Axel Berndt

Fakultät für Kulturwissenschaften
Musikwissenschaftliches Seminar Detmold/Paderborn
Modellierung vernetzter virtueller Datenräume (im Bereich Musik und Medien) (Berndt)
axel.berndt@uni-paderborn.de
ID
55565

104 Publications

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[104]
2025 | Conference Paper | LibreCat-ID: 59783
D. ~A. Mauro, L. ~A. Ludovico, H. ~H. Aydin, A. Berndt, and T. Grothe, “Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation pattern using IEEE 1599,” 2025.
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[103]
2025 | Conference Paper | LibreCat-ID: 59782
M. Kallionpää, A. Berndt, D. ~A. Mauro, and D. Dziwis, “Non/Repeat: Three Case Studies of Non-linear Live-Music Practices,” 2025.
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[102]
2025 | Journal Article | LibreCat-ID: 59749
S. Balke, A. Berndt, and M. Müller, “ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research,” Transactions of the International Society for Music Information Retrieval, vol. 8, no. 1, pp. 39–54, 2025, doi: 10.5334/tismir.252.
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[101]
2025 | Conference Paper | LibreCat-ID: 59748
T. Grothe, H. ~B. Aydin, D. ~A. Mauro, L. ~A. Ludovico, and A. Berndt, “Detmold interactive Musical Instrument Timbre Explorer (DmITE)—a web application for experiental learning in musical acoustics,” 2025.
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[100]
2025 | Conference Paper | LibreCat-ID: 59751
A. Berndt, “Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht,” 2025.
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[99]
2025 | Conference Paper | LibreCat-ID: 59750
D. ~A. Mauro and A. Berndt, “Automatic Rendering of Ramati’s Ludus Musicalis Scores,” 2025.
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[98]
2025 | Conference Paper | LibreCat-ID: 58555
A. Berndt, “Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht,” 2025.
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[97]
2024 | Conference Paper | LibreCat-ID: 58554
A. Berndt and A. Münzmay, “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” 2024.
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[96]
2024 | Conference Paper | LibreCat-ID: 58552
A. Berndt, F. Vollmer, and A. Münzmay, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology,” 2024.
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[95]
2024 | Conference Paper | LibreCat-ID: 58551
A. Berndt, A. Münzmay, and F. Vollmer, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition,” 2024.
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[94]
2024 | Conference Paper | LibreCat-ID: 58550
A. Berndt, “Auditory Pointers: Spatial Navigation with Sounds,” 2024.
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[93]
2024 | Conference Paper | LibreCat-ID: 58553
A. Berndt and S. Waloschek, “FlowScore: MEI Streaming to Digital Music Stands,” 2024.
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[92]
2024 | Conference Paper | LibreCat-ID: 52514
A. Berndt, “Mozart-Dekonstruktionen: Genese einer KI-generierten Konzertmusik,” 2024.
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[91]
2024 | Conference Paper | LibreCat-ID: 54247
A. Berndt and D. ~A. Mauro, “Arpeggiatorum: An audio controllable MIDI arpeggiator,” 2024.
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[90]
2023 | Conference Paper | LibreCat-ID: 47316
M. Nowakowski, A. Berndt, A. V. K. Plaksin, N. Şahin, and A. Hadjakos, “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing,” 2023.
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[89]
2023 | Conference Paper | LibreCat-ID: 47318
A. Münzmay and A. Berndt, “Was ist eine Interpretationsedition?,” 2023.
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[88]
2023 | Conference Paper | LibreCat-ID: 47317
A. Berndt, “Three Experiments with AI Music Generation,” 2023.
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[87]
2023 | Book Chapter | LibreCat-ID: 47321
A. Berndt, “Meditation,” in {Das gehört zusammen: Bläserheft zum Landesposaunentag Wolfenbüttel 2023}, S. Harras, S. Schlüter, and R. Schrötke, Eds. Wolfenbüttel, Germany: Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, 2023, pp. 30–31.
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[86]
2023 | Book Chapter | LibreCat-ID: 47320
A. Berndt, “Der Tag, mein Gott, ist nun vergangen,” in {Zwischentöne 2: Bläsermusik zwischen Himmel und Erde}, K.-P. Diehl, M. Schnabel, and A. Form, Eds. Wuppertal, Germany: CVJM-Westbund e.V., 2023, pp. 119–121.
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[85]
2023 | Conference Paper | LibreCat-ID: 47322
M. Nowakowski, A. Berndt, and A. Hadjakos, “Forschungsperspektiven zur Interaktion mit Musiknotation,” 2023.
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[84]
2023 | Conference Paper | LibreCat-ID: 47319
A. Berndt, “Interpretationsbeschreibung und -analyse mittels Music Performance Markup (MPM),” 2023.
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[83]
2023 | Conference Paper | LibreCat-ID: 50434
M. Nowakowski, A. Berndt, A. V. K. Plaksin, N. Şahin, and A. Hadjakos, “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing,” 2023.
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[82]
2023 | Conference Paper | LibreCat-ID: 50433
M. Kallionpaa, A. Berndt, and H.-P. Gasselseder, “Sonification as a Composition Technique and Means of Artistic Expression,” in {XXV Generative Art 2023}, 2023, pp. 199–207.
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[81]
2023 | Conference Paper | LibreCat-ID: 50432
A. Berndt, “MPM Toolbox: Eine Software zur Analyse und kreativen Erstellung musikalischer Interpretationen,” 2023.
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[80]
2023 | Conference Paper | LibreCat-ID: 50435
A. Berndt, “Three Experiments with AI Music Generation,” 2023.
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[79]
2022 | Conference Paper | LibreCat-ID: 47324
A. Berndt, “Musik vom Computer: Eine Entdeckungsreise in die Welt der generativen Musik,” 2022.
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[78]
2022 | Conference Paper | LibreCat-ID: 47323
A. Berndt, “Modellbasierte Beschreibung musikalischer Interpretationen,” 2022.
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[77]
2022 | Conference Paper | LibreCat-ID: 47325
A. Berndt, “Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen,” 2022.
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[76]
2022 | Conference Paper | LibreCat-ID: 47328
A. Berndt, “Encoding Musical Performances,” in {Music Encoding Conference}, 2022, pp. 167–169.
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[75]
2022 | Book Chapter | LibreCat-ID: 47326
A. Berndt, “Herr Christ, der einig Gotts Sohn,” in {Der Tag ist nicht mehr fern: Bläsermusik zum Weihnachtsfestkreis}, F. Plewka, Ed. Munich, Germany: Strube Verlag, 2022, pp. 88–89.
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[74]
2022 | Conference Paper | LibreCat-ID: 47327
A. V. K. Plaksin, D. Lewis, N. Şahin, and A. Berndt, “Sharing MEI: Common Semantics in Diverse Musics?,” in {Music Encoding Conference}, 2022, pp. 157–161.
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[73]
2021 | Book Chapter | LibreCat-ID: 47331
A. Berndt, “Morgenglanz der Ewigkeit,” in {Gott danken ist Freude, Band IV}, M. Döhler, T. Peter, T. Schab, and J.-M. Schlegel, Eds. Dresden, Germany: Sächsische Posaunenmission, 2021, pp. 187–188.
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[72]
2021 | Conference Paper | LibreCat-ID: 47329
A. Berndt, “The Music Performance Markup Format and Ecosystem,” 2021.
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[71]
2021 | Conference Paper | LibreCat-ID: 47330
A. Berndt, “Music Performance Markup: Format and Software Tools Report,” in {Music Encoding Conference}, 2021, pp. 57–63.
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[70]
2021 | Book Chapter | LibreCat-ID: 47332
A. Berndt, “Meditation,” in {Gott danken ist Freude, Band IV}, M. Döhler, T. Peter, T. Schab, and J.-M. Schlegel, Eds. Dresden, Germany: Sächsische Posaunenmission, 2021, pp. 88–89.
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[69]
2020 | Conference Paper | LibreCat-ID: 47334
A. Berndt, S. Waloschek, A. Hadjakos, and J. Veit, “Inside Beethoven! A Musical Installation for a New Listening Perspective,” in {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}, 2020, pp. 245–248.
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[68]
2020 | Book Chapter | LibreCat-ID: 47335
A. Berndt, “Lob Gott getrost mit Singen,” in {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}, C. Kornmaul, Ed. Detmold, Germany: Posaunendienst in der Lippischen Landeskirche, 2020, pp. 64–67.
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[67]
2020 | Conference Paper | LibreCat-ID: 47333
A. Berndt, “Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen,” 2020.
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[66]
2019 | Book | LibreCat-ID: 47336
A. Berndt and J. Veit, Inside Beethoven! Das begehbare Ensemble - Begleitpublikation zur Klanginstallation der Hochschule für Musik Detmold zum Septett op. 20 und Trio op. 38 (mit CD). Bonn, Germany: Beethoven-Haus Bonn, 2019.
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[65]
2019 | Conference Paper | LibreCat-ID: 47338
S. Waloschek, A. Berndt, A. Hadjakos, and A. Pacha, “A Showcase of New MEI Tools,” 2019.
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[64]
2019 | Book Chapter | LibreCat-ID: 47337
A. Berndt, “Adaptive Game Scoring with Ambient Music,” in Music Beyond Airports: Apraising Ambient Music, M. Adkins and S. Cummings, Eds. Huddersfield, UK: University of Huddersfield Press, 2019, pp. 197–226.
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[63]
2018 | Conference Paper | LibreCat-ID: 47344
A. Berndt, “Interactive Media Scoring with Ambient Music,” 2018.
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[62]
2018 | Book Chapter | LibreCat-ID: 47340
A. Berndt and B. ~W. Bohl, “Music Performance Markup: Formale Beschreibung musikalischer Interpretationen,” in {editio: International Yearbook of Scholarly Editing}, vol. 32, R. Nutt-Kofoth and B. Plachta, Eds. Berlin, Germany: De Gruyter, 2018, pp. 185–204.
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[61]
2018 | Conference Paper | LibreCat-ID: 47342
A. Berndt, S. Waloschek, and A. Hadjakos, “Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications,” 2018.
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[60]
2018 | Conference Paper | LibreCat-ID: 47343
S. Waloschek, A. Hadjakos, and A. Berndt, “Score and sound-based interface for exploring music performances,” 2018.
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[59]
2018 | Conference Paper | LibreCat-ID: 47341
A. Berndt, “Digital Sounds im Future Marketing: So klingt die Zukunft,” 2018.
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[58]
2018 | Book Chapter | LibreCat-ID: 47345
A. Berndt and B. ~W. Bohl, “Music Performance Markup: Formale Beschreibung musikalischer Interpretationen,” in {Editio: Internationales Jahrbuch für Editionswissenschaft}, vol. 32, R. Nutt-Kofoth and B. Plachta, Eds. Berlin, Germany: De Gruyter, 2018.
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[57]
2018 | Conference Paper | LibreCat-ID: 47346
A. Berndt and B. ~W. Bohl, “Formale Beschreibung musikalischer Interpretationen,” 2018.
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[56]
2018 | Conference Paper | LibreCat-ID: 47347
A. Berndt, “Musik im Spiel,” 2018.
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[55]
2017 | Conference Paper | LibreCat-ID: 47350
A. Berndt, S. Waloschek, and A. Hadjakos, “Musikeditionen zum Klingen bringen,” 2017.
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[54]
2017 | Conference Paper | LibreCat-ID: 47349
A. Berndt, “Herausforderungen der editorischen Erschließung auditiver Objekte,” 2017.
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[53]
2017 | Journal Article | LibreCat-ID: 47348
A. Berndt, N. Al-Kassab, and R. Dachselt, “The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra,” {Computer Music Journal}, vol. 41, no. 4, pp. 32–44, 2017.
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[52]
2017 | Conference Paper | LibreCat-ID: 47351
J. Peschke and A. Berndt, “The Geometric Oscillator: Sound Synthesis with Cyclic Shapes,” 2017.
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[51]
2017 | Conference Paper | LibreCat-ID: 47352
Y. Mexin, A. Hadjakos, A. Berndt, S. Waloschek, A. Wawilow, and G. Szwillus, “Tools for Annotating Musical Measures in Digital Music Editions,” 2017.
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[50]
2017 | Book Chapter | LibreCat-ID: 47354
A. Berndt, “Generative Musik als Werkzeug in der Musikwissenschaft,” in {Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten. Bericht über die Wissenschaftliche Konferenz, Magdeburg, 15. und 16. März 2012, anlässlich der 21. Magdeburger Telemann-Festtage}, C. Lange and B. Reipsch, Eds. Hildesheim, Germany: Olms Verlag, 2017, pp. 305–326.
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[49]
2017 | Conference Paper | LibreCat-ID: 47353
A. Berndt, S. Waloschek, A. Hadjakos, and A. Leemhuis, “AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games,” 2017.
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[48]
2016 | Conference Paper | LibreCat-ID: 47356
S. Waloschek, A. Berndt, B. ~W. Bohl, and A. Hadjakos, “Interactive Scores in Classical Music Production,” in {Proc. of the 17th Int. Society for Music Information Retrieval Conf.\ (ISMIR) 2016}, 2016.
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[47]
2016 | Conference Paper | LibreCat-ID: 47357
A. Berndt, S. Waloschek, and A. Hadjakos, “Hand Gestures in Music Production,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2016.
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[46]
2016 | Conference Paper | LibreCat-ID: 47355
S. Waloschek, A. Berndt, B. ~W. Bohl, and A. Hadjakos, “Accelerating the Editing Phase in Music Productions using Interactive Scores,” 2016.
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[45]
2016 | Book Chapter | LibreCat-ID: 47359
B. ~W. Bohl, A. Berndt, S. Waloschek, and A. Hadjakos, “Dem Igel Sitte lehren … Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung,” in {\glqqEi, dem alten Herrn zoll’ ich Achtung gern’\grqq Festschrift für Joachim Veit zum 60. Geburtstag}, K. Richts and P. Stadler, Eds. Munich, Germany: Allitera Verlag, 2016, pp. 141–163.
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[44]
2016 | Conference Paper | LibreCat-ID: 47360
B. ~W. Bohl, A. Berndt, and B. Senft, “Formate als Sackgassen: Handlungsempfehlungen,” 2016.
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[43]
2016 | Conference Paper | LibreCat-ID: 47358
A. Berndt and B. ~W. Bohl, “XML Music Performance Description,” in {Music Encoding Conference 2016}, 2016, pp. 91–94.
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[42]
2015 | Conference Paper | LibreCat-ID: 47369
A. Berndt, S. Waloschek, and A. Hadjakos, “Gedanken zur Nutzung von Handgesten in der Musikproduktion,” in {Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces}, 2015, pp. 247–252.
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[41]
2015 | Book Chapter | LibreCat-ID: 47363
N. Al-Kassab and A. Berndt, “TouchNoise: A Multitouch Noise Instrument,” in {Works in Audio and Music Technology}, A. Berndt, Ed. Dresden, Germany: TUDpress, 2015, pp. 31–57.
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[40]
2015 | Conference Paper | LibreCat-ID: 47370
A. Hadjakos, A. Berndt, and S. Waloschek, “Synchronizing Spatially Distributed Musical Ensembles,” 2015.
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[39]
2015 | Book | LibreCat-ID: 47361
A. Berndt, Works in Audio and Music Technology. Dresden, Germany: TUDpress, 2015.
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[38]
2015 | Book Chapter | LibreCat-ID: 47368
A. Berndt, F. Schönfeld, R. Groh, T. Hähnel, T. Marx, and M. Pfleiderer, “Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen,” in {Musikpsychologie – Anwendungsorientierte Forschung}, W. Auhagen, C. Bullerjahn, and R. von Georgi, Eds. Göttingen, Germany: Hogrefe Verlag, 2015, pp. 254–262.
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[37]
2015 | Book Chapter | LibreCat-ID: 47366
A. Berndt and T. Hähnel, “Studying Music Performance and Perception via Interaction,” in {Works in Audio and Music Technology}, A. Berndt, Ed. Dresden, Germany: TUDpress, 2015, pp. 129–153.
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[36]
2015 | Book Chapter | LibreCat-ID: 47365
A. Berndt, “Formalizing Expressive Music Performance Phenomena,” in {Works in Audio and Music Technology}, A. Berndt, Ed. Dresden, Germany: TUDpress, 2015, pp. 97–128.
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[35]
2015 | Conference Paper | LibreCat-ID: 47372
A. Berndt and S. ~H. Menges, “Musizieren mit dem Computer,” 2015.
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[34]
2015 | Conference Paper | LibreCat-ID: 47371
A. Berndt, N. Al-Kassab, and R. Dachselt, “TouchNoise: A New Multitouch Interface for Creative Work with Noise,” 2015.
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[33]
2014 | Conference Paper | LibreCat-ID: 47373
F. Schönfeld, A. Berndt, T. Hähnel, M. Pfleiderer, and R. Groh, “Vocalmetrics: An interactive software for visualization and classification of music,” 2014.
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[32]
2014 | Book Chapter | LibreCat-ID: 47375
A. Berndt, “Ambiente Musik zur Vertonung immersiver interaktiver Medien,” in {Jahrbuch immersiver Medien 2014: Klänge, Musik und Soundscapes}, I. für immersive Medien, Ed. Fachhochschule Kiel, Germany: Schüren Verlag, 2014, pp. 95–105.
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[31]
2014 | Conference Paper | LibreCat-ID: 47374
A. Berndt, N. Al-Kassab, and R. Dachselt, “TouchNoise: A Particle-based Multitouch Noise Modulation Interface,” in {Proc. of New Interfaces for Musical Expression (NIME) 2014}, 2014, pp. 323–326.
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[30]
2013 | Conference Paper | LibreCat-ID: 47377
M. de Almeida Madeira Clemente, A. Berndt, H. Leitner, M. Keck, R. Gaertner, and R. Groh, “New Perspectives on Interactivity in Project Management Tools,” in {HCI International 2013—Posters’ Extended Abstracts}, 2013, vol. 374, pp. 484–488.
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[29]
2013 | Conference Paper | LibreCat-ID: 47376
R. Lorenz, A. Berndt, and R. Groh, “Designing Auditory Pointers,” 2013.
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[28]
2013 | Journal Article | LibreCat-ID: 47378
A. Berndt, “Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen,” {Kieler Beiträge zur Filmmusikforschung}, vol. 9, pp. 293–323, 2013.
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[27]
2012 | Conference Paper | LibreCat-ID: 47381
A. Berndt, “Variance in Repetitive Games Music,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2012, pp. 412–415.
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[26]
2012 | Conference Paper | LibreCat-ID: 47380
A. Berndt, R. Dachselt, and R. Groh, “A Survey of Variation Techniques for Repetitive Games Music,” in {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, 2012, pp. 61–67.
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[25]
2012 | Conference Paper | LibreCat-ID: 47379
A. Berndt, “Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen,” 2012.
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[24]
2012 | Book Chapter | LibreCat-ID: 47384
A. Berndt, “Nun sich der Tag geendet hat,” in {Musik aus Mitteldeutschland}, F. Plewka, M. Schmeiß, T. Sterzig, and J. Häußler, Eds. Munich, Germany: Strube Verlag, 2012.
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[23]
2011 | Book | LibreCat-ID: 47382
A. Berndt, Musik für interaktive Medien: Arrangement- und Interpretationstechniken. Munich, Germany: Verlag Dr. Hut, 2011.
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[22]
2011 | Conference Paper | LibreCat-ID: 47385
A. Berndt, “Musical Tempo Curves,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2011, pp. 118–121.
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[21]
2011 | Conference Paper | LibreCat-ID: 47388
T. Hähnel and A. Berndt, “Studying Interdependencies in Music Performance: An Interactive Tool,” in {Proc. of New Interfaces for Musical Expression (NIME) 2011}, 2011, pp. 48–51.
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[20]
2011 | Conference Paper | LibreCat-ID: 47387
T. Hähnel and A. Berndt, “Eighth-Notes Performances: Kinds of Inégalité,” in {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, 2011, pp. 75–81.
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[19]
2011 | Conference Paper | LibreCat-ID: 47386
A. Berndt, “Der Computer als Komponist und Interpret der Zukunft?,” 2011.
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[18]
2011 | Book Chapter | LibreCat-ID: 47393
A. Berndt, “Diegetic Music: New Interactive Experiences,” in {Game Sound Technology and Player Interaction: Concepts and Developments}, M. Grimshaw, Ed. Hershey, PA: IGI Global, 2011, pp. 60–76.
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[17]
2010 | Conference Paper | LibreCat-ID: 47389
A. Berndt and T. Hähnel, “Modelling Musical Dynamics,” in {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, 2010, pp. 134–141.
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[16]
2010 | Conference Paper | LibreCat-ID: 47390
T. Hähnel and A. Berndt, “Synthetic and Pseudo-Synthetic Music Performances: An Evaluation,” 2010.
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[15]
2010 | Conference Paper | LibreCat-ID: 47392
A. Berndt, “Decentralizing Music, Its Performance, and Processing,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2010, pp. 381–388.
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[14]
2010 | Conference Paper | LibreCat-ID: 47391
T. Hähnel and A. Berndt, “Expressive Articulation for Synthetic Music Performances,” in {Proc. of New Interfaces for Musical Expression (NIME) 2010}, 2010, pp. 277–282.
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[13]
2009 | Conference Paper | LibreCat-ID: 47397
A. Berndt, “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance,” 2009.
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[12]
2009 | Conference Paper | LibreCat-ID: 47396
A. Berndt, “Musical Nonlinearity in Interactive Narrative Environments,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2009, pp. 355–358.
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[11]
2009 | Conference Paper | LibreCat-ID: 47395
A. Berndt and T. Hähnel, “Expressive Musical Timing,” in {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, 2009, pp. 9–16.
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[10]
2009 | Conference Paper | LibreCat-ID: 47394
A. Berndt and T. Hähnel, “Der Computer als Interpret,” 2009.
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[9]
2008 | Conference Paper | LibreCat-ID: 47398
A. Berndt and H. Theisel, “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance,” in {Interactive Digital Storytelling (ICIDS) 2008}, 2008, pp. 132–143.
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[8]
2008 | Conference Paper | LibreCat-ID: 47400
L. Stockmann, A. Berndt, and N. Röber, “A Musical Instrument based on Interactive Sonification Techniques,” in {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, 2008, pp. 72–79.
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[7]
2008 | Conference Paper | LibreCat-ID: 47399
A. Berndt and K. Hartmann, “The Functions of Music in Interactive Media,” in {Interactive Digital Storytelling (ICIDS) 2008}, 2008, pp. 126–131.
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[6]
2008 | Book | LibreCat-ID: 47404
A. Berndt, Liturgie für Bläser. Halberstadt, Germany: Musikverlag Bruno Uetz, 2008.
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[5]
2007 | Conference Paper | LibreCat-ID: 47402
K. Hartmann, D. Büchner, A. Berndt, A. Nürnberger, and C. Lange, “Interactive Data Mining & Machine Learning Techniques for Musicology,” 2007.
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[4]
2007 | Conference Paper | LibreCat-ID: 47403
A. Berndt and K. Hartmann, “Audio-Interactive Counterpoint,” 2007.
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[3]
2007 | Conference Paper | LibreCat-ID: 47401
A. Berndt and K. Hartmann, “Strategies for Narrative and Adaptive Game Scoring,” in {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}, 2007, pp. 141–147.
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[2]
2006 | Conference Paper | LibreCat-ID: 47413
A. Berndt, K. Hartmann, N. Röber, and M. Masuch, “Composition and Arrangement Techniques for Music in Interactive Immersive Environments,” in {Audio Mostly 2006: A Conf. on Sound in Games}, 2006, pp. 53–59.
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[1]
2006 | Mastersthesis | LibreCat-ID: 47412
A. Berndt, Repräsentation musikalischer Metainformationen. Otto-von-Guericke University, Department of Simulation and Graphics, 2006.
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104 Publications

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[104]
2025 | Conference Paper | LibreCat-ID: 59783
D. ~A. Mauro, L. ~A. Ludovico, H. ~H. Aydin, A. Berndt, and T. Grothe, “Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation pattern using IEEE 1599,” 2025.
LibreCat
 
[103]
2025 | Conference Paper | LibreCat-ID: 59782
M. Kallionpää, A. Berndt, D. ~A. Mauro, and D. Dziwis, “Non/Repeat: Three Case Studies of Non-linear Live-Music Practices,” 2025.
LibreCat
 
[102]
2025 | Journal Article | LibreCat-ID: 59749
S. Balke, A. Berndt, and M. Müller, “ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research,” Transactions of the International Society for Music Information Retrieval, vol. 8, no. 1, pp. 39–54, 2025, doi: 10.5334/tismir.252.
LibreCat | DOI
 
[101]
2025 | Conference Paper | LibreCat-ID: 59748
T. Grothe, H. ~B. Aydin, D. ~A. Mauro, L. ~A. Ludovico, and A. Berndt, “Detmold interactive Musical Instrument Timbre Explorer (DmITE)—a web application for experiental learning in musical acoustics,” 2025.
LibreCat
 
[100]
2025 | Conference Paper | LibreCat-ID: 59751
A. Berndt, “Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht,” 2025.
LibreCat
 
[99]
2025 | Conference Paper | LibreCat-ID: 59750
D. ~A. Mauro and A. Berndt, “Automatic Rendering of Ramati’s Ludus Musicalis Scores,” 2025.
LibreCat
 
[98]
2025 | Conference Paper | LibreCat-ID: 58555
A. Berndt, “Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht,” 2025.
LibreCat
 
[97]
2024 | Conference Paper | LibreCat-ID: 58554
A. Berndt and A. Münzmay, “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” 2024.
LibreCat
 
[96]
2024 | Conference Paper | LibreCat-ID: 58552
A. Berndt, F. Vollmer, and A. Münzmay, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology,” 2024.
LibreCat
 
[95]
2024 | Conference Paper | LibreCat-ID: 58551
A. Berndt, A. Münzmay, and F. Vollmer, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition,” 2024.
LibreCat
 
[94]
2024 | Conference Paper | LibreCat-ID: 58550
A. Berndt, “Auditory Pointers: Spatial Navigation with Sounds,” 2024.
LibreCat
 
[93]
2024 | Conference Paper | LibreCat-ID: 58553
A. Berndt and S. Waloschek, “FlowScore: MEI Streaming to Digital Music Stands,” 2024.
LibreCat
 
[92]
2024 | Conference Paper | LibreCat-ID: 52514
A. Berndt, “Mozart-Dekonstruktionen: Genese einer KI-generierten Konzertmusik,” 2024.
LibreCat
 
[91]
2024 | Conference Paper | LibreCat-ID: 54247
A. Berndt and D. ~A. Mauro, “Arpeggiatorum: An audio controllable MIDI arpeggiator,” 2024.
LibreCat
 
[90]
2023 | Conference Paper | LibreCat-ID: 47316
M. Nowakowski, A. Berndt, A. V. K. Plaksin, N. Şahin, and A. Hadjakos, “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing,” 2023.
LibreCat
 
[89]
2023 | Conference Paper | LibreCat-ID: 47318
A. Münzmay and A. Berndt, “Was ist eine Interpretationsedition?,” 2023.
LibreCat
 
[88]
2023 | Conference Paper | LibreCat-ID: 47317
A. Berndt, “Three Experiments with AI Music Generation,” 2023.
LibreCat
 
[87]
2023 | Book Chapter | LibreCat-ID: 47321
A. Berndt, “Meditation,” in {Das gehört zusammen: Bläserheft zum Landesposaunentag Wolfenbüttel 2023}, S. Harras, S. Schlüter, and R. Schrötke, Eds. Wolfenbüttel, Germany: Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, 2023, pp. 30–31.
LibreCat
 
[86]
2023 | Book Chapter | LibreCat-ID: 47320
A. Berndt, “Der Tag, mein Gott, ist nun vergangen,” in {Zwischentöne 2: Bläsermusik zwischen Himmel und Erde}, K.-P. Diehl, M. Schnabel, and A. Form, Eds. Wuppertal, Germany: CVJM-Westbund e.V., 2023, pp. 119–121.
LibreCat
 
[85]
2023 | Conference Paper | LibreCat-ID: 47322
M. Nowakowski, A. Berndt, and A. Hadjakos, “Forschungsperspektiven zur Interaktion mit Musiknotation,” 2023.
LibreCat
 
[84]
2023 | Conference Paper | LibreCat-ID: 47319
A. Berndt, “Interpretationsbeschreibung und -analyse mittels Music Performance Markup (MPM),” 2023.
LibreCat
 
[83]
2023 | Conference Paper | LibreCat-ID: 50434
M. Nowakowski, A. Berndt, A. V. K. Plaksin, N. Şahin, and A. Hadjakos, “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing,” 2023.
LibreCat
 
[82]
2023 | Conference Paper | LibreCat-ID: 50433
M. Kallionpaa, A. Berndt, and H.-P. Gasselseder, “Sonification as a Composition Technique and Means of Artistic Expression,” in {XXV Generative Art 2023}, 2023, pp. 199–207.
LibreCat
 
[81]
2023 | Conference Paper | LibreCat-ID: 50432
A. Berndt, “MPM Toolbox: Eine Software zur Analyse und kreativen Erstellung musikalischer Interpretationen,” 2023.
LibreCat
 
[80]
2023 | Conference Paper | LibreCat-ID: 50435
A. Berndt, “Three Experiments with AI Music Generation,” 2023.
LibreCat
 
[79]
2022 | Conference Paper | LibreCat-ID: 47324
A. Berndt, “Musik vom Computer: Eine Entdeckungsreise in die Welt der generativen Musik,” 2022.
LibreCat
 
[78]
2022 | Conference Paper | LibreCat-ID: 47323
A. Berndt, “Modellbasierte Beschreibung musikalischer Interpretationen,” 2022.
LibreCat
 
[77]
2022 | Conference Paper | LibreCat-ID: 47325
A. Berndt, “Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen,” 2022.
LibreCat
 
[76]
2022 | Conference Paper | LibreCat-ID: 47328
A. Berndt, “Encoding Musical Performances,” in {Music Encoding Conference}, 2022, pp. 167–169.
LibreCat
 
[75]
2022 | Book Chapter | LibreCat-ID: 47326
A. Berndt, “Herr Christ, der einig Gotts Sohn,” in {Der Tag ist nicht mehr fern: Bläsermusik zum Weihnachtsfestkreis}, F. Plewka, Ed. Munich, Germany: Strube Verlag, 2022, pp. 88–89.
LibreCat
 
[74]
2022 | Conference Paper | LibreCat-ID: 47327
A. V. K. Plaksin, D. Lewis, N. Şahin, and A. Berndt, “Sharing MEI: Common Semantics in Diverse Musics?,” in {Music Encoding Conference}, 2022, pp. 157–161.
LibreCat
 
[73]
2021 | Book Chapter | LibreCat-ID: 47331
A. Berndt, “Morgenglanz der Ewigkeit,” in {Gott danken ist Freude, Band IV}, M. Döhler, T. Peter, T. Schab, and J.-M. Schlegel, Eds. Dresden, Germany: Sächsische Posaunenmission, 2021, pp. 187–188.
LibreCat
 
[72]
2021 | Conference Paper | LibreCat-ID: 47329
A. Berndt, “The Music Performance Markup Format and Ecosystem,” 2021.
LibreCat
 
[71]
2021 | Conference Paper | LibreCat-ID: 47330
A. Berndt, “Music Performance Markup: Format and Software Tools Report,” in {Music Encoding Conference}, 2021, pp. 57–63.
LibreCat
 
[70]
2021 | Book Chapter | LibreCat-ID: 47332
A. Berndt, “Meditation,” in {Gott danken ist Freude, Band IV}, M. Döhler, T. Peter, T. Schab, and J.-M. Schlegel, Eds. Dresden, Germany: Sächsische Posaunenmission, 2021, pp. 88–89.
LibreCat
 
[69]
2020 | Conference Paper | LibreCat-ID: 47334
A. Berndt, S. Waloschek, A. Hadjakos, and J. Veit, “Inside Beethoven! A Musical Installation for a New Listening Perspective,” in {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}, 2020, pp. 245–248.
LibreCat
 
[68]
2020 | Book Chapter | LibreCat-ID: 47335
A. Berndt, “Lob Gott getrost mit Singen,” in {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}, C. Kornmaul, Ed. Detmold, Germany: Posaunendienst in der Lippischen Landeskirche, 2020, pp. 64–67.
LibreCat
 
[67]
2020 | Conference Paper | LibreCat-ID: 47333
A. Berndt, “Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen,” 2020.
LibreCat
 
[66]
2019 | Book | LibreCat-ID: 47336
A. Berndt and J. Veit, Inside Beethoven! Das begehbare Ensemble - Begleitpublikation zur Klanginstallation der Hochschule für Musik Detmold zum Septett op. 20 und Trio op. 38 (mit CD). Bonn, Germany: Beethoven-Haus Bonn, 2019.
LibreCat
 
[65]
2019 | Conference Paper | LibreCat-ID: 47338
S. Waloschek, A. Berndt, A. Hadjakos, and A. Pacha, “A Showcase of New MEI Tools,” 2019.
LibreCat
 
[64]
2019 | Book Chapter | LibreCat-ID: 47337
A. Berndt, “Adaptive Game Scoring with Ambient Music,” in Music Beyond Airports: Apraising Ambient Music, M. Adkins and S. Cummings, Eds. Huddersfield, UK: University of Huddersfield Press, 2019, pp. 197–226.
LibreCat
 
[63]
2018 | Conference Paper | LibreCat-ID: 47344
A. Berndt, “Interactive Media Scoring with Ambient Music,” 2018.
LibreCat
 
[62]
2018 | Book Chapter | LibreCat-ID: 47340
A. Berndt and B. ~W. Bohl, “Music Performance Markup: Formale Beschreibung musikalischer Interpretationen,” in {editio: International Yearbook of Scholarly Editing}, vol. 32, R. Nutt-Kofoth and B. Plachta, Eds. Berlin, Germany: De Gruyter, 2018, pp. 185–204.
LibreCat
 
[61]
2018 | Conference Paper | LibreCat-ID: 47342
A. Berndt, S. Waloschek, and A. Hadjakos, “Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications,” 2018.
LibreCat
 
[60]
2018 | Conference Paper | LibreCat-ID: 47343
S. Waloschek, A. Hadjakos, and A. Berndt, “Score and sound-based interface for exploring music performances,” 2018.
LibreCat
 
[59]
2018 | Conference Paper | LibreCat-ID: 47341
A. Berndt, “Digital Sounds im Future Marketing: So klingt die Zukunft,” 2018.
LibreCat
 
[58]
2018 | Book Chapter | LibreCat-ID: 47345
A. Berndt and B. ~W. Bohl, “Music Performance Markup: Formale Beschreibung musikalischer Interpretationen,” in {Editio: Internationales Jahrbuch für Editionswissenschaft}, vol. 32, R. Nutt-Kofoth and B. Plachta, Eds. Berlin, Germany: De Gruyter, 2018.
LibreCat
 
[57]
2018 | Conference Paper | LibreCat-ID: 47346
A. Berndt and B. ~W. Bohl, “Formale Beschreibung musikalischer Interpretationen,” 2018.
LibreCat
 
[56]
2018 | Conference Paper | LibreCat-ID: 47347
A. Berndt, “Musik im Spiel,” 2018.
LibreCat
 
[55]
2017 | Conference Paper | LibreCat-ID: 47350
A. Berndt, S. Waloschek, and A. Hadjakos, “Musikeditionen zum Klingen bringen,” 2017.
LibreCat
 
[54]
2017 | Conference Paper | LibreCat-ID: 47349
A. Berndt, “Herausforderungen der editorischen Erschließung auditiver Objekte,” 2017.
LibreCat
 
[53]
2017 | Journal Article | LibreCat-ID: 47348
A. Berndt, N. Al-Kassab, and R. Dachselt, “The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra,” {Computer Music Journal}, vol. 41, no. 4, pp. 32–44, 2017.
LibreCat
 
[52]
2017 | Conference Paper | LibreCat-ID: 47351
J. Peschke and A. Berndt, “The Geometric Oscillator: Sound Synthesis with Cyclic Shapes,” 2017.
LibreCat
 
[51]
2017 | Conference Paper | LibreCat-ID: 47352
Y. Mexin, A. Hadjakos, A. Berndt, S. Waloschek, A. Wawilow, and G. Szwillus, “Tools for Annotating Musical Measures in Digital Music Editions,” 2017.
LibreCat
 
[50]
2017 | Book Chapter | LibreCat-ID: 47354
A. Berndt, “Generative Musik als Werkzeug in der Musikwissenschaft,” in {Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten. Bericht über die Wissenschaftliche Konferenz, Magdeburg, 15. und 16. März 2012, anlässlich der 21. Magdeburger Telemann-Festtage}, C. Lange and B. Reipsch, Eds. Hildesheim, Germany: Olms Verlag, 2017, pp. 305–326.
LibreCat
 
[49]
2017 | Conference Paper | LibreCat-ID: 47353
A. Berndt, S. Waloschek, A. Hadjakos, and A. Leemhuis, “AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games,” 2017.
LibreCat
 
[48]
2016 | Conference Paper | LibreCat-ID: 47356
S. Waloschek, A. Berndt, B. ~W. Bohl, and A. Hadjakos, “Interactive Scores in Classical Music Production,” in {Proc. of the 17th Int. Society for Music Information Retrieval Conf.\ (ISMIR) 2016}, 2016.
LibreCat
 
[47]
2016 | Conference Paper | LibreCat-ID: 47357
A. Berndt, S. Waloschek, and A. Hadjakos, “Hand Gestures in Music Production,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2016.
LibreCat
 
[46]
2016 | Conference Paper | LibreCat-ID: 47355
S. Waloschek, A. Berndt, B. ~W. Bohl, and A. Hadjakos, “Accelerating the Editing Phase in Music Productions using Interactive Scores,” 2016.
LibreCat
 
[45]
2016 | Book Chapter | LibreCat-ID: 47359
B. ~W. Bohl, A. Berndt, S. Waloschek, and A. Hadjakos, “Dem Igel Sitte lehren … Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung,” in {\glqqEi, dem alten Herrn zoll’ ich Achtung gern’\grqq Festschrift für Joachim Veit zum 60. Geburtstag}, K. Richts and P. Stadler, Eds. Munich, Germany: Allitera Verlag, 2016, pp. 141–163.
LibreCat
 
[44]
2016 | Conference Paper | LibreCat-ID: 47360
B. ~W. Bohl, A. Berndt, and B. Senft, “Formate als Sackgassen: Handlungsempfehlungen,” 2016.
LibreCat
 
[43]
2016 | Conference Paper | LibreCat-ID: 47358
A. Berndt and B. ~W. Bohl, “XML Music Performance Description,” in {Music Encoding Conference 2016}, 2016, pp. 91–94.
LibreCat
 
[42]
2015 | Conference Paper | LibreCat-ID: 47369
A. Berndt, S. Waloschek, and A. Hadjakos, “Gedanken zur Nutzung von Handgesten in der Musikproduktion,” in {Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces}, 2015, pp. 247–252.
LibreCat
 
[41]
2015 | Book Chapter | LibreCat-ID: 47363
N. Al-Kassab and A. Berndt, “TouchNoise: A Multitouch Noise Instrument,” in {Works in Audio and Music Technology}, A. Berndt, Ed. Dresden, Germany: TUDpress, 2015, pp. 31–57.
LibreCat
 
[40]
2015 | Conference Paper | LibreCat-ID: 47370
A. Hadjakos, A. Berndt, and S. Waloschek, “Synchronizing Spatially Distributed Musical Ensembles,” 2015.
LibreCat
 
[39]
2015 | Book | LibreCat-ID: 47361
A. Berndt, Works in Audio and Music Technology. Dresden, Germany: TUDpress, 2015.
LibreCat
 
[38]
2015 | Book Chapter | LibreCat-ID: 47368
A. Berndt, F. Schönfeld, R. Groh, T. Hähnel, T. Marx, and M. Pfleiderer, “Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen,” in {Musikpsychologie – Anwendungsorientierte Forschung}, W. Auhagen, C. Bullerjahn, and R. von Georgi, Eds. Göttingen, Germany: Hogrefe Verlag, 2015, pp. 254–262.
LibreCat
 
[37]
2015 | Book Chapter | LibreCat-ID: 47366
A. Berndt and T. Hähnel, “Studying Music Performance and Perception via Interaction,” in {Works in Audio and Music Technology}, A. Berndt, Ed. Dresden, Germany: TUDpress, 2015, pp. 129–153.
LibreCat
 
[36]
2015 | Book Chapter | LibreCat-ID: 47365
A. Berndt, “Formalizing Expressive Music Performance Phenomena,” in {Works in Audio and Music Technology}, A. Berndt, Ed. Dresden, Germany: TUDpress, 2015, pp. 97–128.
LibreCat
 
[35]
2015 | Conference Paper | LibreCat-ID: 47372
A. Berndt and S. ~H. Menges, “Musizieren mit dem Computer,” 2015.
LibreCat
 
[34]
2015 | Conference Paper | LibreCat-ID: 47371
A. Berndt, N. Al-Kassab, and R. Dachselt, “TouchNoise: A New Multitouch Interface for Creative Work with Noise,” 2015.
LibreCat
 
[33]
2014 | Conference Paper | LibreCat-ID: 47373
F. Schönfeld, A. Berndt, T. Hähnel, M. Pfleiderer, and R. Groh, “Vocalmetrics: An interactive software for visualization and classification of music,” 2014.
LibreCat
 
[32]
2014 | Book Chapter | LibreCat-ID: 47375
A. Berndt, “Ambiente Musik zur Vertonung immersiver interaktiver Medien,” in {Jahrbuch immersiver Medien 2014: Klänge, Musik und Soundscapes}, I. für immersive Medien, Ed. Fachhochschule Kiel, Germany: Schüren Verlag, 2014, pp. 95–105.
LibreCat
 
[31]
2014 | Conference Paper | LibreCat-ID: 47374
A. Berndt, N. Al-Kassab, and R. Dachselt, “TouchNoise: A Particle-based Multitouch Noise Modulation Interface,” in {Proc. of New Interfaces for Musical Expression (NIME) 2014}, 2014, pp. 323–326.
LibreCat
 
[30]
2013 | Conference Paper | LibreCat-ID: 47377
M. de Almeida Madeira Clemente, A. Berndt, H. Leitner, M. Keck, R. Gaertner, and R. Groh, “New Perspectives on Interactivity in Project Management Tools,” in {HCI International 2013—Posters’ Extended Abstracts}, 2013, vol. 374, pp. 484–488.
LibreCat
 
[29]
2013 | Conference Paper | LibreCat-ID: 47376
R. Lorenz, A. Berndt, and R. Groh, “Designing Auditory Pointers,” 2013.
LibreCat
 
[28]
2013 | Journal Article | LibreCat-ID: 47378
A. Berndt, “Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen,” {Kieler Beiträge zur Filmmusikforschung}, vol. 9, pp. 293–323, 2013.
LibreCat
 
[27]
2012 | Conference Paper | LibreCat-ID: 47381
A. Berndt, “Variance in Repetitive Games Music,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2012, pp. 412–415.
LibreCat
 
[26]
2012 | Conference Paper | LibreCat-ID: 47380
A. Berndt, R. Dachselt, and R. Groh, “A Survey of Variation Techniques for Repetitive Games Music,” in {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, 2012, pp. 61–67.
LibreCat
 
[25]
2012 | Conference Paper | LibreCat-ID: 47379
A. Berndt, “Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen,” 2012.
LibreCat
 
[24]
2012 | Book Chapter | LibreCat-ID: 47384
A. Berndt, “Nun sich der Tag geendet hat,” in {Musik aus Mitteldeutschland}, F. Plewka, M. Schmeiß, T. Sterzig, and J. Häußler, Eds. Munich, Germany: Strube Verlag, 2012.
LibreCat
 
[23]
2011 | Book | LibreCat-ID: 47382
A. Berndt, Musik für interaktive Medien: Arrangement- und Interpretationstechniken. Munich, Germany: Verlag Dr. Hut, 2011.
LibreCat
 
[22]
2011 | Conference Paper | LibreCat-ID: 47385
A. Berndt, “Musical Tempo Curves,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2011, pp. 118–121.
LibreCat
 
[21]
2011 | Conference Paper | LibreCat-ID: 47388
T. Hähnel and A. Berndt, “Studying Interdependencies in Music Performance: An Interactive Tool,” in {Proc. of New Interfaces for Musical Expression (NIME) 2011}, 2011, pp. 48–51.
LibreCat
 
[20]
2011 | Conference Paper | LibreCat-ID: 47387
T. Hähnel and A. Berndt, “Eighth-Notes Performances: Kinds of Inégalité,” in {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, 2011, pp. 75–81.
LibreCat
 
[19]
2011 | Conference Paper | LibreCat-ID: 47386
A. Berndt, “Der Computer als Komponist und Interpret der Zukunft?,” 2011.
LibreCat
 
[18]
2011 | Book Chapter | LibreCat-ID: 47393
A. Berndt, “Diegetic Music: New Interactive Experiences,” in {Game Sound Technology and Player Interaction: Concepts and Developments}, M. Grimshaw, Ed. Hershey, PA: IGI Global, 2011, pp. 60–76.
LibreCat
 
[17]
2010 | Conference Paper | LibreCat-ID: 47389
A. Berndt and T. Hähnel, “Modelling Musical Dynamics,” in {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, 2010, pp. 134–141.
LibreCat
 
[16]
2010 | Conference Paper | LibreCat-ID: 47390
T. Hähnel and A. Berndt, “Synthetic and Pseudo-Synthetic Music Performances: An Evaluation,” 2010.
LibreCat
 
[15]
2010 | Conference Paper | LibreCat-ID: 47392
A. Berndt, “Decentralizing Music, Its Performance, and Processing,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2010, pp. 381–388.
LibreCat
 
[14]
2010 | Conference Paper | LibreCat-ID: 47391
T. Hähnel and A. Berndt, “Expressive Articulation for Synthetic Music Performances,” in {Proc. of New Interfaces for Musical Expression (NIME) 2010}, 2010, pp. 277–282.
LibreCat
 
[13]
2009 | Conference Paper | LibreCat-ID: 47397
A. Berndt, “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance,” 2009.
LibreCat
 
[12]
2009 | Conference Paper | LibreCat-ID: 47396
A. Berndt, “Musical Nonlinearity in Interactive Narrative Environments,” in {Proc. of the Int. Computer Music Conf.\ (ICMC)}, 2009, pp. 355–358.
LibreCat
 
[11]
2009 | Conference Paper | LibreCat-ID: 47395
A. Berndt and T. Hähnel, “Expressive Musical Timing,” in {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, 2009, pp. 9–16.
LibreCat
 
[10]
2009 | Conference Paper | LibreCat-ID: 47394
A. Berndt and T. Hähnel, “Der Computer als Interpret,” 2009.
LibreCat
 
[9]
2008 | Conference Paper | LibreCat-ID: 47398
A. Berndt and H. Theisel, “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance,” in {Interactive Digital Storytelling (ICIDS) 2008}, 2008, pp. 132–143.
LibreCat
 
[8]
2008 | Conference Paper | LibreCat-ID: 47400
L. Stockmann, A. Berndt, and N. Röber, “A Musical Instrument based on Interactive Sonification Techniques,” in {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, 2008, pp. 72–79.
LibreCat
 
[7]
2008 | Conference Paper | LibreCat-ID: 47399
A. Berndt and K. Hartmann, “The Functions of Music in Interactive Media,” in {Interactive Digital Storytelling (ICIDS) 2008}, 2008, pp. 126–131.
LibreCat
 
[6]
2008 | Book | LibreCat-ID: 47404
A. Berndt, Liturgie für Bläser. Halberstadt, Germany: Musikverlag Bruno Uetz, 2008.
LibreCat
 
[5]
2007 | Conference Paper | LibreCat-ID: 47402
K. Hartmann, D. Büchner, A. Berndt, A. Nürnberger, and C. Lange, “Interactive Data Mining & Machine Learning Techniques for Musicology,” 2007.
LibreCat
 
[4]
2007 | Conference Paper | LibreCat-ID: 47403
A. Berndt and K. Hartmann, “Audio-Interactive Counterpoint,” 2007.
LibreCat
 
[3]
2007 | Conference Paper | LibreCat-ID: 47401
A. Berndt and K. Hartmann, “Strategies for Narrative and Adaptive Game Scoring,” in {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}, 2007, pp. 141–147.
LibreCat
 
[2]
2006 | Conference Paper | LibreCat-ID: 47413
A. Berndt, K. Hartmann, N. Röber, and M. Masuch, “Composition and Arrangement Techniques for Music in Interactive Immersive Environments,” in {Audio Mostly 2006: A Conf. on Sound in Games}, 2006, pp. 53–59.
LibreCat
 
[1]
2006 | Mastersthesis | LibreCat-ID: 47412
A. Berndt, Repräsentation musikalischer Metainformationen. Otto-von-Guericke University, Department of Simulation and Graphics, 2006.
LibreCat
 
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