47330
A. Berndt, “Music Performance Markup: Format and Software Tools Report,” in {Music Encoding Conference}, 2021, pp. 57–63.
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[70]
2021 | Book Chapter | LibreCat-ID: 47332
A. Berndt, “Meditation,” in {Gott danken ist Freude, Band IV}, M. Döhler, T. Peter, T. Schab, and J.-M. Schlegel, Eds. Dresden, Germany: Sächsische Posaunenmission, 2021, pp. 88–89.
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[69]
2020 | Conference Paper | LibreCat-ID: 47334
A. Berndt, S. Waloschek, A. Hadjakos, and J. Veit, “Inside Beethoven! A Musical Installation for a New Listening Perspective,” in {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}, 2020, pp. 245–248.
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[68]
2020 | Book Chapter | LibreCat-ID: 47335
A. Berndt, “Lob Gott getrost mit Singen,” in {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}, C. Kornmaul, Ed. Detmold, Germany: Posaunendienst in der Lippischen Landeskirche, 2020, pp. 64–67.
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[67]
2020 | Conference Paper | LibreCat-ID: 47333
A. Berndt, “Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen,” 2020.
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[66]
2019 | Book | LibreCat-ID: 47336
A. Berndt and J. Veit, Inside Beethoven! Das begehbare Ensemble - Begleitpublikation zur Klanginstallation der Hochschule für Musik Detmold zum Septett op. 20 und Trio op. 38 (mit CD). Bonn, Germany: Beethoven-Haus Bonn, 2019.
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[65]
2019 | Conference Paper | LibreCat-ID: 47338
S. Waloschek, A. Berndt, A. Hadjakos, and A. Pacha, “A Showcase of New MEI Tools,” 2019.
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[64]
2019 | Book Chapter | LibreCat-ID: 47337
A. Berndt, “Adaptive Game Scoring with Ambient Music,” in Music Beyond Airports: Apraising Ambient Music, M. Adkins and S. Cummings, Eds. Huddersfield, UK: University of Huddersfield Press, 2019, pp. 197–226.
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[63]
2018 | Conference Paper | LibreCat-ID: 47344
A. Berndt, “Interactive Media Scoring with Ambient Music,” 2018.
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[62]
2018 | Conference Paper | LibreCat-ID: 47342
A. Berndt, S. Waloschek, and A. Hadjakos, “Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications,” 2018.
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[61]
2018 | Conference Paper | LibreCat-ID: 47343
S. Waloschek, A. Hadjakos, and A. Berndt, “Score and sound-based interface for exploring music performances,” 2018.
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[60]
2018 | Conference Paper | LibreCat-ID: 47341
A. Berndt, “Digital Sounds im Future Marketing: So klingt die Zukunft,” 2018.
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[59]
2018 | Conference Paper | LibreCat-ID: 47347
A. Berndt, “Musik im Spiel,” 2018.
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[58]
2018 | Book Chapter | LibreCat-ID: 47345
A. Berndt and B. W. Bohl, “Music Performance Markup: Formale Beschreibung musikalischer Interpretationen,” in Internationales Jahrbuch für Editionswissenschaft, vol. 32, R. Nutt-Kofoth and B. Plachta, Eds. Berlin, Germany: De Gruyter, 2018.
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[57]
2018 | Book Chapter | LibreCat-ID: 47340
A. Berndt and B. W. Bohl, “Music Performance Markup: Formale Beschreibung musikalischer Interpretationen,” in International Yearbook of Scholarly Editing, vol. 32, R. Nutt-Kofoth and B. Plachta, Eds. Berlin, Germany: De Gruyter, 2018, pp. 185–204.
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[56]
2018 | Conference Paper | LibreCat-ID: 47346
A. Berndt and B. W. Bohl, “Formale Beschreibung musikalischer Interpretationen,” 2018.
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[55]
2017 | Conference Paper | LibreCat-ID: 47350
A. Berndt, S. Waloschek, and A. Hadjakos, “Musikeditionen zum Klingen bringen,” 2017.
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[54]
2017 | Conference Paper | LibreCat-ID: 47349
A. Berndt, “Herausforderungen der editorischen Erschließung auditiver Objekte,” 2017.
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[53]
2017 | Journal Article | LibreCat-ID: 47348
A. Berndt, N. Al-Kassab, and R. Dachselt, “The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra,” {Computer Music Journal}, vol. 41, no. 4, pp. 32–44, 2017.
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[52]
2017 | Conference Paper | LibreCat-ID: 47351
J. Peschke and A. Berndt, “The Geometric Oscillator: Sound Synthesis with Cyclic Shapes,” 2017.
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[51]
2017 | Conference Paper | LibreCat-ID: 47352
Y. Mexin, A. Hadjakos, A. Berndt, S. Waloschek, A. Wawilow, and G. Szwillus, “Tools for Annotating Musical Measures in Digital Music Editions,” 2017.
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[50]
2017 | Book Chapter | LibreCat-ID: 47354
A. Berndt, “Generative Musik als Werkzeug in der Musikwissenschaft,” in {Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten. Bericht über die Wissenschaftliche Konferenz, Magdeburg, 15. und 16. März 2012, anlässlich der 21. Magdeburger Telemann-Festtage}, C. Lange and B. Reipsch, Eds. Hildesheim, Germany: Olms Verlag, 2017, pp. 305–326.
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[49]
2017 | Conference Paper | LibreCat-ID: 47353
A. Berndt, S. Waloschek, A. Hadjakos, and A. Leemhuis, “AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games,” 2017.
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[48]
2016 | Conference Paper | LibreCat-ID: 47357
A. Berndt, S. Waloschek, and A. Hadjakos, “Hand Gestures in Music Production,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2016.
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[47]
2016 | Book Chapter | LibreCat-ID: 47359
B. W. Bohl, A. Berndt, S. Waloschek, and A. Hadjakos, “Dem Igel Sitte lehren … Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung,” in Ei, dem alten Herrn zoll’ ich Achtung gern’ Festschrift für Joachim Veit zum 60. Geburtstag}, K. Richts and P. Stadler, Eds. Munich, Germany: Allitera Verlag, 2016, pp. 141–163.
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[46]
2016 | Conference Paper | LibreCat-ID: 47356
S. Waloschek, A. Berndt, B. W. Bohl, and A. Hadjakos, “Interactive Scores in Classical Music Production,” in Proc. of the 17th Int. Society for Music Information Retrieval Conference (ISMIR) 2016, 2016.
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[45]
2016 | Conference Paper | LibreCat-ID: 47360
B. W. Bohl, A. Berndt, and B. Senft, “Formate als Sackgassen: Handlungsempfehlungen,” 2016.
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[44]
2016 | Conference Paper | LibreCat-ID: 47355
S. Waloschek, A. Berndt, B. W. Bohl, and A. Hadjakos, “Accelerating the Editing Phase in Music Productions using Interactive Scores,” 2016.
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[43]
2016 | Conference Paper | LibreCat-ID: 47358
A. Berndt and B. W. Bohl, “XML Music Performance Description,” in Music Encoding Conference 2016, 2016, pp. 91–94.
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[42]
2015 | Conference Paper | LibreCat-ID: 47369
A. Berndt, S. Waloschek, and A. Hadjakos, “Gedanken zur Nutzung von Handgesten in der Musikproduktion,” in {Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces}, 2015, pp. 247–252.
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[41]
2015 | Book Chapter | LibreCat-ID: 47363
N. Al-Kassab and A. Berndt, “TouchNoise: A Multitouch Noise Instrument,” in {Works in Audio and Music Technology}, A. Berndt, Ed. Dresden, Germany: TUDpress, 2015, pp. 31–57.
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[40]
2015 | Conference Paper | LibreCat-ID: 47370
A. Hadjakos, A. Berndt, and S. Waloschek, “Synchronizing Spatially Distributed Musical Ensembles,” 2015.
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[39]
2015 | Book | LibreCat-ID: 47361
A. Berndt, Works in Audio and Music Technology. Dresden, Germany: TUDpress, 2015.
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[38]
2015 | Book Chapter | LibreCat-ID: 47368
A. Berndt, F. Schönfeld, R. Groh, T. Hähnel, T. Marx, and M. Pfleiderer, “Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen,” in {Musikpsychologie – Anwendungsorientierte Forschung}, W. Auhagen, C. Bullerjahn, and R. von Georgi, Eds. Göttingen, Germany: Hogrefe Verlag, 2015, pp. 254–262.
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[37]
2015 | Book Chapter | LibreCat-ID: 47366
A. Berndt and T. Hähnel, “Studying Music Performance and Perception via Interaction,” in {Works in Audio and Music Technology}, A. Berndt, Ed. Dresden, Germany: TUDpress, 2015, pp. 129–153.
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[36]
2015 | Book Chapter | LibreCat-ID: 47365
A. Berndt, “Formalizing Expressive Music Performance Phenomena,” in {Works in Audio and Music Technology}, A. Berndt, Ed. Dresden, Germany: TUDpress, 2015, pp. 97–128.
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[35]
2015 | Conference Paper | LibreCat-ID: 47371
A. Berndt, N. Al-Kassab, and R. Dachselt, “TouchNoise: A New Multitouch Interface for Creative Work with Noise,” 2015.
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[34]
2015 | Conference Paper | LibreCat-ID: 47372
A. Berndt and S. H. Menges, “Musizieren mit dem Computer,” 2015.
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[33]
2014 | Conference Paper | LibreCat-ID: 47373
F. Schönfeld, A. Berndt, T. Hähnel, M. Pfleiderer, and R. Groh, “Vocalmetrics: An interactive software for visualization and classification of music,” 2014.
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[32]
2014 | Book Chapter | LibreCat-ID: 47375
A. Berndt, “Ambiente Musik zur Vertonung immersiver interaktiver Medien,” in {Jahrbuch immersiver Medien 2014: Klänge, Musik und Soundscapes}, I. für immersive Medien, Ed. Fachhochschule Kiel, Germany: Schüren Verlag, 2014, pp. 95–105.
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[31]
2014 | Conference Paper | LibreCat-ID: 47374
A. Berndt, N. Al-Kassab, and R. Dachselt, “TouchNoise: A Particle-based Multitouch Noise Modulation Interface,” in {Proc. of New Interfaces for Musical Expression (NIME) 2014}, 2014, pp. 323–326.
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[30]
2013 | Conference Paper | LibreCat-ID: 47377
M. de Almeida Madeira Clemente, A. Berndt, H. Leitner, M. Keck, R. Gaertner, and R. Groh, “New Perspectives on Interactivity in Project Management Tools,” in {HCI International 2013—Posters’ Extended Abstracts}, 2013, vol. 374, pp. 484–488.
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[29]
2013 | Conference Paper | LibreCat-ID: 47376
R. Lorenz, A. Berndt, and R. Groh, “Designing Auditory Pointers,” 2013.
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[28]
2013 | Journal Article | LibreCat-ID: 47378
A. Berndt, “Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen,” {Kieler Beiträge zur Filmmusikforschung}, vol. 9, pp. 293–323, 2013.
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[27]
2012 | Conference Paper | LibreCat-ID: 47381
A. Berndt, “Variance in Repetitive Games Music,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2012, pp. 412–415.
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[26]
2012 | Conference Paper | LibreCat-ID: 47380
A. Berndt, R. Dachselt, and R. Groh, “A Survey of Variation Techniques for Repetitive Games Music,” in {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, 2012, pp. 61–67.
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[25]
2012 | Conference Paper | LibreCat-ID: 47379
A. Berndt, “Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen,” 2012.
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[24]
2012 | Book Chapter | LibreCat-ID: 47384
A. Berndt, “Nun sich der Tag geendet hat,” in {Musik aus Mitteldeutschland}, F. Plewka, M. Schmeiß, T. Sterzig, and J. Häußler, Eds. Munich, Germany: Strube Verlag, 2012.
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[23]
2011 | Book | LibreCat-ID: 47382
A. Berndt, Musik für interaktive Medien: Arrangement- und Interpretationstechniken. Munich, Germany: Verlag Dr. Hut, 2011.
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[22]
2011 | Conference Paper | LibreCat-ID: 47385
A. Berndt, “Musical Tempo Curves,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2011, pp. 118–121.
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[21]
2011 | Conference Paper | LibreCat-ID: 47388
T. Hähnel and A. Berndt, “Studying Interdependencies in Music Performance: An Interactive Tool,” in {Proc. of New Interfaces for Musical Expression (NIME) 2011}, 2011, pp. 48–51.
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[20]
2011 | Conference Paper | LibreCat-ID: 47387
T. Hähnel and A. Berndt, “Eighth-Notes Performances: Kinds of Inégalité,” in {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, 2011, pp. 75–81.
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[19]
2011 | Conference Paper | LibreCat-ID: 47386
A. Berndt, “Der Computer als Komponist und Interpret der Zukunft?,” 2011.
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[18]
2011 | Book Chapter | LibreCat-ID: 47393
A. Berndt, “Diegetic Music: New Interactive Experiences,” in {Game Sound Technology and Player Interaction: Concepts and Developments}, M. Grimshaw, Ed. Hershey, PA: IGI Global, 2011, pp. 60–76.
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[17]
2010 | Conference Paper | LibreCat-ID: 47389
A. Berndt and T. Hähnel, “Modelling Musical Dynamics,” in {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, 2010, pp. 134–141.
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[16]
2010 | Conference Paper | LibreCat-ID: 47390
T. Hähnel and A. Berndt, “Synthetic and Pseudo-Synthetic Music Performances: An Evaluation,” 2010.
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[15]
2010 | Conference Paper | LibreCat-ID: 47392
A. Berndt, “Decentralizing Music, Its Performance, and Processing,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2010, pp. 381–388.
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[14]
2010 | Conference Paper | LibreCat-ID: 47391
T. Hähnel and A. Berndt, “Expressive Articulation for Synthetic Music Performances,” in {Proc. of New Interfaces for Musical Expression (NIME) 2010}, 2010, pp. 277–282.
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[13]
2009 | Conference Paper | LibreCat-ID: 47397
A. Berndt, “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance,” 2009.
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[12]
2009 | Conference Paper | LibreCat-ID: 47396
A. Berndt, “Musical Nonlinearity in Interactive Narrative Environments,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2009, pp. 355–358.
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[11]
2009 | Conference Paper | LibreCat-ID: 47395
A. Berndt and T. Hähnel, “Expressive Musical Timing,” in {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, 2009, pp. 9–16.
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[10]
2009 | Conference Paper | LibreCat-ID: 47394
A. Berndt and T. Hähnel, “Der Computer als Interpret,” 2009.
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[9]
2008 | Conference Paper | LibreCat-ID: 47398
A. Berndt and H. Theisel, “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance,” in {Interactive Digital Storytelling (ICIDS) 2008}, 2008, pp. 132–143.
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[8]
2008 | Conference Paper | LibreCat-ID: 47400
L. Stockmann, A. Berndt, and N. Röber, “A Musical Instrument based on Interactive Sonification Techniques,” in {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, 2008, pp. 72–79.
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[7]
2008 | Conference Paper | LibreCat-ID: 47399
A. Berndt and K. Hartmann, “The Functions of Music in Interactive Media,” in {Interactive Digital Storytelling (ICIDS) 2008}, 2008, pp. 126–131.
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[6]
2008 | Book | LibreCat-ID: 47404
A. Berndt, Liturgie für Bläser. Halberstadt, Germany: Musikverlag Bruno Uetz, 2008.
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[5]
2007 | Conference Paper | LibreCat-ID: 47402
K. Hartmann, D. Büchner, A. Berndt, A. Nürnberger, and C. Lange, “Interactive Data Mining & Machine Learning Techniques for Musicology,” 2007.
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[4]
2007 | Conference Paper | LibreCat-ID: 47403
A. Berndt and K. Hartmann, “Audio-Interactive Counterpoint,” 2007.
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[3]
2007 | Conference Paper | LibreCat-ID: 47401
A. Berndt and K. Hartmann, “Strategies for Narrative and Adaptive Game Scoring,” in {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}, 2007, pp. 141–147.
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[2]
2006 | Conference Paper | LibreCat-ID: 47413
A. Berndt, K. Hartmann, N. Röber, and M. Masuch, “Composition and Arrangement Techniques for Music in Interactive Immersive Environments,” in {Audio Mostly 2006: A Conf. on Sound in Games}, 2006, pp. 53–59.
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2006 | Mastersthesis | LibreCat-ID: 47412
A. Berndt, Repräsentation musikalischer Metainformationen. Otto-von-Guericke University, Department of Simulation and Graphics, 2006.
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