Axel Berndt

Fakultät für Kulturwissenschaften
Musikwissenschaftliches Seminar Detmold/Paderborn
Modellierung vernetzter virtueller Datenräume (im Bereich Musik und Medien) (Berndt)
axel.berndt@uni-paderborn.de
ID
55565

104 Publications

Mark all

[104]
2025 | Journal Article | LibreCat-ID: 59749
Balke, Stefan, et al. “ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research.” Transactions of the International Society for Music Information Retrieval, vol. 8, no. 1, Ubiquity Press, Ltd., 2025, pp. 39–54, doi:10.5334/tismir.252.
LibreCat | DOI
 
[103]
2025 | Conference Paper | LibreCat-ID: 58555
Berndt, Axel. “Deconstruction – Recombination – Order: Ein Kurzer Werkstattbericht.” {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}, 2025.
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[102]
2025 | Conference Paper | LibreCat-ID: 59783
Mauro, D. A., et al. “Detmold Musical Instrument Timbre Explorer (DmITE): Interactive Visualization of Musical Instruments Radiation Pattern Using IEEE 1599.” AM.ICAD: Audio Mostly & ICAD Joint Conf., ACM, 2025.
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[101]
2025 | Conference Paper | LibreCat-ID: 59748
Grothe, T., et al. “Detmold Interactive Musical Instrument Timbre Explorer (DmITE) - a Web Application for Experimental Learning in Musical Acoustics.” DAS/DAGA 2025 – 51st Annual Meeting on Acoustics, 2025.
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[100]
2025 | Conference Paper | LibreCat-ID: 59782
Kallionpää, M., et al. “Non/Repeat: Three Case Studies of Non-Linear Live-Music Practices.” AM.ICAD: Audio Mostly & ICAD Joint Conf., ACM, 2025.
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[99]
2025 | Conference Paper | LibreCat-ID: 59750
Mauro, D. A., and Axel Berndt. “Automatic Rendering of Ramati’s Ludus Musicalis Scores.” 22nd Sound and Music Computing Conf. (SMC 2025), Auditory Landscapes, 2025.
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[98]
2025 | Conference Paper | LibreCat-ID: 60759
Berndt, Axel, et al. “KreativInstitut.OWL: An Interdisciplinary Institute for Transfer Between Science, Cultural and Creative Industries.” {Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}, Gesellschaft für Informatik, 2025.
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[97]
2024 | Conference Paper | LibreCat-ID: 58550
Berndt, Axel. “Auditory Pointers: Spatial Navigation with Sounds.” {Forschungskolloquium Zur Audiokommunikation}, 2024.
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[96]
2024 | Conference Paper | LibreCat-ID: 58553
Berndt, Axel, and S. Waloschek. “FlowScore: MEI Streaming to Digital Music Stands.” {Edirom Summer School 2024}, 2024.
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[95]
2024 | Conference Paper | LibreCat-ID: 52514
Berndt, Axel. “Mozart-Dekonstruktionen: Genese Einer KI-Generierten Konzertmusik.” {Digitale Methoden in Den Geisteswissenschaften. Herausforderungen Und Chancen}, 2024.
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[94]
2024 | Conference Paper | LibreCat-ID: 54247
Berndt, Axel, and Dario A. Mauro. “Arpeggiatorum: An Audio Controllable MIDI Arpeggiator.” Proceedings of the Sound and Music Computing Conference (SMC) 2024, Sound and Music Computing Network / Universidade do Porto, 2024.
LibreCat
 
[93]
2024 | Conference Paper | LibreCat-ID: 58552
Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and Its Potential for Ethnomusicology.” {Diskografentag: International Conference on Recorded Music}, 2024.
LibreCat
 
[92]
2024 | Conference Paper | LibreCat-ID: 58554
Berndt, Axel, and Andreas Münzmay. Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze. 2024.
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[91]
2024 | Conference Paper | LibreCat-ID: 58551
Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” {DAGA 2024 – 50. Jahrestagung Für Akustik}, 2024.
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[90]
2023 | Conference Paper | LibreCat-ID: 47316
Nowakowski, Michał, et al. “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing.” {Encoding Cultures—Joint MEC and TEI Conference 2023}, 2023.
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[89]
2023 | Conference Paper | LibreCat-ID: 47317
Berndt, Axel. “Three Experiments with AI Music Generation.” {Deconstruction; Order. Mozart?}, 2023.
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[88]
2023 | Book Chapter | LibreCat-ID: 47321
Berndt, Axel. “Meditation.” {Das Gehört Zusammen: Bläserheft Zum Landesposaunentag Wolfenbüttel 2023}, edited by S. Harras et al., Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, 2023, pp. 30–31.
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[87]
2023 | Book Chapter | LibreCat-ID: 47320
Berndt, Axel. “Der Tag, Mein Gott, Ist Nun Vergangen.” {Zwischentöne 2: Bläsermusik Zwischen Himmel Und Erde}, edited by K.-P. Diehl et al., CVJM-Westbund e.V., 2023, pp. 119–121.
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[86]
2023 | Conference Paper | LibreCat-ID: 47322
Nowakowski, Michał, et al. “Forschungsperspektiven Zur Interaktion Mit Musiknotation.” {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}, 2023.
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[85]
2023 | Conference Paper | LibreCat-ID: 47319
Berndt, Axel. “Interpretationsbeschreibung Und -Analyse Mittels Music Performance Markup (MPM).” {Methoden Softwaregestützter Interpretationsforschung}, 2023.
LibreCat
 
[84]
2023 | Conference Paper | LibreCat-ID: 50434
Nowakowski, Michał, et al. “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing.” {Encoding Cultures—Joint MEC and TEI Conference 2023}, 2023.
LibreCat
 
[83]
2023 | Conference Paper | LibreCat-ID: 50433
Kallionpaa, M., et al. “Sonification as a Composition Technique and Means of Artistic Expression.” {XXV Generative Art 2023}, 2023, pp. 199–207.
LibreCat
 
[82]
2023 | Conference Paper | LibreCat-ID: 50432
Berndt, Axel. “MPM Toolbox: Eine Software Zur Analyse Und Kreativen Erstellung Musikalischer Interpretationen.” {Netzwerk Lunch}, 2023.
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[81]
2023 | Conference Paper | LibreCat-ID: 50435
Berndt, Axel. “Three Experiments with AI Music Generation.” {Deconstruction; Order. Mozart?}, 2023.
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[80]
2023 | Misc | LibreCat-ID: 47318 | OA
Münzmay, Andreas, and Axel Berndt. Was Ist Eine Interpretationsedition? Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.
LibreCat | Download (ext.)
 
[79]
2022 | Conference Paper | LibreCat-ID: 47324
Berndt, Axel. “Musik Vom Computer: Eine Entdeckungsreise in Die Welt Der Generativen Musik.” {Data Society. Chancen – Verantwortung – Innovationen}, 2022.
LibreCat
 
[78]
2022 | Conference Paper | LibreCat-ID: 47323
Berndt, Axel. “Modellbasierte Beschreibung Musikalischer Interpretationen.” Forschungskolloquium, 2022.
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[77]
2022 | Conference Paper | LibreCat-ID: 47325
Berndt, Axel. “Music Performance Markup (MPM): Einführung in Die Beschreibung Musikalischer Interpretationen.” {Edirom Summer School 2022}, 2022.
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[76]
2022 | Conference Paper | LibreCat-ID: 47328
Berndt, Axel. “Encoding Musical Performances.” {Music Encoding Conference}, 2022, pp. 167–169.
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[75]
2022 | Book Chapter | LibreCat-ID: 47326
Berndt, Axel. “Herr Christ, Der Einig Gotts Sohn.” {Der Tag Ist Nicht Mehr Fern: Bläsermusik Zum Weihnachtsfestkreis}, edited by F. Plewka, Strube Verlag, 2022, pp. 88–89.
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[74]
2022 | Conference Paper | LibreCat-ID: 47327
Plaksin, Anna Viktoria Katrin, et al. “Sharing MEI: Common Semantics in Diverse Musics?” {Music Encoding Conference}, 2022, pp. 157–161.
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[73]
2021 | Book Chapter | LibreCat-ID: 47331
Berndt, Axel. “Morgenglanz Der Ewigkeit.” {Gott Danken Ist Freude, Band IV}, edited by M. Döhler et al., Sächsische Posaunenmission, 2021, pp. 187–188.
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[72]
2021 | Conference Paper | LibreCat-ID: 47329
Berndt, Axel. “The Music Performance Markup Format and Ecosystem.” {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}, 2021.
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[71]
2021 | Conference Paper | LibreCat-ID: 47330
Berndt, Axel. “Music Performance Markup: Format and Software Tools Report.” {Music Encoding Conference}, 2021, pp. 57–63.
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[70]
2021 | Book Chapter | LibreCat-ID: 47332
Berndt, Axel. “Meditation.” {Gott Danken Ist Freude, Band IV}, edited by M. Döhler et al., Sächsische Posaunenmission, 2021, pp. 88–89.
LibreCat
 
[69]
2020 | Conference Paper | LibreCat-ID: 47334
Berndt, Axel, et al. “Inside Beethoven! A Musical Installation for a New Listening Perspective.” {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}, edited by K. Groß-Vogt, ACM, 2020, pp. 245–248.
LibreCat
 
[68]
2020 | Book Chapter | LibreCat-ID: 47335
Berndt, Axel. “Lob Gott Getrost Mit Singen.” {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}, edited by C. Kornmaul, Posaunendienst in der Lippischen Landeskirche, 2020, pp. 64–67.
LibreCat
 
[67]
2020 | Conference Paper | LibreCat-ID: 47333
Berndt, Axel. “Music Performance Markup (MPM): Einführung in Die Beschreibung Musikalischer Interpretationen.” {Edirom Summer School 2020}, 2020.
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[66]
2019 | Book | LibreCat-ID: 47336
Berndt, Axel, and Joachim Veit. Inside Beethoven! Das Begehbare Ensemble - Begleitpublikation Zur Klanginstallation Der Hochschule Für Musik Detmold Zum Septett Op. 20 Und Trio Op. 38 (Mit CD). Beethoven-Haus Bonn, 2019.
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[65]
2019 | Conference Paper | LibreCat-ID: 47338
Waloschek, S., et al. “A Showcase of New MEI Tools.” {Music Encoding Conference}, 2019.
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[64]
2019 | Book Chapter | LibreCat-ID: 47337
Berndt, Axel. “Adaptive Game Scoring with Ambient Music.” Music Beyond Airports: Apraising Ambient Music, edited by M. Adkins and S. Cummings, University of Huddersfield Press, 2019, pp. 197–226.
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[63]
2018 | Conference Paper | LibreCat-ID: 47344
Berndt, Axel. “Interactive Media Scoring with Ambient Music.” {Ambient@40}, 2018.
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[62]
2018 | Conference Paper | LibreCat-ID: 47342
Berndt, Axel, et al. “Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and Its Applications.” {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}, ACM, 2018.
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[61]
2018 | Conference Paper | LibreCat-ID: 47343
Waloschek, S., et al. “Score and Sound-Based Interface for Exploring Music Performances.” {Interdisciplinary Workshop on Timbre 2018}, 2018.
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[60]
2018 | Conference Paper | LibreCat-ID: 47341
Berndt, Axel. “Digital Sounds Im Future Marketing: So Klingt Die Zukunft.” {CEBIT 2018 Panel Discussion}, 2018.
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[59]
2018 | Conference Paper | LibreCat-ID: 47347
Berndt, Axel. “Musik Im Spiel.” {Kolloquium Zur Musik Des 20. Jahrhunderts}, 2018.
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[58]
2018 | Book Chapter | LibreCat-ID: 47345
Berndt, Axel, and Benjamin W. Bohl. “Music Performance Markup: Formale Beschreibung Musikalischer Interpretationen.” Internationales Jahrbuch Für Editionswissenschaft, edited by R. Nutt-Kofoth and B. Plachta, vol. 32, De Gruyter, 2018.
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[57]
2018 | Book Chapter | LibreCat-ID: 47340
Berndt, Axel, and Benjamin W. Bohl. “Music Performance Markup: Formale Beschreibung Musikalischer Interpretationen.” International Yearbook of Scholarly Editing, edited by R. Nutt-Kofoth and B. Plachta, vol. 32, De Gruyter, 2018, pp. 185–204.
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[56]
2018 | Conference Paper | LibreCat-ID: 47346
Berndt, Axel, and Benjamin W. Bohl. “Formale Beschreibung Musikalischer Interpretationen.” Aufführung Und Edition 2018, 17. Int. Tagung Der Arbeitsgemeinschaft Für Germanistische Edition, 2018.
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[55]
2017 | Conference Paper | LibreCat-ID: 47350
Berndt, Axel, et al. “Musikeditionen Zum Klingen Bringen.” {Edirom Summer School 2017}, 2017.
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[54]
2017 | Conference Paper | LibreCat-ID: 47349
Berndt, Axel. “Herausforderungen Der Editorischen Erschließung Auditiver Objekte.” {Projekt Sprechmaschine Workshop: Wo Liegt Der Mehrwert Digitaler Ausstellungen Für Universitäre Sammlungen?}, 2017.
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[53]
2017 | Journal Article | LibreCat-ID: 47348
Berndt, Axel, et al. “The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra.” {Computer Music Journal}, vol. 41, no. 4, MIT Press, 2017, pp. 32–44.
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[52]
2017 | Conference Paper | LibreCat-ID: 47351
Peschke, J., and Axel Berndt. “The Geometric Oscillator: Sound Synthesis with Cyclic Shapes.” {Audio Mostly 2017: 12th Conf. on Interaction with Sound—Augmented and Participatory Sound/Music Experiences}, ACM, 2017.
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[51]
2017 | Conference Paper | LibreCat-ID: 47352
Mexin, Y., et al. “Tools for Annotating Musical Measures in Digital Music Editions.” {14th Sound and Music Computing Conf.\ (SMC-17)}, 2017.
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[50]
2017 | Book Chapter | LibreCat-ID: 47354
Berndt, Axel. “Generative Musik Als Werkzeug in Der Musikwissenschaft.” {Vom Umgang Mit Telemanns Werken Einst Und Jetzt. Telemannrezeption in Drei Jahrhunderten. Bericht Über Die Wissenschaftliche Konferenz, Magdeburg, 15. Und 16. März 2012, Anlässlich Der 21. Magdeburger Telemann-Festtage}, edited by C. Lange and B. Reipsch, Olms Verlag, 2017, pp. 305–326.
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[49]
2017 | Conference Paper | LibreCat-ID: 47353
Berndt, Axel, et al. “AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games.” {Proc. of New Interfaces for Musical Expression (NIME) 2017}, Aalborg University Copenhagen, 2017.
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[48]
2016 | Conference Paper | LibreCat-ID: 47357
Berndt, Axel, et al. “Hand Gestures in Music Production.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by H. Timmermans, International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek, 2016.
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[47]
2016 | Book Chapter | LibreCat-ID: 47359
Bohl, Benjamin W., et al. “Dem Igel Sitte Lehren … Musikedition: Von Der Digitalen Verfügbarkeit Zur Aktiven Nutzung.” Ei, Dem Alten Herrn Zoll’ Ich Achtung Gern’ Festschrift Für Joachim Veit Zum 60. Geburtstag}, edited by K. Richts and P. Stadler, Allitera Verlag, 2016, pp. 141–163.
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[46]
2016 | Conference Paper | LibreCat-ID: 47356
Waloschek, S., et al. “Interactive Scores in Classical Music Production.” Proc. of the 17th Int. Society for Music Information Retrieval Conference (ISMIR) 2016, edited by M. Mandel, Int. Society for Music Information Retrieval, 2016.
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[45]
2016 | Conference Paper | LibreCat-ID: 47360
Bohl, Benjamin W., et al. “Formate Als Sackgassen: Handlungsempfehlungen.” DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities Als Fachübergreifendes Forschungsparadigma, Nisaba Verlag, 2016.
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[44]
2016 | Conference Paper | LibreCat-ID: 47355
Waloschek, S., et al. “Accelerating the Editing Phase in Music Productions Using Interactive Scores.” Proc. of the 2nd AES Workshop on Intelligent Music Production, Audio Engineering Society (AES), 2016.
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[43]
2016 | Conference Paper | LibreCat-ID: 47358
Berndt, Axel, and Benjamin W. Bohl. “XML Music Performance Description.” Music Encoding Conference 2016, edited by G. Di Bacco et al., Music Encoding Initiative, 2016, pp. 91–94.
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[42]
2015 | Conference Paper | LibreCat-ID: 47369
Berndt, Axel, et al. “Gedanken Zur Nutzung von Handgesten in Der Musikproduktion.” {Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}, edited by A. Schmidt et al., Oldenbourg Wissenschaftsverlag, 2015, pp. 247–252.
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[41]
2015 | Book Chapter | LibreCat-ID: 47363
Al-Kassab, N., and Axel Berndt. “TouchNoise: A Multitouch Noise Instrument.” {Works in Audio and Music Technology}, edited by A. Berndt, TUDpress, 2015, pp. 31–57.
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[40]
2015 | Conference Paper | LibreCat-ID: 47370
Hadjakos, A., et al. “Synchronizing Spatially Distributed Musical Ensembles.” {12th Sound and Music Computing Conf.\ (SMC15)}, 2015.
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[39]
2015 | Book | LibreCat-ID: 47361
Berndt, Axel. Works in Audio and Music Technology. TUDpress, 2015.
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[38]
2015 | Book Chapter | LibreCat-ID: 47368
Berndt, Axel, et al. “Vocalmetrics. Ein Software-Tool Für Das Visualisieren, Das Rating Und Den Vergleich von Musik-Datensätzen.” {Musikpsychologie – Anwendungsorientierte Forschung}, edited by W. Auhagen et al., Hogrefe Verlag, 2015, pp. 254–262.
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[37]
2015 | Book Chapter | LibreCat-ID: 47366
Berndt, Axel, and T. Hähnel. “Studying Music Performance and Perception via Interaction.” {Works in Audio and Music Technology}, edited by A. Berndt, TUDpress, 2015, pp. 129–153.
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[36]
2015 | Book Chapter | LibreCat-ID: 47365
Berndt, Axel. “Formalizing Expressive Music Performance Phenomena.” {Works in Audio and Music Technology}, edited by A. Berndt, TUDpress, 2015, pp. 97–128.
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[35]
2015 | Conference Paper | LibreCat-ID: 47371
Berndt, Axel, et al. “TouchNoise: A New Multitouch Interface for Creative Work with Noise.” {Audio Mostly 2015: 10th Conf. on Interaction with Sound—Sound, Semantics and Social Interaction}, ACM, 2015.
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[34]
2015 | Conference Paper | LibreCat-ID: 47372
Berndt, Axel, and Stefan H. Menges. “Musizieren Mit Dem Computer.” 21. Schulinformatiktag, 2015.
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[33]
2014 | Conference Paper | LibreCat-ID: 47373
Schönfeld, F., et al. “Vocalmetrics: An Interactive Software for Visualization and Classification of Music.” {Audio Mostly 2014: 9th Conf. on Interaction with Sound—Imagining Sound and Music}, ACM, 2014.
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[32]
2014 | Book Chapter | LibreCat-ID: 47375
Berndt, Axel. “Ambiente Musik Zur Vertonung Immersiver Interaktiver Medien.” {Jahrbuch Immersiver Medien 2014: Klänge, Musik Und Soundscapes}, edited by Institut für immersive Medien, Schüren Verlag, 2014, pp. 95–105.
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[31]
2014 | Conference Paper | LibreCat-ID: 47374
Berndt, Axel, et al. “TouchNoise: A Particle-Based Multitouch Noise Modulation Interface.” {Proc. of New Interfaces for Musical Expression (NIME) 2014}, Goldsmiths, University of London, 2014, pp. 323–326.
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[30]
2013 | Conference Paper | LibreCat-ID: 47377
de Almeida Madeira Clemente, M., et al. “New Perspectives on Interactivity in Project Management Tools.” {HCI International 2013—Posters’ Extended Abstracts}, edited by C. Stephanidis, vol. 374, Springer Verlag, 2013, pp. 484–488.
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[29]
2013 | Conference Paper | LibreCat-ID: 47376
Lorenz, R., et al. “Designing Auditory Pointers.” {Audio Mostly 2013: 8th Conf. on Interaction with Sound—Sound for Information and Intuition}, ACM, 2013.
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[28]
2013 | Journal Article | LibreCat-ID: 47378
Berndt, Axel. “Im Dialog Mit Musik: Zur Rolle Der Musik in Computerspielen.” {Kieler Beiträge Zur Filmmusikforschung}, vol. 9, 2013, pp. 293–323.
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[27]
2012 | Conference Paper | LibreCat-ID: 47381
Berndt, Axel. “Variance in Repetitive Games Music.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. M. Marolt et al., International Computer Music Association, University of Ljubljana, 2012, pp. 412–415.
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[26]
2012 | Conference Paper | LibreCat-ID: 47380
Berndt, Axel, et al. “A Survey of Variation Techniques for Repetitive Games Music.” {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, ACM SIGCHI, 2012, pp. 61–67.
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[25]
2012 | Conference Paper | LibreCat-ID: 47379
Berndt, Axel. “Im Dialog Mit Musik: Zur Rolle Der Musik in Computerspielen.” 7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik, Kieler Gesellschaft für Filmmusikforschung, 2012.
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[24]
2012 | Book Chapter | LibreCat-ID: 47384
Berndt, Axel. “Nun Sich Der Tag Geendet Hat.” {Musik Aus Mitteldeutschland}, edited by F. Plewka et al., Strube Verlag, 2012.
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[23]
2011 | Book | LibreCat-ID: 47382
Berndt, Axel. Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken. Verlag Dr. Hut, 2011.
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[22]
2011 | Conference Paper | LibreCat-ID: 47385
Berndt, Axel. “Musical Tempo Curves.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. Clarke et al., International Computer Music Association, University of Huddersfield, 2011, pp. 118–121.
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[21]
2011 | Conference Paper | LibreCat-ID: 47388
Hähnel, T., and Axel Berndt. “Studying Interdependencies in Music Performance: An Interactive Tool.” {Proc. of New Interfaces for Musical Expression (NIME) 2011}, University of Oslo, Norwegian Academy of Music, 2011, pp. 48–51.
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[20]
2011 | Conference Paper | LibreCat-ID: 47387
Hähnel, T., and Axel Berndt. “Eighth-Notes Performances: Kinds of Inégalité.” {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, ACM SIGCHI, 2011, pp. 75–81.
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[19]
2011 | Conference Paper | LibreCat-ID: 47386
Berndt, Axel. “Der Computer Als Komponist Und Interpret Der Zukunft?” {Meeting of the Gesellschaft Für Informatik (GI)}, 2011.
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[18]
2011 | Book Chapter | LibreCat-ID: 47393
Berndt, Axel. “Diegetic Music: New Interactive Experiences.” {Game Sound Technology and Player Interaction: Concepts and Developments}, edited by M. Grimshaw, IGI Global, 2011, pp. 60–76.
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[17]
2010 | Conference Paper | LibreCat-ID: 47389
Berndt, Axel, and T. Hähnel. “Modelling Musical Dynamics.” {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, ACM, 2010, pp. 134–141.
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[16]
2010 | Conference Paper | LibreCat-ID: 47390
Hähnel, T., and Axel Berndt. “Synthetic and Pseudo-Synthetic Music Performances: An Evaluation.” {Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}, 2010.
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[15]
2010 | Conference Paper | LibreCat-ID: 47392
Berndt, Axel. “Decentralizing Music, Its Performance, and Processing.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. Schedel and D. Weymouth, International Computer Music Association, Stony Brook University, 2010, pp. 381–388.
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[14]
2010 | Conference Paper | LibreCat-ID: 47391
Hähnel, T., and Axel Berndt. “Expressive Articulation for Synthetic Music Performances.” {Proc. of New Interfaces for Musical Expression (NIME) 2010}, University of Technology Sydney, 2010, pp. 277–282.
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[13]
2009 | Conference Paper | LibreCat-ID: 47397
Berndt, Axel. “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance.” Interactive Digital Storytelling (ICIDS) 2008, 2009.
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[12]
2009 | Conference Paper | LibreCat-ID: 47396
Berndt, Axel. “Musical Nonlinearity in Interactive Narrative Environments.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by G. Scavone et al., International Computer Music Association, Schulich School of Music/McGill University, 2009, pp. 355–358.
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[11]
2009 | Conference Paper | LibreCat-ID: 47395
Berndt, Axel, and T. Hähnel. “Expressive Musical Timing.” {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, Glasgow Caledonian University, Interactive Institute/Sonic Studio Piteå, 2009, pp. 9–16.
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[10]
2009 | Conference Paper | LibreCat-ID: 47394
Berndt, Axel, and T. Hähnel. “Der Computer Als Interpret.” {Gespräche Um Telemann}, 2009.
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[9]
2008 | Conference Paper | LibreCat-ID: 47398
Berndt, Axel, and H. Theisel. “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance.” {Interactive Digital Storytelling (ICIDS) 2008}, edited by U. Spierling and N. Szilas, Springer, 2008, pp. 132–143.
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[8]
2008 | Conference Paper | LibreCat-ID: 47400
Stockmann, L., et al. “A Musical Instrument Based on Interactive Sonification Techniques.” {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, Interactive Institute/Sonic Studio Piteå, 2008, pp. 72–79.
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[7]
2008 | Conference Paper | LibreCat-ID: 47399
Berndt, Axel, and K. Hartmann. “The Functions of Music in Interactive Media.” {Interactive Digital Storytelling (ICIDS) 2008}, edited by U. Spierling and N. Szilas, Springer, 2008, pp. 126–131.
LibreCat
 
[6]
2008 | Book | LibreCat-ID: 47404
Berndt, Axel. Liturgie Für Bläser. Musikverlag Bruno Uetz, 2008.
LibreCat
 
[5]
2007 | Conference Paper | LibreCat-ID: 47402
Hartmann, K., et al. “Interactive Data Mining & Machine Learning Techniques for Musicology.” {Conf. on Interdisciplinary Musicology 2007 (CIM07)}, 2007.
LibreCat
 
[4]
2007 | Conference Paper | LibreCat-ID: 47403
Berndt, Axel, and K. Hartmann. “Audio-Interactive Counterpoint.” {Sound, Music and the Moving Image}, 2007.
LibreCat
 
[3]
2007 | Conference Paper | LibreCat-ID: 47401
Berndt, Axel, and K. Hartmann. “Strategies for Narrative and Adaptive Game Scoring.” {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}, Fraunhofer IDMT, Interactive Institute/Sonic Studio Piteå, 2007, pp. 141–147.
LibreCat
 
[2]
2006 | Conference Paper | LibreCat-ID: 47413
Berndt, Axel, et al. “Composition and Arrangement Techniques for Music in Interactive Immersive Environments.” {Audio Mostly 2006: A Conf. on Sound in Games}, Interactive Institute/Sonic Studio, 2006, pp. 53–59.
LibreCat
 
[1]
2006 | Mastersthesis | LibreCat-ID: 47412
Berndt, Axel. Repräsentation musikalischer Metainformationen. Otto-von-Guericke University, Department of Simulation and Graphics, 2006.
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[104]
2025 | Journal Article | LibreCat-ID: 59749
Balke, Stefan, et al. “ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research.” Transactions of the International Society for Music Information Retrieval, vol. 8, no. 1, Ubiquity Press, Ltd., 2025, pp. 39–54, doi:10.5334/tismir.252.
LibreCat | DOI
 
[103]
2025 | Conference Paper | LibreCat-ID: 58555
Berndt, Axel. “Deconstruction – Recombination – Order: Ein Kurzer Werkstattbericht.” {Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”}, 2025.
LibreCat
 
[102]
2025 | Conference Paper | LibreCat-ID: 59783
Mauro, D. A., et al. “Detmold Musical Instrument Timbre Explorer (DmITE): Interactive Visualization of Musical Instruments Radiation Pattern Using IEEE 1599.” AM.ICAD: Audio Mostly & ICAD Joint Conf., ACM, 2025.
LibreCat
 
[101]
2025 | Conference Paper | LibreCat-ID: 59748
Grothe, T., et al. “Detmold Interactive Musical Instrument Timbre Explorer (DmITE) - a Web Application for Experimental Learning in Musical Acoustics.” DAS/DAGA 2025 – 51st Annual Meeting on Acoustics, 2025.
LibreCat
 
[100]
2025 | Conference Paper | LibreCat-ID: 59782
Kallionpää, M., et al. “Non/Repeat: Three Case Studies of Non-Linear Live-Music Practices.” AM.ICAD: Audio Mostly & ICAD Joint Conf., ACM, 2025.
LibreCat
 
[99]
2025 | Conference Paper | LibreCat-ID: 59750
Mauro, D. A., and Axel Berndt. “Automatic Rendering of Ramati’s Ludus Musicalis Scores.” 22nd Sound and Music Computing Conf. (SMC 2025), Auditory Landscapes, 2025.
LibreCat
 
[98]
2025 | Conference Paper | LibreCat-ID: 60759
Berndt, Axel, et al. “KreativInstitut.OWL: An Interdisciplinary Institute for Transfer Between Science, Cultural and Creative Industries.” {Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}, Gesellschaft für Informatik, 2025.
LibreCat
 
[97]
2024 | Conference Paper | LibreCat-ID: 58550
Berndt, Axel. “Auditory Pointers: Spatial Navigation with Sounds.” {Forschungskolloquium Zur Audiokommunikation}, 2024.
LibreCat
 
[96]
2024 | Conference Paper | LibreCat-ID: 58553
Berndt, Axel, and S. Waloschek. “FlowScore: MEI Streaming to Digital Music Stands.” {Edirom Summer School 2024}, 2024.
LibreCat
 
[95]
2024 | Conference Paper | LibreCat-ID: 52514
Berndt, Axel. “Mozart-Dekonstruktionen: Genese Einer KI-Generierten Konzertmusik.” {Digitale Methoden in Den Geisteswissenschaften. Herausforderungen Und Chancen}, 2024.
LibreCat
 
[94]
2024 | Conference Paper | LibreCat-ID: 54247
Berndt, Axel, and Dario A. Mauro. “Arpeggiatorum: An Audio Controllable MIDI Arpeggiator.” Proceedings of the Sound and Music Computing Conference (SMC) 2024, Sound and Music Computing Network / Universidade do Porto, 2024.
LibreCat
 
[93]
2024 | Conference Paper | LibreCat-ID: 58552
Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and Its Potential for Ethnomusicology.” {Diskografentag: International Conference on Recorded Music}, 2024.
LibreCat
 
[92]
2024 | Conference Paper | LibreCat-ID: 58554
Berndt, Axel, and Andreas Münzmay. Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze. 2024.
LibreCat
 
[91]
2024 | Conference Paper | LibreCat-ID: 58551
Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” {DAGA 2024 – 50. Jahrestagung Für Akustik}, 2024.
LibreCat
 
[90]
2023 | Conference Paper | LibreCat-ID: 47316
Nowakowski, Michał, et al. “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing.” {Encoding Cultures—Joint MEC and TEI Conference 2023}, 2023.
LibreCat
 
[89]
2023 | Conference Paper | LibreCat-ID: 47317
Berndt, Axel. “Three Experiments with AI Music Generation.” {Deconstruction; Order. Mozart?}, 2023.
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[88]
2023 | Book Chapter | LibreCat-ID: 47321
Berndt, Axel. “Meditation.” {Das Gehört Zusammen: Bläserheft Zum Landesposaunentag Wolfenbüttel 2023}, edited by S. Harras et al., Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, 2023, pp. 30–31.
LibreCat
 
[87]
2023 | Book Chapter | LibreCat-ID: 47320
Berndt, Axel. “Der Tag, Mein Gott, Ist Nun Vergangen.” {Zwischentöne 2: Bläsermusik Zwischen Himmel Und Erde}, edited by K.-P. Diehl et al., CVJM-Westbund e.V., 2023, pp. 119–121.
LibreCat
 
[86]
2023 | Conference Paper | LibreCat-ID: 47322
Nowakowski, Michał, et al. “Forschungsperspektiven Zur Interaktion Mit Musiknotation.” {Digital Humanities Im Deutschsprachigen Raum (DHd): Open Humanities, Open Culture}, 2023.
LibreCat
 
[85]
2023 | Conference Paper | LibreCat-ID: 47319
Berndt, Axel. “Interpretationsbeschreibung Und -Analyse Mittels Music Performance Markup (MPM).” {Methoden Softwaregestützter Interpretationsforschung}, 2023.
LibreCat
 
[84]
2023 | Conference Paper | LibreCat-ID: 50434
Nowakowski, Michał, et al. “Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing.” {Encoding Cultures—Joint MEC and TEI Conference 2023}, 2023.
LibreCat
 
[83]
2023 | Conference Paper | LibreCat-ID: 50433
Kallionpaa, M., et al. “Sonification as a Composition Technique and Means of Artistic Expression.” {XXV Generative Art 2023}, 2023, pp. 199–207.
LibreCat
 
[82]
2023 | Conference Paper | LibreCat-ID: 50432
Berndt, Axel. “MPM Toolbox: Eine Software Zur Analyse Und Kreativen Erstellung Musikalischer Interpretationen.” {Netzwerk Lunch}, 2023.
LibreCat
 
[81]
2023 | Conference Paper | LibreCat-ID: 50435
Berndt, Axel. “Three Experiments with AI Music Generation.” {Deconstruction; Order. Mozart?}, 2023.
LibreCat
 
[80]
2023 | Misc | LibreCat-ID: 47318 | OA
Münzmay, Andreas, and Axel Berndt. Was Ist Eine Interpretationsedition? Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.
LibreCat | Download (ext.)
 
[79]
2022 | Conference Paper | LibreCat-ID: 47324
Berndt, Axel. “Musik Vom Computer: Eine Entdeckungsreise in Die Welt Der Generativen Musik.” {Data Society. Chancen – Verantwortung – Innovationen}, 2022.
LibreCat
 
[78]
2022 | Conference Paper | LibreCat-ID: 47323
Berndt, Axel. “Modellbasierte Beschreibung Musikalischer Interpretationen.” Forschungskolloquium, 2022.
LibreCat
 
[77]
2022 | Conference Paper | LibreCat-ID: 47325
Berndt, Axel. “Music Performance Markup (MPM): Einführung in Die Beschreibung Musikalischer Interpretationen.” {Edirom Summer School 2022}, 2022.
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[76]
2022 | Conference Paper | LibreCat-ID: 47328
Berndt, Axel. “Encoding Musical Performances.” {Music Encoding Conference}, 2022, pp. 167–169.
LibreCat
 
[75]
2022 | Book Chapter | LibreCat-ID: 47326
Berndt, Axel. “Herr Christ, Der Einig Gotts Sohn.” {Der Tag Ist Nicht Mehr Fern: Bläsermusik Zum Weihnachtsfestkreis}, edited by F. Plewka, Strube Verlag, 2022, pp. 88–89.
LibreCat
 
[74]
2022 | Conference Paper | LibreCat-ID: 47327
Plaksin, Anna Viktoria Katrin, et al. “Sharing MEI: Common Semantics in Diverse Musics?” {Music Encoding Conference}, 2022, pp. 157–161.
LibreCat
 
[73]
2021 | Book Chapter | LibreCat-ID: 47331
Berndt, Axel. “Morgenglanz Der Ewigkeit.” {Gott Danken Ist Freude, Band IV}, edited by M. Döhler et al., Sächsische Posaunenmission, 2021, pp. 187–188.
LibreCat
 
[72]
2021 | Conference Paper | LibreCat-ID: 47329
Berndt, Axel. “The Music Performance Markup Format and Ecosystem.” {Proc. of the 22nd Int. Society for Music Information Retrieval Conf.\ (ISMIR)}, 2021.
LibreCat
 
[71]
2021 | Conference Paper | LibreCat-ID: 47330
Berndt, Axel. “Music Performance Markup: Format and Software Tools Report.” {Music Encoding Conference}, 2021, pp. 57–63.
LibreCat
 
[70]
2021 | Book Chapter | LibreCat-ID: 47332
Berndt, Axel. “Meditation.” {Gott Danken Ist Freude, Band IV}, edited by M. Döhler et al., Sächsische Posaunenmission, 2021, pp. 88–89.
LibreCat
 
[69]
2020 | Conference Paper | LibreCat-ID: 47334
Berndt, Axel, et al. “Inside Beethoven! A Musical Installation for a New Listening Perspective.” {Audio Mostly 2020: 15th Conf. on Interaction with Sound—Extended Realities}, edited by K. Groß-Vogt, ACM, 2020, pp. 245–248.
LibreCat
 
[68]
2020 | Book Chapter | LibreCat-ID: 47335
Berndt, Axel. “Lob Gott Getrost Mit Singen.” {Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020}, edited by C. Kornmaul, Posaunendienst in der Lippischen Landeskirche, 2020, pp. 64–67.
LibreCat
 
[67]
2020 | Conference Paper | LibreCat-ID: 47333
Berndt, Axel. “Music Performance Markup (MPM): Einführung in Die Beschreibung Musikalischer Interpretationen.” {Edirom Summer School 2020}, 2020.
LibreCat
 
[66]
2019 | Book | LibreCat-ID: 47336
Berndt, Axel, and Joachim Veit. Inside Beethoven! Das Begehbare Ensemble - Begleitpublikation Zur Klanginstallation Der Hochschule Für Musik Detmold Zum Septett Op. 20 Und Trio Op. 38 (Mit CD). Beethoven-Haus Bonn, 2019.
LibreCat
 
[65]
2019 | Conference Paper | LibreCat-ID: 47338
Waloschek, S., et al. “A Showcase of New MEI Tools.” {Music Encoding Conference}, 2019.
LibreCat
 
[64]
2019 | Book Chapter | LibreCat-ID: 47337
Berndt, Axel. “Adaptive Game Scoring with Ambient Music.” Music Beyond Airports: Apraising Ambient Music, edited by M. Adkins and S. Cummings, University of Huddersfield Press, 2019, pp. 197–226.
LibreCat
 
[63]
2018 | Conference Paper | LibreCat-ID: 47344
Berndt, Axel. “Interactive Media Scoring with Ambient Music.” {Ambient@40}, 2018.
LibreCat
 
[62]
2018 | Conference Paper | LibreCat-ID: 47342
Berndt, Axel, et al. “Meico: A Converter Framework for Bridging the Gap between Digital Music Editions and Its Applications.” {Audio Mostly 2018: 13th Conf. on Interaction with Sound—Sound in Immersion and Emotion}, ACM, 2018.
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[61]
2018 | Conference Paper | LibreCat-ID: 47343
Waloschek, S., et al. “Score and Sound-Based Interface for Exploring Music Performances.” {Interdisciplinary Workshop on Timbre 2018}, 2018.
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[60]
2018 | Conference Paper | LibreCat-ID: 47341
Berndt, Axel. “Digital Sounds Im Future Marketing: So Klingt Die Zukunft.” {CEBIT 2018 Panel Discussion}, 2018.
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[59]
2018 | Conference Paper | LibreCat-ID: 47347
Berndt, Axel. “Musik Im Spiel.” {Kolloquium Zur Musik Des 20. Jahrhunderts}, 2018.
LibreCat
 
[58]
2018 | Book Chapter | LibreCat-ID: 47345
Berndt, Axel, and Benjamin W. Bohl. “Music Performance Markup: Formale Beschreibung Musikalischer Interpretationen.” Internationales Jahrbuch Für Editionswissenschaft, edited by R. Nutt-Kofoth and B. Plachta, vol. 32, De Gruyter, 2018.
LibreCat
 
[57]
2018 | Book Chapter | LibreCat-ID: 47340
Berndt, Axel, and Benjamin W. Bohl. “Music Performance Markup: Formale Beschreibung Musikalischer Interpretationen.” International Yearbook of Scholarly Editing, edited by R. Nutt-Kofoth and B. Plachta, vol. 32, De Gruyter, 2018, pp. 185–204.
LibreCat
 
[56]
2018 | Conference Paper | LibreCat-ID: 47346
Berndt, Axel, and Benjamin W. Bohl. “Formale Beschreibung Musikalischer Interpretationen.” Aufführung Und Edition 2018, 17. Int. Tagung Der Arbeitsgemeinschaft Für Germanistische Edition, 2018.
LibreCat
 
[55]
2017 | Conference Paper | LibreCat-ID: 47350
Berndt, Axel, et al. “Musikeditionen Zum Klingen Bringen.” {Edirom Summer School 2017}, 2017.
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[54]
2017 | Conference Paper | LibreCat-ID: 47349
Berndt, Axel. “Herausforderungen Der Editorischen Erschließung Auditiver Objekte.” {Projekt Sprechmaschine Workshop: Wo Liegt Der Mehrwert Digitaler Ausstellungen Für Universitäre Sammlungen?}, 2017.
LibreCat
 
[53]
2017 | Journal Article | LibreCat-ID: 47348
Berndt, Axel, et al. “The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra.” {Computer Music Journal}, vol. 41, no. 4, MIT Press, 2017, pp. 32–44.
LibreCat
 
[52]
2017 | Conference Paper | LibreCat-ID: 47351
Peschke, J., and Axel Berndt. “The Geometric Oscillator: Sound Synthesis with Cyclic Shapes.” {Audio Mostly 2017: 12th Conf. on Interaction with Sound—Augmented and Participatory Sound/Music Experiences}, ACM, 2017.
LibreCat
 
[51]
2017 | Conference Paper | LibreCat-ID: 47352
Mexin, Y., et al. “Tools for Annotating Musical Measures in Digital Music Editions.” {14th Sound and Music Computing Conf.\ (SMC-17)}, 2017.
LibreCat
 
[50]
2017 | Book Chapter | LibreCat-ID: 47354
Berndt, Axel. “Generative Musik Als Werkzeug in Der Musikwissenschaft.” {Vom Umgang Mit Telemanns Werken Einst Und Jetzt. Telemannrezeption in Drei Jahrhunderten. Bericht Über Die Wissenschaftliche Konferenz, Magdeburg, 15. Und 16. März 2012, Anlässlich Der 21. Magdeburger Telemann-Festtage}, edited by C. Lange and B. Reipsch, Olms Verlag, 2017, pp. 305–326.
LibreCat
 
[49]
2017 | Conference Paper | LibreCat-ID: 47353
Berndt, Axel, et al. “AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games.” {Proc. of New Interfaces for Musical Expression (NIME) 2017}, Aalborg University Copenhagen, 2017.
LibreCat
 
[48]
2016 | Conference Paper | LibreCat-ID: 47357
Berndt, Axel, et al. “Hand Gestures in Music Production.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by H. Timmermans, International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek, 2016.
LibreCat
 
[47]
2016 | Book Chapter | LibreCat-ID: 47359
Bohl, Benjamin W., et al. “Dem Igel Sitte Lehren … Musikedition: Von Der Digitalen Verfügbarkeit Zur Aktiven Nutzung.” Ei, Dem Alten Herrn Zoll’ Ich Achtung Gern’ Festschrift Für Joachim Veit Zum 60. Geburtstag}, edited by K. Richts and P. Stadler, Allitera Verlag, 2016, pp. 141–163.
LibreCat
 
[46]
2016 | Conference Paper | LibreCat-ID: 47356
Waloschek, S., et al. “Interactive Scores in Classical Music Production.” Proc. of the 17th Int. Society for Music Information Retrieval Conference (ISMIR) 2016, edited by M. Mandel, Int. Society for Music Information Retrieval, 2016.
LibreCat
 
[45]
2016 | Conference Paper | LibreCat-ID: 47360
Bohl, Benjamin W., et al. “Formate Als Sackgassen: Handlungsempfehlungen.” DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities Als Fachübergreifendes Forschungsparadigma, Nisaba Verlag, 2016.
LibreCat
 
[44]
2016 | Conference Paper | LibreCat-ID: 47355
Waloschek, S., et al. “Accelerating the Editing Phase in Music Productions Using Interactive Scores.” Proc. of the 2nd AES Workshop on Intelligent Music Production, Audio Engineering Society (AES), 2016.
LibreCat
 
[43]
2016 | Conference Paper | LibreCat-ID: 47358
Berndt, Axel, and Benjamin W. Bohl. “XML Music Performance Description.” Music Encoding Conference 2016, edited by G. Di Bacco et al., Music Encoding Initiative, 2016, pp. 91–94.
LibreCat
 
[42]
2015 | Conference Paper | LibreCat-ID: 47369
Berndt, Axel, et al. “Gedanken Zur Nutzung von Handgesten in Der Musikproduktion.” {Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}, edited by A. Schmidt et al., Oldenbourg Wissenschaftsverlag, 2015, pp. 247–252.
LibreCat
 
[41]
2015 | Book Chapter | LibreCat-ID: 47363
Al-Kassab, N., and Axel Berndt. “TouchNoise: A Multitouch Noise Instrument.” {Works in Audio and Music Technology}, edited by A. Berndt, TUDpress, 2015, pp. 31–57.
LibreCat
 
[40]
2015 | Conference Paper | LibreCat-ID: 47370
Hadjakos, A., et al. “Synchronizing Spatially Distributed Musical Ensembles.” {12th Sound and Music Computing Conf.\ (SMC15)}, 2015.
LibreCat
 
[39]
2015 | Book | LibreCat-ID: 47361
Berndt, Axel. Works in Audio and Music Technology. TUDpress, 2015.
LibreCat
 
[38]
2015 | Book Chapter | LibreCat-ID: 47368
Berndt, Axel, et al. “Vocalmetrics. Ein Software-Tool Für Das Visualisieren, Das Rating Und Den Vergleich von Musik-Datensätzen.” {Musikpsychologie – Anwendungsorientierte Forschung}, edited by W. Auhagen et al., Hogrefe Verlag, 2015, pp. 254–262.
LibreCat
 
[37]
2015 | Book Chapter | LibreCat-ID: 47366
Berndt, Axel, and T. Hähnel. “Studying Music Performance and Perception via Interaction.” {Works in Audio and Music Technology}, edited by A. Berndt, TUDpress, 2015, pp. 129–153.
LibreCat
 
[36]
2015 | Book Chapter | LibreCat-ID: 47365
Berndt, Axel. “Formalizing Expressive Music Performance Phenomena.” {Works in Audio and Music Technology}, edited by A. Berndt, TUDpress, 2015, pp. 97–128.
LibreCat
 
[35]
2015 | Conference Paper | LibreCat-ID: 47371
Berndt, Axel, et al. “TouchNoise: A New Multitouch Interface for Creative Work with Noise.” {Audio Mostly 2015: 10th Conf. on Interaction with Sound—Sound, Semantics and Social Interaction}, ACM, 2015.
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[34]
2015 | Conference Paper | LibreCat-ID: 47372
Berndt, Axel, and Stefan H. Menges. “Musizieren Mit Dem Computer.” 21. Schulinformatiktag, 2015.
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[33]
2014 | Conference Paper | LibreCat-ID: 47373
Schönfeld, F., et al. “Vocalmetrics: An Interactive Software for Visualization and Classification of Music.” {Audio Mostly 2014: 9th Conf. on Interaction with Sound—Imagining Sound and Music}, ACM, 2014.
LibreCat
 
[32]
2014 | Book Chapter | LibreCat-ID: 47375
Berndt, Axel. “Ambiente Musik Zur Vertonung Immersiver Interaktiver Medien.” {Jahrbuch Immersiver Medien 2014: Klänge, Musik Und Soundscapes}, edited by Institut für immersive Medien, Schüren Verlag, 2014, pp. 95–105.
LibreCat
 
[31]
2014 | Conference Paper | LibreCat-ID: 47374
Berndt, Axel, et al. “TouchNoise: A Particle-Based Multitouch Noise Modulation Interface.” {Proc. of New Interfaces for Musical Expression (NIME) 2014}, Goldsmiths, University of London, 2014, pp. 323–326.
LibreCat
 
[30]
2013 | Conference Paper | LibreCat-ID: 47377
de Almeida Madeira Clemente, M., et al. “New Perspectives on Interactivity in Project Management Tools.” {HCI International 2013—Posters’ Extended Abstracts}, edited by C. Stephanidis, vol. 374, Springer Verlag, 2013, pp. 484–488.
LibreCat
 
[29]
2013 | Conference Paper | LibreCat-ID: 47376
Lorenz, R., et al. “Designing Auditory Pointers.” {Audio Mostly 2013: 8th Conf. on Interaction with Sound—Sound for Information and Intuition}, ACM, 2013.
LibreCat
 
[28]
2013 | Journal Article | LibreCat-ID: 47378
Berndt, Axel. “Im Dialog Mit Musik: Zur Rolle Der Musik in Computerspielen.” {Kieler Beiträge Zur Filmmusikforschung}, vol. 9, 2013, pp. 293–323.
LibreCat
 
[27]
2012 | Conference Paper | LibreCat-ID: 47381
Berndt, Axel. “Variance in Repetitive Games Music.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. M. Marolt et al., International Computer Music Association, University of Ljubljana, 2012, pp. 412–415.
LibreCat
 
[26]
2012 | Conference Paper | LibreCat-ID: 47380
Berndt, Axel, et al. “A Survey of Variation Techniques for Repetitive Games Music.” {Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}, ACM SIGCHI, 2012, pp. 61–67.
LibreCat
 
[25]
2012 | Conference Paper | LibreCat-ID: 47379
Berndt, Axel. “Im Dialog Mit Musik: Zur Rolle Der Musik in Computerspielen.” 7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik, Kieler Gesellschaft für Filmmusikforschung, 2012.
LibreCat
 
[24]
2012 | Book Chapter | LibreCat-ID: 47384
Berndt, Axel. “Nun Sich Der Tag Geendet Hat.” {Musik Aus Mitteldeutschland}, edited by F. Plewka et al., Strube Verlag, 2012.
LibreCat
 
[23]
2011 | Book | LibreCat-ID: 47382
Berndt, Axel. Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken. Verlag Dr. Hut, 2011.
LibreCat
 
[22]
2011 | Conference Paper | LibreCat-ID: 47385
Berndt, Axel. “Musical Tempo Curves.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. Clarke et al., International Computer Music Association, University of Huddersfield, 2011, pp. 118–121.
LibreCat
 
[21]
2011 | Conference Paper | LibreCat-ID: 47388
Hähnel, T., and Axel Berndt. “Studying Interdependencies in Music Performance: An Interactive Tool.” {Proc. of New Interfaces for Musical Expression (NIME) 2011}, University of Oslo, Norwegian Academy of Music, 2011, pp. 48–51.
LibreCat
 
[20]
2011 | Conference Paper | LibreCat-ID: 47387
Hähnel, T., and Axel Berndt. “Eighth-Notes Performances: Kinds of Inégalité.” {Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}, ACM SIGCHI, 2011, pp. 75–81.
LibreCat
 
[19]
2011 | Conference Paper | LibreCat-ID: 47386
Berndt, Axel. “Der Computer Als Komponist Und Interpret Der Zukunft?” {Meeting of the Gesellschaft Für Informatik (GI)}, 2011.
LibreCat
 
[18]
2011 | Book Chapter | LibreCat-ID: 47393
Berndt, Axel. “Diegetic Music: New Interactive Experiences.” {Game Sound Technology and Player Interaction: Concepts and Developments}, edited by M. Grimshaw, IGI Global, 2011, pp. 60–76.
LibreCat
 
[17]
2010 | Conference Paper | LibreCat-ID: 47389
Berndt, Axel, and T. Hähnel. “Modelling Musical Dynamics.” {Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}, ACM, 2010, pp. 134–141.
LibreCat
 
[16]
2010 | Conference Paper | LibreCat-ID: 47390
Hähnel, T., and Axel Berndt. “Synthetic and Pseudo-Synthetic Music Performances: An Evaluation.” {Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}, 2010.
LibreCat
 
[15]
2010 | Conference Paper | LibreCat-ID: 47392
Berndt, Axel. “Decentralizing Music, Its Performance, and Processing.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by M. Schedel and D. Weymouth, International Computer Music Association, Stony Brook University, 2010, pp. 381–388.
LibreCat
 
[14]
2010 | Conference Paper | LibreCat-ID: 47391
Hähnel, T., and Axel Berndt. “Expressive Articulation for Synthetic Music Performances.” {Proc. of New Interfaces for Musical Expression (NIME) 2010}, University of Technology Sydney, 2010, pp. 277–282.
LibreCat
 
[13]
2009 | Conference Paper | LibreCat-ID: 47397
Berndt, Axel. “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance.” Interactive Digital Storytelling (ICIDS) 2008, 2009.
LibreCat
 
[12]
2009 | Conference Paper | LibreCat-ID: 47396
Berndt, Axel. “Musical Nonlinearity in Interactive Narrative Environments.” {Proc. of the Int. Computer Music Conf.\ (ICMC)}, edited by G. Scavone et al., International Computer Music Association, Schulich School of Music/McGill University, 2009, pp. 355–358.
LibreCat
 
[11]
2009 | Conference Paper | LibreCat-ID: 47395
Berndt, Axel, and T. Hähnel. “Expressive Musical Timing.” {Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}, Glasgow Caledonian University, Interactive Institute/Sonic Studio Piteå, 2009, pp. 9–16.
LibreCat
 
[10]
2009 | Conference Paper | LibreCat-ID: 47394
Berndt, Axel, and T. Hähnel. “Der Computer Als Interpret.” {Gespräche Um Telemann}, 2009.
LibreCat
 
[9]
2008 | Conference Paper | LibreCat-ID: 47398
Berndt, Axel, and H. Theisel. “Adaptive Musical Expression from Automatic Realtime Orchestration and Performance.” {Interactive Digital Storytelling (ICIDS) 2008}, edited by U. Spierling and N. Szilas, Springer, 2008, pp. 132–143.
LibreCat
 
[8]
2008 | Conference Paper | LibreCat-ID: 47400
Stockmann, L., et al. “A Musical Instrument Based on Interactive Sonification Techniques.” {Audio Mostly 2008: 3rd Conf. on Interaction with Sound}, Interactive Institute/Sonic Studio Piteå, 2008, pp. 72–79.
LibreCat
 
[7]
2008 | Conference Paper | LibreCat-ID: 47399
Berndt, Axel, and K. Hartmann. “The Functions of Music in Interactive Media.” {Interactive Digital Storytelling (ICIDS) 2008}, edited by U. Spierling and N. Szilas, Springer, 2008, pp. 126–131.
LibreCat
 
[6]
2008 | Book | LibreCat-ID: 47404
Berndt, Axel. Liturgie Für Bläser. Musikverlag Bruno Uetz, 2008.
LibreCat
 
[5]
2007 | Conference Paper | LibreCat-ID: 47402
Hartmann, K., et al. “Interactive Data Mining & Machine Learning Techniques for Musicology.” {Conf. on Interdisciplinary Musicology 2007 (CIM07)}, 2007.
LibreCat
 
[4]
2007 | Conference Paper | LibreCat-ID: 47403
Berndt, Axel, and K. Hartmann. “Audio-Interactive Counterpoint.” {Sound, Music and the Moving Image}, 2007.
LibreCat
 
[3]
2007 | Conference Paper | LibreCat-ID: 47401
Berndt, Axel, and K. Hartmann. “Strategies for Narrative and Adaptive Game Scoring.” {Audio Mostly 2007: 2nd Conf. on Interaction with Sound}, Fraunhofer IDMT, Interactive Institute/Sonic Studio Piteå, 2007, pp. 141–147.
LibreCat
 
[2]
2006 | Conference Paper | LibreCat-ID: 47413
Berndt, Axel, et al. “Composition and Arrangement Techniques for Music in Interactive Immersive Environments.” {Audio Mostly 2006: A Conf. on Sound in Games}, Interactive Institute/Sonic Studio, 2006, pp. 53–59.
LibreCat
 
[1]
2006 | Mastersthesis | LibreCat-ID: 47412
Berndt, Axel. Repräsentation musikalischer Metainformationen. Otto-von-Guericke University, Department of Simulation and Graphics, 2006.
LibreCat
 
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