Axel Berndt

Fakultät für Kulturwissenschaften
Musikwissenschaftliches Seminar Detmold/Paderborn
Modellierung vernetzter virtueller Datenräume (im Bereich Musik und Medien) (Berndt)
axel.berndt@uni-paderborn.de
ID
55565

35 Publications

Mark all

[35]
2025 | Conference Paper | LibreCat-ID: 59783
Mauro, D. ~A., Ludovico, L. ~A., Aydin, H. ~H., Berndt, A., & Grothe, T. (2025). Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation pattern using IEEE 1599. {AM.ICAD: Audio Mostly & ICAD Joint Conf.}.
LibreCat
 
[34]
2025 | Conference Paper | LibreCat-ID: 59782
Kallionpää, M., Berndt, A., Mauro, D. ~A., & Dziwis, D. (2025). Non/Repeat: Three Case Studies of Non-linear Live-Music Practices. {AM.ICAD: Audio Mostly & ICAD Joint Conf.}.
LibreCat
 
[33]
2025 | Journal Article | LibreCat-ID: 59749
Balke, S., Berndt, A., & Müller, M. (2025). ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research. Transactions of the International Society for Music Information Retrieval, 8(1), 39–54. https://doi.org/10.5334/tismir.252
LibreCat | DOI
 
[32]
2025 | Conference Paper | LibreCat-ID: 59748
Grothe, T., Aydin, H. ~B., Mauro, D. ~A., Ludovico, L. ~A., & Berndt, A. (2025). Detmold interactive Musical Instrument Timbre Explorer (DmITE)—a web application for experiental learning in musical acoustics. {DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}.
LibreCat
 
[31]
2025 | Conference Paper | LibreCat-ID: 59751
Berndt, A. (2025). Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht. {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}.
LibreCat
 
[30]
2025 | Conference Paper | LibreCat-ID: 59750
Mauro, D. ~A., & Berndt, A. (2025). Automatic Rendering of Ramati’s Ludus Musicalis Scores. {22nd Sound and Music Computing Conf.\ (SMC 2025), Auditory Landscapes}.
LibreCat
 
[29]
2023 | Conference Paper | LibreCat-ID: 47316
Nowakowski, M., Berndt, A., Plaksin, A. V. K., Şahin, N., & Hadjakos, A. (2023). Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing. {Encoding Cultures—Joint MEC and TEI Conference 2023}.
LibreCat
 
[28]
2023 | Conference Paper | LibreCat-ID: 47318
Münzmay, A., & Berndt, A. (2023). Was ist eine Interpretationsedition? {Methoden Softwaregestützter Interpretationsforschung}.
LibreCat
 
[27]
2023 | Conference Paper | LibreCat-ID: 47317
Berndt, A. (2023). Three Experiments with AI Music Generation. {Deconstruction; Order. Mozart?}.
LibreCat
 
[26]
2023 | Book Chapter | LibreCat-ID: 47321
Berndt, A. (2023). Meditation. In S. Harras, S. Schlüter, & R. Schrötke (Eds.), {Das gehört zusammen: Bläserheft zum Landesposaunentag Wolfenbüttel 2023} (pp. 30–31). Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig.
LibreCat
 
[25]
2023 | Book Chapter | LibreCat-ID: 47320
Berndt, A. (2023). Der Tag, mein Gott, ist nun vergangen. In K.-P. Diehl, M. Schnabel, & A. Form (Eds.), {Zwischentöne 2: Bläsermusik zwischen Himmel und Erde} (pp. 119–121). CVJM-Westbund e.V.
LibreCat
 
[24]
2023 | Conference Paper | LibreCat-ID: 47322
Nowakowski, M., Berndt, A., & Hadjakos, A. (2023). Forschungsperspektiven zur Interaktion mit Musiknotation. {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}.
LibreCat
 
[23]
2023 | Conference Paper | LibreCat-ID: 47319
Berndt, A. (2023). Interpretationsbeschreibung und -analyse mittels Music Performance Markup (MPM). {Methoden Softwaregestützter Interpretationsforschung}.
LibreCat
 
[22]
2022 | Conference Paper | LibreCat-ID: 47324
Berndt, A. (2022). Musik vom Computer: Eine Entdeckungsreise in die Welt der generativen Musik. {Data Society. Chancen – Verantwortung – Innovationen}.
LibreCat
 
[21]
2022 | Conference Paper | LibreCat-ID: 47323
Berndt, A. (2022). Modellbasierte Beschreibung musikalischer Interpretationen. Forschungskolloquium.
LibreCat
 
[20]
2022 | Conference Paper | LibreCat-ID: 47325
Berndt, A. (2022). Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen. {Edirom Summer School 2022}.
LibreCat
 
[19]
2022 | Conference Paper | LibreCat-ID: 47328
Berndt, A. (2022). Encoding Musical Performances. {Music Encoding Conference}, 167–169.
LibreCat
 
[18]
2022 | Book Chapter | LibreCat-ID: 47326
Berndt, A. (2022). Herr Christ, der einig Gotts Sohn. In F. Plewka (Ed.), {Der Tag ist nicht mehr fern: Bläsermusik zum Weihnachtsfestkreis} (pp. 88–89). Strube Verlag.
LibreCat
 
[17]
2022 | Conference Paper | LibreCat-ID: 47327
Plaksin, A. V. K., Lewis, D., Şahin, N., & Berndt, A. (2022). Sharing MEI: Common Semantics in Diverse Musics? {Music Encoding Conference}, 157–161.
LibreCat
 
[16]
2021 | Book Chapter | LibreCat-ID: 47331
Berndt, A. (2021). Morgenglanz der Ewigkeit. In M. Döhler, T. Peter, T. Schab, & J.-M. Schlegel (Eds.), {Gott danken ist Freude, Band IV} (pp. 187–188). Sächsische Posaunenmission.
LibreCat
 
[15]
2021 | Conference Paper | LibreCat-ID: 47329
Berndt, A. (2021). The Music Performance Markup Format and Ecosystem. {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}.
LibreCat
 
[14]
2021 | Conference Paper | LibreCat-ID: 47330
Berndt, A. (2021). Music Performance Markup: Format and Software Tools Report. {Music Encoding Conference}, 57–63.
LibreCat
 
[13]
2021 | Book Chapter | LibreCat-ID: 47332
Berndt, A. (2021). Meditation. In M. Döhler, T. Peter, T. Schab, & J.-M. Schlegel (Eds.), {Gott danken ist Freude, Band IV} (pp. 88–89). Sächsische Posaunenmission.
LibreCat
 
[12]
2020 | Conference Paper | LibreCat-ID: 47334
Berndt, A., Waloschek, S., Hadjakos, A., & Veit, J. (2020). Inside Beethoven! A Musical Installation for a New Listening Perspective. In K. Groß-Vogt (Ed.), {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities} (pp. 245–248). ACM.
LibreCat
 
[11]
2020 | Book Chapter | LibreCat-ID: 47335
Berndt, A. (2020). Lob Gott getrost mit Singen. In C. Kornmaul (Ed.), {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020} (pp. 64–67). Posaunendienst in der Lippischen Landeskirche.
LibreCat
 
[10]
2020 | Conference Paper | LibreCat-ID: 47333
Berndt, A. (2020). Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen. {Edirom Summer School 2020}.
LibreCat
 
[9]
2019 | Book Chapter | LibreCat-ID: 47337
Berndt, A. (2019). Adaptive Game Scoring with Ambient Music. In M. Adkins & S. Cummings (Eds.), {Music Beyond Airports: Apraising Ambient Music} (pp. 197–226). University of Huddersfield Press.
LibreCat
 
[8]
2019 | Book | LibreCat-ID: 47336
Berndt, A., & Veit, J. (2019). Inside Beethoven! Das begehbare Ensemble - Begleitpublikation zur Klanginstallation der Hochschule für Musik Detmold zum Septett op. 20 und Trio op. 38 (mit CD). Beethoven-Haus Bonn.
LibreCat
 
[7]
2019 | Conference Paper | LibreCat-ID: 47338
Waloschek, S., Berndt, A., Hadjakos, A., & Pacha, A. (2019). A Showcase of New MEI Tools. {Music Encoding Conference}.
LibreCat
 
[6]
2018 | Conference Paper | LibreCat-ID: 47344
Berndt, A. (2018). Interactive Media Scoring with Ambient Music. {Ambient@40}.
LibreCat
 
[5]
2018 | Book Chapter | LibreCat-ID: 47340
Berndt, A., & Bohl, B. ~W. (2018). Music Performance Markup: Formale Beschreibung musikalischer Interpretationen. In R. Nutt-Kofoth & B. Plachta (Eds.), {editio: International Yearbook of Scholarly Editing} (Vol. 32, pp. 185–204). De Gruyter.
LibreCat
 
[4]
2018 | Conference Paper | LibreCat-ID: 47342
Berndt, A., Waloschek, S., & Hadjakos, A. (2018). Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications. {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}.
LibreCat
 
[3]
2018 | Conference Paper | LibreCat-ID: 47343
Waloschek, S., Hadjakos, A., & Berndt, A. (2018). Score and sound-based interface for exploring music performances. {Interdisciplinary Workshop on Timbre 2018}.
LibreCat
 
[2]
2018 | Conference Paper | LibreCat-ID: 47341
Berndt, A. (2018). Digital Sounds im Future Marketing: So klingt die Zukunft. {CEBIT 2018 Panel Discussion}.
LibreCat
 
[1]
2017 | Conference Paper | LibreCat-ID: 47350
Berndt, A., Waloschek, S., & Hadjakos, A. (2017). Musikeditionen zum Klingen bringen. {Edirom Summer School 2017}.
LibreCat
 
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35 Publications

Mark all

[35]
2025 | Conference Paper | LibreCat-ID: 59783
Mauro, D. ~A., Ludovico, L. ~A., Aydin, H. ~H., Berndt, A., & Grothe, T. (2025). Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation pattern using IEEE 1599. {AM.ICAD: Audio Mostly & ICAD Joint Conf.}.
LibreCat
 
[34]
2025 | Conference Paper | LibreCat-ID: 59782
Kallionpää, M., Berndt, A., Mauro, D. ~A., & Dziwis, D. (2025). Non/Repeat: Three Case Studies of Non-linear Live-Music Practices. {AM.ICAD: Audio Mostly & ICAD Joint Conf.}.
LibreCat
 
[33]
2025 | Journal Article | LibreCat-ID: 59749
Balke, S., Berndt, A., & Müller, M. (2025). ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research. Transactions of the International Society for Music Information Retrieval, 8(1), 39–54. https://doi.org/10.5334/tismir.252
LibreCat | DOI
 
[32]
2025 | Conference Paper | LibreCat-ID: 59748
Grothe, T., Aydin, H. ~B., Mauro, D. ~A., Ludovico, L. ~A., & Berndt, A. (2025). Detmold interactive Musical Instrument Timbre Explorer (DmITE)—a web application for experiental learning in musical acoustics. {DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}.
LibreCat
 
[31]
2025 | Conference Paper | LibreCat-ID: 59751
Berndt, A. (2025). Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht. {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}.
LibreCat
 
[30]
2025 | Conference Paper | LibreCat-ID: 59750
Mauro, D. ~A., & Berndt, A. (2025). Automatic Rendering of Ramati’s Ludus Musicalis Scores. {22nd Sound and Music Computing Conf.\ (SMC 2025), Auditory Landscapes}.
LibreCat
 
[29]
2023 | Conference Paper | LibreCat-ID: 47316
Nowakowski, M., Berndt, A., Plaksin, A. V. K., Şahin, N., & Hadjakos, A. (2023). Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing. {Encoding Cultures—Joint MEC and TEI Conference 2023}.
LibreCat
 
[28]
2023 | Conference Paper | LibreCat-ID: 47318
Münzmay, A., & Berndt, A. (2023). Was ist eine Interpretationsedition? {Methoden Softwaregestützter Interpretationsforschung}.
LibreCat
 
[27]
2023 | Conference Paper | LibreCat-ID: 47317
Berndt, A. (2023). Three Experiments with AI Music Generation. {Deconstruction; Order. Mozart?}.
LibreCat
 
[26]
2023 | Book Chapter | LibreCat-ID: 47321
Berndt, A. (2023). Meditation. In S. Harras, S. Schlüter, & R. Schrötke (Eds.), {Das gehört zusammen: Bläserheft zum Landesposaunentag Wolfenbüttel 2023} (pp. 30–31). Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig.
LibreCat
 
[25]
2023 | Book Chapter | LibreCat-ID: 47320
Berndt, A. (2023). Der Tag, mein Gott, ist nun vergangen. In K.-P. Diehl, M. Schnabel, & A. Form (Eds.), {Zwischentöne 2: Bläsermusik zwischen Himmel und Erde} (pp. 119–121). CVJM-Westbund e.V.
LibreCat
 
[24]
2023 | Conference Paper | LibreCat-ID: 47322
Nowakowski, M., Berndt, A., & Hadjakos, A. (2023). Forschungsperspektiven zur Interaktion mit Musiknotation. {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}.
LibreCat
 
[23]
2023 | Conference Paper | LibreCat-ID: 47319
Berndt, A. (2023). Interpretationsbeschreibung und -analyse mittels Music Performance Markup (MPM). {Methoden Softwaregestützter Interpretationsforschung}.
LibreCat
 
[22]
2022 | Conference Paper | LibreCat-ID: 47324
Berndt, A. (2022). Musik vom Computer: Eine Entdeckungsreise in die Welt der generativen Musik. {Data Society. Chancen – Verantwortung – Innovationen}.
LibreCat
 
[21]
2022 | Conference Paper | LibreCat-ID: 47323
Berndt, A. (2022). Modellbasierte Beschreibung musikalischer Interpretationen. Forschungskolloquium.
LibreCat
 
[20]
2022 | Conference Paper | LibreCat-ID: 47325
Berndt, A. (2022). Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen. {Edirom Summer School 2022}.
LibreCat
 
[19]
2022 | Conference Paper | LibreCat-ID: 47328
Berndt, A. (2022). Encoding Musical Performances. {Music Encoding Conference}, 167–169.
LibreCat
 
[18]
2022 | Book Chapter | LibreCat-ID: 47326
Berndt, A. (2022). Herr Christ, der einig Gotts Sohn. In F. Plewka (Ed.), {Der Tag ist nicht mehr fern: Bläsermusik zum Weihnachtsfestkreis} (pp. 88–89). Strube Verlag.
LibreCat
 
[17]
2022 | Conference Paper | LibreCat-ID: 47327
Plaksin, A. V. K., Lewis, D., Şahin, N., & Berndt, A. (2022). Sharing MEI: Common Semantics in Diverse Musics? {Music Encoding Conference}, 157–161.
LibreCat
 
[16]
2021 | Book Chapter | LibreCat-ID: 47331
Berndt, A. (2021). Morgenglanz der Ewigkeit. In M. Döhler, T. Peter, T. Schab, & J.-M. Schlegel (Eds.), {Gott danken ist Freude, Band IV} (pp. 187–188). Sächsische Posaunenmission.
LibreCat
 
[15]
2021 | Conference Paper | LibreCat-ID: 47329
Berndt, A. (2021). The Music Performance Markup Format and Ecosystem. {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}.
LibreCat
 
[14]
2021 | Conference Paper | LibreCat-ID: 47330
Berndt, A. (2021). Music Performance Markup: Format and Software Tools Report. {Music Encoding Conference}, 57–63.
LibreCat
 
[13]
2021 | Book Chapter | LibreCat-ID: 47332
Berndt, A. (2021). Meditation. In M. Döhler, T. Peter, T. Schab, & J.-M. Schlegel (Eds.), {Gott danken ist Freude, Band IV} (pp. 88–89). Sächsische Posaunenmission.
LibreCat
 
[12]
2020 | Conference Paper | LibreCat-ID: 47334
Berndt, A., Waloschek, S., Hadjakos, A., & Veit, J. (2020). Inside Beethoven! A Musical Installation for a New Listening Perspective. In K. Groß-Vogt (Ed.), {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities} (pp. 245–248). ACM.
LibreCat
 
[11]
2020 | Book Chapter | LibreCat-ID: 47335
Berndt, A. (2020). Lob Gott getrost mit Singen. In C. Kornmaul (Ed.), {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020} (pp. 64–67). Posaunendienst in der Lippischen Landeskirche.
LibreCat
 
[10]
2020 | Conference Paper | LibreCat-ID: 47333
Berndt, A. (2020). Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen. {Edirom Summer School 2020}.
LibreCat
 
[9]
2019 | Book Chapter | LibreCat-ID: 47337
Berndt, A. (2019). Adaptive Game Scoring with Ambient Music. In M. Adkins & S. Cummings (Eds.), {Music Beyond Airports: Apraising Ambient Music} (pp. 197–226). University of Huddersfield Press.
LibreCat
 
[8]
2019 | Book | LibreCat-ID: 47336
Berndt, A., & Veit, J. (2019). Inside Beethoven! Das begehbare Ensemble - Begleitpublikation zur Klanginstallation der Hochschule für Musik Detmold zum Septett op. 20 und Trio op. 38 (mit CD). Beethoven-Haus Bonn.
LibreCat
 
[7]
2019 | Conference Paper | LibreCat-ID: 47338
Waloschek, S., Berndt, A., Hadjakos, A., & Pacha, A. (2019). A Showcase of New MEI Tools. {Music Encoding Conference}.
LibreCat
 
[6]
2018 | Conference Paper | LibreCat-ID: 47344
Berndt, A. (2018). Interactive Media Scoring with Ambient Music. {Ambient@40}.
LibreCat
 
[5]
2018 | Book Chapter | LibreCat-ID: 47340
Berndt, A., & Bohl, B. ~W. (2018). Music Performance Markup: Formale Beschreibung musikalischer Interpretationen. In R. Nutt-Kofoth & B. Plachta (Eds.), {editio: International Yearbook of Scholarly Editing} (Vol. 32, pp. 185–204). De Gruyter.
LibreCat
 
[4]
2018 | Conference Paper | LibreCat-ID: 47342
Berndt, A., Waloschek, S., & Hadjakos, A. (2018). Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications. {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}.
LibreCat
 
[3]
2018 | Conference Paper | LibreCat-ID: 47343
Waloschek, S., Hadjakos, A., & Berndt, A. (2018). Score and sound-based interface for exploring music performances. {Interdisciplinary Workshop on Timbre 2018}.
LibreCat
 
[2]
2018 | Conference Paper | LibreCat-ID: 47341
Berndt, A. (2018). Digital Sounds im Future Marketing: So klingt die Zukunft. {CEBIT 2018 Panel Discussion}.
LibreCat
 
[1]
2017 | Conference Paper | LibreCat-ID: 47350
Berndt, A., Waloschek, S., & Hadjakos, A. (2017). Musikeditionen zum Klingen bringen. {Edirom Summer School 2017}.
LibreCat
 
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Citation Style: APA

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