Axel Berndt

Fakultät für Kulturwissenschaften
Musikwissenschaftliches Seminar Detmold/Paderborn
Modellierung vernetzter virtueller Datenräume (im Bereich Musik und Medien) (Berndt)
axel.berndt@uni-paderborn.de
ID
55565

104 Publications

Mark all

[104]
2025 | Conference Paper | LibreCat-ID: 59783
Mauro, D. ~A., et al. “Detmold Musical Instrument Timbre Explorer (DmITE): Interactive Visualization of Musical Instruments Radiation Pattern Using IEEE 1599.” {AM.ICAD: Audio Mostly & ICAD Joint Conf.}, ACM, 2025.
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[103]
2025 | Conference Paper | LibreCat-ID: 59782
Kallionpää, M., et al. “Non/Repeat: Three Case Studies of Non-Linear Live-Music Practices.” {AM.ICAD: Audio Mostly & ICAD Joint Conf.}, ACM, 2025.
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[102]
2025 | Journal Article | LibreCat-ID: 59749
Balke, Stefan, et al. “ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research.” Transactions of the International Society for Music Information Retrieval, vol. 8, no. 1, Ubiquity Press, Ltd., 2025, pp. 39–54, doi:10.5334/tismir.252.
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[101]
2025 | Conference Paper | LibreCat-ID: 59748
Grothe, T., et al. “Detmold Interactive Musical Instrument Timbre Explorer (DmITE)—a Web Application for Experiental Learning in Musical Acoustics.” {DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}, 2025.
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[100]
2025 | Conference Paper | LibreCat-ID: 59751
Berndt, Axel. “Deconstruction – Recombination – Order: Ein Kurzer Werkstattbericht.” {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}, 2025.
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[99]
2025 | Conference Paper | LibreCat-ID: 59750
Mauro, D. ~A., and Axel Berndt. “Automatic Rendering of Ramati’s Ludus Musicalis Scores.” {22nd Sound and Music Computing Conf.\ (SMC 2025), Auditory Landscapes}, 2025.
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[98]
2025 | Conference Paper | LibreCat-ID: 58555
Berndt, Axel. “Deconstruction – Recombination – Order: Ein Kurzer Werkstattbericht.” {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}, 2025.
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[97]
2024 | Conference Paper | LibreCat-ID: 58554
Berndt, Axel, and Andreas Münzmay. “Digitale Interpretationsedition Und Filmmusikedition Als Multimodale Schwestern – Gemeinsame Herausforderungen Und Lösungsansätze.” {Edition von Filmmusik: Herausforderungen Der Multimedialität}, 2024.
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[96]
2024 | Conference Paper | LibreCat-ID: 58552
Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and Its Potential for Ethnomusicology.” {Diskografentag: International Conference on Recorded Music}, 2024.
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[95]
2024 | Conference Paper | LibreCat-ID: 58551
Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” {DAGA 2024 – 50. Jahrestagung Für Akustik}, 2024.
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[94]
2024 | Conference Paper | LibreCat-ID: 58550
Berndt, Axel. “Auditory Pointers: Spatial Navigation with Sounds.” {Forschungskolloquium Zur Audiokommunikation}, 2024.
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[93]
2024 | Conference Paper | LibreCat-ID: 58553
Berndt, Axel, and S. Waloschek. “FlowScore: MEI Streaming to Digital Music Stands.” {Edirom Summer School 2024}, 2024.
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[92]
2024 | Conference Paper | LibreCat-ID: 52514
Berndt, Axel. “Mozart-Dekonstruktionen: Genese Einer KI-Generierten Konzertmusik.” {Digitale Methoden in Den Geisteswissenschaften. Herausforderungen Und Chancen}, 2024.
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[91]
2024 | Conference Paper | LibreCat-ID: 54247
Berndt, Axel, and D. ~A. Mauro. “Arpeggiatorum: An Audio Controllable MIDI Arpeggiator.” {Sound and Music Computing Conf.\ (SMC 2024), Immersive}, 2024.
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[90]
2023 | Conference Paper | LibreCat-ID: 47316
Nowakowski, Michał, et al. “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing.” {Encoding Cultures—Joint MEC and TEI Conference 2023}, 2023.
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[89]
2023 | Conference Paper | LibreCat-ID: 47318
Münzmay, Andreas, and Axel Berndt. “Was Ist Eine Interpretationsedition?” {Methoden Softwaregestützter Interpretationsforschung}, 2023.
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[88]
2023 | Conference Paper | LibreCat-ID: 47317
Berndt, Axel. “Three Experiments with AI Music Generation.” {Deconstruction; Order. Mozart?}, 2023.
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[87]
2023 | Book Chapter | LibreCat-ID: 47321
Berndt, Axel. “Meditation.” {Das Gehört Zusammen: Bläserheft Zum Landesposaunentag Wolfenbüttel 2023}, edited by S. Harras et al., Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, 2023, pp. 30–31.
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[86]
2023 | Book Chapter | LibreCat-ID: 47320
Berndt, Axel. “Der Tag, Mein Gott, Ist Nun Vergangen.” {Zwischentöne 2: Bläsermusik Zwischen Himmel Und Erde}, edited by K.-P. Diehl et al., CVJM-Westbund e.V., 2023, pp. 119–121.
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[85]
2023 | Conference Paper | LibreCat-ID: 47322
Nowakowski, Michał, et al. “Forschungsperspektiven Zur Interaktion Mit Musiknotation.” {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}, 2023.
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[84]
2023 | Conference Paper | LibreCat-ID: 47319
Berndt, Axel. “Interpretationsbeschreibung Und -Analyse Mittels Music Performance Markup (MPM).” {Methoden Softwaregestützter Interpretationsforschung}, 2023.
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[83]
2023 | Conference Paper | LibreCat-ID: 50434
Nowakowski, Michał, et al. “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing.” {Encoding Cultures—Joint MEC and TEI Conference 2023}, 2023.
LibreCat
 
[82]
2023 | Conference Paper | LibreCat-ID: 50433
Kallionpaa, M., et al. “Sonification as a Composition Technique and Means of Artistic Expression.” {XXV Generative Art 2023}, 2023, pp. 199–207.
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[81]
2023 | Conference Paper | LibreCat-ID: 50432
Berndt, Axel. “MPM Toolbox: Eine Software Zur Analyse Und Kreativen Erstellung Musikalischer Interpretationen.” {Netzwerk Lunch}, 2023.
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[80]
2023 | Conference Paper | LibreCat-ID: 50435
Berndt, Axel. “Three Experiments with AI Music Generation.” {Deconstruction; Order. Mozart?}, 2023.
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[79]
2022 | Conference Paper | LibreCat-ID: 47324
Berndt, Axel. “Musik Vom Computer: Eine Entdeckungsreise in Die Welt Der Generativen Musik.” {Data Society. Chancen – Verantwortung – Innovationen}, 2022.
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[78]
2022 | Conference Paper | LibreCat-ID: 47323
Berndt, Axel. “Modellbasierte Beschreibung Musikalischer Interpretationen.” Forschungskolloquium, 2022.
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[77]
2022 | Conference Paper | LibreCat-ID: 47325
Berndt, Axel. “Music Performance Markup (MPM): Einführung in Die Beschreibung Musikalischer Interpretationen.” {Edirom Summer School 2022}, 2022.
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[76]
2022 | Conference Paper | LibreCat-ID: 47328
Berndt, Axel. “Encoding Musical Performances.” {Music Encoding Conference}, 2022, pp. 167–169.
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[75]
2022 | Book Chapter | LibreCat-ID: 47326
Berndt, Axel. “Herr Christ, Der Einig Gotts Sohn.” {Der Tag Ist Nicht Mehr Fern: Bläsermusik Zum Weihnachtsfestkreis}, edited by F. Plewka, Strube Verlag, 2022, pp. 88–89.
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[74]
2022 | Conference Paper | LibreCat-ID: 47327
Plaksin, Anna Viktoria Katrin, et al. “Sharing MEI: Common Semantics in Diverse Musics?” {Music Encoding Conference}, 2022, pp. 157–161.
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[73]
2021 | Book Chapter | LibreCat-ID: 47331
Berndt, Axel. “Morgenglanz Der Ewigkeit.” {Gott Danken Ist Freude, Band IV}, edited by M. Döhler et al., Sächsische Posaunenmission, 2021, pp. 187–188.
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[72]
2021 | Conference Paper | LibreCat-ID: 47329
Berndt, Axel. “The Music Performance Markup Format and Ecosystem.” {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}, 2021.
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[71]
2021 | Conference Paper | LibreCat-ID: 47330
Berndt, Axel. “Music Performance Markup: Format and Software Tools Report.” {Music Encoding Conference}, 2021, pp. 57–63.
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[70]
2021 | Book Chapter | LibreCat-ID: 47332
Berndt, Axel. “Meditation.” {Gott Danken Ist Freude, Band IV}, edited by M. Döhler et al., Sächsische Posaunenmission, 2021, pp. 88–89.
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[69]
2020 | Conference Paper | LibreCat-ID: 47334
Berndt, Axel, et al. “Inside Beethoven! A Musical Installation for a New Listening Perspective.” {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}, edited by K. Groß-Vogt, ACM, 2020, pp. 245–248.
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[68]
2020 | Book Chapter | LibreCat-ID: 47335
Berndt, Axel. “Lob Gott Getrost Mit Singen.” {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}, edited by C. Kornmaul, Posaunendienst in der Lippischen Landeskirche, 2020, pp. 64–67.
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[67]
2020 | Conference Paper | LibreCat-ID: 47333
Berndt, Axel. “Music Performance Markup (MPM): Einführung in Die Beschreibung Musikalischer Interpretationen.” {Edirom Summer School 2020}, 2020.
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[66]
2019 | Book | LibreCat-ID: 47336
Berndt, Axel, and Joachim Veit. Inside Beethoven! Das Begehbare Ensemble - Begleitpublikation Zur Klanginstallation Der Hochschule Für Musik Detmold Zum Septett Op. 20 Und Trio Op. 38 (Mit CD). Beethoven-Haus Bonn, 2019.
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[65]
2019 | Conference Paper | LibreCat-ID: 47338
Waloschek, S., et al. “A Showcase of New MEI Tools.” {Music Encoding Conference}, 2019.
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[64]
2019 | Book Chapter | LibreCat-ID: 47337
Berndt, Axel. “Adaptive Game Scoring with Ambient Music.” Music Beyond Airports: Apraising Ambient Music, edited by M. Adkins and S. Cummings, University of Huddersfield Press, 2019, pp. 197–226.
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[63]
2018 | Conference Paper | LibreCat-ID: 47344
Berndt, Axel. “Interactive Media Scoring with Ambient Music.” {Ambient@40}, 2018.
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[62]
2018 | Book Chapter | LibreCat-ID: 47340
Berndt, Axel, and B. ~W. Bohl. “Music Performance Markup: Formale Beschreibung Musikalischer Interpretationen.” {editio: International Yearbook of Scholarly Editing}, edited by R. Nutt-Kofoth and B. Plachta, vol. 32, De Gruyter, 2018, pp. 185–204.
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[61]
2018 | Conference Paper | LibreCat-ID: 47342
Berndt, Axel, et al. “Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and Its Applications.” {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}, ACM, 2018.
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[60]
2018 | Conference Paper | LibreCat-ID: 47343
Waloschek, S., et al. “Score and Sound-Based Interface for Exploring Music Performances.” {Interdisciplinary Workshop on Timbre 2018}, 2018.
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[59]
2018 | Conference Paper | LibreCat-ID: 47341
Berndt, Axel. “Digital Sounds Im Future Marketing: So Klingt Die Zukunft.” {CEBIT 2018 Panel Discussion}, 2018.
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[58]
2018 | Book Chapter | LibreCat-ID: 47345
Berndt, Axel, and B. ~W. Bohl. “Music Performance Markup: Formale Beschreibung Musikalischer Interpretationen.” {Editio: Internationales Jahrbuch Für Editionswissenschaft}, edited by R. Nutt-Kofoth and B. Plachta, vol. 32, De Gruyter, 2018.
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[57]
2018 | Conference Paper | LibreCat-ID: 47346
Berndt, Axel, and B. ~W. Bohl. “Formale Beschreibung Musikalischer Interpretationen.” {Aufführung Und Edition 2018, 17. Int. Tagung Der Arbeitsgemeinschaft Für Germanistische Edition}, 2018.
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[56]
2018 | Conference Paper | LibreCat-ID: 47347
Berndt, Axel. “Musik Im Spiel.” {Kolloquium Zur Musik Des 20. Jahrhunderts}, 2018.
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[55]
2017 | Conference Paper | LibreCat-ID: 47350
Berndt, Axel, et al. “Musikeditionen Zum Klingen Bringen.” {Edirom Summer School 2017}, 2017.
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[54]
2017 | Conference Paper | LibreCat-ID: 47349
Berndt, Axel. “Herausforderungen Der Editorischen Erschließung Auditiver Objekte.” {Projekt Sprechmaschine Workshop: Wo Liegt Der Mehrwert Digitaler Ausstellungen Für Universitäre Sammlungen?}, 2017.
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[53]
2017 | Journal Article | LibreCat-ID: 47348
Berndt, Axel, et al. “The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra.” {Computer Music Journal}, vol. 41, no. 4, MIT Press, 2017, pp. 32–44.
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[52]
2017 | Conference Paper | LibreCat-ID: 47351
Peschke, J., and Axel Berndt. “The Geometric Oscillator: Sound Synthesis with Cyclic Shapes.” {Audio Mostly 2017: 12th Conf. on Interaction with Sound—Augmented and Participatory Sound/Music Experiences}, ACM, 2017.
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[51]
2017 | Conference Paper | LibreCat-ID: 47352
Mexin, Y., et al. “Tools for Annotating Musical Measures in Digital Music Editions.” {14th Sound and Music Computing Conf.\ (SMC-17)}, 2017.
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[50]
2017 | Book Chapter | LibreCat-ID: 47354
Berndt, Axel. “Generative Musik Als Werkzeug in Der Musikwissenschaft.” {Vom Umgang Mit Telemanns Werken Einst Und Jetzt. Telemannrezeption in Drei Jahrhunderten. Bericht Über Die Wissenschaftliche Konferenz, Magdeburg, 15. Und 16. März 2012, Anlässlich Der 21. Magdeburger Telemann-Festtage}, edited by C. Lange and B. Reipsch, Olms Verlag, 2017, pp. 305–326.
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[49]
2017 | Conference Paper | LibreCat-ID: 47353
Berndt, Axel, et al. “AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games.” {Proc. of New Interfaces for Musical Expression (NIME) 2017}, Aalborg University Copenhagen, 2017.
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[48]
2016 | Conference Paper | LibreCat-ID: 47356
Waloschek, S., et al. “Interactive Scores in Classical Music Production.” {Proc. of the 17th Int. Society for Music Information Retrieval Conf.\ (ISMIR) 2016}, edited by M. Mandel, Int. Society for Music Information Retrieval, 2016.
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[47]
2016 | Conference Paper | LibreCat-ID: 47357
Berndt, Axel, et al. “Hand Gestures in Music Production.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by H. Timmermans, International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek, 2016.
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[46]
2016 | Conference Paper | LibreCat-ID: 47355
Waloschek, S., et al. “Accelerating the Editing Phase in Music Productions Using Interactive Scores.” {Proc. of the 2nd AES Workshop on Intelligent Music Production}, Audio Engineering Society (AES), 2016.
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[45]
2016 | Book Chapter | LibreCat-ID: 47359
Bohl, B. ~W., et al. “Dem Igel Sitte Lehren … Musikedition: Von Der Digitalen Verfügbarkeit Zur Aktiven Nutzung.” {\glqqEi, Dem Alten Herrn Zoll’ Ich Achtung Gern’\grqq Festschrift Für Joachim Veit Zum 60. Geburtstag}, edited by K. Richts and P. Stadler, Allitera Verlag, 2016, pp. 141–163.
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[44]
2016 | Conference Paper | LibreCat-ID: 47360
Bohl, B. ~W., et al. “Formate Als Sackgassen: Handlungsempfehlungen.” {DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities Als Fachübergreifendes Forschungsparadigma}, nisaba verlag, 2016.
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[43]
2016 | Conference Paper | LibreCat-ID: 47358
Berndt, Axel, and B. ~W. Bohl. “XML Music Performance Description.” {Music Encoding Conference 2016}, edited by G. Di Bacco et al., Music Encoding Initiative, 2016, pp. 91–94.
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[42]
2015 | Conference Paper | LibreCat-ID: 47369
Berndt, Axel, et al. “Gedanken Zur Nutzung von Handgesten in Der Musikproduktion.” {Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}, edited by A. Schmidt et al., Oldenbourg Wissenschaftsverlag, 2015, pp. 247–252.
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[41]
2015 | Book Chapter | LibreCat-ID: 47363
Al-Kassab, N., and Axel Berndt. “TouchNoise: A Multitouch Noise Instrument.” {Works in Audio and Music Technology}, edited by A. Berndt, TUDpress, 2015, pp. 31–57.
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[40]
2015 | Conference Paper | LibreCat-ID: 47370
Hadjakos, A., et al. “Synchronizing Spatially Distributed Musical Ensembles.” {12th Sound and Music Computing Conf.\ (SMC15)}, 2015.
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[39]
2015 | Book | LibreCat-ID: 47361
Berndt, Axel. Works in Audio and Music Technology. TUDpress, 2015.
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[38]
2015 | Book Chapter | LibreCat-ID: 47368
Berndt, Axel, et al. “Vocalmetrics. Ein Software-Tool Für Das Visualisieren, Das Rating Und Den Vergleich von Musik-Datensätzen.” {Musikpsychologie – Anwendungsorientierte Forschung}, edited by W. Auhagen et al., Hogrefe Verlag, 2015, pp. 254–262.
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[37]
2015 | Book Chapter | LibreCat-ID: 47366
Berndt, Axel, and T. Hähnel. “Studying Music Performance and Perception via Interaction.” {Works in Audio and Music Technology}, edited by A. Berndt, TUDpress, 2015, pp. 129–153.
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[36]
2015 | Book Chapter | LibreCat-ID: 47365
Berndt, Axel. “Formalizing Expressive Music Performance Phenomena.” {Works in Audio and Music Technology}, edited by A. Berndt, TUDpress, 2015, pp. 97–128.
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[35]
2015 | Conference Paper | LibreCat-ID: 47372
Berndt, Axel, and S. ~H. Menges. “Musizieren Mit Dem Computer.” {21. Schulinformatiktag}, 2015.
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[34]
2015 | Conference Paper | LibreCat-ID: 47371
Berndt, Axel, et al. “TouchNoise: A New Multitouch Interface for Creative Work with Noise.” {Audio Mostly 2015: 10th Conf. on Interaction with Sound—Sound, Semantics and Social Interaction}, ACM, 2015.
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[33]
2014 | Conference Paper | LibreCat-ID: 47373
Schönfeld, F., et al. “Vocalmetrics: An Interactive Software for Visualization and Classification of Music.” {Audio Mostly 2014: 9th Conf. on Interaction with Sound—Imagining Sound and Music}, ACM, 2014.
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[32]
2014 | Book Chapter | LibreCat-ID: 47375
Berndt, Axel. “Ambiente Musik Zur Vertonung Immersiver Interaktiver Medien.” {Jahrbuch Immersiver Medien 2014: Klänge, Musik Und Soundscapes}, edited by Institut für immersive Medien, Schüren Verlag, 2014, pp. 95–105.
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[31]
2014 | Conference Paper | LibreCat-ID: 47374
Berndt, Axel, et al. “TouchNoise: A Particle-Based Multitouch Noise Modulation Interface.” {Proc. of New Interfaces for Musical Expression (NIME) 2014}, Goldsmiths, University of London, 2014, pp. 323–326.
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[30]
2013 | Conference Paper | LibreCat-ID: 47377
de Almeida Madeira Clemente, M., et al. “New Perspectives on Interactivity in Project Management Tools.” {HCI International 2013—Posters’ Extended Abstracts}, edited by C. Stephanidis, vol. 374, Springer Verlag, 2013, pp. 484–488.
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[29]
2013 | Conference Paper | LibreCat-ID: 47376
Lorenz, R., et al. “Designing Auditory Pointers.” {Audio Mostly 2013: 8th Conf. on Interaction with Sound—Sound for Information and Intuition}, ACM, 2013.
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[28]
2013 | Journal Article | LibreCat-ID: 47378
Berndt, Axel. “Im Dialog Mit Musik: Zur Rolle Der Musik in Computerspielen.” {Kieler Beiträge Zur Filmmusikforschung}, vol. 9, 2013, pp. 293–323.
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[27]
2012 | Conference Paper | LibreCat-ID: 47381
Berndt, Axel. “Variance in Repetitive Games Music.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. M. Marolt et al., International Computer Music Association, University of Ljubljana, 2012, pp. 412–415.
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[26]
2012 | Conference Paper | LibreCat-ID: 47380
Berndt, Axel, et al. “A Survey of Variation Techniques for Repetitive Games Music.” {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, ACM SIGCHI, 2012, pp. 61–67.
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[25]
2012 | Conference Paper | LibreCat-ID: 47379
Berndt, Axel. “Im Dialog Mit Musik: Zur Rolle Der Musik in Computerspielen.” 7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik, Kieler Gesellschaft für Filmmusikforschung, 2012.
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[24]
2012 | Book Chapter | LibreCat-ID: 47384
Berndt, Axel. “Nun Sich Der Tag Geendet Hat.” {Musik Aus Mitteldeutschland}, edited by F. Plewka et al., Strube Verlag, 2012.
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[23]
2011 | Book | LibreCat-ID: 47382
Berndt, Axel. Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken. Verlag Dr. Hut, 2011.
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[22]
2011 | Conference Paper | LibreCat-ID: 47385
Berndt, Axel. “Musical Tempo Curves.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. Clarke et al., International Computer Music Association, University of Huddersfield, 2011, pp. 118–121.
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[21]
2011 | Conference Paper | LibreCat-ID: 47388
Hähnel, T., and Axel Berndt. “Studying Interdependencies in Music Performance: An Interactive Tool.” {Proc. of New Interfaces for Musical Expression (NIME) 2011}, University of Oslo, Norwegian Academy of Music, 2011, pp. 48–51.
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[20]
2011 | Conference Paper | LibreCat-ID: 47387
Hähnel, T., and Axel Berndt. “Eighth-Notes Performances: Kinds of Inégalité.” {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, ACM SIGCHI, 2011, pp. 75–81.
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[19]
2011 | Conference Paper | LibreCat-ID: 47386
Berndt, Axel. “Der Computer Als Komponist Und Interpret Der Zukunft?” {Meeting of the Gesellschaft Für Informatik (GI)}, 2011.
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[18]
2011 | Book Chapter | LibreCat-ID: 47393
Berndt, Axel. “Diegetic Music: New Interactive Experiences.” {Game Sound Technology and Player Interaction: Concepts and Developments}, edited by M. Grimshaw, IGI Global, 2011, pp. 60–76.
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[17]
2010 | Conference Paper | LibreCat-ID: 47389
Berndt, Axel, and T. Hähnel. “Modelling Musical Dynamics.” {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, ACM, 2010, pp. 134–141.
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[16]
2010 | Conference Paper | LibreCat-ID: 47390
Hähnel, T., and Axel Berndt. “Synthetic and Pseudo-Synthetic Music Performances: An Evaluation.” {Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}, 2010.
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[15]
2010 | Conference Paper | LibreCat-ID: 47392
Berndt, Axel. “Decentralizing Music, Its Performance, and Processing.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. Schedel and D. Weymouth, International Computer Music Association, Stony Brook University, 2010, pp. 381–388.
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[14]
2010 | Conference Paper | LibreCat-ID: 47391
Hähnel, T., and Axel Berndt. “Expressive Articulation for Synthetic Music Performances.” {Proc. of New Interfaces for Musical Expression (NIME) 2010}, University of Technology Sydney, 2010, pp. 277–282.
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[13]
2009 | Conference Paper | LibreCat-ID: 47397
Berndt, Axel. “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance.” Interactive Digital Storytelling (ICIDS) 2008, 2009.
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[12]
2009 | Conference Paper | LibreCat-ID: 47396
Berndt, Axel. “Musical Nonlinearity in Interactive Narrative Environments.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by G. Scavone et al., International Computer Music Association, Schulich School of Music/McGill University, 2009, pp. 355–358.
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[11]
2009 | Conference Paper | LibreCat-ID: 47395
Berndt, Axel, and T. Hähnel. “Expressive Musical Timing.” {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, Glasgow Caledonian University, Interactive Institute/Sonic Studio Piteå, 2009, pp. 9–16.
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[10]
2009 | Conference Paper | LibreCat-ID: 47394
Berndt, Axel, and T. Hähnel. “Der Computer Als Interpret.” {Gespräche Um Telemann}, 2009.
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[9]
2008 | Conference Paper | LibreCat-ID: 47398
Berndt, Axel, and H. Theisel. “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance.” {Interactive Digital Storytelling (ICIDS) 2008}, edited by U. Spierling and N. Szilas, Springer, 2008, pp. 132–143.
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[8]
2008 | Conference Paper | LibreCat-ID: 47400
Stockmann, L., et al. “A Musical Instrument Based on Interactive Sonification Techniques.” {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, Interactive Institute/Sonic Studio Piteå, 2008, pp. 72–79.
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[7]
2008 | Conference Paper | LibreCat-ID: 47399
Berndt, Axel, and K. Hartmann. “The Functions of Music in Interactive Media.” {Interactive Digital Storytelling (ICIDS) 2008}, edited by U. Spierling and N. Szilas, Springer, 2008, pp. 126–131.
LibreCat
 
[6]
2008 | Book | LibreCat-ID: 47404
Berndt, Axel. Liturgie Für Bläser. Musikverlag Bruno Uetz, 2008.
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[5]
2007 | Conference Paper | LibreCat-ID: 47402
Hartmann, K., et al. “Interactive Data Mining & Machine Learning Techniques for Musicology.” {Conf. on Interdisciplinary Musicology 2007 (CIM07)}, 2007.
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[4]
2007 | Conference Paper | LibreCat-ID: 47403
Berndt, Axel, and K. Hartmann. “Audio-Interactive Counterpoint.” {Sound, Music and the Moving Image}, 2007.
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[3]
2007 | Conference Paper | LibreCat-ID: 47401
Berndt, Axel, and K. Hartmann. “Strategies for Narrative and Adaptive Game Scoring.” {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}, Fraunhofer IDMT, Interactive Institute/Sonic Studio Piteå, 2007, pp. 141–147.
LibreCat
 
[2]
2006 | Conference Paper | LibreCat-ID: 47413
Berndt, Axel, et al. “Composition and Arrangement Techniques for Music in Interactive Immersive Environments.” {Audio Mostly 2006: A Conf. on Sound in Games}, Interactive Institute/Sonic Studio, 2006, pp. 53–59.
LibreCat
 
[1]
2006 | Mastersthesis | LibreCat-ID: 47412
Berndt, Axel. Repräsentation musikalischer Metainformationen. Otto-von-Guericke University, Department of Simulation and Graphics, 2006.
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[104]
2025 | Conference Paper | LibreCat-ID: 59783
Mauro, D. ~A., et al. “Detmold Musical Instrument Timbre Explorer (DmITE): Interactive Visualization of Musical Instruments Radiation Pattern Using IEEE 1599.” {AM.ICAD: Audio Mostly & ICAD Joint Conf.}, ACM, 2025.
LibreCat
 
[103]
2025 | Conference Paper | LibreCat-ID: 59782
Kallionpää, M., et al. “Non/Repeat: Three Case Studies of Non-Linear Live-Music Practices.” {AM.ICAD: Audio Mostly & ICAD Joint Conf.}, ACM, 2025.
LibreCat
 
[102]
2025 | Journal Article | LibreCat-ID: 59749
Balke, Stefan, et al. “ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research.” Transactions of the International Society for Music Information Retrieval, vol. 8, no. 1, Ubiquity Press, Ltd., 2025, pp. 39–54, doi:10.5334/tismir.252.
LibreCat | DOI
 
[101]
2025 | Conference Paper | LibreCat-ID: 59748
Grothe, T., et al. “Detmold Interactive Musical Instrument Timbre Explorer (DmITE)—a Web Application for Experiental Learning in Musical Acoustics.” {DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}, 2025.
LibreCat
 
[100]
2025 | Conference Paper | LibreCat-ID: 59751
Berndt, Axel. “Deconstruction – Recombination – Order: Ein Kurzer Werkstattbericht.” {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}, 2025.
LibreCat
 
[99]
2025 | Conference Paper | LibreCat-ID: 59750
Mauro, D. ~A., and Axel Berndt. “Automatic Rendering of Ramati’s Ludus Musicalis Scores.” {22nd Sound and Music Computing Conf.\ (SMC 2025), Auditory Landscapes}, 2025.
LibreCat
 
[98]
2025 | Conference Paper | LibreCat-ID: 58555
Berndt, Axel. “Deconstruction – Recombination – Order: Ein Kurzer Werkstattbericht.” {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}, 2025.
LibreCat
 
[97]
2024 | Conference Paper | LibreCat-ID: 58554
Berndt, Axel, and Andreas Münzmay. “Digitale Interpretationsedition Und Filmmusikedition Als Multimodale Schwestern – Gemeinsame Herausforderungen Und Lösungsansätze.” {Edition von Filmmusik: Herausforderungen Der Multimedialität}, 2024.
LibreCat
 
[96]
2024 | Conference Paper | LibreCat-ID: 58552
Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and Its Potential for Ethnomusicology.” {Diskografentag: International Conference on Recorded Music}, 2024.
LibreCat
 
[95]
2024 | Conference Paper | LibreCat-ID: 58551
Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” {DAGA 2024 – 50. Jahrestagung Für Akustik}, 2024.
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[94]
2024 | Conference Paper | LibreCat-ID: 58550
Berndt, Axel. “Auditory Pointers: Spatial Navigation with Sounds.” {Forschungskolloquium Zur Audiokommunikation}, 2024.
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[93]
2024 | Conference Paper | LibreCat-ID: 58553
Berndt, Axel, and S. Waloschek. “FlowScore: MEI Streaming to Digital Music Stands.” {Edirom Summer School 2024}, 2024.
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[92]
2024 | Conference Paper | LibreCat-ID: 52514
Berndt, Axel. “Mozart-Dekonstruktionen: Genese Einer KI-Generierten Konzertmusik.” {Digitale Methoden in Den Geisteswissenschaften. Herausforderungen Und Chancen}, 2024.
LibreCat
 
[91]
2024 | Conference Paper | LibreCat-ID: 54247
Berndt, Axel, and D. ~A. Mauro. “Arpeggiatorum: An Audio Controllable MIDI Arpeggiator.” {Sound and Music Computing Conf.\ (SMC 2024), Immersive}, 2024.
LibreCat
 
[90]
2023 | Conference Paper | LibreCat-ID: 47316
Nowakowski, Michał, et al. “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing.” {Encoding Cultures—Joint MEC and TEI Conference 2023}, 2023.
LibreCat
 
[89]
2023 | Conference Paper | LibreCat-ID: 47318
Münzmay, Andreas, and Axel Berndt. “Was Ist Eine Interpretationsedition?” {Methoden Softwaregestützter Interpretationsforschung}, 2023.
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[88]
2023 | Conference Paper | LibreCat-ID: 47317
Berndt, Axel. “Three Experiments with AI Music Generation.” {Deconstruction; Order. Mozart?}, 2023.
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[87]
2023 | Book Chapter | LibreCat-ID: 47321
Berndt, Axel. “Meditation.” {Das Gehört Zusammen: Bläserheft Zum Landesposaunentag Wolfenbüttel 2023}, edited by S. Harras et al., Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, 2023, pp. 30–31.
LibreCat
 
[86]
2023 | Book Chapter | LibreCat-ID: 47320
Berndt, Axel. “Der Tag, Mein Gott, Ist Nun Vergangen.” {Zwischentöne 2: Bläsermusik Zwischen Himmel Und Erde}, edited by K.-P. Diehl et al., CVJM-Westbund e.V., 2023, pp. 119–121.
LibreCat
 
[85]
2023 | Conference Paper | LibreCat-ID: 47322
Nowakowski, Michał, et al. “Forschungsperspektiven Zur Interaktion Mit Musiknotation.” {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}, 2023.
LibreCat
 
[84]
2023 | Conference Paper | LibreCat-ID: 47319
Berndt, Axel. “Interpretationsbeschreibung Und -Analyse Mittels Music Performance Markup (MPM).” {Methoden Softwaregestützter Interpretationsforschung}, 2023.
LibreCat
 
[83]
2023 | Conference Paper | LibreCat-ID: 50434
Nowakowski, Michał, et al. “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing.” {Encoding Cultures—Joint MEC and TEI Conference 2023}, 2023.
LibreCat
 
[82]
2023 | Conference Paper | LibreCat-ID: 50433
Kallionpaa, M., et al. “Sonification as a Composition Technique and Means of Artistic Expression.” {XXV Generative Art 2023}, 2023, pp. 199–207.
LibreCat
 
[81]
2023 | Conference Paper | LibreCat-ID: 50432
Berndt, Axel. “MPM Toolbox: Eine Software Zur Analyse Und Kreativen Erstellung Musikalischer Interpretationen.” {Netzwerk Lunch}, 2023.
LibreCat
 
[80]
2023 | Conference Paper | LibreCat-ID: 50435
Berndt, Axel. “Three Experiments with AI Music Generation.” {Deconstruction; Order. Mozart?}, 2023.
LibreCat
 
[79]
2022 | Conference Paper | LibreCat-ID: 47324
Berndt, Axel. “Musik Vom Computer: Eine Entdeckungsreise in Die Welt Der Generativen Musik.” {Data Society. Chancen – Verantwortung – Innovationen}, 2022.
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[78]
2022 | Conference Paper | LibreCat-ID: 47323
Berndt, Axel. “Modellbasierte Beschreibung Musikalischer Interpretationen.” Forschungskolloquium, 2022.
LibreCat
 
[77]
2022 | Conference Paper | LibreCat-ID: 47325
Berndt, Axel. “Music Performance Markup (MPM): Einführung in Die Beschreibung Musikalischer Interpretationen.” {Edirom Summer School 2022}, 2022.
LibreCat
 
[76]
2022 | Conference Paper | LibreCat-ID: 47328
Berndt, Axel. “Encoding Musical Performances.” {Music Encoding Conference}, 2022, pp. 167–169.
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[75]
2022 | Book Chapter | LibreCat-ID: 47326
Berndt, Axel. “Herr Christ, Der Einig Gotts Sohn.” {Der Tag Ist Nicht Mehr Fern: Bläsermusik Zum Weihnachtsfestkreis}, edited by F. Plewka, Strube Verlag, 2022, pp. 88–89.
LibreCat
 
[74]
2022 | Conference Paper | LibreCat-ID: 47327
Plaksin, Anna Viktoria Katrin, et al. “Sharing MEI: Common Semantics in Diverse Musics?” {Music Encoding Conference}, 2022, pp. 157–161.
LibreCat
 
[73]
2021 | Book Chapter | LibreCat-ID: 47331
Berndt, Axel. “Morgenglanz Der Ewigkeit.” {Gott Danken Ist Freude, Band IV}, edited by M. Döhler et al., Sächsische Posaunenmission, 2021, pp. 187–188.
LibreCat
 
[72]
2021 | Conference Paper | LibreCat-ID: 47329
Berndt, Axel. “The Music Performance Markup Format and Ecosystem.” {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}, 2021.
LibreCat
 
[71]
2021 | Conference Paper | LibreCat-ID: 47330
Berndt, Axel. “Music Performance Markup: Format and Software Tools Report.” {Music Encoding Conference}, 2021, pp. 57–63.
LibreCat
 
[70]
2021 | Book Chapter | LibreCat-ID: 47332
Berndt, Axel. “Meditation.” {Gott Danken Ist Freude, Band IV}, edited by M. Döhler et al., Sächsische Posaunenmission, 2021, pp. 88–89.
LibreCat
 
[69]
2020 | Conference Paper | LibreCat-ID: 47334
Berndt, Axel, et al. “Inside Beethoven! A Musical Installation for a New Listening Perspective.” {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}, edited by K. Groß-Vogt, ACM, 2020, pp. 245–248.
LibreCat
 
[68]
2020 | Book Chapter | LibreCat-ID: 47335
Berndt, Axel. “Lob Gott Getrost Mit Singen.” {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}, edited by C. Kornmaul, Posaunendienst in der Lippischen Landeskirche, 2020, pp. 64–67.
LibreCat
 
[67]
2020 | Conference Paper | LibreCat-ID: 47333
Berndt, Axel. “Music Performance Markup (MPM): Einführung in Die Beschreibung Musikalischer Interpretationen.” {Edirom Summer School 2020}, 2020.
LibreCat
 
[66]
2019 | Book | LibreCat-ID: 47336
Berndt, Axel, and Joachim Veit. Inside Beethoven! Das Begehbare Ensemble - Begleitpublikation Zur Klanginstallation Der Hochschule Für Musik Detmold Zum Septett Op. 20 Und Trio Op. 38 (Mit CD). Beethoven-Haus Bonn, 2019.
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[65]
2019 | Conference Paper | LibreCat-ID: 47338
Waloschek, S., et al. “A Showcase of New MEI Tools.” {Music Encoding Conference}, 2019.
LibreCat
 
[64]
2019 | Book Chapter | LibreCat-ID: 47337
Berndt, Axel. “Adaptive Game Scoring with Ambient Music.” Music Beyond Airports: Apraising Ambient Music, edited by M. Adkins and S. Cummings, University of Huddersfield Press, 2019, pp. 197–226.
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[63]
2018 | Conference Paper | LibreCat-ID: 47344
Berndt, Axel. “Interactive Media Scoring with Ambient Music.” {Ambient@40}, 2018.
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[62]
2018 | Book Chapter | LibreCat-ID: 47340
Berndt, Axel, and B. ~W. Bohl. “Music Performance Markup: Formale Beschreibung Musikalischer Interpretationen.” {editio: International Yearbook of Scholarly Editing}, edited by R. Nutt-Kofoth and B. Plachta, vol. 32, De Gruyter, 2018, pp. 185–204.
LibreCat
 
[61]
2018 | Conference Paper | LibreCat-ID: 47342
Berndt, Axel, et al. “Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and Its Applications.” {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}, ACM, 2018.
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[60]
2018 | Conference Paper | LibreCat-ID: 47343
Waloschek, S., et al. “Score and Sound-Based Interface for Exploring Music Performances.” {Interdisciplinary Workshop on Timbre 2018}, 2018.
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[59]
2018 | Conference Paper | LibreCat-ID: 47341
Berndt, Axel. “Digital Sounds Im Future Marketing: So Klingt Die Zukunft.” {CEBIT 2018 Panel Discussion}, 2018.
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[58]
2018 | Book Chapter | LibreCat-ID: 47345
Berndt, Axel, and B. ~W. Bohl. “Music Performance Markup: Formale Beschreibung Musikalischer Interpretationen.” {Editio: Internationales Jahrbuch Für Editionswissenschaft}, edited by R. Nutt-Kofoth and B. Plachta, vol. 32, De Gruyter, 2018.
LibreCat
 
[57]
2018 | Conference Paper | LibreCat-ID: 47346
Berndt, Axel, and B. ~W. Bohl. “Formale Beschreibung Musikalischer Interpretationen.” {Aufführung Und Edition 2018, 17. Int. Tagung Der Arbeitsgemeinschaft Für Germanistische Edition}, 2018.
LibreCat
 
[56]
2018 | Conference Paper | LibreCat-ID: 47347
Berndt, Axel. “Musik Im Spiel.” {Kolloquium Zur Musik Des 20. Jahrhunderts}, 2018.
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[55]
2017 | Conference Paper | LibreCat-ID: 47350
Berndt, Axel, et al. “Musikeditionen Zum Klingen Bringen.” {Edirom Summer School 2017}, 2017.
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[54]
2017 | Conference Paper | LibreCat-ID: 47349
Berndt, Axel. “Herausforderungen Der Editorischen Erschließung Auditiver Objekte.” {Projekt Sprechmaschine Workshop: Wo Liegt Der Mehrwert Digitaler Ausstellungen Für Universitäre Sammlungen?}, 2017.
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[53]
2017 | Journal Article | LibreCat-ID: 47348
Berndt, Axel, et al. “The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra.” {Computer Music Journal}, vol. 41, no. 4, MIT Press, 2017, pp. 32–44.
LibreCat
 
[52]
2017 | Conference Paper | LibreCat-ID: 47351
Peschke, J., and Axel Berndt. “The Geometric Oscillator: Sound Synthesis with Cyclic Shapes.” {Audio Mostly 2017: 12th Conf. on Interaction with Sound—Augmented and Participatory Sound/Music Experiences}, ACM, 2017.
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[51]
2017 | Conference Paper | LibreCat-ID: 47352
Mexin, Y., et al. “Tools for Annotating Musical Measures in Digital Music Editions.” {14th Sound and Music Computing Conf.\ (SMC-17)}, 2017.
LibreCat
 
[50]
2017 | Book Chapter | LibreCat-ID: 47354
Berndt, Axel. “Generative Musik Als Werkzeug in Der Musikwissenschaft.” {Vom Umgang Mit Telemanns Werken Einst Und Jetzt. Telemannrezeption in Drei Jahrhunderten. Bericht Über Die Wissenschaftliche Konferenz, Magdeburg, 15. Und 16. März 2012, Anlässlich Der 21. Magdeburger Telemann-Festtage}, edited by C. Lange and B. Reipsch, Olms Verlag, 2017, pp. 305–326.
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[49]
2017 | Conference Paper | LibreCat-ID: 47353
Berndt, Axel, et al. “AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games.” {Proc. of New Interfaces for Musical Expression (NIME) 2017}, Aalborg University Copenhagen, 2017.
LibreCat
 
[48]
2016 | Conference Paper | LibreCat-ID: 47356
Waloschek, S., et al. “Interactive Scores in Classical Music Production.” {Proc. of the 17th Int. Society for Music Information Retrieval Conf.\ (ISMIR) 2016}, edited by M. Mandel, Int. Society for Music Information Retrieval, 2016.
LibreCat
 
[47]
2016 | Conference Paper | LibreCat-ID: 47357
Berndt, Axel, et al. “Hand Gestures in Music Production.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by H. Timmermans, International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek, 2016.
LibreCat
 
[46]
2016 | Conference Paper | LibreCat-ID: 47355
Waloschek, S., et al. “Accelerating the Editing Phase in Music Productions Using Interactive Scores.” {Proc. of the 2nd AES Workshop on Intelligent Music Production}, Audio Engineering Society (AES), 2016.
LibreCat
 
[45]
2016 | Book Chapter | LibreCat-ID: 47359
Bohl, B. ~W., et al. “Dem Igel Sitte Lehren … Musikedition: Von Der Digitalen Verfügbarkeit Zur Aktiven Nutzung.” {\glqqEi, Dem Alten Herrn Zoll’ Ich Achtung Gern’\grqq Festschrift Für Joachim Veit Zum 60. Geburtstag}, edited by K. Richts and P. Stadler, Allitera Verlag, 2016, pp. 141–163.
LibreCat
 
[44]
2016 | Conference Paper | LibreCat-ID: 47360
Bohl, B. ~W., et al. “Formate Als Sackgassen: Handlungsempfehlungen.” {DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities Als Fachübergreifendes Forschungsparadigma}, nisaba verlag, 2016.
LibreCat
 
[43]
2016 | Conference Paper | LibreCat-ID: 47358
Berndt, Axel, and B. ~W. Bohl. “XML Music Performance Description.” {Music Encoding Conference 2016}, edited by G. Di Bacco et al., Music Encoding Initiative, 2016, pp. 91–94.
LibreCat
 
[42]
2015 | Conference Paper | LibreCat-ID: 47369
Berndt, Axel, et al. “Gedanken Zur Nutzung von Handgesten in Der Musikproduktion.” {Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}, edited by A. Schmidt et al., Oldenbourg Wissenschaftsverlag, 2015, pp. 247–252.
LibreCat
 
[41]
2015 | Book Chapter | LibreCat-ID: 47363
Al-Kassab, N., and Axel Berndt. “TouchNoise: A Multitouch Noise Instrument.” {Works in Audio and Music Technology}, edited by A. Berndt, TUDpress, 2015, pp. 31–57.
LibreCat
 
[40]
2015 | Conference Paper | LibreCat-ID: 47370
Hadjakos, A., et al. “Synchronizing Spatially Distributed Musical Ensembles.” {12th Sound and Music Computing Conf.\ (SMC15)}, 2015.
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[39]
2015 | Book | LibreCat-ID: 47361
Berndt, Axel. Works in Audio and Music Technology. TUDpress, 2015.
LibreCat
 
[38]
2015 | Book Chapter | LibreCat-ID: 47368
Berndt, Axel, et al. “Vocalmetrics. Ein Software-Tool Für Das Visualisieren, Das Rating Und Den Vergleich von Musik-Datensätzen.” {Musikpsychologie – Anwendungsorientierte Forschung}, edited by W. Auhagen et al., Hogrefe Verlag, 2015, pp. 254–262.
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[37]
2015 | Book Chapter | LibreCat-ID: 47366
Berndt, Axel, and T. Hähnel. “Studying Music Performance and Perception via Interaction.” {Works in Audio and Music Technology}, edited by A. Berndt, TUDpress, 2015, pp. 129–153.
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[36]
2015 | Book Chapter | LibreCat-ID: 47365
Berndt, Axel. “Formalizing Expressive Music Performance Phenomena.” {Works in Audio and Music Technology}, edited by A. Berndt, TUDpress, 2015, pp. 97–128.
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[35]
2015 | Conference Paper | LibreCat-ID: 47372
Berndt, Axel, and S. ~H. Menges. “Musizieren Mit Dem Computer.” {21. Schulinformatiktag}, 2015.
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[34]
2015 | Conference Paper | LibreCat-ID: 47371
Berndt, Axel, et al. “TouchNoise: A New Multitouch Interface for Creative Work with Noise.” {Audio Mostly 2015: 10th Conf. on Interaction with Sound—Sound, Semantics and Social Interaction}, ACM, 2015.
LibreCat
 
[33]
2014 | Conference Paper | LibreCat-ID: 47373
Schönfeld, F., et al. “Vocalmetrics: An Interactive Software for Visualization and Classification of Music.” {Audio Mostly 2014: 9th Conf. on Interaction with Sound—Imagining Sound and Music}, ACM, 2014.
LibreCat
 
[32]
2014 | Book Chapter | LibreCat-ID: 47375
Berndt, Axel. “Ambiente Musik Zur Vertonung Immersiver Interaktiver Medien.” {Jahrbuch Immersiver Medien 2014: Klänge, Musik Und Soundscapes}, edited by Institut für immersive Medien, Schüren Verlag, 2014, pp. 95–105.
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[31]
2014 | Conference Paper | LibreCat-ID: 47374
Berndt, Axel, et al. “TouchNoise: A Particle-Based Multitouch Noise Modulation Interface.” {Proc. of New Interfaces for Musical Expression (NIME) 2014}, Goldsmiths, University of London, 2014, pp. 323–326.
LibreCat
 
[30]
2013 | Conference Paper | LibreCat-ID: 47377
de Almeida Madeira Clemente, M., et al. “New Perspectives on Interactivity in Project Management Tools.” {HCI International 2013—Posters’ Extended Abstracts}, edited by C. Stephanidis, vol. 374, Springer Verlag, 2013, pp. 484–488.
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[29]
2013 | Conference Paper | LibreCat-ID: 47376
Lorenz, R., et al. “Designing Auditory Pointers.” {Audio Mostly 2013: 8th Conf. on Interaction with Sound—Sound for Information and Intuition}, ACM, 2013.
LibreCat
 
[28]
2013 | Journal Article | LibreCat-ID: 47378
Berndt, Axel. “Im Dialog Mit Musik: Zur Rolle Der Musik in Computerspielen.” {Kieler Beiträge Zur Filmmusikforschung}, vol. 9, 2013, pp. 293–323.
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[27]
2012 | Conference Paper | LibreCat-ID: 47381
Berndt, Axel. “Variance in Repetitive Games Music.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. M. Marolt et al., International Computer Music Association, University of Ljubljana, 2012, pp. 412–415.
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[26]
2012 | Conference Paper | LibreCat-ID: 47380
Berndt, Axel, et al. “A Survey of Variation Techniques for Repetitive Games Music.” {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, ACM SIGCHI, 2012, pp. 61–67.
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[25]
2012 | Conference Paper | LibreCat-ID: 47379
Berndt, Axel. “Im Dialog Mit Musik: Zur Rolle Der Musik in Computerspielen.” 7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik, Kieler Gesellschaft für Filmmusikforschung, 2012.
LibreCat
 
[24]
2012 | Book Chapter | LibreCat-ID: 47384
Berndt, Axel. “Nun Sich Der Tag Geendet Hat.” {Musik Aus Mitteldeutschland}, edited by F. Plewka et al., Strube Verlag, 2012.
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[23]
2011 | Book | LibreCat-ID: 47382
Berndt, Axel. Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken. Verlag Dr. Hut, 2011.
LibreCat
 
[22]
2011 | Conference Paper | LibreCat-ID: 47385
Berndt, Axel. “Musical Tempo Curves.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. Clarke et al., International Computer Music Association, University of Huddersfield, 2011, pp. 118–121.
LibreCat
 
[21]
2011 | Conference Paper | LibreCat-ID: 47388
Hähnel, T., and Axel Berndt. “Studying Interdependencies in Music Performance: An Interactive Tool.” {Proc. of New Interfaces for Musical Expression (NIME) 2011}, University of Oslo, Norwegian Academy of Music, 2011, pp. 48–51.
LibreCat
 
[20]
2011 | Conference Paper | LibreCat-ID: 47387
Hähnel, T., and Axel Berndt. “Eighth-Notes Performances: Kinds of Inégalité.” {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, ACM SIGCHI, 2011, pp. 75–81.
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[19]
2011 | Conference Paper | LibreCat-ID: 47386
Berndt, Axel. “Der Computer Als Komponist Und Interpret Der Zukunft?” {Meeting of the Gesellschaft Für Informatik (GI)}, 2011.
LibreCat
 
[18]
2011 | Book Chapter | LibreCat-ID: 47393
Berndt, Axel. “Diegetic Music: New Interactive Experiences.” {Game Sound Technology and Player Interaction: Concepts and Developments}, edited by M. Grimshaw, IGI Global, 2011, pp. 60–76.
LibreCat
 
[17]
2010 | Conference Paper | LibreCat-ID: 47389
Berndt, Axel, and T. Hähnel. “Modelling Musical Dynamics.” {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, ACM, 2010, pp. 134–141.
LibreCat
 
[16]
2010 | Conference Paper | LibreCat-ID: 47390
Hähnel, T., and Axel Berndt. “Synthetic and Pseudo-Synthetic Music Performances: An Evaluation.” {Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}, 2010.
LibreCat
 
[15]
2010 | Conference Paper | LibreCat-ID: 47392
Berndt, Axel. “Decentralizing Music, Its Performance, and Processing.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. Schedel and D. Weymouth, International Computer Music Association, Stony Brook University, 2010, pp. 381–388.
LibreCat
 
[14]
2010 | Conference Paper | LibreCat-ID: 47391
Hähnel, T., and Axel Berndt. “Expressive Articulation for Synthetic Music Performances.” {Proc. of New Interfaces for Musical Expression (NIME) 2010}, University of Technology Sydney, 2010, pp. 277–282.
LibreCat
 
[13]
2009 | Conference Paper | LibreCat-ID: 47397
Berndt, Axel. “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance.” Interactive Digital Storytelling (ICIDS) 2008, 2009.
LibreCat
 
[12]
2009 | Conference Paper | LibreCat-ID: 47396
Berndt, Axel. “Musical Nonlinearity in Interactive Narrative Environments.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by G. Scavone et al., International Computer Music Association, Schulich School of Music/McGill University, 2009, pp. 355–358.
LibreCat
 
[11]
2009 | Conference Paper | LibreCat-ID: 47395
Berndt, Axel, and T. Hähnel. “Expressive Musical Timing.” {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, Glasgow Caledonian University, Interactive Institute/Sonic Studio Piteå, 2009, pp. 9–16.
LibreCat
 
[10]
2009 | Conference Paper | LibreCat-ID: 47394
Berndt, Axel, and T. Hähnel. “Der Computer Als Interpret.” {Gespräche Um Telemann}, 2009.
LibreCat
 
[9]
2008 | Conference Paper | LibreCat-ID: 47398
Berndt, Axel, and H. Theisel. “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance.” {Interactive Digital Storytelling (ICIDS) 2008}, edited by U. Spierling and N. Szilas, Springer, 2008, pp. 132–143.
LibreCat
 
[8]
2008 | Conference Paper | LibreCat-ID: 47400
Stockmann, L., et al. “A Musical Instrument Based on Interactive Sonification Techniques.” {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, Interactive Institute/Sonic Studio Piteå, 2008, pp. 72–79.
LibreCat
 
[7]
2008 | Conference Paper | LibreCat-ID: 47399
Berndt, Axel, and K. Hartmann. “The Functions of Music in Interactive Media.” {Interactive Digital Storytelling (ICIDS) 2008}, edited by U. Spierling and N. Szilas, Springer, 2008, pp. 126–131.
LibreCat
 
[6]
2008 | Book | LibreCat-ID: 47404
Berndt, Axel. Liturgie Für Bläser. Musikverlag Bruno Uetz, 2008.
LibreCat
 
[5]
2007 | Conference Paper | LibreCat-ID: 47402
Hartmann, K., et al. “Interactive Data Mining & Machine Learning Techniques for Musicology.” {Conf. on Interdisciplinary Musicology 2007 (CIM07)}, 2007.
LibreCat
 
[4]
2007 | Conference Paper | LibreCat-ID: 47403
Berndt, Axel, and K. Hartmann. “Audio-Interactive Counterpoint.” {Sound, Music and the Moving Image}, 2007.
LibreCat
 
[3]
2007 | Conference Paper | LibreCat-ID: 47401
Berndt, Axel, and K. Hartmann. “Strategies for Narrative and Adaptive Game Scoring.” {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}, Fraunhofer IDMT, Interactive Institute/Sonic Studio Piteå, 2007, pp. 141–147.
LibreCat
 
[2]
2006 | Conference Paper | LibreCat-ID: 47413
Berndt, Axel, et al. “Composition and Arrangement Techniques for Music in Interactive Immersive Environments.” {Audio Mostly 2006: A Conf. on Sound in Games}, Interactive Institute/Sonic Studio, 2006, pp. 53–59.
LibreCat
 
[1]
2006 | Mastersthesis | LibreCat-ID: 47412
Berndt, Axel. Repräsentation musikalischer Metainformationen. Otto-von-Guericke University, Department of Simulation and Graphics, 2006.
LibreCat
 
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