Axel Berndt

Fakultät für Kulturwissenschaften
Musikwissenschaftliches Seminar Detmold/Paderborn
Modellierung vernetzter virtueller Datenräume (im Bereich Musik und Medien) (Berndt)
axel.berndt@uni-paderborn.de
ID
55565

35 Publications

Mark all

[35]
2025 | Conference Paper | LibreCat-ID: 59783
Mauro, D.~A., L.~A. Ludovico, H.~H. Aydin, Axel Berndt, and T. Grothe. “Detmold Musical Instrument Timbre Explorer (DmITE): Interactive Visualization of Musical Instruments Radiation Pattern Using IEEE 1599.” In {AM.ICAD: Audio Mostly & ICAD Joint Conf.}. Coimbra, Portugal: ACM, 2025.
LibreCat
 
[34]
2025 | Conference Paper | LibreCat-ID: 59782
Kallionpää, M., Axel Berndt, D.~A. Mauro, and D. Dziwis. “Non/Repeat: Three Case Studies of Non-Linear Live-Music Practices.” In {AM.ICAD: Audio Mostly & ICAD Joint Conf.}. Coimbra, Portugal: ACM, 2025.
LibreCat
 
[33]
2025 | Journal Article | LibreCat-ID: 59749
Balke, Stefan, Axel Berndt, and Meinard Müller. “ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research.” Transactions of the International Society for Music Information Retrieval 8, no. 1 (2025): 39–54. https://doi.org/10.5334/tismir.252.
LibreCat | DOI
 
[32]
2025 | Conference Paper | LibreCat-ID: 59748
Grothe, T., H.~B. Aydin, D.~A. Mauro, L.~A. Ludovico, and Axel Berndt. “Detmold Interactive Musical Instrument Timbre Explorer (DmITE)—a Web Application for Experiental Learning in Musical Acoustics.” In {DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}. Copenhagen, Denmark, 2025.
LibreCat
 
[31]
2025 | Conference Paper | LibreCat-ID: 59751
Berndt, Axel. “Deconstruction – Recombination – Order: Ein Kurzer Werkstattbericht.” In {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}. KreativInstitut.OWL, Detmold, Germany, 2025.
LibreCat
 
[30]
2025 | Conference Paper | LibreCat-ID: 59750
Mauro, D.~A., and Axel Berndt. “Automatic Rendering of Ramati’s Ludus Musicalis Scores.” In {22nd Sound and Music Computing Conf.\ (SMC 2025), Auditory Landscapes}. Graz, Austria, 2025.
LibreCat
 
[29]
2023 | Conference Paper | LibreCat-ID: 47316
Nowakowski, Michał, Axel Berndt, Anna Viktoria Katrin Plaksin, N. Şahin, and A. Hadjakos. “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing.” In {Encoding Cultures—Joint MEC and TEI Conference 2023}. Paderborn, Germany, 2023.
LibreCat
 
[28]
2023 | Conference Paper | LibreCat-ID: 47318
Münzmay, Andreas, and Axel Berndt. “Was Ist Eine Interpretationsedition?” In {Methoden Softwaregestützter Interpretationsforschung}, 2023.
LibreCat
 
[27]
2023 | Conference Paper | LibreCat-ID: 47317
Berndt, Axel. “Three Experiments with AI Music Generation.” In {Deconstruction; Order. Mozart?}. Kunstmuseum Stuttgart, Stuttgart Germany, 2023.
LibreCat
 
[26]
2023 | Book Chapter | LibreCat-ID: 47321
Berndt, Axel. “Meditation.” In {Das Gehört Zusammen: Bläserheft Zum Landesposaunentag Wolfenbüttel 2023}, edited by S. Harras, S. Schlüter, and R. Schrötke, 30–31. Wolfenbüttel, Germany: Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, 2023.
LibreCat
 
[25]
2023 | Book Chapter | LibreCat-ID: 47320
Berndt, Axel. “Der Tag, Mein Gott, Ist Nun Vergangen.” In {Zwischentöne 2: Bläsermusik Zwischen Himmel Und Erde}, edited by K.-P. Diehl, M. Schnabel, and A. Form, 119–121. Wuppertal, Germany: CVJM-Westbund e.V., 2023.
LibreCat
 
[24]
2023 | Conference Paper | LibreCat-ID: 47322
Nowakowski, Michał, Axel Berndt, and A. Hadjakos. “Forschungsperspektiven Zur Interaktion Mit Musiknotation.” In {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}. Trier, Germany, 2023.
LibreCat
 
[23]
2023 | Conference Paper | LibreCat-ID: 47319
Berndt, Axel. “Interpretationsbeschreibung Und -Analyse Mittels Music Performance Markup (MPM).” In {Methoden Softwaregestützter Interpretationsforschung}, 2023.
LibreCat
 
[22]
2022 | Conference Paper | LibreCat-ID: 47324
Berndt, Axel. “Musik Vom Computer: Eine Entdeckungsreise in Die Welt Der Generativen Musik.” In {Data Society. Chancen – Verantwortung – Innovationen}. Paderborn, Germany, 2022.
LibreCat
 
[21]
2022 | Conference Paper | LibreCat-ID: 47323
Berndt, Axel. “Modellbasierte Beschreibung Musikalischer Interpretationen.” In Forschungskolloquium. Detmold, Germany, 2022.
LibreCat
 
[20]
2022 | Conference Paper | LibreCat-ID: 47325
Berndt, Axel. “Music Performance Markup (MPM): Einführung in Die Beschreibung Musikalischer Interpretationen.” In {Edirom Summer School 2022}. Paderborn, Germany, 2022.
LibreCat
 
[19]
2022 | Conference Paper | LibreCat-ID: 47328
Berndt, Axel. “Encoding Musical Performances.” In {Music Encoding Conference}, 167–169. Halifax, Canada, 2022.
LibreCat
 
[18]
2022 | Book Chapter | LibreCat-ID: 47326
Berndt, Axel. “Herr Christ, Der Einig Gotts Sohn.” In {Der Tag Ist Nicht Mehr Fern: Bläsermusik Zum Weihnachtsfestkreis}, edited by F. Plewka, 88–89. Munich, Germany: Strube Verlag, 2022.
LibreCat
 
[17]
2022 | Conference Paper | LibreCat-ID: 47327
Plaksin, Anna Viktoria Katrin, D. Lewis, N. Şahin, and Axel Berndt. “Sharing MEI: Common Semantics in Diverse Musics?” In {Music Encoding Conference}, 157–161. Halifax, Canada, 2022.
LibreCat
 
[16]
2021 | Book Chapter | LibreCat-ID: 47331
Berndt, Axel. “Morgenglanz Der Ewigkeit.” In {Gott Danken Ist Freude, Band IV}, edited by M. Döhler, T. Peter, T. Schab, and J.-M. Schlegel, 187–188. Dresden, Germany: Sächsische Posaunenmission, 2021.
LibreCat
 
[15]
2021 | Conference Paper | LibreCat-ID: 47329
Berndt, Axel. “The Music Performance Markup Format and Ecosystem.” In {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}, 2021.
LibreCat
 
[14]
2021 | Conference Paper | LibreCat-ID: 47330
Berndt, Axel. “Music Performance Markup: Format and Software Tools Report.” In {Music Encoding Conference}, 57–63. Alicante, Spain, 2021.
LibreCat
 
[13]
2021 | Book Chapter | LibreCat-ID: 47332
Berndt, Axel. “Meditation.” In {Gott Danken Ist Freude, Band IV}, edited by M. Döhler, T. Peter, T. Schab, and J.-M. Schlegel, 88–89. Dresden, Germany: Sächsische Posaunenmission, 2021.
LibreCat
 
[12]
2020 | Conference Paper | LibreCat-ID: 47334
Berndt, Axel, S. Waloschek, A. Hadjakos, and Joachim Veit. “Inside Beethoven! A Musical Installation for a New Listening Perspective.” In {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}, edited by K. Groß-Vogt, 245–248. Graz, Austria: ACM, 2020.
LibreCat
 
[11]
2020 | Book Chapter | LibreCat-ID: 47335
Berndt, Axel. “Lob Gott Getrost Mit Singen.” In {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}, edited by C. Kornmaul, 64–67. Detmold, Germany: Posaunendienst in der Lippischen Landeskirche, 2020.
LibreCat
 
[10]
2020 | Conference Paper | LibreCat-ID: 47333
Berndt, Axel. “Music Performance Markup (MPM): Einführung in Die Beschreibung Musikalischer Interpretationen.” In {Edirom Summer School 2020}. Paderborn, Germany, 2020.
LibreCat
 
[9]
2019 | Book Chapter | LibreCat-ID: 47337
Berndt, Axel. “Adaptive Game Scoring with Ambient Music.” In {Music Beyond Airports: Apraising Ambient Music}, edited by M. Adkins and S. Cummings, 197–226. Huddersfield, UK: University of Huddersfield Press, 2019.
LibreCat
 
[8]
2019 | Book | LibreCat-ID: 47336
Berndt, Axel, and Joachim Veit. Inside Beethoven! Das Begehbare Ensemble - Begleitpublikation Zur Klanginstallation Der Hochschule Für Musik Detmold Zum Septett Op. 20 Und Trio Op. 38 (Mit CD). Bonn, Germany: Beethoven-Haus Bonn, 2019.
LibreCat
 
[7]
2019 | Conference Paper | LibreCat-ID: 47338
Waloschek, S., Axel Berndt, A. Hadjakos, and A. Pacha. “A Showcase of New MEI Tools.” In {Music Encoding Conference}. Vienna, Austria, 2019.
LibreCat
 
[6]
2018 | Conference Paper | LibreCat-ID: 47344
Berndt, Axel. “Interactive Media Scoring with Ambient Music.” In {Ambient@40}. Huddersfield, UK, 2018.
LibreCat
 
[5]
2018 | Book Chapter | LibreCat-ID: 47340
Berndt, Axel, and B.~W. Bohl. “Music Performance Markup: Formale Beschreibung Musikalischer Interpretationen.” In {editio: International Yearbook of Scholarly Editing}, edited by R. Nutt-Kofoth and B. Plachta, 32:185–204. Berlin, Germany: De Gruyter, 2018.
LibreCat
 
[4]
2018 | Conference Paper | LibreCat-ID: 47342
Berndt, Axel, S. Waloschek, and A. Hadjakos. “Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and Its Applications.” In {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}. Wrexham, North Wales, UK: ACM, 2018.
LibreCat
 
[3]
2018 | Conference Paper | LibreCat-ID: 47343
Waloschek, S., A. Hadjakos, and Axel Berndt. “Score and Sound-Based Interface for Exploring Music Performances.” In {Interdisciplinary Workshop on Timbre 2018}. Montreal, Canada, 2018.
LibreCat
 
[2]
2018 | Conference Paper | LibreCat-ID: 47341
Berndt, Axel. “Digital Sounds Im Future Marketing: So Klingt Die Zukunft.” In {CEBIT 2018 Panel Discussion}. Hannover, Germany, 2018.
LibreCat
 
[1]
2017 | Conference Paper | LibreCat-ID: 47350
Berndt, Axel, S. Waloschek, and A. Hadjakos. “Musikeditionen Zum Klingen Bringen.” In {Edirom Summer School 2017}. Paderborn, Germany, 2017.
LibreCat
 
Marked Publication(s)

Search

Filter Publications

Display / Sort

Citation Style: Chicago

Export / Embed

35 Publications

Mark all

[35]
2025 | Conference Paper | LibreCat-ID: 59783
Mauro, D.~A., L.~A. Ludovico, H.~H. Aydin, Axel Berndt, and T. Grothe. “Detmold Musical Instrument Timbre Explorer (DmITE): Interactive Visualization of Musical Instruments Radiation Pattern Using IEEE 1599.” In {AM.ICAD: Audio Mostly & ICAD Joint Conf.}. Coimbra, Portugal: ACM, 2025.
LibreCat
 
[34]
2025 | Conference Paper | LibreCat-ID: 59782
Kallionpää, M., Axel Berndt, D.~A. Mauro, and D. Dziwis. “Non/Repeat: Three Case Studies of Non-Linear Live-Music Practices.” In {AM.ICAD: Audio Mostly & ICAD Joint Conf.}. Coimbra, Portugal: ACM, 2025.
LibreCat
 
[33]
2025 | Journal Article | LibreCat-ID: 59749
Balke, Stefan, Axel Berndt, and Meinard Müller. “ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research.” Transactions of the International Society for Music Information Retrieval 8, no. 1 (2025): 39–54. https://doi.org/10.5334/tismir.252.
LibreCat | DOI
 
[32]
2025 | Conference Paper | LibreCat-ID: 59748
Grothe, T., H.~B. Aydin, D.~A. Mauro, L.~A. Ludovico, and Axel Berndt. “Detmold Interactive Musical Instrument Timbre Explorer (DmITE)—a Web Application for Experiental Learning in Musical Acoustics.” In {DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}. Copenhagen, Denmark, 2025.
LibreCat
 
[31]
2025 | Conference Paper | LibreCat-ID: 59751
Berndt, Axel. “Deconstruction – Recombination – Order: Ein Kurzer Werkstattbericht.” In {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}. KreativInstitut.OWL, Detmold, Germany, 2025.
LibreCat
 
[30]
2025 | Conference Paper | LibreCat-ID: 59750
Mauro, D.~A., and Axel Berndt. “Automatic Rendering of Ramati’s Ludus Musicalis Scores.” In {22nd Sound and Music Computing Conf.\ (SMC 2025), Auditory Landscapes}. Graz, Austria, 2025.
LibreCat
 
[29]
2023 | Conference Paper | LibreCat-ID: 47316
Nowakowski, Michał, Axel Berndt, Anna Viktoria Katrin Plaksin, N. Şahin, and A. Hadjakos. “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing.” In {Encoding Cultures—Joint MEC and TEI Conference 2023}. Paderborn, Germany, 2023.
LibreCat
 
[28]
2023 | Conference Paper | LibreCat-ID: 47318
Münzmay, Andreas, and Axel Berndt. “Was Ist Eine Interpretationsedition?” In {Methoden Softwaregestützter Interpretationsforschung}, 2023.
LibreCat
 
[27]
2023 | Conference Paper | LibreCat-ID: 47317
Berndt, Axel. “Three Experiments with AI Music Generation.” In {Deconstruction; Order. Mozart?}. Kunstmuseum Stuttgart, Stuttgart Germany, 2023.
LibreCat
 
[26]
2023 | Book Chapter | LibreCat-ID: 47321
Berndt, Axel. “Meditation.” In {Das Gehört Zusammen: Bläserheft Zum Landesposaunentag Wolfenbüttel 2023}, edited by S. Harras, S. Schlüter, and R. Schrötke, 30–31. Wolfenbüttel, Germany: Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, 2023.
LibreCat
 
[25]
2023 | Book Chapter | LibreCat-ID: 47320
Berndt, Axel. “Der Tag, Mein Gott, Ist Nun Vergangen.” In {Zwischentöne 2: Bläsermusik Zwischen Himmel Und Erde}, edited by K.-P. Diehl, M. Schnabel, and A. Form, 119–121. Wuppertal, Germany: CVJM-Westbund e.V., 2023.
LibreCat
 
[24]
2023 | Conference Paper | LibreCat-ID: 47322
Nowakowski, Michał, Axel Berndt, and A. Hadjakos. “Forschungsperspektiven Zur Interaktion Mit Musiknotation.” In {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}. Trier, Germany, 2023.
LibreCat
 
[23]
2023 | Conference Paper | LibreCat-ID: 47319
Berndt, Axel. “Interpretationsbeschreibung Und -Analyse Mittels Music Performance Markup (MPM).” In {Methoden Softwaregestützter Interpretationsforschung}, 2023.
LibreCat
 
[22]
2022 | Conference Paper | LibreCat-ID: 47324
Berndt, Axel. “Musik Vom Computer: Eine Entdeckungsreise in Die Welt Der Generativen Musik.” In {Data Society. Chancen – Verantwortung – Innovationen}. Paderborn, Germany, 2022.
LibreCat
 
[21]
2022 | Conference Paper | LibreCat-ID: 47323
Berndt, Axel. “Modellbasierte Beschreibung Musikalischer Interpretationen.” In Forschungskolloquium. Detmold, Germany, 2022.
LibreCat
 
[20]
2022 | Conference Paper | LibreCat-ID: 47325
Berndt, Axel. “Music Performance Markup (MPM): Einführung in Die Beschreibung Musikalischer Interpretationen.” In {Edirom Summer School 2022}. Paderborn, Germany, 2022.
LibreCat
 
[19]
2022 | Conference Paper | LibreCat-ID: 47328
Berndt, Axel. “Encoding Musical Performances.” In {Music Encoding Conference}, 167–169. Halifax, Canada, 2022.
LibreCat
 
[18]
2022 | Book Chapter | LibreCat-ID: 47326
Berndt, Axel. “Herr Christ, Der Einig Gotts Sohn.” In {Der Tag Ist Nicht Mehr Fern: Bläsermusik Zum Weihnachtsfestkreis}, edited by F. Plewka, 88–89. Munich, Germany: Strube Verlag, 2022.
LibreCat
 
[17]
2022 | Conference Paper | LibreCat-ID: 47327
Plaksin, Anna Viktoria Katrin, D. Lewis, N. Şahin, and Axel Berndt. “Sharing MEI: Common Semantics in Diverse Musics?” In {Music Encoding Conference}, 157–161. Halifax, Canada, 2022.
LibreCat
 
[16]
2021 | Book Chapter | LibreCat-ID: 47331
Berndt, Axel. “Morgenglanz Der Ewigkeit.” In {Gott Danken Ist Freude, Band IV}, edited by M. Döhler, T. Peter, T. Schab, and J.-M. Schlegel, 187–188. Dresden, Germany: Sächsische Posaunenmission, 2021.
LibreCat
 
[15]
2021 | Conference Paper | LibreCat-ID: 47329
Berndt, Axel. “The Music Performance Markup Format and Ecosystem.” In {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}, 2021.
LibreCat
 
[14]
2021 | Conference Paper | LibreCat-ID: 47330
Berndt, Axel. “Music Performance Markup: Format and Software Tools Report.” In {Music Encoding Conference}, 57–63. Alicante, Spain, 2021.
LibreCat
 
[13]
2021 | Book Chapter | LibreCat-ID: 47332
Berndt, Axel. “Meditation.” In {Gott Danken Ist Freude, Band IV}, edited by M. Döhler, T. Peter, T. Schab, and J.-M. Schlegel, 88–89. Dresden, Germany: Sächsische Posaunenmission, 2021.
LibreCat
 
[12]
2020 | Conference Paper | LibreCat-ID: 47334
Berndt, Axel, S. Waloschek, A. Hadjakos, and Joachim Veit. “Inside Beethoven! A Musical Installation for a New Listening Perspective.” In {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}, edited by K. Groß-Vogt, 245–248. Graz, Austria: ACM, 2020.
LibreCat
 
[11]
2020 | Book Chapter | LibreCat-ID: 47335
Berndt, Axel. “Lob Gott Getrost Mit Singen.” In {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}, edited by C. Kornmaul, 64–67. Detmold, Germany: Posaunendienst in der Lippischen Landeskirche, 2020.
LibreCat
 
[10]
2020 | Conference Paper | LibreCat-ID: 47333
Berndt, Axel. “Music Performance Markup (MPM): Einführung in Die Beschreibung Musikalischer Interpretationen.” In {Edirom Summer School 2020}. Paderborn, Germany, 2020.
LibreCat
 
[9]
2019 | Book Chapter | LibreCat-ID: 47337
Berndt, Axel. “Adaptive Game Scoring with Ambient Music.” In {Music Beyond Airports: Apraising Ambient Music}, edited by M. Adkins and S. Cummings, 197–226. Huddersfield, UK: University of Huddersfield Press, 2019.
LibreCat
 
[8]
2019 | Book | LibreCat-ID: 47336
Berndt, Axel, and Joachim Veit. Inside Beethoven! Das Begehbare Ensemble - Begleitpublikation Zur Klanginstallation Der Hochschule Für Musik Detmold Zum Septett Op. 20 Und Trio Op. 38 (Mit CD). Bonn, Germany: Beethoven-Haus Bonn, 2019.
LibreCat
 
[7]
2019 | Conference Paper | LibreCat-ID: 47338
Waloschek, S., Axel Berndt, A. Hadjakos, and A. Pacha. “A Showcase of New MEI Tools.” In {Music Encoding Conference}. Vienna, Austria, 2019.
LibreCat
 
[6]
2018 | Conference Paper | LibreCat-ID: 47344
Berndt, Axel. “Interactive Media Scoring with Ambient Music.” In {Ambient@40}. Huddersfield, UK, 2018.
LibreCat
 
[5]
2018 | Book Chapter | LibreCat-ID: 47340
Berndt, Axel, and B.~W. Bohl. “Music Performance Markup: Formale Beschreibung Musikalischer Interpretationen.” In {editio: International Yearbook of Scholarly Editing}, edited by R. Nutt-Kofoth and B. Plachta, 32:185–204. Berlin, Germany: De Gruyter, 2018.
LibreCat
 
[4]
2018 | Conference Paper | LibreCat-ID: 47342
Berndt, Axel, S. Waloschek, and A. Hadjakos. “Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and Its Applications.” In {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}. Wrexham, North Wales, UK: ACM, 2018.
LibreCat
 
[3]
2018 | Conference Paper | LibreCat-ID: 47343
Waloschek, S., A. Hadjakos, and Axel Berndt. “Score and Sound-Based Interface for Exploring Music Performances.” In {Interdisciplinary Workshop on Timbre 2018}. Montreal, Canada, 2018.
LibreCat
 
[2]
2018 | Conference Paper | LibreCat-ID: 47341
Berndt, Axel. “Digital Sounds Im Future Marketing: So Klingt Die Zukunft.” In {CEBIT 2018 Panel Discussion}. Hannover, Germany, 2018.
LibreCat
 
[1]
2017 | Conference Paper | LibreCat-ID: 47350
Berndt, Axel, S. Waloschek, and A. Hadjakos. “Musikeditionen Zum Klingen Bringen.” In {Edirom Summer School 2017}. Paderborn, Germany, 2017.
LibreCat
 
Marked Publication(s)

Search

Filter Publications

Display / Sort

Citation Style: Chicago

Export / Embed