Axel Berndt

Fakultät für Kulturwissenschaften
Musikwissenschaftliches Seminar Detmold/Paderborn
Modellierung vernetzter virtueller Datenräume (im Bereich Musik und Medien) (Berndt)
axel.berndt@uni-paderborn.de
ID
55565

104 Publications

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[104]
2025 | Conference Paper | LibreCat-ID: 59783
Mauro, D. ~A., Ludovico, L. ~A., Aydin, H. ~H., Berndt, A., & Grothe, T. (2025). Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation pattern using IEEE 1599. {AM.ICAD: Audio Mostly & ICAD Joint Conf.}.
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[103]
2025 | Conference Paper | LibreCat-ID: 59782
Kallionpää, M., Berndt, A., Mauro, D. ~A., & Dziwis, D. (2025). Non/Repeat: Three Case Studies of Non-linear Live-Music Practices. {AM.ICAD: Audio Mostly & ICAD Joint Conf.}.
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[102]
2025 | Journal Article | LibreCat-ID: 59749
Balke, S., Berndt, A., & Müller, M. (2025). ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research. Transactions of the International Society for Music Information Retrieval, 8(1), 39–54. https://doi.org/10.5334/tismir.252
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[101]
2025 | Conference Paper | LibreCat-ID: 59748
Grothe, T., Aydin, H. ~B., Mauro, D. ~A., Ludovico, L. ~A., & Berndt, A. (2025). Detmold interactive Musical Instrument Timbre Explorer (DmITE)—a web application for experiental learning in musical acoustics. {DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}.
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[100]
2025 | Conference Paper | LibreCat-ID: 59751
Berndt, A. (2025). Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht. {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}.
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[99]
2025 | Conference Paper | LibreCat-ID: 59750
Mauro, D. ~A., & Berndt, A. (2025). Automatic Rendering of Ramati’s Ludus Musicalis Scores. {22nd Sound and Music Computing Conf.\ (SMC 2025), Auditory Landscapes}.
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[98]
2025 | Conference Paper | LibreCat-ID: 58555
Berndt, A. (2025). Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht. {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}.
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[97]
2024 | Conference Paper | LibreCat-ID: 58554
Berndt, A., & Münzmay, A. (2024). Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze. {Edition von Filmmusik: Herausforderungen Der Multimedialität}.
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[96]
2024 | Conference Paper | LibreCat-ID: 58552
Berndt, A., Vollmer, F., & Münzmay, A. (2024). Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology. {Diskografentag: International Conference on Recorded Music}.
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[95]
2024 | Conference Paper | LibreCat-ID: 58551
Berndt, A., Münzmay, A., & Vollmer, F. (2024). Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition. {DAGA 2024 – 50. Jahrestagung Für Akustik}.
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[94]
2024 | Conference Paper | LibreCat-ID: 58550
Berndt, A. (2024). Auditory Pointers: Spatial Navigation with Sounds. {Forschungskolloquium Zur Audiokommunikation}.
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[93]
2024 | Conference Paper | LibreCat-ID: 58553
Berndt, A., & Waloschek, S. (2024). FlowScore: MEI Streaming to Digital Music Stands. {Edirom Summer School 2024}.
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[92]
2024 | Conference Paper | LibreCat-ID: 52514
Berndt, A. (2024). Mozart-Dekonstruktionen: Genese einer KI-generierten Konzertmusik. {Digitale Methoden in Den Geisteswissenschaften. Herausforderungen Und Chancen}.
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[91]
2024 | Conference Paper | LibreCat-ID: 54247
Berndt, A., & Mauro, D. ~A. (2024). Arpeggiatorum: An audio controllable MIDI arpeggiator. {Sound and Music Computing Conf.\ (SMC 2024), Immersive}.
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[90]
2023 | Conference Paper | LibreCat-ID: 47316
Nowakowski, M., Berndt, A., Plaksin, A. V. K., Şahin, N., & Hadjakos, A. (2023). Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing. {Encoding Cultures—Joint MEC and TEI Conference 2023}.
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[89]
2023 | Conference Paper | LibreCat-ID: 47318
Münzmay, A., & Berndt, A. (2023). Was ist eine Interpretationsedition? {Methoden Softwaregestützter Interpretationsforschung}.
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[88]
2023 | Conference Paper | LibreCat-ID: 47317
Berndt, A. (2023). Three Experiments with AI Music Generation. {Deconstruction; Order. Mozart?}.
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[87]
2023 | Book Chapter | LibreCat-ID: 47321
Berndt, A. (2023). Meditation. In S. Harras, S. Schlüter, & R. Schrötke (Eds.), {Das gehört zusammen: Bläserheft zum Landesposaunentag Wolfenbüttel 2023} (pp. 30–31). Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig.
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[86]
2023 | Book Chapter | LibreCat-ID: 47320
Berndt, A. (2023). Der Tag, mein Gott, ist nun vergangen. In K.-P. Diehl, M. Schnabel, & A. Form (Eds.), {Zwischentöne 2: Bläsermusik zwischen Himmel und Erde} (pp. 119–121). CVJM-Westbund e.V.
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[85]
2023 | Conference Paper | LibreCat-ID: 47322
Nowakowski, M., Berndt, A., & Hadjakos, A. (2023). Forschungsperspektiven zur Interaktion mit Musiknotation. {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}.
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[84]
2023 | Conference Paper | LibreCat-ID: 47319
Berndt, A. (2023). Interpretationsbeschreibung und -analyse mittels Music Performance Markup (MPM). {Methoden Softwaregestützter Interpretationsforschung}.
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[83]
2023 | Conference Paper | LibreCat-ID: 50434
Nowakowski, M., Berndt, A., Plaksin, A. V. K., Şahin, N., & Hadjakos, A. (2023). Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing. {Encoding Cultures—Joint MEC and TEI Conference 2023}.
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[82]
2023 | Conference Paper | LibreCat-ID: 50433
Kallionpaa, M., Berndt, A., & Gasselseder, H.-P. (2023). Sonification as a Composition Technique and Means of Artistic Expression. {XXV Generative Art 2023}, 199–207.
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[81]
2023 | Conference Paper | LibreCat-ID: 50432
Berndt, A. (2023). MPM Toolbox: Eine Software zur Analyse und kreativen Erstellung musikalischer Interpretationen. {Netzwerk Lunch}.
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[80]
2023 | Conference Paper | LibreCat-ID: 50435
Berndt, A. (2023). Three Experiments with AI Music Generation. {Deconstruction; Order. Mozart?}.
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[79]
2022 | Conference Paper | LibreCat-ID: 47324
Berndt, A. (2022). Musik vom Computer: Eine Entdeckungsreise in die Welt der generativen Musik. {Data Society. Chancen – Verantwortung – Innovationen}.
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[78]
2022 | Conference Paper | LibreCat-ID: 47323
Berndt, A. (2022). Modellbasierte Beschreibung musikalischer Interpretationen. Forschungskolloquium.
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[77]
2022 | Conference Paper | LibreCat-ID: 47325
Berndt, A. (2022). Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen. {Edirom Summer School 2022}.
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[76]
2022 | Conference Paper | LibreCat-ID: 47328
Berndt, A. (2022). Encoding Musical Performances. {Music Encoding Conference}, 167–169.
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[75]
2022 | Book Chapter | LibreCat-ID: 47326
Berndt, A. (2022). Herr Christ, der einig Gotts Sohn. In F. Plewka (Ed.), {Der Tag ist nicht mehr fern: Bläsermusik zum Weihnachtsfestkreis} (pp. 88–89). Strube Verlag.
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[74]
2022 | Conference Paper | LibreCat-ID: 47327
Plaksin, A. V. K., Lewis, D., Şahin, N., & Berndt, A. (2022). Sharing MEI: Common Semantics in Diverse Musics? {Music Encoding Conference}, 157–161.
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[73]
2021 | Book Chapter | LibreCat-ID: 47331
Berndt, A. (2021). Morgenglanz der Ewigkeit. In M. Döhler, T. Peter, T. Schab, & J.-M. Schlegel (Eds.), {Gott danken ist Freude, Band IV} (pp. 187–188). Sächsische Posaunenmission.
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[72]
2021 | Conference Paper | LibreCat-ID: 47329
Berndt, A. (2021). The Music Performance Markup Format and Ecosystem. {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}.
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[71]
2021 | Conference Paper | LibreCat-ID: 47330
Berndt, A. (2021). Music Performance Markup: Format and Software Tools Report. {Music Encoding Conference}, 57–63.
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[70]
2021 | Book Chapter | LibreCat-ID: 47332
Berndt, A. (2021). Meditation. In M. Döhler, T. Peter, T. Schab, & J.-M. Schlegel (Eds.), {Gott danken ist Freude, Band IV} (pp. 88–89). Sächsische Posaunenmission.
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[69]
2020 | Conference Paper | LibreCat-ID: 47334
Berndt, A., Waloschek, S., Hadjakos, A., & Veit, J. (2020). Inside Beethoven! A Musical Installation for a New Listening Perspective. In K. Groß-Vogt (Ed.), {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities} (pp. 245–248). ACM.
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[68]
2020 | Book Chapter | LibreCat-ID: 47335
Berndt, A. (2020). Lob Gott getrost mit Singen. In C. Kornmaul (Ed.), {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020} (pp. 64–67). Posaunendienst in der Lippischen Landeskirche.
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[67]
2020 | Conference Paper | LibreCat-ID: 47333
Berndt, A. (2020). Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen. {Edirom Summer School 2020}.
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[66]
2019 | Book | LibreCat-ID: 47336
Berndt, A., & Veit, J. (2019). Inside Beethoven! Das begehbare Ensemble - Begleitpublikation zur Klanginstallation der Hochschule für Musik Detmold zum Septett op. 20 und Trio op. 38 (mit CD). Beethoven-Haus Bonn.
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[65]
2019 | Conference Paper | LibreCat-ID: 47338
Waloschek, S., Berndt, A., Hadjakos, A., & Pacha, A. (2019). A Showcase of New MEI Tools. {Music Encoding Conference}.
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[64]
2019 | Book Chapter | LibreCat-ID: 47337
Berndt, A. (2019). Adaptive Game Scoring with Ambient Music. In M. Adkins & S. Cummings (Eds.), Music Beyond Airports: Apraising Ambient Music (pp. 197–226). University of Huddersfield Press.
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[63]
2018 | Conference Paper | LibreCat-ID: 47344
Berndt, A. (2018). Interactive Media Scoring with Ambient Music. {Ambient@40}.
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[62]
2018 | Book Chapter | LibreCat-ID: 47340
Berndt, A., & Bohl, B. ~W. (2018). Music Performance Markup: Formale Beschreibung musikalischer Interpretationen. In R. Nutt-Kofoth & B. Plachta (Eds.), {editio: International Yearbook of Scholarly Editing} (Vol. 32, pp. 185–204). De Gruyter.
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[61]
2018 | Conference Paper | LibreCat-ID: 47342
Berndt, A., Waloschek, S., & Hadjakos, A. (2018). Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications. {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}.
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[60]
2018 | Conference Paper | LibreCat-ID: 47343
Waloschek, S., Hadjakos, A., & Berndt, A. (2018). Score and sound-based interface for exploring music performances. {Interdisciplinary Workshop on Timbre 2018}.
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[59]
2018 | Conference Paper | LibreCat-ID: 47341
Berndt, A. (2018). Digital Sounds im Future Marketing: So klingt die Zukunft. {CEBIT 2018 Panel Discussion}.
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[58]
2018 | Book Chapter | LibreCat-ID: 47345
Berndt, A., & Bohl, B. ~W. (2018). Music Performance Markup: Formale Beschreibung musikalischer Interpretationen. In R. Nutt-Kofoth & B. Plachta (Eds.), {Editio: Internationales Jahrbuch für Editionswissenschaft} (Vol. 32). De Gruyter.
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[57]
2018 | Conference Paper | LibreCat-ID: 47346
Berndt, A., & Bohl, B. ~W. (2018). Formale Beschreibung musikalischer Interpretationen. {Aufführung Und Edition 2018, 17. Int. Tagung Der Arbeitsgemeinschaft Für Germanistische Edition}.
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[56]
2018 | Conference Paper | LibreCat-ID: 47347
Berndt, A. (2018). Musik im Spiel. {Kolloquium Zur Musik Des 20. Jahrhunderts}.
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[55]
2017 | Conference Paper | LibreCat-ID: 47350
Berndt, A., Waloschek, S., & Hadjakos, A. (2017). Musikeditionen zum Klingen bringen. {Edirom Summer School 2017}.
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[54]
2017 | Conference Paper | LibreCat-ID: 47349
Berndt, A. (2017). Herausforderungen der editorischen Erschließung auditiver Objekte. {Projekt Sprechmaschine Workshop: Wo Liegt Der Mehrwert Digitaler Ausstellungen Für Universitäre Sammlungen?}.
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[53]
2017 | Journal Article | LibreCat-ID: 47348
Berndt, A., Al-Kassab, N., & Dachselt, R. (2017). The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra. {Computer Music Journal}, 41(4), 32–44.
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[52]
2017 | Conference Paper | LibreCat-ID: 47351
Peschke, J., & Berndt, A. (2017). The Geometric Oscillator: Sound Synthesis with Cyclic Shapes. {Audio Mostly 2017: 12th Conf. on Interaction with Sound—Augmented and Participatory Sound/Music Experiences}.
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[51]
2017 | Conference Paper | LibreCat-ID: 47352
Mexin, Y., Hadjakos, A., Berndt, A., Waloschek, S., Wawilow, A., & Szwillus, G. (2017). Tools for Annotating Musical Measures in Digital Music Editions. {14th Sound and Music Computing Conf.\ (SMC-17)}.
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[50]
2017 | Book Chapter | LibreCat-ID: 47354
Berndt, A. (2017). Generative Musik als Werkzeug in der Musikwissenschaft. In C. Lange & B. Reipsch (Eds.), {Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten. Bericht über die Wissenschaftliche Konferenz, Magdeburg, 15. und 16. März 2012, anlässlich der 21. Magdeburger Telemann-Festtage} (pp. 305–326). Olms Verlag.
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[49]
2017 | Conference Paper | LibreCat-ID: 47353
Berndt, A., Waloschek, S., Hadjakos, A., & Leemhuis, A. (2017). AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games. {Proc. of New Interfaces for Musical Expression (NIME) 2017}.
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[48]
2016 | Conference Paper | LibreCat-ID: 47356
Waloschek, S., Berndt, A., Bohl, B. ~W., & Hadjakos, A. (2016). Interactive Scores in Classical Music Production. In M. Mandel (Ed.), {Proc. of the 17th Int. Society for Music Information Retrieval Conf.\ (ISMIR) 2016}. Int. Society for Music Information Retrieval.
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[47]
2016 | Conference Paper | LibreCat-ID: 47357
Berndt, A., Waloschek, S., & Hadjakos, A. (2016). Hand Gestures in Music Production. In H. Timmermans (Ed.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}. International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek.
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[46]
2016 | Conference Paper | LibreCat-ID: 47355
Waloschek, S., Berndt, A., Bohl, B. ~W., & Hadjakos, A. (2016). Accelerating the Editing Phase in Music Productions using Interactive Scores. {Proc. of the 2nd AES Workshop on Intelligent Music Production}.
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[45]
2016 | Book Chapter | LibreCat-ID: 47359
Bohl, B. ~W., Berndt, A., Waloschek, S., & Hadjakos, A. (2016). Dem Igel Sitte lehren … Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung. In K. Richts & P. Stadler (Eds.), {\glqqEi, dem alten Herrn zoll’ ich Achtung gern’\grqq Festschrift für Joachim Veit zum 60. Geburtstag} (pp. 141–163). Allitera Verlag.
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[44]
2016 | Conference Paper | LibreCat-ID: 47360
Bohl, B. ~W., Berndt, A., & Senft, B. (2016). Formate als Sackgassen: Handlungsempfehlungen. {DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities Als Fachübergreifendes Forschungsparadigma}.
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[43]
2016 | Conference Paper | LibreCat-ID: 47358
Berndt, A., & Bohl, B. ~W. (2016). XML Music Performance Description. In G. Di Bacco, J. Kepper, & P. ~D. Roland (Eds.), {Music Encoding Conference 2016} (pp. 91–94). Music Encoding Initiative.
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[42]
2015 | Conference Paper | LibreCat-ID: 47369
Berndt, A., Waloschek, S., & Hadjakos, A. (2015). Gedanken zur Nutzung von Handgesten in der Musikproduktion. In A. Schmidt, M. Burmester, & A. Weisbecker (Eds.), {Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces} (pp. 247–252). Oldenbourg Wissenschaftsverlag.
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[41]
2015 | Book Chapter | LibreCat-ID: 47363
Al-Kassab, N., & Berndt, A. (2015). TouchNoise: A Multitouch Noise Instrument. In A. Berndt (Ed.), {Works in Audio and Music Technology} (pp. 31–57). TUDpress.
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[40]
2015 | Conference Paper | LibreCat-ID: 47370
Hadjakos, A., Berndt, A., & Waloschek, S. (2015). Synchronizing Spatially Distributed Musical Ensembles. {12th Sound and Music Computing Conf.\ (SMC15)}.
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[39]
2015 | Book | LibreCat-ID: 47361
Berndt, A. (2015). Works in Audio and Music Technology. TUDpress.
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[38]
2015 | Book Chapter | LibreCat-ID: 47368
Berndt, A., Schönfeld, F., Groh, R., Hähnel, T., Marx, T., & Pfleiderer, M. (2015). Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen. In W. Auhagen, C. Bullerjahn, & R. von Georgi (Eds.), {Musikpsychologie – Anwendungsorientierte Forschung} (pp. 254–262). Hogrefe Verlag.
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[37]
2015 | Book Chapter | LibreCat-ID: 47366
Berndt, A., & Hähnel, T. (2015). Studying Music Performance and Perception via Interaction. In A. Berndt (Ed.), {Works in Audio and Music Technology} (pp. 129–153). TUDpress.
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[36]
2015 | Book Chapter | LibreCat-ID: 47365
Berndt, A. (2015). Formalizing Expressive Music Performance Phenomena. In A. Berndt (Ed.), {Works in Audio and Music Technology} (pp. 97–128). TUDpress.
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[35]
2015 | Conference Paper | LibreCat-ID: 47372
Berndt, A., & Menges, S. ~H. (2015). Musizieren mit dem Computer. {21. Schulinformatiktag}.
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[34]
2015 | Conference Paper | LibreCat-ID: 47371
Berndt, A., Al-Kassab, N., & Dachselt, R. (2015). TouchNoise: A New Multitouch Interface for Creative Work with Noise. {Audio Mostly 2015: 10th Conf. on Interaction with Sound—Sound, Semantics and Social Interaction}.
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[33]
2014 | Conference Paper | LibreCat-ID: 47373
Schönfeld, F., Berndt, A., Hähnel, T., Pfleiderer, M., & Groh, R. (2014). Vocalmetrics: An interactive software for visualization and classification of music. {Audio Mostly 2014: 9th Conf. on Interaction with Sound—Imagining Sound and Music}.
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[32]
2014 | Book Chapter | LibreCat-ID: 47375
Berndt, A. (2014). Ambiente Musik zur Vertonung immersiver interaktiver Medien. In I. für immersive Medien (Ed.), {Jahrbuch immersiver Medien 2014: Klänge, Musik und Soundscapes} (pp. 95–105). Schüren Verlag.
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[31]
2014 | Conference Paper | LibreCat-ID: 47374
Berndt, A., Al-Kassab, N., & Dachselt, R. (2014). TouchNoise: A Particle-based Multitouch Noise Modulation Interface. {Proc. of New Interfaces for Musical Expression (NIME) 2014}, 323–326.
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[30]
2013 | Conference Paper | LibreCat-ID: 47377
de Almeida Madeira Clemente, M., Berndt, A., Leitner, H., Keck, M., Gaertner, R., & Groh, R. (2013). New Perspectives on Interactivity in Project Management Tools. In C. Stephanidis (Ed.), {HCI International 2013—Posters’ Extended Abstracts} (Vol. 374, pp. 484–488). Springer Verlag.
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[29]
2013 | Conference Paper | LibreCat-ID: 47376
Lorenz, R., Berndt, A., & Groh, R. (2013). Designing Auditory Pointers. {Audio Mostly 2013: 8th Conf. on Interaction with Sound—Sound for Information and Intuition}.
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[28]
2013 | Journal Article | LibreCat-ID: 47378
Berndt, A. (2013). Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen. {Kieler Beiträge Zur Filmmusikforschung}, 9, 293–323.
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[27]
2012 | Conference Paper | LibreCat-ID: 47381
Berndt, A. (2012). Variance in Repetitive Games Music. In M. M. Marolt, M. Kaltenbrunner, & M. Ciglar (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)} (pp. 412–415). International Computer Music Association, University of Ljubljana.
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[26]
2012 | Conference Paper | LibreCat-ID: 47380
Berndt, A., Dachselt, R., & Groh, R. (2012). A Survey of Variation Techniques for Repetitive Games Music. {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, 61–67.
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[25]
2012 | Conference Paper | LibreCat-ID: 47379
Berndt, A. (2012). Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen. 7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik.
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[24]
2012 | Book Chapter | LibreCat-ID: 47384
Berndt, A. (2012). Nun sich der Tag geendet hat. In F. Plewka, M. Schmeiß, T. Sterzig, & J. Häußler (Eds.), {Musik aus Mitteldeutschland}. Strube Verlag.
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[23]
2011 | Book | LibreCat-ID: 47382
Berndt, A. (2011). Musik für interaktive Medien: Arrangement- und Interpretationstechniken. Verlag Dr. Hut.
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[22]
2011 | Conference Paper | LibreCat-ID: 47385
Berndt, A. (2011). Musical Tempo Curves. In M. Clarke, M. Adkins, & B. Isaacs (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)} (pp. 118–121). International Computer Music Association, University of Huddersfield.
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[21]
2011 | Conference Paper | LibreCat-ID: 47388
Hähnel, T., & Berndt, A. (2011). Studying Interdependencies in Music Performance: An Interactive Tool. {Proc. of New Interfaces for Musical Expression (NIME) 2011}, 48–51.
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[20]
2011 | Conference Paper | LibreCat-ID: 47387
Hähnel, T., & Berndt, A. (2011). Eighth-Notes Performances: Kinds of Inégalité. {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, 75–81.
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[19]
2011 | Conference Paper | LibreCat-ID: 47386
Berndt, A. (2011). Der Computer als Komponist und Interpret der Zukunft? {Meeting of the Gesellschaft Für Informatik (GI)}.
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[18]
2011 | Book Chapter | LibreCat-ID: 47393
Berndt, A. (2011). Diegetic Music: New Interactive Experiences. In M. Grimshaw (Ed.), {Game Sound Technology and Player Interaction: Concepts and Developments} (pp. 60–76). IGI Global.
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[17]
2010 | Conference Paper | LibreCat-ID: 47389
Berndt, A., & Hähnel, T. (2010). Modelling Musical Dynamics. {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, 134–141.
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[16]
2010 | Conference Paper | LibreCat-ID: 47390
Hähnel, T., & Berndt, A. (2010). Synthetic and Pseudo-Synthetic Music Performances: An Evaluation. {Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}.
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[15]
2010 | Conference Paper | LibreCat-ID: 47392
Berndt, A. (2010). Decentralizing Music, Its Performance, and Processing. In M. Schedel & D. Weymouth (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)} (pp. 381–388). International Computer Music Association, Stony Brook University.
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[14]
2010 | Conference Paper | LibreCat-ID: 47391
Hähnel, T., & Berndt, A. (2010). Expressive Articulation for Synthetic Music Performances. {Proc. of New Interfaces for Musical Expression (NIME) 2010}, 277–282.
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[13]
2009 | Conference Paper | LibreCat-ID: 47397
Berndt, A. (2009). Adaptive Musical Expression from Automatic Realtime Orchestration and Performance. Interactive Digital Storytelling (ICIDS) 2008.
LibreCat
 
[12]
2009 | Conference Paper | LibreCat-ID: 47396
Berndt, A. (2009). Musical Nonlinearity in Interactive Narrative Environments. In G. Scavone, V. Verfaille, & A. da Silva (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)} (pp. 355–358). International Computer Music Association, Schulich School of Music/McGill University.
LibreCat
 
[11]
2009 | Conference Paper | LibreCat-ID: 47395
Berndt, A., & Hähnel, T. (2009). Expressive Musical Timing. {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, 9–16.
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[10]
2009 | Conference Paper | LibreCat-ID: 47394
Berndt, A., & Hähnel, T. (2009). Der Computer als Interpret. {Gespräche Um Telemann}.
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[9]
2008 | Conference Paper | LibreCat-ID: 47398
Berndt, A., & Theisel, H. (2008). Adaptive Musical Expression from Automatic Realtime Orchestration and Performance. In U. Spierling & N. Szilas (Eds.), {Interactive Digital Storytelling (ICIDS) 2008} (pp. 132–143). Springer.
LibreCat
 
[8]
2008 | Conference Paper | LibreCat-ID: 47400
Stockmann, L., Berndt, A., & Röber, N. (2008). A Musical Instrument based on Interactive Sonification Techniques. {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, 72–79.
LibreCat
 
[7]
2008 | Conference Paper | LibreCat-ID: 47399
Berndt, A., & Hartmann, K. (2008). The Functions of Music in Interactive Media. In U. Spierling & N. Szilas (Eds.), {Interactive Digital Storytelling (ICIDS) 2008} (pp. 126–131). Springer.
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[6]
2008 | Book | LibreCat-ID: 47404
Berndt, A. (2008). Liturgie für Bläser. Musikverlag Bruno Uetz.
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[5]
2007 | Conference Paper | LibreCat-ID: 47402
Hartmann, K., Büchner, D., Berndt, A., Nürnberger, A., & Lange, C. (2007). Interactive Data Mining & Machine Learning Techniques for Musicology. {Conf. on Interdisciplinary Musicology 2007 (CIM07)}.
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[4]
2007 | Conference Paper | LibreCat-ID: 47403
Berndt, A., & Hartmann, K. (2007). Audio-Interactive Counterpoint. {Sound, Music and the Moving Image}.
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[3]
2007 | Conference Paper | LibreCat-ID: 47401
Berndt, A., & Hartmann, K. (2007). Strategies for Narrative and Adaptive Game Scoring. {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}, 141–147.
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[2]
2006 | Conference Paper | LibreCat-ID: 47413
Berndt, A., Hartmann, K., Röber, N., & Masuch, M. (2006). Composition and Arrangement Techniques for Music in Interactive Immersive Environments. {Audio Mostly 2006: A Conf. on Sound in Games}, 53–59.
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[1]
2006 | Mastersthesis | LibreCat-ID: 47412
Berndt, A. (2006). Repräsentation musikalischer Metainformationen. Otto-von-Guericke University, Department of Simulation and Graphics.
LibreCat
 
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[104]
2025 | Conference Paper | LibreCat-ID: 59783
Mauro, D. ~A., Ludovico, L. ~A., Aydin, H. ~H., Berndt, A., & Grothe, T. (2025). Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation pattern using IEEE 1599. {AM.ICAD: Audio Mostly & ICAD Joint Conf.}.
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[103]
2025 | Conference Paper | LibreCat-ID: 59782
Kallionpää, M., Berndt, A., Mauro, D. ~A., & Dziwis, D. (2025). Non/Repeat: Three Case Studies of Non-linear Live-Music Practices. {AM.ICAD: Audio Mostly & ICAD Joint Conf.}.
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[102]
2025 | Journal Article | LibreCat-ID: 59749
Balke, S., Berndt, A., & Müller, M. (2025). ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research. Transactions of the International Society for Music Information Retrieval, 8(1), 39–54. https://doi.org/10.5334/tismir.252
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[101]
2025 | Conference Paper | LibreCat-ID: 59748
Grothe, T., Aydin, H. ~B., Mauro, D. ~A., Ludovico, L. ~A., & Berndt, A. (2025). Detmold interactive Musical Instrument Timbre Explorer (DmITE)—a web application for experiental learning in musical acoustics. {DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}.
LibreCat
 
[100]
2025 | Conference Paper | LibreCat-ID: 59751
Berndt, A. (2025). Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht. {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}.
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[99]
2025 | Conference Paper | LibreCat-ID: 59750
Mauro, D. ~A., & Berndt, A. (2025). Automatic Rendering of Ramati’s Ludus Musicalis Scores. {22nd Sound and Music Computing Conf.\ (SMC 2025), Auditory Landscapes}.
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[98]
2025 | Conference Paper | LibreCat-ID: 58555
Berndt, A. (2025). Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht. {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}.
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[97]
2024 | Conference Paper | LibreCat-ID: 58554
Berndt, A., & Münzmay, A. (2024). Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze. {Edition von Filmmusik: Herausforderungen Der Multimedialität}.
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[96]
2024 | Conference Paper | LibreCat-ID: 58552
Berndt, A., Vollmer, F., & Münzmay, A. (2024). Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology. {Diskografentag: International Conference on Recorded Music}.
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[95]
2024 | Conference Paper | LibreCat-ID: 58551
Berndt, A., Münzmay, A., & Vollmer, F. (2024). Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition. {DAGA 2024 – 50. Jahrestagung Für Akustik}.
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[94]
2024 | Conference Paper | LibreCat-ID: 58550
Berndt, A. (2024). Auditory Pointers: Spatial Navigation with Sounds. {Forschungskolloquium Zur Audiokommunikation}.
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[93]
2024 | Conference Paper | LibreCat-ID: 58553
Berndt, A., & Waloschek, S. (2024). FlowScore: MEI Streaming to Digital Music Stands. {Edirom Summer School 2024}.
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[92]
2024 | Conference Paper | LibreCat-ID: 52514
Berndt, A. (2024). Mozart-Dekonstruktionen: Genese einer KI-generierten Konzertmusik. {Digitale Methoden in Den Geisteswissenschaften. Herausforderungen Und Chancen}.
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[91]
2024 | Conference Paper | LibreCat-ID: 54247
Berndt, A., & Mauro, D. ~A. (2024). Arpeggiatorum: An audio controllable MIDI arpeggiator. {Sound and Music Computing Conf.\ (SMC 2024), Immersive}.
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[90]
2023 | Conference Paper | LibreCat-ID: 47316
Nowakowski, M., Berndt, A., Plaksin, A. V. K., Şahin, N., & Hadjakos, A. (2023). Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing. {Encoding Cultures—Joint MEC and TEI Conference 2023}.
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[89]
2023 | Conference Paper | LibreCat-ID: 47318
Münzmay, A., & Berndt, A. (2023). Was ist eine Interpretationsedition? {Methoden Softwaregestützter Interpretationsforschung}.
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[88]
2023 | Conference Paper | LibreCat-ID: 47317
Berndt, A. (2023). Three Experiments with AI Music Generation. {Deconstruction; Order. Mozart?}.
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[87]
2023 | Book Chapter | LibreCat-ID: 47321
Berndt, A. (2023). Meditation. In S. Harras, S. Schlüter, & R. Schrötke (Eds.), {Das gehört zusammen: Bläserheft zum Landesposaunentag Wolfenbüttel 2023} (pp. 30–31). Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig.
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[86]
2023 | Book Chapter | LibreCat-ID: 47320
Berndt, A. (2023). Der Tag, mein Gott, ist nun vergangen. In K.-P. Diehl, M. Schnabel, & A. Form (Eds.), {Zwischentöne 2: Bläsermusik zwischen Himmel und Erde} (pp. 119–121). CVJM-Westbund e.V.
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[85]
2023 | Conference Paper | LibreCat-ID: 47322
Nowakowski, M., Berndt, A., & Hadjakos, A. (2023). Forschungsperspektiven zur Interaktion mit Musiknotation. {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}.
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[84]
2023 | Conference Paper | LibreCat-ID: 47319
Berndt, A. (2023). Interpretationsbeschreibung und -analyse mittels Music Performance Markup (MPM). {Methoden Softwaregestützter Interpretationsforschung}.
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[83]
2023 | Conference Paper | LibreCat-ID: 50434
Nowakowski, M., Berndt, A., Plaksin, A. V. K., Şahin, N., & Hadjakos, A. (2023). Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing. {Encoding Cultures—Joint MEC and TEI Conference 2023}.
LibreCat
 
[82]
2023 | Conference Paper | LibreCat-ID: 50433
Kallionpaa, M., Berndt, A., & Gasselseder, H.-P. (2023). Sonification as a Composition Technique and Means of Artistic Expression. {XXV Generative Art 2023}, 199–207.
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[81]
2023 | Conference Paper | LibreCat-ID: 50432
Berndt, A. (2023). MPM Toolbox: Eine Software zur Analyse und kreativen Erstellung musikalischer Interpretationen. {Netzwerk Lunch}.
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[80]
2023 | Conference Paper | LibreCat-ID: 50435
Berndt, A. (2023). Three Experiments with AI Music Generation. {Deconstruction; Order. Mozart?}.
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[79]
2022 | Conference Paper | LibreCat-ID: 47324
Berndt, A. (2022). Musik vom Computer: Eine Entdeckungsreise in die Welt der generativen Musik. {Data Society. Chancen – Verantwortung – Innovationen}.
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[78]
2022 | Conference Paper | LibreCat-ID: 47323
Berndt, A. (2022). Modellbasierte Beschreibung musikalischer Interpretationen. Forschungskolloquium.
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[77]
2022 | Conference Paper | LibreCat-ID: 47325
Berndt, A. (2022). Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen. {Edirom Summer School 2022}.
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[76]
2022 | Conference Paper | LibreCat-ID: 47328
Berndt, A. (2022). Encoding Musical Performances. {Music Encoding Conference}, 167–169.
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[75]
2022 | Book Chapter | LibreCat-ID: 47326
Berndt, A. (2022). Herr Christ, der einig Gotts Sohn. In F. Plewka (Ed.), {Der Tag ist nicht mehr fern: Bläsermusik zum Weihnachtsfestkreis} (pp. 88–89). Strube Verlag.
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[74]
2022 | Conference Paper | LibreCat-ID: 47327
Plaksin, A. V. K., Lewis, D., Şahin, N., & Berndt, A. (2022). Sharing MEI: Common Semantics in Diverse Musics? {Music Encoding Conference}, 157–161.
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[73]
2021 | Book Chapter | LibreCat-ID: 47331
Berndt, A. (2021). Morgenglanz der Ewigkeit. In M. Döhler, T. Peter, T. Schab, & J.-M. Schlegel (Eds.), {Gott danken ist Freude, Band IV} (pp. 187–188). Sächsische Posaunenmission.
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[72]
2021 | Conference Paper | LibreCat-ID: 47329
Berndt, A. (2021). The Music Performance Markup Format and Ecosystem. {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}.
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[71]
2021 | Conference Paper | LibreCat-ID: 47330
Berndt, A. (2021). Music Performance Markup: Format and Software Tools Report. {Music Encoding Conference}, 57–63.
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[70]
2021 | Book Chapter | LibreCat-ID: 47332
Berndt, A. (2021). Meditation. In M. Döhler, T. Peter, T. Schab, & J.-M. Schlegel (Eds.), {Gott danken ist Freude, Band IV} (pp. 88–89). Sächsische Posaunenmission.
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[69]
2020 | Conference Paper | LibreCat-ID: 47334
Berndt, A., Waloschek, S., Hadjakos, A., & Veit, J. (2020). Inside Beethoven! A Musical Installation for a New Listening Perspective. In K. Groß-Vogt (Ed.), {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities} (pp. 245–248). ACM.
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[68]
2020 | Book Chapter | LibreCat-ID: 47335
Berndt, A. (2020). Lob Gott getrost mit Singen. In C. Kornmaul (Ed.), {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020} (pp. 64–67). Posaunendienst in der Lippischen Landeskirche.
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[67]
2020 | Conference Paper | LibreCat-ID: 47333
Berndt, A. (2020). Music Performance Markup (MPM): Einführung in die Beschreibung musikalischer Interpretationen. {Edirom Summer School 2020}.
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[66]
2019 | Book | LibreCat-ID: 47336
Berndt, A., & Veit, J. (2019). Inside Beethoven! Das begehbare Ensemble - Begleitpublikation zur Klanginstallation der Hochschule für Musik Detmold zum Septett op. 20 und Trio op. 38 (mit CD). Beethoven-Haus Bonn.
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[65]
2019 | Conference Paper | LibreCat-ID: 47338
Waloschek, S., Berndt, A., Hadjakos, A., & Pacha, A. (2019). A Showcase of New MEI Tools. {Music Encoding Conference}.
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[64]
2019 | Book Chapter | LibreCat-ID: 47337
Berndt, A. (2019). Adaptive Game Scoring with Ambient Music. In M. Adkins & S. Cummings (Eds.), Music Beyond Airports: Apraising Ambient Music (pp. 197–226). University of Huddersfield Press.
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[63]
2018 | Conference Paper | LibreCat-ID: 47344
Berndt, A. (2018). Interactive Media Scoring with Ambient Music. {Ambient@40}.
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[62]
2018 | Book Chapter | LibreCat-ID: 47340
Berndt, A., & Bohl, B. ~W. (2018). Music Performance Markup: Formale Beschreibung musikalischer Interpretationen. In R. Nutt-Kofoth & B. Plachta (Eds.), {editio: International Yearbook of Scholarly Editing} (Vol. 32, pp. 185–204). De Gruyter.
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[61]
2018 | Conference Paper | LibreCat-ID: 47342
Berndt, A., Waloschek, S., & Hadjakos, A. (2018). Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and its Applications. {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}.
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[60]
2018 | Conference Paper | LibreCat-ID: 47343
Waloschek, S., Hadjakos, A., & Berndt, A. (2018). Score and sound-based interface for exploring music performances. {Interdisciplinary Workshop on Timbre 2018}.
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[59]
2018 | Conference Paper | LibreCat-ID: 47341
Berndt, A. (2018). Digital Sounds im Future Marketing: So klingt die Zukunft. {CEBIT 2018 Panel Discussion}.
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[58]
2018 | Book Chapter | LibreCat-ID: 47345
Berndt, A., & Bohl, B. ~W. (2018). Music Performance Markup: Formale Beschreibung musikalischer Interpretationen. In R. Nutt-Kofoth & B. Plachta (Eds.), {Editio: Internationales Jahrbuch für Editionswissenschaft} (Vol. 32). De Gruyter.
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[57]
2018 | Conference Paper | LibreCat-ID: 47346
Berndt, A., & Bohl, B. ~W. (2018). Formale Beschreibung musikalischer Interpretationen. {Aufführung Und Edition 2018, 17. Int. Tagung Der Arbeitsgemeinschaft Für Germanistische Edition}.
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[56]
2018 | Conference Paper | LibreCat-ID: 47347
Berndt, A. (2018). Musik im Spiel. {Kolloquium Zur Musik Des 20. Jahrhunderts}.
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[55]
2017 | Conference Paper | LibreCat-ID: 47350
Berndt, A., Waloschek, S., & Hadjakos, A. (2017). Musikeditionen zum Klingen bringen. {Edirom Summer School 2017}.
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[54]
2017 | Conference Paper | LibreCat-ID: 47349
Berndt, A. (2017). Herausforderungen der editorischen Erschließung auditiver Objekte. {Projekt Sprechmaschine Workshop: Wo Liegt Der Mehrwert Digitaler Ausstellungen Für Universitäre Sammlungen?}.
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[53]
2017 | Journal Article | LibreCat-ID: 47348
Berndt, A., Al-Kassab, N., & Dachselt, R. (2017). The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra. {Computer Music Journal}, 41(4), 32–44.
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[52]
2017 | Conference Paper | LibreCat-ID: 47351
Peschke, J., & Berndt, A. (2017). The Geometric Oscillator: Sound Synthesis with Cyclic Shapes. {Audio Mostly 2017: 12th Conf. on Interaction with Sound—Augmented and Participatory Sound/Music Experiences}.
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[51]
2017 | Conference Paper | LibreCat-ID: 47352
Mexin, Y., Hadjakos, A., Berndt, A., Waloschek, S., Wawilow, A., & Szwillus, G. (2017). Tools for Annotating Musical Measures in Digital Music Editions. {14th Sound and Music Computing Conf.\ (SMC-17)}.
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[50]
2017 | Book Chapter | LibreCat-ID: 47354
Berndt, A. (2017). Generative Musik als Werkzeug in der Musikwissenschaft. In C. Lange & B. Reipsch (Eds.), {Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten. Bericht über die Wissenschaftliche Konferenz, Magdeburg, 15. und 16. März 2012, anlässlich der 21. Magdeburger Telemann-Festtage} (pp. 305–326). Olms Verlag.
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[49]
2017 | Conference Paper | LibreCat-ID: 47353
Berndt, A., Waloschek, S., Hadjakos, A., & Leemhuis, A. (2017). AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games. {Proc. of New Interfaces for Musical Expression (NIME) 2017}.
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[48]
2016 | Conference Paper | LibreCat-ID: 47356
Waloschek, S., Berndt, A., Bohl, B. ~W., & Hadjakos, A. (2016). Interactive Scores in Classical Music Production. In M. Mandel (Ed.), {Proc. of the 17th Int. Society for Music Information Retrieval Conf.\ (ISMIR) 2016}. Int. Society for Music Information Retrieval.
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[47]
2016 | Conference Paper | LibreCat-ID: 47357
Berndt, A., Waloschek, S., & Hadjakos, A. (2016). Hand Gestures in Music Production. In H. Timmermans (Ed.), {Proc. of the Int. Computer Music Conf.\ (ICMC)}. International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek.
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[46]
2016 | Conference Paper | LibreCat-ID: 47355
Waloschek, S., Berndt, A., Bohl, B. ~W., & Hadjakos, A. (2016). Accelerating the Editing Phase in Music Productions using Interactive Scores. {Proc. of the 2nd AES Workshop on Intelligent Music Production}.
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[45]
2016 | Book Chapter | LibreCat-ID: 47359
Bohl, B. ~W., Berndt, A., Waloschek, S., & Hadjakos, A. (2016). Dem Igel Sitte lehren … Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung. In K. Richts & P. Stadler (Eds.), {\glqqEi, dem alten Herrn zoll’ ich Achtung gern’\grqq Festschrift für Joachim Veit zum 60. Geburtstag} (pp. 141–163). Allitera Verlag.
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[44]
2016 | Conference Paper | LibreCat-ID: 47360
Bohl, B. ~W., Berndt, A., & Senft, B. (2016). Formate als Sackgassen: Handlungsempfehlungen. {DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities Als Fachübergreifendes Forschungsparadigma}.
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[43]
2016 | Conference Paper | LibreCat-ID: 47358
Berndt, A., & Bohl, B. ~W. (2016). XML Music Performance Description. In G. Di Bacco, J. Kepper, & P. ~D. Roland (Eds.), {Music Encoding Conference 2016} (pp. 91–94). Music Encoding Initiative.
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[42]
2015 | Conference Paper | LibreCat-ID: 47369
Berndt, A., Waloschek, S., & Hadjakos, A. (2015). Gedanken zur Nutzung von Handgesten in der Musikproduktion. In A. Schmidt, M. Burmester, & A. Weisbecker (Eds.), {Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces} (pp. 247–252). Oldenbourg Wissenschaftsverlag.
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[41]
2015 | Book Chapter | LibreCat-ID: 47363
Al-Kassab, N., & Berndt, A. (2015). TouchNoise: A Multitouch Noise Instrument. In A. Berndt (Ed.), {Works in Audio and Music Technology} (pp. 31–57). TUDpress.
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[40]
2015 | Conference Paper | LibreCat-ID: 47370
Hadjakos, A., Berndt, A., & Waloschek, S. (2015). Synchronizing Spatially Distributed Musical Ensembles. {12th Sound and Music Computing Conf.\ (SMC15)}.
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[39]
2015 | Book | LibreCat-ID: 47361
Berndt, A. (2015). Works in Audio and Music Technology. TUDpress.
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[38]
2015 | Book Chapter | LibreCat-ID: 47368
Berndt, A., Schönfeld, F., Groh, R., Hähnel, T., Marx, T., & Pfleiderer, M. (2015). Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen. In W. Auhagen, C. Bullerjahn, & R. von Georgi (Eds.), {Musikpsychologie – Anwendungsorientierte Forschung} (pp. 254–262). Hogrefe Verlag.
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[37]
2015 | Book Chapter | LibreCat-ID: 47366
Berndt, A., & Hähnel, T. (2015). Studying Music Performance and Perception via Interaction. In A. Berndt (Ed.), {Works in Audio and Music Technology} (pp. 129–153). TUDpress.
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[36]
2015 | Book Chapter | LibreCat-ID: 47365
Berndt, A. (2015). Formalizing Expressive Music Performance Phenomena. In A. Berndt (Ed.), {Works in Audio and Music Technology} (pp. 97–128). TUDpress.
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[35]
2015 | Conference Paper | LibreCat-ID: 47372
Berndt, A., & Menges, S. ~H. (2015). Musizieren mit dem Computer. {21. Schulinformatiktag}.
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[34]
2015 | Conference Paper | LibreCat-ID: 47371
Berndt, A., Al-Kassab, N., & Dachselt, R. (2015). TouchNoise: A New Multitouch Interface for Creative Work with Noise. {Audio Mostly 2015: 10th Conf. on Interaction with Sound—Sound, Semantics and Social Interaction}.
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[33]
2014 | Conference Paper | LibreCat-ID: 47373
Schönfeld, F., Berndt, A., Hähnel, T., Pfleiderer, M., & Groh, R. (2014). Vocalmetrics: An interactive software for visualization and classification of music. {Audio Mostly 2014: 9th Conf. on Interaction with Sound—Imagining Sound and Music}.
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[32]
2014 | Book Chapter | LibreCat-ID: 47375
Berndt, A. (2014). Ambiente Musik zur Vertonung immersiver interaktiver Medien. In I. für immersive Medien (Ed.), {Jahrbuch immersiver Medien 2014: Klänge, Musik und Soundscapes} (pp. 95–105). Schüren Verlag.
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[31]
2014 | Conference Paper | LibreCat-ID: 47374
Berndt, A., Al-Kassab, N., & Dachselt, R. (2014). TouchNoise: A Particle-based Multitouch Noise Modulation Interface. {Proc. of New Interfaces for Musical Expression (NIME) 2014}, 323–326.
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[30]
2013 | Conference Paper | LibreCat-ID: 47377
de Almeida Madeira Clemente, M., Berndt, A., Leitner, H., Keck, M., Gaertner, R., & Groh, R. (2013). New Perspectives on Interactivity in Project Management Tools. In C. Stephanidis (Ed.), {HCI International 2013—Posters’ Extended Abstracts} (Vol. 374, pp. 484–488). Springer Verlag.
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[29]
2013 | Conference Paper | LibreCat-ID: 47376
Lorenz, R., Berndt, A., & Groh, R. (2013). Designing Auditory Pointers. {Audio Mostly 2013: 8th Conf. on Interaction with Sound—Sound for Information and Intuition}.
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[28]
2013 | Journal Article | LibreCat-ID: 47378
Berndt, A. (2013). Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen. {Kieler Beiträge Zur Filmmusikforschung}, 9, 293–323.
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[27]
2012 | Conference Paper | LibreCat-ID: 47381
Berndt, A. (2012). Variance in Repetitive Games Music. In M. M. Marolt, M. Kaltenbrunner, & M. Ciglar (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)} (pp. 412–415). International Computer Music Association, University of Ljubljana.
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[26]
2012 | Conference Paper | LibreCat-ID: 47380
Berndt, A., Dachselt, R., & Groh, R. (2012). A Survey of Variation Techniques for Repetitive Games Music. {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, 61–67.
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[25]
2012 | Conference Paper | LibreCat-ID: 47379
Berndt, A. (2012). Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen. 7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik.
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[24]
2012 | Book Chapter | LibreCat-ID: 47384
Berndt, A. (2012). Nun sich der Tag geendet hat. In F. Plewka, M. Schmeiß, T. Sterzig, & J. Häußler (Eds.), {Musik aus Mitteldeutschland}. Strube Verlag.
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[23]
2011 | Book | LibreCat-ID: 47382
Berndt, A. (2011). Musik für interaktive Medien: Arrangement- und Interpretationstechniken. Verlag Dr. Hut.
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[22]
2011 | Conference Paper | LibreCat-ID: 47385
Berndt, A. (2011). Musical Tempo Curves. In M. Clarke, M. Adkins, & B. Isaacs (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)} (pp. 118–121). International Computer Music Association, University of Huddersfield.
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[21]
2011 | Conference Paper | LibreCat-ID: 47388
Hähnel, T., & Berndt, A. (2011). Studying Interdependencies in Music Performance: An Interactive Tool. {Proc. of New Interfaces for Musical Expression (NIME) 2011}, 48–51.
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[20]
2011 | Conference Paper | LibreCat-ID: 47387
Hähnel, T., & Berndt, A. (2011). Eighth-Notes Performances: Kinds of Inégalité. {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, 75–81.
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[19]
2011 | Conference Paper | LibreCat-ID: 47386
Berndt, A. (2011). Der Computer als Komponist und Interpret der Zukunft? {Meeting of the Gesellschaft Für Informatik (GI)}.
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[18]
2011 | Book Chapter | LibreCat-ID: 47393
Berndt, A. (2011). Diegetic Music: New Interactive Experiences. In M. Grimshaw (Ed.), {Game Sound Technology and Player Interaction: Concepts and Developments} (pp. 60–76). IGI Global.
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[17]
2010 | Conference Paper | LibreCat-ID: 47389
Berndt, A., & Hähnel, T. (2010). Modelling Musical Dynamics. {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, 134–141.
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[16]
2010 | Conference Paper | LibreCat-ID: 47390
Hähnel, T., & Berndt, A. (2010). Synthetic and Pseudo-Synthetic Music Performances: An Evaluation. {Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}.
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[15]
2010 | Conference Paper | LibreCat-ID: 47392
Berndt, A. (2010). Decentralizing Music, Its Performance, and Processing. In M. Schedel & D. Weymouth (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)} (pp. 381–388). International Computer Music Association, Stony Brook University.
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[14]
2010 | Conference Paper | LibreCat-ID: 47391
Hähnel, T., & Berndt, A. (2010). Expressive Articulation for Synthetic Music Performances. {Proc. of New Interfaces for Musical Expression (NIME) 2010}, 277–282.
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[13]
2009 | Conference Paper | LibreCat-ID: 47397
Berndt, A. (2009). Adaptive Musical Expression from Automatic Realtime Orchestration and Performance. Interactive Digital Storytelling (ICIDS) 2008.
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[12]
2009 | Conference Paper | LibreCat-ID: 47396
Berndt, A. (2009). Musical Nonlinearity in Interactive Narrative Environments. In G. Scavone, V. Verfaille, & A. da Silva (Eds.), {Proc. of the Int. Computer Music Conf.\ (ICMC)} (pp. 355–358). International Computer Music Association, Schulich School of Music/McGill University.
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[11]
2009 | Conference Paper | LibreCat-ID: 47395
Berndt, A., & Hähnel, T. (2009). Expressive Musical Timing. {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, 9–16.
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[10]
2009 | Conference Paper | LibreCat-ID: 47394
Berndt, A., & Hähnel, T. (2009). Der Computer als Interpret. {Gespräche Um Telemann}.
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[9]
2008 | Conference Paper | LibreCat-ID: 47398
Berndt, A., & Theisel, H. (2008). Adaptive Musical Expression from Automatic Realtime Orchestration and Performance. In U. Spierling & N. Szilas (Eds.), {Interactive Digital Storytelling (ICIDS) 2008} (pp. 132–143). Springer.
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[8]
2008 | Conference Paper | LibreCat-ID: 47400
Stockmann, L., Berndt, A., & Röber, N. (2008). A Musical Instrument based on Interactive Sonification Techniques. {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, 72–79.
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[7]
2008 | Conference Paper | LibreCat-ID: 47399
Berndt, A., & Hartmann, K. (2008). The Functions of Music in Interactive Media. In U. Spierling & N. Szilas (Eds.), {Interactive Digital Storytelling (ICIDS) 2008} (pp. 126–131). Springer.
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[6]
2008 | Book | LibreCat-ID: 47404
Berndt, A. (2008). Liturgie für Bläser. Musikverlag Bruno Uetz.
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[5]
2007 | Conference Paper | LibreCat-ID: 47402
Hartmann, K., Büchner, D., Berndt, A., Nürnberger, A., & Lange, C. (2007). Interactive Data Mining & Machine Learning Techniques for Musicology. {Conf. on Interdisciplinary Musicology 2007 (CIM07)}.
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[4]
2007 | Conference Paper | LibreCat-ID: 47403
Berndt, A., & Hartmann, K. (2007). Audio-Interactive Counterpoint. {Sound, Music and the Moving Image}.
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[3]
2007 | Conference Paper | LibreCat-ID: 47401
Berndt, A., & Hartmann, K. (2007). Strategies for Narrative and Adaptive Game Scoring. {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}, 141–147.
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[2]
2006 | Conference Paper | LibreCat-ID: 47413
Berndt, A., Hartmann, K., Röber, N., & Masuch, M. (2006). Composition and Arrangement Techniques for Music in Interactive Immersive Environments. {Audio Mostly 2006: A Conf. on Sound in Games}, 53–59.
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[1]
2006 | Mastersthesis | LibreCat-ID: 47412
Berndt, A. (2006). Repräsentation musikalischer Metainformationen. Otto-von-Guericke University, Department of Simulation and Graphics.
LibreCat
 
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