Axel Berndt

Fakultät für Kulturwissenschaften
Musikwissenschaftliches Seminar Detmold/Paderborn
Modellierung vernetzter virtueller Datenräume (im Bereich Musik und Medien) (Berndt)
axel.berndt@uni-paderborn.de
ID
55565

104 Publications

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[104]
2025 | Conference Paper | LibreCat-ID: 59783
Mauro, D.~A., L.~A. Ludovico, H.~H. Aydin, Axel Berndt, and T. Grothe. “Detmold Musical Instrument Timbre Explorer (DmITE): Interactive Visualization of Musical Instruments Radiation Pattern Using IEEE 1599.” In {AM.ICAD: Audio Mostly & ICAD Joint Conf.}. Coimbra, Portugal: ACM, 2025.
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[103]
2025 | Conference Paper | LibreCat-ID: 59782
Kallionpää, M., Axel Berndt, D.~A. Mauro, and D. Dziwis. “Non/Repeat: Three Case Studies of Non-Linear Live-Music Practices.” In {AM.ICAD: Audio Mostly & ICAD Joint Conf.}. Coimbra, Portugal: ACM, 2025.
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[102]
2025 | Journal Article | LibreCat-ID: 59749
Balke, Stefan, Axel Berndt, and Meinard Müller. “ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research.” Transactions of the International Society for Music Information Retrieval 8, no. 1 (2025): 39–54. https://doi.org/10.5334/tismir.252.
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[101]
2025 | Conference Paper | LibreCat-ID: 59748
Grothe, T., H.~B. Aydin, D.~A. Mauro, L.~A. Ludovico, and Axel Berndt. “Detmold Interactive Musical Instrument Timbre Explorer (DmITE)—a Web Application for Experiental Learning in Musical Acoustics.” In {DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}. Copenhagen, Denmark, 2025.
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[100]
2025 | Conference Paper | LibreCat-ID: 59751
Berndt, Axel. “Deconstruction – Recombination – Order: Ein Kurzer Werkstattbericht.” In {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}. KreativInstitut.OWL, Detmold, Germany, 2025.
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[99]
2025 | Conference Paper | LibreCat-ID: 59750
Mauro, D.~A., and Axel Berndt. “Automatic Rendering of Ramati’s Ludus Musicalis Scores.” In {22nd Sound and Music Computing Conf.\ (SMC 2025), Auditory Landscapes}. Graz, Austria, 2025.
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[98]
2025 | Conference Paper | LibreCat-ID: 58555
Berndt, Axel. “Deconstruction – Recombination – Order: Ein Kurzer Werkstattbericht.” In {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}. KreativInstitut.OWL, Detmold, Germany, 2025.
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[97]
2024 | Conference Paper | LibreCat-ID: 58554
Berndt, Axel, and Andreas Münzmay. “Digitale Interpretationsedition Und Filmmusikedition Als Multimodale Schwestern – Gemeinsame Herausforderungen Und Lösungsansätze.” In {Edition von Filmmusik: Herausforderungen Der Multimedialität}. Frankfurt (Main), Germany, 2024.
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[96]
2024 | Conference Paper | LibreCat-ID: 58552
Berndt, Axel, F. Vollmer, and Andreas Münzmay. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and Its Potential for Ethnomusicology.” In {Diskografentag: International Conference on Recorded Music}. Guildford, Surrey, England, 2024.
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[95]
2024 | Conference Paper | LibreCat-ID: 58551
Berndt, Axel, Andreas Münzmay, and F. Vollmer. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” In {DAGA 2024 – 50. Jahrestagung Für Akustik}. Hannover, Germany, 2024.
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[94]
2024 | Conference Paper | LibreCat-ID: 58550
Berndt, Axel. “Auditory Pointers: Spatial Navigation with Sounds.” In {Forschungskolloquium Zur Audiokommunikation}. Berlin, Germany, 2024.
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[93]
2024 | Conference Paper | LibreCat-ID: 58553
Berndt, Axel, and S. Waloschek. “FlowScore: MEI Streaming to Digital Music Stands.” In {Edirom Summer School 2024}. Paderborn, Germany, 2024.
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[92]
2024 | Conference Paper | LibreCat-ID: 52514
Berndt, Axel. “Mozart-Dekonstruktionen: Genese Einer KI-Generierten Konzertmusik.” In {Digitale Methoden in Den Geisteswissenschaften. Herausforderungen Und Chancen}. Rome, Italy, 2024.
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[91]
2024 | Conference Paper | LibreCat-ID: 54247
Berndt, Axel, and D.~A. Mauro. “Arpeggiatorum: An Audio Controllable MIDI Arpeggiator.” In {Sound and Music Computing Conf.\ (SMC 2024), Immersive}. Porto, Porugal, 2024.
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[90]
2023 | Conference Paper | LibreCat-ID: 47316
Nowakowski, Michał, Axel Berndt, Anna Viktoria Katrin Plaksin, N. Şahin, and A. Hadjakos. “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing.” In {Encoding Cultures—Joint MEC and TEI Conference 2023}. Paderborn, Germany, 2023.
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[89]
2023 | Conference Paper | LibreCat-ID: 47318
Münzmay, Andreas, and Axel Berndt. “Was Ist Eine Interpretationsedition?” In {Methoden Softwaregestützter Interpretationsforschung}, 2023.
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[88]
2023 | Conference Paper | LibreCat-ID: 47317
Berndt, Axel. “Three Experiments with AI Music Generation.” In {Deconstruction; Order. Mozart?}. Kunstmuseum Stuttgart, Stuttgart Germany, 2023.
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[87]
2023 | Book Chapter | LibreCat-ID: 47321
Berndt, Axel. “Meditation.” In {Das Gehört Zusammen: Bläserheft Zum Landesposaunentag Wolfenbüttel 2023}, edited by S. Harras, S. Schlüter, and R. Schrötke, 30–31. Wolfenbüttel, Germany: Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, 2023.
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[86]
2023 | Book Chapter | LibreCat-ID: 47320
Berndt, Axel. “Der Tag, Mein Gott, Ist Nun Vergangen.” In {Zwischentöne 2: Bläsermusik Zwischen Himmel Und Erde}, edited by K.-P. Diehl, M. Schnabel, and A. Form, 119–121. Wuppertal, Germany: CVJM-Westbund e.V., 2023.
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[85]
2023 | Conference Paper | LibreCat-ID: 47322
Nowakowski, Michał, Axel Berndt, and A. Hadjakos. “Forschungsperspektiven Zur Interaktion Mit Musiknotation.” In {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}. Trier, Germany, 2023.
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[84]
2023 | Conference Paper | LibreCat-ID: 47319
Berndt, Axel. “Interpretationsbeschreibung Und -Analyse Mittels Music Performance Markup (MPM).” In {Methoden Softwaregestützter Interpretationsforschung}, 2023.
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[83]
2023 | Conference Paper | LibreCat-ID: 50434
Nowakowski, Michał, Axel Berndt, Anna Viktoria Katrin Plaksin, N. Şahin, and A. Hadjakos. “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing.” In {Encoding Cultures—Joint MEC and TEI Conference 2023}. Paderborn, Germany, 2023.
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[82]
2023 | Conference Paper | LibreCat-ID: 50433
Kallionpaa, M., Axel Berndt, and H.-P. Gasselseder. “Sonification as a Composition Technique and Means of Artistic Expression.” In {XXV Generative Art 2023}, 199–207. Roma, Italy, 2023.
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[81]
2023 | Conference Paper | LibreCat-ID: 50432
Berndt, Axel. “MPM Toolbox: Eine Software Zur Analyse Und Kreativen Erstellung Musikalischer Interpretationen.” In {Netzwerk Lunch}. Detmold, Germany, 2023.
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[80]
2023 | Conference Paper | LibreCat-ID: 50435
Berndt, Axel. “Three Experiments with AI Music Generation.” In {Deconstruction; Order. Mozart?}. Kunstmuseum Stuttgart, Stuttgart Germany, 2023.
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[79]
2022 | Conference Paper | LibreCat-ID: 47324
Berndt, Axel. “Musik Vom Computer: Eine Entdeckungsreise in Die Welt Der Generativen Musik.” In {Data Society. Chancen – Verantwortung – Innovationen}. Paderborn, Germany, 2022.
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[78]
2022 | Conference Paper | LibreCat-ID: 47323
Berndt, Axel. “Modellbasierte Beschreibung Musikalischer Interpretationen.” In Forschungskolloquium. Detmold, Germany, 2022.
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[77]
2022 | Conference Paper | LibreCat-ID: 47325
Berndt, Axel. “Music Performance Markup (MPM): Einführung in Die Beschreibung Musikalischer Interpretationen.” In {Edirom Summer School 2022}. Paderborn, Germany, 2022.
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[76]
2022 | Conference Paper | LibreCat-ID: 47328
Berndt, Axel. “Encoding Musical Performances.” In {Music Encoding Conference}, 167–169. Halifax, Canada, 2022.
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[75]
2022 | Book Chapter | LibreCat-ID: 47326
Berndt, Axel. “Herr Christ, Der Einig Gotts Sohn.” In {Der Tag Ist Nicht Mehr Fern: Bläsermusik Zum Weihnachtsfestkreis}, edited by F. Plewka, 88–89. Munich, Germany: Strube Verlag, 2022.
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[74]
2022 | Conference Paper | LibreCat-ID: 47327
Plaksin, Anna Viktoria Katrin, D. Lewis, N. Şahin, and Axel Berndt. “Sharing MEI: Common Semantics in Diverse Musics?” In {Music Encoding Conference}, 157–161. Halifax, Canada, 2022.
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[73]
2021 | Book Chapter | LibreCat-ID: 47331
Berndt, Axel. “Morgenglanz Der Ewigkeit.” In {Gott Danken Ist Freude, Band IV}, edited by M. Döhler, T. Peter, T. Schab, and J.-M. Schlegel, 187–188. Dresden, Germany: Sächsische Posaunenmission, 2021.
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[72]
2021 | Conference Paper | LibreCat-ID: 47329
Berndt, Axel. “The Music Performance Markup Format and Ecosystem.” In {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}, 2021.
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[71]
2021 | Conference Paper | LibreCat-ID: 47330
Berndt, Axel. “Music Performance Markup: Format and Software Tools Report.” In {Music Encoding Conference}, 57–63. Alicante, Spain, 2021.
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[70]
2021 | Book Chapter | LibreCat-ID: 47332
Berndt, Axel. “Meditation.” In {Gott Danken Ist Freude, Band IV}, edited by M. Döhler, T. Peter, T. Schab, and J.-M. Schlegel, 88–89. Dresden, Germany: Sächsische Posaunenmission, 2021.
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[69]
2020 | Conference Paper | LibreCat-ID: 47334
Berndt, Axel, S. Waloschek, A. Hadjakos, and Joachim Veit. “Inside Beethoven! A Musical Installation for a New Listening Perspective.” In {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}, edited by K. Groß-Vogt, 245–248. Graz, Austria: ACM, 2020.
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[68]
2020 | Book Chapter | LibreCat-ID: 47335
Berndt, Axel. “Lob Gott Getrost Mit Singen.” In {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}, edited by C. Kornmaul, 64–67. Detmold, Germany: Posaunendienst in der Lippischen Landeskirche, 2020.
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[67]
2020 | Conference Paper | LibreCat-ID: 47333
Berndt, Axel. “Music Performance Markup (MPM): Einführung in Die Beschreibung Musikalischer Interpretationen.” In {Edirom Summer School 2020}. Paderborn, Germany, 2020.
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[66]
2019 | Book | LibreCat-ID: 47336
Berndt, Axel, and Joachim Veit. Inside Beethoven! Das Begehbare Ensemble - Begleitpublikation Zur Klanginstallation Der Hochschule Für Musik Detmold Zum Septett Op. 20 Und Trio Op. 38 (Mit CD). Bonn, Germany: Beethoven-Haus Bonn, 2019.
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[65]
2019 | Conference Paper | LibreCat-ID: 47338
Waloschek, S., Axel Berndt, A. Hadjakos, and A. Pacha. “A Showcase of New MEI Tools.” In {Music Encoding Conference}. Vienna, Austria, 2019.
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[64]
2019 | Book Chapter | LibreCat-ID: 47337
Berndt, Axel. “Adaptive Game Scoring with Ambient Music.” In Music Beyond Airports: Apraising Ambient Music, edited by M. Adkins and S. Cummings, 197–226. Huddersfield, UK: University of Huddersfield Press, 2019.
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[63]
2018 | Conference Paper | LibreCat-ID: 47344
Berndt, Axel. “Interactive Media Scoring with Ambient Music.” In {Ambient@40}. Huddersfield, UK, 2018.
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[62]
2018 | Book Chapter | LibreCat-ID: 47340
Berndt, Axel, and B.~W. Bohl. “Music Performance Markup: Formale Beschreibung Musikalischer Interpretationen.” In {editio: International Yearbook of Scholarly Editing}, edited by R. Nutt-Kofoth and B. Plachta, 32:185–204. Berlin, Germany: De Gruyter, 2018.
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[61]
2018 | Conference Paper | LibreCat-ID: 47342
Berndt, Axel, S. Waloschek, and A. Hadjakos. “Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and Its Applications.” In {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}. Wrexham, North Wales, UK: ACM, 2018.
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[60]
2018 | Conference Paper | LibreCat-ID: 47343
Waloschek, S., A. Hadjakos, and Axel Berndt. “Score and Sound-Based Interface for Exploring Music Performances.” In {Interdisciplinary Workshop on Timbre 2018}. Montreal, Canada, 2018.
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[59]
2018 | Conference Paper | LibreCat-ID: 47341
Berndt, Axel. “Digital Sounds Im Future Marketing: So Klingt Die Zukunft.” In {CEBIT 2018 Panel Discussion}. Hannover, Germany, 2018.
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[58]
2018 | Book Chapter | LibreCat-ID: 47345
Berndt, Axel, and B.~W. Bohl. “Music Performance Markup: Formale Beschreibung Musikalischer Interpretationen.” In {Editio: Internationales Jahrbuch Für Editionswissenschaft}, edited by R. Nutt-Kofoth and B. Plachta, Vol. 32. Berlin, Germany: De Gruyter, 2018.
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[57]
2018 | Conference Paper | LibreCat-ID: 47346
Berndt, Axel, and B.~W. Bohl. “Formale Beschreibung Musikalischer Interpretationen.” In {Aufführung Und Edition 2018, 17. Int. Tagung Der Arbeitsgemeinschaft Für Germanistische Edition}. Frankfurt am Main, Germany, 2018.
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[56]
2018 | Conference Paper | LibreCat-ID: 47347
Berndt, Axel. “Musik Im Spiel.” In {Kolloquium Zur Musik Des 20. Jahrhunderts}. Innsbruck, Austria, 2018.
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[55]
2017 | Conference Paper | LibreCat-ID: 47350
Berndt, Axel, S. Waloschek, and A. Hadjakos. “Musikeditionen Zum Klingen Bringen.” In {Edirom Summer School 2017}. Paderborn, Germany, 2017.
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[54]
2017 | Conference Paper | LibreCat-ID: 47349
Berndt, Axel. “Herausforderungen Der Editorischen Erschließung Auditiver Objekte.” In {Projekt Sprechmaschine Workshop: Wo Liegt Der Mehrwert Digitaler Ausstellungen Für Universitäre Sammlungen?}. Dresden, Germany, 2017.
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[53]
2017 | Journal Article | LibreCat-ID: 47348
Berndt, Axel, N. Al-Kassab, and R. Dachselt. “The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra.” {Computer Music Journal} 41, no. 4 (2017): 32–44.
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[52]
2017 | Conference Paper | LibreCat-ID: 47351
Peschke, J., and Axel Berndt. “The Geometric Oscillator: Sound Synthesis with Cyclic Shapes.” In {Audio Mostly 2017: 12th Conf. on Interaction with Sound—Augmented and Participatory Sound/Music Experiences}. London, UK: ACM, 2017.
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[51]
2017 | Conference Paper | LibreCat-ID: 47352
Mexin, Y., A. Hadjakos, Axel Berndt, S. Waloschek, A. Wawilow, and G. Szwillus. “Tools for Annotating Musical Measures in Digital Music Editions.” In {14th Sound and Music Computing Conf.\ (SMC-17)}. Espoo, Finland, 2017.
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[50]
2017 | Book Chapter | LibreCat-ID: 47354
Berndt, Axel. “Generative Musik Als Werkzeug in Der Musikwissenschaft.” In {Vom Umgang Mit Telemanns Werken Einst Und Jetzt. Telemannrezeption in Drei Jahrhunderten. Bericht Über Die Wissenschaftliche Konferenz, Magdeburg, 15. Und 16. März 2012, Anlässlich Der 21. Magdeburger Telemann-Festtage}, edited by C. Lange and B. Reipsch, 305–326. Hildesheim, Germany: Olms Verlag, 2017.
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[49]
2017 | Conference Paper | LibreCat-ID: 47353
Berndt, Axel, S. Waloschek, A. Hadjakos, and A. Leemhuis. “AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games.” In {Proc. of New Interfaces for Musical Expression (NIME) 2017}. Copenhagen, Denmark: Aalborg University Copenhagen, 2017.
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[48]
2016 | Conference Paper | LibreCat-ID: 47356
Waloschek, S., Axel Berndt, B.~W. Bohl, and A. Hadjakos. “Interactive Scores in Classical Music Production.” In {Proc. of the 17th Int. Society for Music Information Retrieval Conf.\ (ISMIR) 2016}, edited by M. Mandel. New York, NY, USA: Int. Society for Music Information Retrieval, 2016.
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[47]
2016 | Conference Paper | LibreCat-ID: 47357
Berndt, Axel, S. Waloschek, and A. Hadjakos. “Hand Gestures in Music Production.” In {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by H. Timmermans. Utrecht, The Netherlands: International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek, 2016.
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[46]
2016 | Conference Paper | LibreCat-ID: 47355
Waloschek, S., Axel Berndt, B.~W. Bohl, and A. Hadjakos. “Accelerating the Editing Phase in Music Productions Using Interactive Scores.” In {Proc. of the 2nd AES Workshop on Intelligent Music Production}. London, UK: Audio Engineering Society (AES), 2016.
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[45]
2016 | Book Chapter | LibreCat-ID: 47359
Bohl, B.~W., Axel Berndt, S. Waloschek, and A. Hadjakos. “Dem Igel Sitte Lehren … Musikedition: Von Der Digitalen Verfügbarkeit Zur Aktiven Nutzung.” In {\glqqEi, Dem Alten Herrn Zoll’ Ich Achtung Gern’\grqq Festschrift Für Joachim Veit Zum 60. Geburtstag}, edited by K. Richts and P. Stadler, 141–163. Munich, Germany: Allitera Verlag, 2016.
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[44]
2016 | Conference Paper | LibreCat-ID: 47360
Bohl, B.~W., Axel Berndt, and Björn Senft. “Formate Als Sackgassen: Handlungsempfehlungen.” In {DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities Als Fachübergreifendes Forschungsparadigma}. Leipzig, Germany: nisaba verlag, 2016.
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[43]
2016 | Conference Paper | LibreCat-ID: 47358
Berndt, Axel, and B.~W. Bohl. “XML Music Performance Description.” In {Music Encoding Conference 2016}, edited by G. Di Bacco, J. Kepper, and P.~D. Roland, 91–94. Montréal, Canada: Music Encoding Initiative, 2016.
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[42]
2015 | Conference Paper | LibreCat-ID: 47369
Berndt, Axel, S. Waloschek, and A. Hadjakos. “Gedanken Zur Nutzung von Handgesten in Der Musikproduktion.” In {Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}, edited by A. Schmidt, M. Burmester, and A. Weisbecker, 247–252. Stuttgart, Germany: Oldenbourg Wissenschaftsverlag, 2015.
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[41]
2015 | Book Chapter | LibreCat-ID: 47363
Al-Kassab, N., and Axel Berndt. “TouchNoise: A Multitouch Noise Instrument.” In {Works in Audio and Music Technology}, edited by A. Berndt, 31–57. Dresden, Germany: TUDpress, 2015.
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[40]
2015 | Conference Paper | LibreCat-ID: 47370
Hadjakos, A., Axel Berndt, and S. Waloschek. “Synchronizing Spatially Distributed Musical Ensembles.” In {12th Sound and Music Computing Conf.\ (SMC15)}. Maynooth, Ireland, 2015.
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[39]
2015 | Book | LibreCat-ID: 47361
Berndt, Axel. Works in Audio and Music Technology. Dresden, Germany: TUDpress, 2015.
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[38]
2015 | Book Chapter | LibreCat-ID: 47368
Berndt, Axel, F. Schönfeld, R. Groh, T. Hähnel, T. Marx, and M. Pfleiderer. “Vocalmetrics. Ein Software-Tool Für Das Visualisieren, Das Rating Und Den Vergleich von Musik-Datensätzen.” In {Musikpsychologie – Anwendungsorientierte Forschung}, edited by W. Auhagen, C. Bullerjahn, and R. von Georgi, 254–262. {Jahrbuch Der Deutschen Gesellschaft Für Musikpsychologie}. Göttingen, Germany: Hogrefe Verlag, 2015.
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[37]
2015 | Book Chapter | LibreCat-ID: 47366
Berndt, Axel, and T. Hähnel. “Studying Music Performance and Perception via Interaction.” In {Works in Audio and Music Technology}, edited by A. Berndt, 129–153. Dresden, Germany: TUDpress, 2015.
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[36]
2015 | Book Chapter | LibreCat-ID: 47365
Berndt, Axel. “Formalizing Expressive Music Performance Phenomena.” In {Works in Audio and Music Technology}, edited by A. Berndt, 97–128. Dresden, Germany: TUDpress, 2015.
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[35]
2015 | Conference Paper | LibreCat-ID: 47372
Berndt, Axel, and S.~H. Menges. “Musizieren Mit Dem Computer.” In {21. Schulinformatiktag}. Dresden, Germany, 2015.
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[34]
2015 | Conference Paper | LibreCat-ID: 47371
Berndt, Axel, N. Al-Kassab, and R. Dachselt. “TouchNoise: A New Multitouch Interface for Creative Work with Noise.” In {Audio Mostly 2015: 10th Conf. on Interaction with Sound—Sound, Semantics and Social Interaction}. Thessaloniki, Greece: ACM, 2015.
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[33]
2014 | Conference Paper | LibreCat-ID: 47373
Schönfeld, F., Axel Berndt, T. Hähnel, M. Pfleiderer, and R. Groh. “Vocalmetrics: An Interactive Software for Visualization and Classification of Music.” In {Audio Mostly 2014: 9th Conf. on Interaction with Sound—Imagining Sound and Music}. Aalborg, Denmark: ACM, 2014.
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[32]
2014 | Book Chapter | LibreCat-ID: 47375
Berndt, Axel. “Ambiente Musik Zur Vertonung Immersiver Interaktiver Medien.” In {Jahrbuch Immersiver Medien 2014: Klänge, Musik Und Soundscapes}, edited by Institut für immersive Medien, 95–105. Fachhochschule Kiel, Germany: Schüren Verlag, 2014.
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[31]
2014 | Conference Paper | LibreCat-ID: 47374
Berndt, Axel, N. Al-Kassab, and R. Dachselt. “TouchNoise: A Particle-Based Multitouch Noise Modulation Interface.” In {Proc. of New Interfaces for Musical Expression (NIME) 2014}, 323–326. London, UK: Goldsmiths, University of London, 2014.
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[30]
2013 | Conference Paper | LibreCat-ID: 47377
Almeida Madeira Clemente, M. de, Axel Berndt, H. Leitner, M. Keck, R. Gaertner, and R. Groh. “New Perspectives on Interactivity in Project Management Tools.” In {HCI International 2013—Posters’ Extended Abstracts}, edited by C. Stephanidis, 374:484–488. Communications in Computer and Information Science. Las Vegas, Nevada: Springer Verlag, 2013.
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[29]
2013 | Conference Paper | LibreCat-ID: 47376
Lorenz, R., Axel Berndt, and R. Groh. “Designing Auditory Pointers.” In {Audio Mostly 2013: 8th Conf. on Interaction with Sound—Sound for Information and Intuition}. Piteå, Sweden: ACM, 2013.
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[28]
2013 | Journal Article | LibreCat-ID: 47378
Berndt, Axel. “Im Dialog Mit Musik: Zur Rolle Der Musik in Computerspielen.” {Kieler Beiträge Zur Filmmusikforschung} 9 (2013): 293–323.
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[27]
2012 | Conference Paper | LibreCat-ID: 47381
Berndt, Axel. “Variance in Repetitive Games Music.” In {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. M. Marolt, M. Kaltenbrunner, and M. Ciglar, 412–415. Ljubljana, Slovenia: International Computer Music Association, University of Ljubljana, 2012.
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[26]
2012 | Conference Paper | LibreCat-ID: 47380
Berndt, Axel, R. Dachselt, and R. Groh. “A Survey of Variation Techniques for Repetitive Games Music.” In {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, 61–67. Corfu, Greece: ACM SIGCHI, 2012.
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[25]
2012 | Conference Paper | LibreCat-ID: 47379
Berndt, Axel. “Im Dialog Mit Musik: Zur Rolle Der Musik in Computerspielen.” In 7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik. Salzburg, Austria: Kieler Gesellschaft für Filmmusikforschung, 2012.
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[24]
2012 | Book Chapter | LibreCat-ID: 47384
Berndt, Axel. “Nun Sich Der Tag Geendet Hat.” In {Musik Aus Mitteldeutschland}, edited by F. Plewka, M. Schmeiß, T. Sterzig, and J. Häußler. Munich, Germany: Strube Verlag, 2012.
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[23]
2011 | Book | LibreCat-ID: 47382
Berndt, Axel. Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken. Munich, Germany: Verlag Dr. Hut, 2011.
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[22]
2011 | Conference Paper | LibreCat-ID: 47385
Berndt, Axel. “Musical Tempo Curves.” In {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. Clarke, M. Adkins, and B. Isaacs, 118–121. Huddersfield, UK: International Computer Music Association, University of Huddersfield, 2011.
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[21]
2011 | Conference Paper | LibreCat-ID: 47388
Hähnel, T., and Axel Berndt. “Studying Interdependencies in Music Performance: An Interactive Tool.” In {Proc. of New Interfaces for Musical Expression (NIME) 2011}, 48–51. Oslo, Norway: University of Oslo, Norwegian Academy of Music, 2011.
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[20]
2011 | Conference Paper | LibreCat-ID: 47387
Hähnel, T., and Axel Berndt. “Eighth-Notes Performances: Kinds of Inégalité.” In {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, 75–81. Coimbra, Portugal: ACM SIGCHI, 2011.
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[19]
2011 | Conference Paper | LibreCat-ID: 47386
Berndt, Axel. “Der Computer Als Komponist Und Interpret Der Zukunft?” In {Meeting of the Gesellschaft Für Informatik (GI)}. Magdeburg, Germany, 2011.
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[18]
2011 | Book Chapter | LibreCat-ID: 47393
Berndt, Axel. “Diegetic Music: New Interactive Experiences.” In {Game Sound Technology and Player Interaction: Concepts and Developments}, edited by M. Grimshaw, 60–76. Hershey, PA: IGI Global, 2011.
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[17]
2010 | Conference Paper | LibreCat-ID: 47389
Berndt, Axel, and T. Hähnel. “Modelling Musical Dynamics.” In {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, 134–141. Piteå, Sweden: ACM, 2010.
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[16]
2010 | Conference Paper | LibreCat-ID: 47390
Hähnel, T., and Axel Berndt. “Synthetic and Pseudo-Synthetic Music Performances: An Evaluation.” In {Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}. Cambridge, UK, 2010.
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[15]
2010 | Conference Paper | LibreCat-ID: 47392
Berndt, Axel. “Decentralizing Music, Its Performance, and Processing.” In {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. Schedel and D. Weymouth, 381–388. New York, USA: International Computer Music Association, Stony Brook University, 2010.
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[14]
2010 | Conference Paper | LibreCat-ID: 47391
Hähnel, T., and Axel Berndt. “Expressive Articulation for Synthetic Music Performances.” In {Proc. of New Interfaces for Musical Expression (NIME) 2010}, 277–282. Sydney, Australia: University of Technology Sydney, 2010.
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[13]
2009 | Conference Paper | LibreCat-ID: 47397
Berndt, Axel. “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance.” In Interactive Digital Storytelling (ICIDS) 2008, 2009.
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[12]
2009 | Conference Paper | LibreCat-ID: 47396
Berndt, Axel. “Musical Nonlinearity in Interactive Narrative Environments.” In {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by G. Scavone, V. Verfaille, and A. da Silva, 355–358. Montréal, Canada: International Computer Music Association, Schulich School of Music/McGill University, 2009.
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[11]
2009 | Conference Paper | LibreCat-ID: 47395
Berndt, Axel, and T. Hähnel. “Expressive Musical Timing.” In {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, 9–16. Glasgow, Scotland: Glasgow Caledonian University, Interactive Institute/Sonic Studio Piteå, 2009.
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[10]
2009 | Conference Paper | LibreCat-ID: 47394
Berndt, Axel, and T. Hähnel. “Der Computer Als Interpret.” In {Gespräche Um Telemann}. Magdeburg, Germany, 2009.
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[9]
2008 | Conference Paper | LibreCat-ID: 47398
Berndt, Axel, and H. Theisel. “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance.” In {Interactive Digital Storytelling (ICIDS) 2008}, edited by U. Spierling and N. Szilas, 132–143. Erfurt, Germany: Springer, 2008.
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[8]
2008 | Conference Paper | LibreCat-ID: 47400
Stockmann, L., Axel Berndt, and N. Röber. “A Musical Instrument Based on Interactive Sonification Techniques.” In {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, 72–79. Piteå, Sweden: Interactive Institute/Sonic Studio Piteå, 2008.
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[7]
2008 | Conference Paper | LibreCat-ID: 47399
Berndt, Axel, and K. Hartmann. “The Functions of Music in Interactive Media.” In {Interactive Digital Storytelling (ICIDS) 2008}, edited by U. Spierling and N. Szilas, 126–131. Erfurt, Germany: Springer, 2008.
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[6]
2008 | Book | LibreCat-ID: 47404
Berndt, Axel. Liturgie Für Bläser. Halberstadt, Germany: Musikverlag Bruno Uetz, 2008.
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[5]
2007 | Conference Paper | LibreCat-ID: 47402
Hartmann, K., D. Büchner, Axel Berndt, A. Nürnberger, and C. Lange. “Interactive Data Mining & Machine Learning Techniques for Musicology.” In {Conf. on Interdisciplinary Musicology 2007 (CIM07)}. Tallinn, Estonia, 2007.
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[4]
2007 | Conference Paper | LibreCat-ID: 47403
Berndt, Axel, and K. Hartmann. “Audio-Interactive Counterpoint.” In {Sound, Music and the Moving Image}. University of London, England, 2007.
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[3]
2007 | Conference Paper | LibreCat-ID: 47401
Berndt, Axel, and K. Hartmann. “Strategies for Narrative and Adaptive Game Scoring.” In {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}, 141–147. Ilmenau, Germany: Fraunhofer IDMT, Interactive Institute/Sonic Studio Piteå, 2007.
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[2]
2006 | Conference Paper | LibreCat-ID: 47413
Berndt, Axel, K. Hartmann, N. Röber, and M. Masuch. “Composition and Arrangement Techniques for Music in Interactive Immersive Environments.” In {Audio Mostly 2006: A Conf. on Sound in Games}, 53–59. Piteå, Sweden: Interactive Institute/Sonic Studio, 2006.
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[1]
2006 | Mastersthesis | LibreCat-ID: 47412
Berndt, Axel. Repräsentation musikalischer Metainformationen. Otto-von-Guericke University, Department of Simulation and Graphics, 2006.
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[104]
2025 | Conference Paper | LibreCat-ID: 59783
Mauro, D.~A., L.~A. Ludovico, H.~H. Aydin, Axel Berndt, and T. Grothe. “Detmold Musical Instrument Timbre Explorer (DmITE): Interactive Visualization of Musical Instruments Radiation Pattern Using IEEE 1599.” In {AM.ICAD: Audio Mostly & ICAD Joint Conf.}. Coimbra, Portugal: ACM, 2025.
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[103]
2025 | Conference Paper | LibreCat-ID: 59782
Kallionpää, M., Axel Berndt, D.~A. Mauro, and D. Dziwis. “Non/Repeat: Three Case Studies of Non-Linear Live-Music Practices.” In {AM.ICAD: Audio Mostly & ICAD Joint Conf.}. Coimbra, Portugal: ACM, 2025.
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[102]
2025 | Journal Article | LibreCat-ID: 59749
Balke, Stefan, Axel Berndt, and Meinard Müller. “ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research.” Transactions of the International Society for Music Information Retrieval 8, no. 1 (2025): 39–54. https://doi.org/10.5334/tismir.252.
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[101]
2025 | Conference Paper | LibreCat-ID: 59748
Grothe, T., H.~B. Aydin, D.~A. Mauro, L.~A. Ludovico, and Axel Berndt. “Detmold Interactive Musical Instrument Timbre Explorer (DmITE)—a Web Application for Experiental Learning in Musical Acoustics.” In {DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}. Copenhagen, Denmark, 2025.
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[100]
2025 | Conference Paper | LibreCat-ID: 59751
Berndt, Axel. “Deconstruction – Recombination – Order: Ein Kurzer Werkstattbericht.” In {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}. KreativInstitut.OWL, Detmold, Germany, 2025.
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[99]
2025 | Conference Paper | LibreCat-ID: 59750
Mauro, D.~A., and Axel Berndt. “Automatic Rendering of Ramati’s Ludus Musicalis Scores.” In {22nd Sound and Music Computing Conf.\ (SMC 2025), Auditory Landscapes}. Graz, Austria, 2025.
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[98]
2025 | Conference Paper | LibreCat-ID: 58555
Berndt, Axel. “Deconstruction – Recombination – Order: Ein Kurzer Werkstattbericht.” In {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}. KreativInstitut.OWL, Detmold, Germany, 2025.
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[97]
2024 | Conference Paper | LibreCat-ID: 58554
Berndt, Axel, and Andreas Münzmay. “Digitale Interpretationsedition Und Filmmusikedition Als Multimodale Schwestern – Gemeinsame Herausforderungen Und Lösungsansätze.” In {Edition von Filmmusik: Herausforderungen Der Multimedialität}. Frankfurt (Main), Germany, 2024.
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[96]
2024 | Conference Paper | LibreCat-ID: 58552
Berndt, Axel, F. Vollmer, and Andreas Münzmay. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and Its Potential for Ethnomusicology.” In {Diskografentag: International Conference on Recorded Music}. Guildford, Surrey, England, 2024.
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[95]
2024 | Conference Paper | LibreCat-ID: 58551
Berndt, Axel, Andreas Münzmay, and F. Vollmer. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” In {DAGA 2024 – 50. Jahrestagung Für Akustik}. Hannover, Germany, 2024.
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[94]
2024 | Conference Paper | LibreCat-ID: 58550
Berndt, Axel. “Auditory Pointers: Spatial Navigation with Sounds.” In {Forschungskolloquium Zur Audiokommunikation}. Berlin, Germany, 2024.
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[93]
2024 | Conference Paper | LibreCat-ID: 58553
Berndt, Axel, and S. Waloschek. “FlowScore: MEI Streaming to Digital Music Stands.” In {Edirom Summer School 2024}. Paderborn, Germany, 2024.
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[92]
2024 | Conference Paper | LibreCat-ID: 52514
Berndt, Axel. “Mozart-Dekonstruktionen: Genese Einer KI-Generierten Konzertmusik.” In {Digitale Methoden in Den Geisteswissenschaften. Herausforderungen Und Chancen}. Rome, Italy, 2024.
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[91]
2024 | Conference Paper | LibreCat-ID: 54247
Berndt, Axel, and D.~A. Mauro. “Arpeggiatorum: An Audio Controllable MIDI Arpeggiator.” In {Sound and Music Computing Conf.\ (SMC 2024), Immersive}. Porto, Porugal, 2024.
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[90]
2023 | Conference Paper | LibreCat-ID: 47316
Nowakowski, Michał, Axel Berndt, Anna Viktoria Katrin Plaksin, N. Şahin, and A. Hadjakos. “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing.” In {Encoding Cultures—Joint MEC and TEI Conference 2023}. Paderborn, Germany, 2023.
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[89]
2023 | Conference Paper | LibreCat-ID: 47318
Münzmay, Andreas, and Axel Berndt. “Was Ist Eine Interpretationsedition?” In {Methoden Softwaregestützter Interpretationsforschung}, 2023.
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[88]
2023 | Conference Paper | LibreCat-ID: 47317
Berndt, Axel. “Three Experiments with AI Music Generation.” In {Deconstruction; Order. Mozart?}. Kunstmuseum Stuttgart, Stuttgart Germany, 2023.
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[87]
2023 | Book Chapter | LibreCat-ID: 47321
Berndt, Axel. “Meditation.” In {Das Gehört Zusammen: Bläserheft Zum Landesposaunentag Wolfenbüttel 2023}, edited by S. Harras, S. Schlüter, and R. Schrötke, 30–31. Wolfenbüttel, Germany: Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, 2023.
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[86]
2023 | Book Chapter | LibreCat-ID: 47320
Berndt, Axel. “Der Tag, Mein Gott, Ist Nun Vergangen.” In {Zwischentöne 2: Bläsermusik Zwischen Himmel Und Erde}, edited by K.-P. Diehl, M. Schnabel, and A. Form, 119–121. Wuppertal, Germany: CVJM-Westbund e.V., 2023.
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[85]
2023 | Conference Paper | LibreCat-ID: 47322
Nowakowski, Michał, Axel Berndt, and A. Hadjakos. “Forschungsperspektiven Zur Interaktion Mit Musiknotation.” In {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}. Trier, Germany, 2023.
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[84]
2023 | Conference Paper | LibreCat-ID: 47319
Berndt, Axel. “Interpretationsbeschreibung Und -Analyse Mittels Music Performance Markup (MPM).” In {Methoden Softwaregestützter Interpretationsforschung}, 2023.
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[83]
2023 | Conference Paper | LibreCat-ID: 50434
Nowakowski, Michał, Axel Berndt, Anna Viktoria Katrin Plaksin, N. Şahin, and A. Hadjakos. “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing.” In {Encoding Cultures—Joint MEC and TEI Conference 2023}. Paderborn, Germany, 2023.
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[82]
2023 | Conference Paper | LibreCat-ID: 50433
Kallionpaa, M., Axel Berndt, and H.-P. Gasselseder. “Sonification as a Composition Technique and Means of Artistic Expression.” In {XXV Generative Art 2023}, 199–207. Roma, Italy, 2023.
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[81]
2023 | Conference Paper | LibreCat-ID: 50432
Berndt, Axel. “MPM Toolbox: Eine Software Zur Analyse Und Kreativen Erstellung Musikalischer Interpretationen.” In {Netzwerk Lunch}. Detmold, Germany, 2023.
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[80]
2023 | Conference Paper | LibreCat-ID: 50435
Berndt, Axel. “Three Experiments with AI Music Generation.” In {Deconstruction; Order. Mozart?}. Kunstmuseum Stuttgart, Stuttgart Germany, 2023.
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[79]
2022 | Conference Paper | LibreCat-ID: 47324
Berndt, Axel. “Musik Vom Computer: Eine Entdeckungsreise in Die Welt Der Generativen Musik.” In {Data Society. Chancen – Verantwortung – Innovationen}. Paderborn, Germany, 2022.
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[78]
2022 | Conference Paper | LibreCat-ID: 47323
Berndt, Axel. “Modellbasierte Beschreibung Musikalischer Interpretationen.” In Forschungskolloquium. Detmold, Germany, 2022.
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[77]
2022 | Conference Paper | LibreCat-ID: 47325
Berndt, Axel. “Music Performance Markup (MPM): Einführung in Die Beschreibung Musikalischer Interpretationen.” In {Edirom Summer School 2022}. Paderborn, Germany, 2022.
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[76]
2022 | Conference Paper | LibreCat-ID: 47328
Berndt, Axel. “Encoding Musical Performances.” In {Music Encoding Conference}, 167–169. Halifax, Canada, 2022.
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[75]
2022 | Book Chapter | LibreCat-ID: 47326
Berndt, Axel. “Herr Christ, Der Einig Gotts Sohn.” In {Der Tag Ist Nicht Mehr Fern: Bläsermusik Zum Weihnachtsfestkreis}, edited by F. Plewka, 88–89. Munich, Germany: Strube Verlag, 2022.
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[74]
2022 | Conference Paper | LibreCat-ID: 47327
Plaksin, Anna Viktoria Katrin, D. Lewis, N. Şahin, and Axel Berndt. “Sharing MEI: Common Semantics in Diverse Musics?” In {Music Encoding Conference}, 157–161. Halifax, Canada, 2022.
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[73]
2021 | Book Chapter | LibreCat-ID: 47331
Berndt, Axel. “Morgenglanz Der Ewigkeit.” In {Gott Danken Ist Freude, Band IV}, edited by M. Döhler, T. Peter, T. Schab, and J.-M. Schlegel, 187–188. Dresden, Germany: Sächsische Posaunenmission, 2021.
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[72]
2021 | Conference Paper | LibreCat-ID: 47329
Berndt, Axel. “The Music Performance Markup Format and Ecosystem.” In {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}, 2021.
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[71]
2021 | Conference Paper | LibreCat-ID: 47330
Berndt, Axel. “Music Performance Markup: Format and Software Tools Report.” In {Music Encoding Conference}, 57–63. Alicante, Spain, 2021.
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[70]
2021 | Book Chapter | LibreCat-ID: 47332
Berndt, Axel. “Meditation.” In {Gott Danken Ist Freude, Band IV}, edited by M. Döhler, T. Peter, T. Schab, and J.-M. Schlegel, 88–89. Dresden, Germany: Sächsische Posaunenmission, 2021.
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[69]
2020 | Conference Paper | LibreCat-ID: 47334
Berndt, Axel, S. Waloschek, A. Hadjakos, and Joachim Veit. “Inside Beethoven! A Musical Installation for a New Listening Perspective.” In {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}, edited by K. Groß-Vogt, 245–248. Graz, Austria: ACM, 2020.
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[68]
2020 | Book Chapter | LibreCat-ID: 47335
Berndt, Axel. “Lob Gott Getrost Mit Singen.” In {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}, edited by C. Kornmaul, 64–67. Detmold, Germany: Posaunendienst in der Lippischen Landeskirche, 2020.
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[67]
2020 | Conference Paper | LibreCat-ID: 47333
Berndt, Axel. “Music Performance Markup (MPM): Einführung in Die Beschreibung Musikalischer Interpretationen.” In {Edirom Summer School 2020}. Paderborn, Germany, 2020.
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[66]
2019 | Book | LibreCat-ID: 47336
Berndt, Axel, and Joachim Veit. Inside Beethoven! Das Begehbare Ensemble - Begleitpublikation Zur Klanginstallation Der Hochschule Für Musik Detmold Zum Septett Op. 20 Und Trio Op. 38 (Mit CD). Bonn, Germany: Beethoven-Haus Bonn, 2019.
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[65]
2019 | Conference Paper | LibreCat-ID: 47338
Waloschek, S., Axel Berndt, A. Hadjakos, and A. Pacha. “A Showcase of New MEI Tools.” In {Music Encoding Conference}. Vienna, Austria, 2019.
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[64]
2019 | Book Chapter | LibreCat-ID: 47337
Berndt, Axel. “Adaptive Game Scoring with Ambient Music.” In Music Beyond Airports: Apraising Ambient Music, edited by M. Adkins and S. Cummings, 197–226. Huddersfield, UK: University of Huddersfield Press, 2019.
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[63]
2018 | Conference Paper | LibreCat-ID: 47344
Berndt, Axel. “Interactive Media Scoring with Ambient Music.” In {Ambient@40}. Huddersfield, UK, 2018.
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[62]
2018 | Book Chapter | LibreCat-ID: 47340
Berndt, Axel, and B.~W. Bohl. “Music Performance Markup: Formale Beschreibung Musikalischer Interpretationen.” In {editio: International Yearbook of Scholarly Editing}, edited by R. Nutt-Kofoth and B. Plachta, 32:185–204. Berlin, Germany: De Gruyter, 2018.
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[61]
2018 | Conference Paper | LibreCat-ID: 47342
Berndt, Axel, S. Waloschek, and A. Hadjakos. “Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and Its Applications.” In {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}. Wrexham, North Wales, UK: ACM, 2018.
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[60]
2018 | Conference Paper | LibreCat-ID: 47343
Waloschek, S., A. Hadjakos, and Axel Berndt. “Score and Sound-Based Interface for Exploring Music Performances.” In {Interdisciplinary Workshop on Timbre 2018}. Montreal, Canada, 2018.
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[59]
2018 | Conference Paper | LibreCat-ID: 47341
Berndt, Axel. “Digital Sounds Im Future Marketing: So Klingt Die Zukunft.” In {CEBIT 2018 Panel Discussion}. Hannover, Germany, 2018.
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[58]
2018 | Book Chapter | LibreCat-ID: 47345
Berndt, Axel, and B.~W. Bohl. “Music Performance Markup: Formale Beschreibung Musikalischer Interpretationen.” In {Editio: Internationales Jahrbuch Für Editionswissenschaft}, edited by R. Nutt-Kofoth and B. Plachta, Vol. 32. Berlin, Germany: De Gruyter, 2018.
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[57]
2018 | Conference Paper | LibreCat-ID: 47346
Berndt, Axel, and B.~W. Bohl. “Formale Beschreibung Musikalischer Interpretationen.” In {Aufführung Und Edition 2018, 17. Int. Tagung Der Arbeitsgemeinschaft Für Germanistische Edition}. Frankfurt am Main, Germany, 2018.
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[56]
2018 | Conference Paper | LibreCat-ID: 47347
Berndt, Axel. “Musik Im Spiel.” In {Kolloquium Zur Musik Des 20. Jahrhunderts}. Innsbruck, Austria, 2018.
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[55]
2017 | Conference Paper | LibreCat-ID: 47350
Berndt, Axel, S. Waloschek, and A. Hadjakos. “Musikeditionen Zum Klingen Bringen.” In {Edirom Summer School 2017}. Paderborn, Germany, 2017.
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[54]
2017 | Conference Paper | LibreCat-ID: 47349
Berndt, Axel. “Herausforderungen Der Editorischen Erschließung Auditiver Objekte.” In {Projekt Sprechmaschine Workshop: Wo Liegt Der Mehrwert Digitaler Ausstellungen Für Universitäre Sammlungen?}. Dresden, Germany, 2017.
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[53]
2017 | Journal Article | LibreCat-ID: 47348
Berndt, Axel, N. Al-Kassab, and R. Dachselt. “The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra.” {Computer Music Journal} 41, no. 4 (2017): 32–44.
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[52]
2017 | Conference Paper | LibreCat-ID: 47351
Peschke, J., and Axel Berndt. “The Geometric Oscillator: Sound Synthesis with Cyclic Shapes.” In {Audio Mostly 2017: 12th Conf. on Interaction with Sound—Augmented and Participatory Sound/Music Experiences}. London, UK: ACM, 2017.
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[51]
2017 | Conference Paper | LibreCat-ID: 47352
Mexin, Y., A. Hadjakos, Axel Berndt, S. Waloschek, A. Wawilow, and G. Szwillus. “Tools for Annotating Musical Measures in Digital Music Editions.” In {14th Sound and Music Computing Conf.\ (SMC-17)}. Espoo, Finland, 2017.
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[50]
2017 | Book Chapter | LibreCat-ID: 47354
Berndt, Axel. “Generative Musik Als Werkzeug in Der Musikwissenschaft.” In {Vom Umgang Mit Telemanns Werken Einst Und Jetzt. Telemannrezeption in Drei Jahrhunderten. Bericht Über Die Wissenschaftliche Konferenz, Magdeburg, 15. Und 16. März 2012, Anlässlich Der 21. Magdeburger Telemann-Festtage}, edited by C. Lange and B. Reipsch, 305–326. Hildesheim, Germany: Olms Verlag, 2017.
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[49]
2017 | Conference Paper | LibreCat-ID: 47353
Berndt, Axel, S. Waloschek, A. Hadjakos, and A. Leemhuis. “AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games.” In {Proc. of New Interfaces for Musical Expression (NIME) 2017}. Copenhagen, Denmark: Aalborg University Copenhagen, 2017.
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[48]
2016 | Conference Paper | LibreCat-ID: 47356
Waloschek, S., Axel Berndt, B.~W. Bohl, and A. Hadjakos. “Interactive Scores in Classical Music Production.” In {Proc. of the 17th Int. Society for Music Information Retrieval Conf.\ (ISMIR) 2016}, edited by M. Mandel. New York, NY, USA: Int. Society for Music Information Retrieval, 2016.
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[47]
2016 | Conference Paper | LibreCat-ID: 47357
Berndt, Axel, S. Waloschek, and A. Hadjakos. “Hand Gestures in Music Production.” In {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by H. Timmermans. Utrecht, The Netherlands: International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek, 2016.
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[46]
2016 | Conference Paper | LibreCat-ID: 47355
Waloschek, S., Axel Berndt, B.~W. Bohl, and A. Hadjakos. “Accelerating the Editing Phase in Music Productions Using Interactive Scores.” In {Proc. of the 2nd AES Workshop on Intelligent Music Production}. London, UK: Audio Engineering Society (AES), 2016.
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[45]
2016 | Book Chapter | LibreCat-ID: 47359
Bohl, B.~W., Axel Berndt, S. Waloschek, and A. Hadjakos. “Dem Igel Sitte Lehren … Musikedition: Von Der Digitalen Verfügbarkeit Zur Aktiven Nutzung.” In {\glqqEi, Dem Alten Herrn Zoll’ Ich Achtung Gern’\grqq Festschrift Für Joachim Veit Zum 60. Geburtstag}, edited by K. Richts and P. Stadler, 141–163. Munich, Germany: Allitera Verlag, 2016.
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[44]
2016 | Conference Paper | LibreCat-ID: 47360
Bohl, B.~W., Axel Berndt, and Björn Senft. “Formate Als Sackgassen: Handlungsempfehlungen.” In {DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities Als Fachübergreifendes Forschungsparadigma}. Leipzig, Germany: nisaba verlag, 2016.
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[43]
2016 | Conference Paper | LibreCat-ID: 47358
Berndt, Axel, and B.~W. Bohl. “XML Music Performance Description.” In {Music Encoding Conference 2016}, edited by G. Di Bacco, J. Kepper, and P.~D. Roland, 91–94. Montréal, Canada: Music Encoding Initiative, 2016.
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[42]
2015 | Conference Paper | LibreCat-ID: 47369
Berndt, Axel, S. Waloschek, and A. Hadjakos. “Gedanken Zur Nutzung von Handgesten in Der Musikproduktion.” In {Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}, edited by A. Schmidt, M. Burmester, and A. Weisbecker, 247–252. Stuttgart, Germany: Oldenbourg Wissenschaftsverlag, 2015.
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[41]
2015 | Book Chapter | LibreCat-ID: 47363
Al-Kassab, N., and Axel Berndt. “TouchNoise: A Multitouch Noise Instrument.” In {Works in Audio and Music Technology}, edited by A. Berndt, 31–57. Dresden, Germany: TUDpress, 2015.
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[40]
2015 | Conference Paper | LibreCat-ID: 47370
Hadjakos, A., Axel Berndt, and S. Waloschek. “Synchronizing Spatially Distributed Musical Ensembles.” In {12th Sound and Music Computing Conf.\ (SMC15)}. Maynooth, Ireland, 2015.
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[39]
2015 | Book | LibreCat-ID: 47361
Berndt, Axel. Works in Audio and Music Technology. Dresden, Germany: TUDpress, 2015.
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[38]
2015 | Book Chapter | LibreCat-ID: 47368
Berndt, Axel, F. Schönfeld, R. Groh, T. Hähnel, T. Marx, and M. Pfleiderer. “Vocalmetrics. Ein Software-Tool Für Das Visualisieren, Das Rating Und Den Vergleich von Musik-Datensätzen.” In {Musikpsychologie – Anwendungsorientierte Forschung}, edited by W. Auhagen, C. Bullerjahn, and R. von Georgi, 254–262. {Jahrbuch Der Deutschen Gesellschaft Für Musikpsychologie}. Göttingen, Germany: Hogrefe Verlag, 2015.
LibreCat
 
[37]
2015 | Book Chapter | LibreCat-ID: 47366
Berndt, Axel, and T. Hähnel. “Studying Music Performance and Perception via Interaction.” In {Works in Audio and Music Technology}, edited by A. Berndt, 129–153. Dresden, Germany: TUDpress, 2015.
LibreCat
 
[36]
2015 | Book Chapter | LibreCat-ID: 47365
Berndt, Axel. “Formalizing Expressive Music Performance Phenomena.” In {Works in Audio and Music Technology}, edited by A. Berndt, 97–128. Dresden, Germany: TUDpress, 2015.
LibreCat
 
[35]
2015 | Conference Paper | LibreCat-ID: 47372
Berndt, Axel, and S.~H. Menges. “Musizieren Mit Dem Computer.” In {21. Schulinformatiktag}. Dresden, Germany, 2015.
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[34]
2015 | Conference Paper | LibreCat-ID: 47371
Berndt, Axel, N. Al-Kassab, and R. Dachselt. “TouchNoise: A New Multitouch Interface for Creative Work with Noise.” In {Audio Mostly 2015: 10th Conf. on Interaction with Sound—Sound, Semantics and Social Interaction}. Thessaloniki, Greece: ACM, 2015.
LibreCat
 
[33]
2014 | Conference Paper | LibreCat-ID: 47373
Schönfeld, F., Axel Berndt, T. Hähnel, M. Pfleiderer, and R. Groh. “Vocalmetrics: An Interactive Software for Visualization and Classification of Music.” In {Audio Mostly 2014: 9th Conf. on Interaction with Sound—Imagining Sound and Music}. Aalborg, Denmark: ACM, 2014.
LibreCat
 
[32]
2014 | Book Chapter | LibreCat-ID: 47375
Berndt, Axel. “Ambiente Musik Zur Vertonung Immersiver Interaktiver Medien.” In {Jahrbuch Immersiver Medien 2014: Klänge, Musik Und Soundscapes}, edited by Institut für immersive Medien, 95–105. Fachhochschule Kiel, Germany: Schüren Verlag, 2014.
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[31]
2014 | Conference Paper | LibreCat-ID: 47374
Berndt, Axel, N. Al-Kassab, and R. Dachselt. “TouchNoise: A Particle-Based Multitouch Noise Modulation Interface.” In {Proc. of New Interfaces for Musical Expression (NIME) 2014}, 323–326. London, UK: Goldsmiths, University of London, 2014.
LibreCat
 
[30]
2013 | Conference Paper | LibreCat-ID: 47377
Almeida Madeira Clemente, M. de, Axel Berndt, H. Leitner, M. Keck, R. Gaertner, and R. Groh. “New Perspectives on Interactivity in Project Management Tools.” In {HCI International 2013—Posters’ Extended Abstracts}, edited by C. Stephanidis, 374:484–488. Communications in Computer and Information Science. Las Vegas, Nevada: Springer Verlag, 2013.
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[29]
2013 | Conference Paper | LibreCat-ID: 47376
Lorenz, R., Axel Berndt, and R. Groh. “Designing Auditory Pointers.” In {Audio Mostly 2013: 8th Conf. on Interaction with Sound—Sound for Information and Intuition}. Piteå, Sweden: ACM, 2013.
LibreCat
 
[28]
2013 | Journal Article | LibreCat-ID: 47378
Berndt, Axel. “Im Dialog Mit Musik: Zur Rolle Der Musik in Computerspielen.” {Kieler Beiträge Zur Filmmusikforschung} 9 (2013): 293–323.
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[27]
2012 | Conference Paper | LibreCat-ID: 47381
Berndt, Axel. “Variance in Repetitive Games Music.” In {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. M. Marolt, M. Kaltenbrunner, and M. Ciglar, 412–415. Ljubljana, Slovenia: International Computer Music Association, University of Ljubljana, 2012.
LibreCat
 
[26]
2012 | Conference Paper | LibreCat-ID: 47380
Berndt, Axel, R. Dachselt, and R. Groh. “A Survey of Variation Techniques for Repetitive Games Music.” In {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, 61–67. Corfu, Greece: ACM SIGCHI, 2012.
LibreCat
 
[25]
2012 | Conference Paper | LibreCat-ID: 47379
Berndt, Axel. “Im Dialog Mit Musik: Zur Rolle Der Musik in Computerspielen.” In 7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik. Salzburg, Austria: Kieler Gesellschaft für Filmmusikforschung, 2012.
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[24]
2012 | Book Chapter | LibreCat-ID: 47384
Berndt, Axel. “Nun Sich Der Tag Geendet Hat.” In {Musik Aus Mitteldeutschland}, edited by F. Plewka, M. Schmeiß, T. Sterzig, and J. Häußler. Munich, Germany: Strube Verlag, 2012.
LibreCat
 
[23]
2011 | Book | LibreCat-ID: 47382
Berndt, Axel. Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken. Munich, Germany: Verlag Dr. Hut, 2011.
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[22]
2011 | Conference Paper | LibreCat-ID: 47385
Berndt, Axel. “Musical Tempo Curves.” In {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. Clarke, M. Adkins, and B. Isaacs, 118–121. Huddersfield, UK: International Computer Music Association, University of Huddersfield, 2011.
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[21]
2011 | Conference Paper | LibreCat-ID: 47388
Hähnel, T., and Axel Berndt. “Studying Interdependencies in Music Performance: An Interactive Tool.” In {Proc. of New Interfaces for Musical Expression (NIME) 2011}, 48–51. Oslo, Norway: University of Oslo, Norwegian Academy of Music, 2011.
LibreCat
 
[20]
2011 | Conference Paper | LibreCat-ID: 47387
Hähnel, T., and Axel Berndt. “Eighth-Notes Performances: Kinds of Inégalité.” In {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, 75–81. Coimbra, Portugal: ACM SIGCHI, 2011.
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[19]
2011 | Conference Paper | LibreCat-ID: 47386
Berndt, Axel. “Der Computer Als Komponist Und Interpret Der Zukunft?” In {Meeting of the Gesellschaft Für Informatik (GI)}. Magdeburg, Germany, 2011.
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[18]
2011 | Book Chapter | LibreCat-ID: 47393
Berndt, Axel. “Diegetic Music: New Interactive Experiences.” In {Game Sound Technology and Player Interaction: Concepts and Developments}, edited by M. Grimshaw, 60–76. Hershey, PA: IGI Global, 2011.
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[17]
2010 | Conference Paper | LibreCat-ID: 47389
Berndt, Axel, and T. Hähnel. “Modelling Musical Dynamics.” In {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, 134–141. Piteå, Sweden: ACM, 2010.
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[16]
2010 | Conference Paper | LibreCat-ID: 47390
Hähnel, T., and Axel Berndt. “Synthetic and Pseudo-Synthetic Music Performances: An Evaluation.” In {Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}. Cambridge, UK, 2010.
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[15]
2010 | Conference Paper | LibreCat-ID: 47392
Berndt, Axel. “Decentralizing Music, Its Performance, and Processing.” In {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. Schedel and D. Weymouth, 381–388. New York, USA: International Computer Music Association, Stony Brook University, 2010.
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[14]
2010 | Conference Paper | LibreCat-ID: 47391
Hähnel, T., and Axel Berndt. “Expressive Articulation for Synthetic Music Performances.” In {Proc. of New Interfaces for Musical Expression (NIME) 2010}, 277–282. Sydney, Australia: University of Technology Sydney, 2010.
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[13]
2009 | Conference Paper | LibreCat-ID: 47397
Berndt, Axel. “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance.” In Interactive Digital Storytelling (ICIDS) 2008, 2009.
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[12]
2009 | Conference Paper | LibreCat-ID: 47396
Berndt, Axel. “Musical Nonlinearity in Interactive Narrative Environments.” In {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by G. Scavone, V. Verfaille, and A. da Silva, 355–358. Montréal, Canada: International Computer Music Association, Schulich School of Music/McGill University, 2009.
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[11]
2009 | Conference Paper | LibreCat-ID: 47395
Berndt, Axel, and T. Hähnel. “Expressive Musical Timing.” In {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, 9–16. Glasgow, Scotland: Glasgow Caledonian University, Interactive Institute/Sonic Studio Piteå, 2009.
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[10]
2009 | Conference Paper | LibreCat-ID: 47394
Berndt, Axel, and T. Hähnel. “Der Computer Als Interpret.” In {Gespräche Um Telemann}. Magdeburg, Germany, 2009.
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[9]
2008 | Conference Paper | LibreCat-ID: 47398
Berndt, Axel, and H. Theisel. “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance.” In {Interactive Digital Storytelling (ICIDS) 2008}, edited by U. Spierling and N. Szilas, 132–143. Erfurt, Germany: Springer, 2008.
LibreCat
 
[8]
2008 | Conference Paper | LibreCat-ID: 47400
Stockmann, L., Axel Berndt, and N. Röber. “A Musical Instrument Based on Interactive Sonification Techniques.” In {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, 72–79. Piteå, Sweden: Interactive Institute/Sonic Studio Piteå, 2008.
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[7]
2008 | Conference Paper | LibreCat-ID: 47399
Berndt, Axel, and K. Hartmann. “The Functions of Music in Interactive Media.” In {Interactive Digital Storytelling (ICIDS) 2008}, edited by U. Spierling and N. Szilas, 126–131. Erfurt, Germany: Springer, 2008.
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[6]
2008 | Book | LibreCat-ID: 47404
Berndt, Axel. Liturgie Für Bläser. Halberstadt, Germany: Musikverlag Bruno Uetz, 2008.
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[5]
2007 | Conference Paper | LibreCat-ID: 47402
Hartmann, K., D. Büchner, Axel Berndt, A. Nürnberger, and C. Lange. “Interactive Data Mining & Machine Learning Techniques for Musicology.” In {Conf. on Interdisciplinary Musicology 2007 (CIM07)}. Tallinn, Estonia, 2007.
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[4]
2007 | Conference Paper | LibreCat-ID: 47403
Berndt, Axel, and K. Hartmann. “Audio-Interactive Counterpoint.” In {Sound, Music and the Moving Image}. University of London, England, 2007.
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[3]
2007 | Conference Paper | LibreCat-ID: 47401
Berndt, Axel, and K. Hartmann. “Strategies for Narrative and Adaptive Game Scoring.” In {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}, 141–147. Ilmenau, Germany: Fraunhofer IDMT, Interactive Institute/Sonic Studio Piteå, 2007.
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[2]
2006 | Conference Paper | LibreCat-ID: 47413
Berndt, Axel, K. Hartmann, N. Röber, and M. Masuch. “Composition and Arrangement Techniques for Music in Interactive Immersive Environments.” In {Audio Mostly 2006: A Conf. on Sound in Games}, 53–59. Piteå, Sweden: Interactive Institute/Sonic Studio, 2006.
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[1]
2006 | Mastersthesis | LibreCat-ID: 47412
Berndt, Axel. Repräsentation musikalischer Metainformationen. Otto-von-Guericke University, Department of Simulation and Graphics, 2006.
LibreCat
 
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